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The American University of Rome)
Abstracts (in alphabetical order) 1) Marco Conti, Rome (The American University of Rome) Poetical Technique and Use of Sources in Early Carolingian Court Poetry: the Poems of Paul the Deacon This paper will consist of two parts: 1) A brief examination of the historical-literary motives which caused the rebirth of a Latin Court Poetry in the Carolingian empire in the late eighth century, a rebirth that marked the return to a poetical form, which had been abandoned in Western Europe since the time of Venantius Fortunatus in the Merovingian Court. The rebirth of a Court Poetry required the use of Latin poems as an official medium for the praise of the emperor as well as a means of communication among the members of the court itself. As a consequence, it involved the employment of a specific poetical technique and classical sources to produce poems that were timely and ready to be recited or written in the form of a letter. 2) An examination of some significant sections of the poems of Paul the Deacon, who (together with Peter of Pisa) inaugurated the return of Court Poetry in the Carolingian empire. In the second part of the paper, I will analyse what specific poetical techniques they used and what classical sources to produce poems in a short time and according to necessity and circumstances. Paul the Deacon appears to be key figures in this particular aspect of Carolingian literature as (together with Peter of Pisa) he set the model and template for Carolingian Court Poetry, which will influence all later poets from Alcuin to Walafrid. -
Reference Resources in Irish Literature by JAMES BRACKEN
Choice, Vol. 39, No. 2, 2001, pp.229-242. ISSN: 1523-8253 http://www.ala.org/ http://www.cro2.org/default.aspx Copyright © 2001American Library Association. BIBLIOGRAPHIC ESSAY Reference Resources in Irish Literature BY JAMES BRACKEN James Bracken is acting assistant director for Main Library Research and Reference Services at Ohio State University. The recent publication of Nobel laureate Seamus Heaney's Beowulf: A New Verse Translation suggests some of the difficulties in attempting to distinguish an Irish identity in English literature. This Beowulf can be interpreted as a clever trick of literary appropriation: if, as it has been said, the great works of Irish literature have been written in English, in Heaney's Beowulf one of England's literary treasures is made Irish. Just what constitutes Irish literature often seems to be as much a matter of semantics as national identity. In the Oxford Companion to Irish Literature, editor Robert Welch argues that Field Day Anthology of Irish Writing, edited by Seamus Deane, the standard by which all subsequent anthologies of Irish literature must be measured, confronts "the discontinuities in Irish literary culture." Some collections have taken Deane's example to the extreme: for instance, The Ireland Anthology, edited by Sean Dunne, includes on its "literary map of Ireland" Edmund Spenser, William Thackeray, Katherine Mansfield, and John Betjeman, Chevalier de la Tocnaye, Alexis de Tocqueville, Friedrich En- gels, and Pope John Paul II. In The Oxford Book of Ireland editor Patricia Craig takes "the opposite extreme ... of the formidable Field Day Anthology"; she observes that her volume could "do no more than skim the surface of Ireland." Neither approach has adequately delineated a single Irish identity. -
The Heirs of Alcuin: Education and Clerical Advancement in Ninth-Century Carolingian Europe
The Heirs of Alcuin: Education and Clerical Advancement in Ninth-Century Carolingian Europe Darren Elliot Barber Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Institute for Medieval Studies December 2019 ii The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. iii Acknowledgements I wish to thank my supervisors, Julia Barrow and William Flynn, for their sincere encouragement and dedication to this project. Heeding their advice early on made this research even more focused, interesting, and enjoyable than I had hoped it would be. The faculty and staff of the Institute for Medieval Studies and the Brotherton Library have been very supportive, and I am grateful to Melanie Brunner and Jonathan Jarrett for their good advice during my semesters of teaching while writing this thesis. I also wish to thank the Reading Room staff of the British Library at Boston Spa for their friendly and professional service. Finally, I would like to thank Jonathan Jarrett and Charles West for conducting such a gracious viva examination for the thesis, and Professor Stephen Alford for kindly hosting the examination. iv Abstract During the Carolingian renewal, Alcuin of York (c. 740–804) played a major role in promoting education for children who would later join the clergy, and encouraging advanced learning among mature clerics. -
Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1992 Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance Leon Stratikis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Stratikis, Leon, "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. " PhD diss., University of Tennessee, 1992. https://trace.tennessee.edu/utk_graddiss/2521 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Leon Stratikis entitled "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Paul Barrette, Major Professor We have read this dissertation and recommend its acceptance: James E. Shelton, Patrick Brady, Bryant Creel, Thomas Heffernan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation by Leon Stratikis entitled Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. -
Gender and Moral Authority in the Carolingian Age (2016)
NOTICE: The copyright law of the United States (Title 17, United States Code) governs the making of reproductions of copyrighted material. One specified condition is that the reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses a reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. RESTRICTIONS: This student work may be read, quoted from, cited, for purposes of research. It may not be published in full except by permission of the author. 1 INTRODUCTION The common people call the place, both the spring and the village, Fontenoy, Where that massacre and bloody downfall of the Franks [took place]: The fields tremble, the woods tremble, the very swamp trembles… Let not that accursed day be counted in the calendar of the year, Rather let it be erased from all memory, May the sun’s rays never fall there, may no dawn ever come to [end its endless] twilight. -Englebert, 8411 The Battle of Fontenoy in 841 left the Carolingian Empire devastated. It was the only battle of a three-year civil war that left too many dead and the survivors, shattered. During this period of unrest, from 840-843, an aristocratic woman, Dhuoda, endured the most difficult years of her life. The loyalty of her absentee husband, Bernard of Septimania, was being questioned by one of the three kings fighting for an upper-hand in this bloody civil war. To ensure his loyalty, his and Dhuoda’s 14-year old son, William, was to be sent to King Charles the Bald as a hostage. -
Echi Classici Nell'opera Di Seamus Heaney
UNIVERSITA’ DEGLI STUDI DI PARMA Dottorato di ricerca in Filologia Greca e Latina (e fortuna dei classici) Ciclo XXVIII L’Orfeo d’Irlanda: echi classici nell’opera di Seamus Heaney Coordinatore: Chiar.mo Prof. Giuseppe Gilberto Biondi Tutor: Chiar.ma Prof. ssa Mariella Bonvicini Dottoranda: Lidia Sessi Indice Introduzione p. 2 Capitolo I: La tradizione classica in Irlanda p. 7 Capitolo II: In difesa della poesia p. 56 Capitolo III: L'Orestea d'Irlanda p. 97 Capitolo IV: Il rito della sepoltura tra Grecia classica e Irlanda moderna p. 146 Capitolo V: Vergilius redivivus p. 190 Appendice p. 253 1 Introduzione In considerazione del notevole numero di studi sull'opera di Heaney, pare opportuno che ogni nuovo lavoro dichiari la propria raison d'être. In altre parole, sembra necessario precisare quale contributo si presuma di offrire alla comprensione del percorso poetico di Heaney, anche in rapporto alle monografie e ai saggi esistenti. È il poeta stesso a indicare la chiave di lettura che meglio consente di cogliere il senso profondo della sua ricerca estetica ed etica. Nel componimento “Out of the Bag” il narratore richiama l'attenzione su “the cure / By poetry that cannot be coerced”1. Riassumendo in questo verso le qualità fondamentali dell'arte poetica, Heaney mette in luce i tratti distintivi della sua produzione, sempre alla ricerca, fin dalle prime prestazioni, di una mediazione fra le pressioni socio-politiche del mondo esterno e la volontà di mantenere intatto il potere terapeutico del medium poetico. Lo scopo di questa ricerca è quello di affrontare la lettura, o rilettura, delle poesie di Heaney, come egli stesso suggerisce in “Squarings XXXVII”: “Talking about it isn't good enough / But quoting from it at least demonstrates / The virtue of an art that knows its mind”2. -
The Old Irish on the Continent Author(S): Julius Von Pflugk-Harttung Source: Transactions of the Royal Historical Society, Vol
The Old Irish on the Continent Author(s): Julius von Pflugk-Harttung Source: Transactions of the Royal Historical Society, Vol. 5 (1891), pp. 75-102 Published by: Cambridge University Press on behalf of the Royal Historical Society Stable URL: http://www.jstor.org/stable/3678047 Accessed: 27-06-2016 08:43 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press, Royal Historical Society are collaborating with JSTOR to digitize, preserve and extend access to Transactions of the Royal Historical Society This content downloaded from 131.247.112.3 on Mon, 27 Jun 2016 08:43:13 UTC All use subject to http://about.jstor.org/terms 75 THE OLD IRISH ON THE CONTINENT. BY PROFESSOR JULIUS VON PFLUGK-HARTTUNG. [Translatedfrom the German MS. of the Author.] A RESTLESS spirit of wandering drove the ancient Irish away to farthest lands, from Iceland and Norway to Spain, Southern Italy, Constantinople and Jerusalem. They became of some importance as regards the kingdom of the Franks, and the parts adjacent. Unhappily, however, these thousands and thousands of men made no note of their doings, and in Irish annals they have left no, or but little, trace behind them; we are, therefore, forced to piece them together in laborious mosaic-work out of chance Continental traditions. -
The Independence of the Celtic Church 121
THE INDEPENDENCE OF THE CELTIC CHURCH 121 THE INDEPENDENCE Oli" THE CELTIC CHURCH. BY THE REV. F. R. MONTGOMERY HITCHCOCK, D.D. THE CHURCH OF IRELAND: ITS CONNECTION WITH THE EAST; ITS DIFFERENCES FROM THE CHURCH OF ROME; ITS INDEPENDENCE. HE Church of Ireland until the twelfth century, generally T speaking, for six centuries, was a free and a nationa.J. Church. It had many points of contact with the Eastern Church which suggest an Eastern origin, and as many points of difference from the Roman Church which make a Roman origin impossible. In the first place, we shall briefly summarize the points of contact with the East. With regard to the monastic habitations, they resemble in plan, i.e. a group of small huts surrounded by a cashel, the communities of the East, like that of Mount Tabor, after which they were modelled. 1 The ascetic practices of the Irish hermit, such as suspending oneself by the armpits from hooks, a were imitations of the devices in self-torture discovered by the anchorites of the Syrian desert, probably in imitation of the Indian fakir's methods of self-torture. The smallness of the ·churches reminded travellers of those of Mount Athos and Asia Minor ; and the group of seven churches, e.g. at Glendalough and Clonmacnois suggests the " Seven Churches of Asia." The shape of the doors of the hermitages of SS. Flannan and Molua at Killaloe, broader at the threshold than at the head, resembles Egyptian style of architecture. The circle of the Irish cross is probably the loop of the crux ansata of the Egyptians, their circle of life being an emblem of immortality. -
AFTER the FALL –EARLY MEDIEVAL WRITINGS for the LATIN CLASS 60 Minute Workshop Introduction Map of Europe 500 A.D. the Dark Ag
AFTER THE FALL –EARLY MEDIEVAL WRITINGS FOR THE LATIN CLASS 60 minute workshop Introduction Map of Europe 500 A.D. The Dark Ages of Europe, in which Rome as an idea continued to wield power after Rome in the substance was largely gone, had a profound influence on world history. Important Latin writers such as Boethius, Isodore, the Venerable Bede, and Alcuin still thought of themselves as Romans or preservers of the Roman tradition. People couldn't believe that Rome was no longer the Owner and Protector of the World, and opportunists kept strengthening their power by putting on its empty mantle. Visigoth kings in France and Spain claimed to be subjects of the Roman Emperor, and carefully kept the Roman civil systems going as long as they could. When the Emperor became a total nonentity, Odoacer and after him Clovis, as barbarian a pair of kings as any who ever lived, hurried to claim the titles Patricius and Consul and pose as successors to the Roman Emperors. Even Charlemagne did this, and gained prestige from it to augment his power. In addition to seeking power, however, these people, as well as the scholars living in their realms, saw themselves as Guardians of the Roman Culture, which must not be allowed to perish from the world. Thanks to their efforts, it didn’t. Historically this period is unbelievably fractured. In order to establish some order, I will use maps of Europe and a chronological organization, as I did in my book The Lighter Side of the Dark Ages. AFTER THE FALL – THE LEARNER IN A DIFFICULT WORLD 1) Italy—Boethius -
Ireland's Cultural Empire
Ireland’s Cultural Empire Ireland’s Cultural Empire: Contacts, Comparisons, Translations Edited by Giuliana Bendelli Ireland’s Cultural Empire: Contacts, Comparisons, Translations Edited by Giuliana Bendelli This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Giuliana Bendelli and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0924-9 ISBN (13): 978-1-5275-0924-5 Università Cattolica del Sacro Cuore contributed to the funding of this research project and its publication. TABLE OF CONTENTS Preface ....................................................................................................... vii Ireland: The Myth of a Colony Giuliana Bendelli Chapter One ................................................................................................. 1 Latin, Liturgy and Music in Early Mediaeval Ireland: From Columbanus to the Drummond Missal Guido Milanese Chapter Two .............................................................................................. 27 Oliver Goldsmith: An Irish Chinese Spectator in London Simona Cattaneo Chapter Three ........................................................................................... -
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New Wine in Old Skins: Vernacular Typology in Medieval English Literature, 590-1390 Audrey Walton Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Audrey Walton All rights reserved 2 ABSTRACT New Wine in Old Skins: Vernacular Typology in Medieval English Literature, 590-1390 Audrey Walton My dissertation examines the significance of sacred poetry in English to the political and social identity of the English church, from England’s conversion at the end of the sixth century to the flourishing of England’s vernacular theology in the fourteenth. I show that the vernacular literary culture of Anglo-Saxon England was fostered in part by the distinction between the spirit and the letter of the Bible, which enabled speakers of Old English to regard their own literary cultures as potentially sacred and inspired. Turning to the later part of the medieval period, I examine the “spiritual sense,” or level of figural meaning, of sacred texts in Middle English. I demonstrate that the spiritual sense of Middle English religious poems is often designed to communicate an idealized history of English Christianity, as Middle English poems often use inventive typologies to represent the miracle of Anglo-Saxon England’s conversion as a source of sacred authority for the English language. This idealized religious history typically imagines the Church, not as a homogeneous community of Latin speakers, but as a diverse community characterized by heterogeneity and multilingualism. My focus on the distinction between the spirit and the letter, and its significance to medieval multilingualism, enables me to showcase an aspect of the cultural identity of medieval Catholicism that has often gone overlooked. -
King, High-King, and Emperor of the Irish
The Pennsylvania State University The Graduate School College of the Liberal Arts BRIAN BORU: KING, HIGH-KING, AND EMPEROR OF THE IRISH A Thesis in History by David B. Beougher © 2007 David B. Beougher Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of David B. Beougher was reviewed and approved* by the following: Benjamin T. Hudson Professor of History and Medieval Studies Thesis Adviser Chair of Committee Carol A. Reardon Professor of Military History Janina Safran Associate Professor of History Baruch Halpern Professor of Ancient History, Classics and Ancient Mediterranean Studies Sally McMurry Head and Professor Department of History *Signatures are on file in the Graduate School. ii ABSTRACT This dissertation studies the career of Brian ”Bórumha” mac Cennétig from its beginning with his election to the kingship of his ancestral kingdom of Dál Cais in 976 until his death as the high-king of Ireland at the Battle of Clontarf in 1014. He was arguably the most successful Irish king of the Middle Ages, and his sobriquet “bórumha” (“cattle tribute”), usually Anglicized as “Boru,” refers to his right to the reign over the island. Special emphasis is placed on the development of his military strategy as he progressed from regional prince to lordship over the entire island. Brian’s career has not received the scholarly attention given to his contemporaries elsewhere. His reign is either dealt with superficially in brief essays or treated more fully by writers interested in sensationalism. A careful study of Brian’s strategy and operational method reveals that they continuously evolved during the course of his reign.