DOCSLIB.ORG

User Guide for Cisco Digital Media Manager 5.0

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
User Guide for Cisco Digital Media Manager 5.0 User Guide for Cisco Digital Media Manager 5.0 Americas Headquarters Cisco Systems, Inc. 170 West Tasman Drive San Jose, CA 95134-1706 USA http://www.cisco.com Tel: 408 526-4000 800 553-NETS (6387) Fax: 408 527-0883 Text Part Number: OL-15762-01 THE SPECIFICATIONS AND INFORMATION REGARDING THE PRODUCTS IN THIS MANUAL ARE SUBJECT TO CHANGE WITHOUT NOTICE. ALL STATEMENTS, INFORMATION, AND RECOMMENDATIONS IN THIS MANUAL ARE BELIEVED TO BE ACCURATE BUT ARE PRESENTED WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED. USERS MUST TAKE FULL RESPONSIBILITY FOR THEIR APPLICATION OF ANY PRODUCTS. THE SOFTWARE LICENSE AND LIMITED WARRANTY FOR THE ACCOMPANYING PRODUCT ARE SET FORTH IN THE INFORMATION PACKET THAT SHIPPED WITH THE PRODUCT AND ARE INCORPORATED HEREIN BY THIS REFERENCE. IF YOU ARE UNABLE TO LOCATE THE SOFTWARE LICENSE OR LIMITED WARRANTY, CONTACT YOUR CISCO REPRESENTATIVE FOR A COPY. The Cisco implementation of TCP header compression is an adaptation of a program developed by the University of California, Berkeley (UCB) as part of UCB’s public domain version of the UNIX operating system. All rights reserved. Copyright © 1981, Regents of the University of California. NOTWITHSTANDING ANY OTHER WARRANTY HEREIN, ALL DOCUMENT FILES AND SOFTWARE OF THESE SUPPLIERS ARE PROVIDED “AS IS” WITH ALL FAULTS. CISCO AND THE ABOVE-NAMED SUPPLIERS DISCLAIM ALL WARRANTIES, EXPRESSED OR IMPLIED, INCLUDING, WITHOUT LIMITATION, THOSE OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OR ARISING FROM A COURSE OF DEALING, USAGE, OR TRADE PRACTICE. IN NO EVENT SHALL CISCO OR ITS SUPPLIERS BE LIABLE FOR ANY INDIRECT, SPECIAL, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING, WITHOUT LIMITATION, LOST PROFITS OR LOSS OR DAMAGE TO DATA ARISING OUT OF THE USE OR INABILITY TO USE THIS MANUAL, EVEN IF CISCO OR ITS SUPPLIERS HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. CCDE, CCENT, Cisco Eos, Cisco Lumin, Cisco Nexus, Cisco StadiumVision, Cisco TelePresence, Cisco WebEx, the Cisco logo, DCE, and Welcome to the Human Network are trademarks; Changing the Way We Work, Live, Play, and Learn and Cisco Store are service marks; and Access Registrar, Aironet, AsyncOS, Bringing the Meeting To You, Catalyst, CCDA, CCDP, CCIE, CCIP, CCNA, CCNP, CCSP, CCVP, Cisco, the Cisco Certified Internetwork Expert logo, Cisco IOS, Cisco Press, Cisco Systems, Cisco Systems Capital, the Cisco Systems logo, Cisco Unity, Collaboration Without Limitation, EtherFast, EtherSwitch, Event Center, Fast Step, Follow Me Browsing, FormShare, GigaDrive, HomeLink, Internet Quotient, IOS, iPhone, iQuick Study, IronPort, the IronPort logo, LightStream, Linksys, MediaTone, MeetingPlace, MeetingPlace Chime Sound, MGX, Networkers, Networking Academy, Network Registrar, PCNow, PIX, PowerPanels, ProConnect, ScriptShare, SenderBase, SMARTnet, Spectrum Expert, StackWise, The Fastest Way to Increase Your Internet Quotient, TransPath, WebEx, and the WebEx logo are registered trademarks of Cisco Systems, Inc. and/or its affiliates in the United States and certain other countries. All other trademarks mentioned in this document or website are the property of their respective owners. The use of the word partner does not imply a partnership relationship between Cisco and any other company. (0809R) Any Internet Protocol (IP) addresses used in this document are not intended to be actual addresses. Any examples, command display output, and figures included in the document are shown for illustrative purposes only. Any use of actual IP addresses in illustrative content is unintentional and coincidental. User Guide for Cisco Digital Media Manager 5.0 © 2002-2008 Cisco Systems, Inc. All rights reserved. CONTENTS Preface ix Document Conventions ix Obtaining Documentation and Submitting a Service Request x x CHAPTER 1 Overview 1-1 Basic DMS Concepts and Vocabulary 1-1 Client System Requirements 1-1 Understanding DMM Modules and Features 1-2 CHAPTER 2 Managing Administrative Settings for Cisco DMS Components and Users 2-1 Starting DMS Administration Module (DMS-Admin) 2-1 Using and Understanding Dashboard Gauges for DMS-Admin 2-2 Managing Licenses for Features and Components of Cisco DMS 2-3 Obtaining and Installing License Keys for Software Features 2-3 Viewing the List of Installed Licenses 2-4 Managing User Accounts and Authentication Settings 2-4 Understanding User Management Concepts and Workflow 2-5 Configuring User Accounts Manually 2-6 Creating and Editing User Accounts 2-6 Deleting User Accounts 2-7 Understanding User Roles in DMS-Admin 2-8 Configuring Authentication Settings 2-8 Backing Up and Restoring 2-16 Managing Email, SNMP, Alerts, and Notifications 2-16 Enabling or Disabling Email 2-17 Enabling or Disabling SNMP 2-17 Configuring Alert Reports and Notification Settings 2-18 Understanding Event Types 2-19 Viewing Appliance Processes and Restarting Appliances Remotely 2-20 User Guide for Cisco Digital Media Manager 5.0 OL-15762-01 iii Contents CHAPTER 3 Managing Digital Signage and Enterprise TV 3-1 Overview 3-1 Starting Digital Signage Module (DMM-DSM) 3-2 Starting Enterprise TV Module (DMM-ETV) 3-2 Understanding Dashboard Gauges for Digital Signage and Enterprise TV 3-3 Configuring Your DMPs to Support Centralized Management 3-4 Enabling the CVBS (Composite Video) Interface on DMPs 3-5 Managing and Grouping Your DMPs 3-6 Configuring the Settings for an Enterprise TV Network 3-10 Understanding the Typical Workflow for Enterprise TV 3-11 Configuring Settings for TV Channels 3-12 Understanding the TV Channels Table 3-13 Adding New Channels 3-15 Editing Channels 3-18 Reassigning Channel Numbers 3-19 Deleting Channels 3-19 Listing Only the Defined (Active) or Undefined (Inactive) TV Channels 3-19 Configuring Subscription Settings for EPG Providers 3-20 Adding or Editing Subscriptions to Data from an EPG Provider 3-21 Deleting EPG Data Subscriptions 3-22 Synchronizing TV Channel Schedules and Program Descriptions for the EPG 3-22 Configuring Enterprise TV Settings for Video on Demand 3-23 Working With VoD Categories 3-23 Mapping a Video to a VoD Category 3-25 Organizing Videos in VoD Categories 3-25 Removing a Video from a Category 3-26 Using ‘Skins’ to Customize the Enterprise TV Main Menu 3-26 Working with Assets and Categories in Your Media Library 3-27 Working with Presentations, Templates, and Presentation Playlists for Digital Signage 3-33 Before You Start to Use Digital Media Designer 3-34 Getting Started with DMD 3-35 DMD User Interface Reference 3-37 Understanding the Menus and Their Options 3-38 Understanding the Toolbar and Its Options 3-41 Understanding the Panels and Their Options 3-42 Creating and Organizing Presentation Playlists 3-49 Understanding the Playlist Items Area and Its Options 3-51 Understanding the Content Chooser and Its Options 3-52 User Guide for Cisco Digital Media Manager 5.0 iv OL-15762-01 Contents Creating and Organizing Ordinary Playlists 3-54 UI Reference: New Playlist Dialog Box 3-55 Using Advanced Tasks 3-56 Using RS-232 Commands to Manage Cisco LCD Professional Series Displays 3-64 Preparing a Cisco LCD Display for Centralized Management Through DVI 3-64 RS-232 Command Reference for Cisco LCD Displays 3-64 Planning for and Responding to Emergencies 3-66 Emergency Scenario 1: Stage Assets to DMP Local Storage Immediately 3-67 Emergency Scenario 2: Schedule the Staging of Assets to DMP Local Storage 3-68 Emergency Scenario 3: Schedule the Staging of Assets to a Remote Server 3-69 Emergency Scenario 4: Start Playback of an Emergency Message 3-71 Emergency Scenario 5: Stop Playback of an Emergency Message 3-72 Scheduling Time Slots for Media and Events on DMPs 3-73 Deploying Elements Immediately 3-73 Working with Future Deployments 3-74 Understanding Future Deployments for Presentations 3-75 Understanding Time Zones in the Schedule 3-76 Scheduling the Time Slot for a Future Event 3-76 Understanding Tooltips in the Schedule Timeline 3-78 Viewing Status Messages Inline for Deployed Events in the Schedule Timeline 3-79 Preempting a Recurring Event for a One-time Event 3-81 Using Deployment Reports 3-81 Using Administrative Options 3-82 Configuring User Rights and Permissions for Digital Signage and Enterprise TV 3-82 Limiting User Permissions 3-84 Scenario 1: User Who Can Work with Assets for Signage or Enterprise TV but Cannot Schedule Time Slots 3-84 Scenario 2: User Who Can Administer One DMP Group but Cannot Manage Assets 3-85 Scenario 3: User Who Can Administer One DMP Group, Manage Assets, and Schedule Time Slots 3-86 Scenario 4: User Who Can Schedule Time Slots for One DMP Group But Has No Other Rights 3-86 Configuring DMM-DSM Server Settings 3-87 Configuring DMM-DSM to Use ACNS 3-87 Configuring DMM-DSM to Deploy to External Servers 3-88 Testing for the Presence of, and Obtaining, the Required Java Version 3-89 Common Scenarios for Using DMM-DSM 3-90 Uploading Files to a DMP for Local Storage and Immediate Deployment 3-90 User Guide for Cisco Digital Media Manager 5.0 OL-15762-01 v Contents CHAPTER 4 Managing Desktop Video 4-1 Using Features Under the Setup Tab 4-1 Configuring Administrative and Network Settings 4-2 Administrative and Network Settings 4-2 Viewing Environment Parameters 4-3 Configuring the Settings to Use a Video Portal 4-3 DMM-VPM Use Settings 4-4 Configuring the Location Settings for Deployments 4-5 Deployment Location Settings 4-6 Using Features Under the Users Tab 4-7 Working with User Accounts 4-7 User Account Settings 4-7 Viewing Your Profile 4-8 Using Features Under the Video Portal Tab 4-8 Working with Programs,
Load more

Recommended publications
  • American Broadcasting Company from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search for the Australian TV Network, See Australian Broadcasting Corporation
    Scholarship applications are invited for Wiki Conference India being held from 18- <="" 20 November, 2011 in Mumbai. Apply here. Last date for application is August 15, > 2011. American Broadcasting Company From Wikipedia, the free encyclopedia Jump to: navigation, search For the Australian TV network, see Australian Broadcasting Corporation. For the Philippine TV network, see Associated Broadcasting Company. For the former British ITV contractor, see Associated British Corporation. American Broadcasting Company (ABC) Radio Network Type Television Network "America's Branding Broadcasting Company" Country United States Availability National Slogan Start Here Owner Independent (divested from NBC, 1943–1953) United Paramount Theatres (1953– 1965) Independent (1965–1985) Capital Cities Communications (1985–1996) The Walt Disney Company (1997– present) Edward Noble Robert Iger Anne Sweeney Key people David Westin Paul Lee George Bodenheimer October 12, 1943 (Radio) Launch date April 19, 1948 (Television) Former NBC Blue names Network Picture 480i (16:9 SDTV) format 720p (HDTV) Official abc.go.com Website The American Broadcasting Company (ABC) is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948. As one of the Big Three television networks, its programming has contributed to American popular culture. Corporate headquarters is in the Upper West Side of Manhattan in New York City,[1] while programming offices are in Burbank, California adjacent to the Walt Disney Studios and the corporate headquarters of The Walt Disney Company. The formal name of the operation is American Broadcasting Companies, Inc., and that name appears on copyright notices for its in-house network productions and on all official documents of the company, including paychecks and contracts.
    [Show full text]
  • Listado De Canales FTA (Free to Air) Disponibles En Satélites Que Tienen Cobertura En Panamá Tabla A1
    Listado de Canales FTA (Free To Air) disponibles en Satélites que tienen cobertura en Panamá Tabla A1. Canales FTA de producción originada en Cuba Logo Nombre del Canal Satélite Posición Canal Educativo Hispasat 1D 30.0°W Canal Educativo 2 Hispasat 1D 30.0°W Hispasat 1D 30.0°W Cubavisión Internacional NSS 806 40.5°W Cubavisión Nacional Hispasat 1D 30.0°W Señal ACN Hispasat 1D 30.0°W Tele Rebelde Hispasat 1D 30.0°W Tabla A2. Canales FTA de producción originada en Honduras Logo Nombre del Canal Satélite Posición Beat TV SatMex 5 116.8°W Campus TV NSS 806 40.5°W Canal 11 SatMex 5 116.8°W Canal 30 SatMex 5 116.8°W Canal 39 NSS 806 40.5°W Canal 48 Intelsat 14 45.0°W Canal 5 El Lider Intelsat 14 45.0°W Canal 6 NSS 806 40.5°W Cholusat Sur Intelsat 11 43.1°W Congreso TV NSS 806 40.5°W DTV SatMex 5 116.8°W Tabla A2. Canales FTA de producción originada en Honduras Logo Nombre del Canal Satélite Posición Globo TV SatMex 5 116.8°W HCH SatMex 5 116.8°W Honduras TV SatMex 5 116.8°W Hondured Canal 13 SatMex 5 116.8°W JBN TV NSS 806 40.5°W Mas TV SatMex 5 116.8°W Maya TV NSS 806 40.5°W Mi Viña Channel SatMex 5 116.8°W Roatan TV SatMex 5 116.8°W Si TV SatMex 5 116.8°W Sulavision SatMex 5 116.8°W Telecadena 7 y 4 Intelsat 14 45.0°W TeleCeiba SatMex 5 116.8°W TeleProgreso SatMex 5 116.8°W TeleSistema Hondureño Intelsat 14 45.0°W TEN Canal 10 Intelsat 14 45.0°W TV Hondureña SatMex 5 116.8°W TV Nacional de Honduras SatMex 5 116.8°W Vica TV Intelsat 805 55.5°W Tabla A3.
    [Show full text]
  • Mass Culture As Domination Or Resistance in Latin American Narratives
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, Student Research: Modern Languages and Literatures, Department Modern Languages and Literatures of 11-2011 Mass Culture as Domination or Resistance in Latin American Narratives Tim Robbins University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangdiss Part of the Latin American Literature Commons, and the Modern Languages Commons Robbins, Tim, "Mass Culture as Domination or Resistance in Latin American Narratives" (2011). Theses, Dissertations, Student Research: Modern Languages and Literatures. 10. https://digitalcommons.unl.edu/modlangdiss/10 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, Student Research: Modern Languages and Literatures by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. MASS CULTURE AS DOMINATION OR RESISTANCE IN LATIN AMERICAN NARRATIVES By Timothy R. Robbins A DISSERTATION Presented to the Faculty of The Graduate College at University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: Modern Languages and Literatures (Spanish) Under the Supervision of Professor José Eduardo González Lincoln, Nebraska November, 2011 Mass Culture as Domination or Resistance in Latin American Narratives Timothy R. Robbins, Ph.D. University of Nebraska, 2011 Advisor: José Eduardo González Since the introduction of radio to Latin America in the 1930’s and later television in the 1950’s, mass culture has become an important and even contentious part of Latin American identity, and as such has also become an important part of Latin American narratives.
    [Show full text]
  • Obitel Bilingue Português E Espanhol 2019.Indd
    OBSERVATÓRIO IBERO-AMERICANO DA FICÇÃO TELEVISIVA OBITEL 2019 MODELOS DE DISTRIBUIÇÃO DA TELEVISÃO POR INTERNET: ATORES, TECNOLOGIAS, ESTRATÉGIAS MODELOS DE DISTRIBUCIÓN DE LA TELEVISIÓN POR INTERNET: ACTORES, TECNOLOGÍAS, ESTRATEGIAS OBSERVATÓRIO IBERO-AMERICANO DA FICÇÃO TELEVISIVA OBITEL 2019 MODELOS DE DISTRIBUIÇÃO DA TELEVISÃO POR INTERNET: ATORES, TECNOLOGIAS, ESTRATÉGIAS MODELOS DE DISTRIBUCIÓN DE LA TELEVISIÓN POR INTERNET: ACTORES, TECNOLOGÍAS, ESTRATEGIAS Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez Coordenadores-Gerais Charo Lacalle Sara Narvaiza Coordenação desta edição Gustavo Aprea, Fernando Aranguren, Catarina Burnay, Borys Busta- mante, Giuliana Cassano, James Dettleff, Francisco Fernández, Ga- briela Gómez, Pablo Julio, Mónica Kirchheimer, Charo Lacalle, Ligia Prezia Lemos, Pedro Lopes, Guillermo Orozco Gómez, Juan Piñón, Rosario Sánchez, Maria Immacolata Vassallo de Lopes Coordenadores Nacionais © Globo Comunicação e Participações S.A., 2019 Capa: Letícia Lampert Projeto gráfico e editoração: Niura Fernanda Souza Produção editorial: Felícia Xavier Volkweis Revisão do português: Felícia Xavier Volkweis Revisão do espanhol: Naila Freitas Revisão gráfica: Niura Fernanda Souza Editores: Luis Antônio Paim Gomes, Juan Manuel Guadelis Crisafulli Foto de capa: Louie Psihoyos – High-definition televisions in the information era Bibliotecária responsável: Denise Mari de Andrade Souza – CRB 10/960 M689 Modelos de distribuição da televisão por internet: atores, tecnologias, es- tratégias / organizado por Maria Immacolata Vassallo de Lopes e Gui- llermo Orozco Gómez. -- Porto Alegre: Sulina, 2019. 391 p.; 14x21 cm. Edição bilíngue: Modelos de distribución de la televisión por internet: actores, tecnologías, estrategias. ISBN: 978-85-205-0848-0 1. Televisão – Internet. 2. Comunicação e tecnologia – Televisão – Ibero-Americano. 3. Programas de televisão – Distribuição – Internet 4. Te- levisão – Ibero-América. 5.
    [Show full text]
  • User Guide for Cisco Digital Media Manager 5.1.X (Book-Length PDF)
    User Guide for Cisco Digital Media Manager 5.1.x March 17, 2009 Americas Headquarters Cisco Systems, Inc. 170 West Tasman Drive San Jose, CA 95134-1706 USA http://www.cisco.com Tel: 408 526-4000 800 553-NETS (6387) Fax: 408 527-0883 Text Part Number: OL-15762-02 THE SPECIFICATIONS AND INFORMATION REGARDING THE PRODUCTS IN THIS MANUAL ARE SUBJECT TO CHANGE WITHOUT NOTICE. ALL STATEMENTS, INFORMATION, AND RECOMMENDATIONS IN THIS MANUAL ARE BELIEVED TO BE ACCURATE BUT ARE PRESENTED WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED. USERS MUST TAKE FULL RESPONSIBILITY FOR THEIR APPLICATION OF ANY PRODUCTS. THE SOFTWARE LICENSE AND LIMITED WARRANTY FOR THE ACCOMPANYING PRODUCT ARE SET FORTH IN THE INFORMATION PACKET THAT SHIPPED WITH THE PRODUCT AND ARE INCORPORATED HEREIN BY THIS REFERENCE. IF YOU ARE UNABLE TO LOCATE THE SOFTWARE LICENSE OR LIMITED WARRANTY, CONTACT YOUR CISCO REPRESENTATIVE FOR A COPY. The Cisco implementation of TCP header compression is an adaptation of a program developed by the University of California, Berkeley (UCB) as part of UCB’s public domain version of the UNIX operating system. All rights reserved. Copyright © 1981, Regents of the University of California. NOTWITHSTANDING ANY OTHER WARRANTY HEREIN, ALL DOCUMENT FILES AND SOFTWARE OF THESE SUPPLIERS ARE PROVIDED “AS IS” WITH ALL FAULTS. CISCO AND THE ABOVE-NAMED SUPPLIERS DISCLAIM ALL WARRANTIES, EXPRESSED OR IMPLIED, INCLUDING, WITHOUT LIMITATION, THOSE OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OR ARISING FROM A COURSE OF DEALING, USAGE, OR TRADE PRACTICE. IN NO EVENT SHALL CISCO OR ITS SUPPLIERS BE LIABLE FOR ANY INDIRECT, SPECIAL, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING, WITHOUT LIMITATION, LOST PROFITS OR LOSS OR DAMAGE TO DATA ARISING OUT OF THE USE OR INABILITY TO USE THIS MANUAL, EVEN IF CISCO OR ITS SUPPLIERS HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
    [Show full text]
  • A Witness to Mercy Bishop Medley and a Group of Children of the Diocese of Owensboro Features Page 5 Process to St
    CATÓ LICO DE KENTUCKY OCCIDENTAL January 2016 l Volume 43 Issue 1 l A Publication of the Diocese of Owensboro l rcdok.org A witness to mercy Bishop Medley and a group of children of the Diocese of Owensboro Features Page 5 process to St. Stephen Cathedral on Dec. 13, 2015, where the Bishop later opens the Holy Door of Mercy as part of the Extraordinary Jubilee of Mercy. Story on back page Español Page 21 Youth Page 30 facebook.com/DioceseOfOwensboro twitter.com/Owensboro1937 instagram.com/owensborodiocese CONTENTS Official newspaper of the Diocese of Owensboro Published monthly, 10 times a year at 600 Locust Street, Owensboro, KY 42301 Compassion Telephone l (270) 683-1545 Email l [email protected] and clean water Publisher l Bishop William F. Medley Editor l Elizabeth Wong Barnstead “God has put smart women Send change of address requests to everywhere,” says Sister [email protected] Larraine Lauter, OSU, View current and archived issues at rcdok.org/ who cofounded Water ministries/communications/complete_issues/ With Blessings. Read the story of how she and her The Western Kentucky Catholic comes to your home as a direct use of your parish assessment dollars: team empower women “Those who exercise authority in the Church will take to be agents of change in care to ensure that there is responsible exchange of developing communities. freely held and expressed opinion among the People of God” - Pastoral Instruction of the Means of Social Page 5 Communications, #116, Jan. 29, 1971. Opinions expressed in submitted columns and letters to the editor in The Western Kentucky Catholic may be edited for space, a lack of charity or a lack of clarity, and are not endorsed by the publisher or ‘A little bit of heaven here on earth’ editor.
    [Show full text]
  • ACA Mid-Band NOI Comments 171002.Pdf
    Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 ) In the Matter of ) ) Expanding Flexible Use in Mid-Band Spectrum ) GN Docket No. 17-183 Between 3.7 and 24 GHz ) ) COMMENTS OF THE AMERICAN CABLE ASSOCIATION Matthew M. Polka Pantelis Michalopoulos President and Chief Executive Officer Georgios Leris American Cable Association Steptoe & Johnson LLP Seven Parkway Center 1330 Connecticut Avenue, N.W. Suite 755 Washington, D.C. 20036 Pittsburgh, PA 15220 (202) 429-3000 (412) 922-8300 Counsel for American Cable Association Ross J. Lieberman Senior Vice President of Government Affairs Mary Lovejoy Vice President of Regulatory Affairs American Cable Association 2415 39th Place, N.W. Washington, D.C. 20007 (202) 494-5661 October 2, 2017 TABLE OF CONTENTS I. INTRODUCTION AND SUMMARY ............................................................................. 1 II. THE BAND IS NOT UNDERUTILIZED BY THE SATELLITE SERVICE, AND LOSS OF PRIMARY PROTECTION WOULD BE EXTREMELY DISRUPTIVE TO THE VIDEO PROGRAMMING INDUSTRY ............................... 4 A. The Spectrum Is Heavily Used, and Becoming Progressively Scarcer ................. 4 B. Spectrum Scarcity Is Exacerbated by the Scarcity of Orbital Locations ........... 11 C. The C-Band Satellite Traffic Must Be Protected Across the Country ............... 14 D. Alternatives Are Nonexistent, Infeasible or Inefficient........................................ 16 III. RESTRICTING SATELLITE SERVICES IN THE BAND WOULD BE ANTI-COMPETITIVE ..................................................................................................
    [Show full text]
  • Channel Line-Up (Pdf)
    Eutelsat TV Line-Up Channels transmitted by Eutelsat satellites Updated on : Wednesday, 29 September 2021 This document is provided for information purposes. No responsibility is taken for errors or omissions. Please note that most digital set top boxes (satellite receivers) are now fitted with a child protection function to prevent underage viewing of adult content. Features may vary according to manufacturer and model type but most boxes allow you to block unsuitable content. Contact your local dealer or installer to find out more. Freq Beam Analo Diff Fec Symb Acces Lang g ol Rate EUTELSAT 117 WEST A 3.720 V Hemi C Edusat package DVB-S 3/4 27.000 Hemi C Telesecundaria TV DVB-S 3/4 27.000 Spanish Hemi C TV Docencia TV DVB-S 3/4 27.000 Spanish Hemi C ILCE Canal 13 Innova TV DVB-S 3/4 27.000 Spanish Conocimiento Hemi C UnAD TV DVB-S 3/4 27.000 Spanish Hemi C ILCE Canal 15 Summa Saberes TV DVB-S 3/4 27.000 Spanish Hemi C Canal 22 Nacional TV DVB-S 3/4 27.000 Spanish Hemi C Telebachillerato TV DVB-S 3/4 27.000 Spanish Hemi C Canal Iberoamericano TV DVB-S 3/4 27.000 Spanish Hemi C Tele México TV DVB-S 3/4 27.000 Spanish Hemi C TV Universidad TV DVB-S 3/4 27.000 Spanish Hemi C Red de las Artes TV DVB-S 3/4 27.000 Spanish Hemi C Aprende TV TV DVB-S 3/4 27.000 Spanish Hemi C Canal del Congreso 45.1 TV DVB-S 3/4 27.000 Spanish Hemi C Especiales TV DVB-S 3/4 27.000 Spanish Hemi C Transmisiones Especiales 27 TV DVB-S 3/4 27.000 Spanish Hemi C TV UNAM TV DVB-S 3/4 27.000 Spanish 3.740 H Hemi C Televisa package DVB-S2 5/6 30.000 Digicipher Hemi
    [Show full text]
  • NORTH AMERICA Canada Costa Rica Cuba Dominican Republic
    NORTH AMERICA Canada Costa Rica Cuba Dominican Honduras Republic Jamaica Mexico Puerto Rico United States of America SOUTH AMERICA Argentina Bolivia Brazil Chile Columbia Ecuador Paraguay Peru Uruguay Venezuela NORTH AMERICA CANADA Amazing Discoveries CBC Windsor MeteoMedia Radio Canada Ottawa APTN West City TV Saskatchewan Radio Canada Acadie Gatineau BC Legislative CTV Two Alberta Radio Canada Est du Saskatchewan Assembly CTV Two Atlantic Quebec Legislative Network CBC British Columbia EWTN Canada Radio Canada Ten TV CBC Edmonton ITC Montreal The Shopping Channel CBC Nova Scotia Knowledge Radio Canada Ontario The Weather Channel CBC Toronto Legislative Assembly Rojhelat TV TV Nunavut COSTA RICO Canal 6 Enlace Juvenil Family Christian Teletica 7 Destinos TV Enlace TBN Network V777 CUBA Canal Educativo 1 Cubavision CMBF Radio Progreso Canal Educativo 2 Internacional Habana Radio Radio Rebelde Cana Habana Senal CAN Radio Enciclopedia Radio Reloj Cubavision Tele Rebelde Radio Habana Cuba Radio Taino DOMINICAN REPUBLIC Antena Latina Canal 7 Canal Del Sol Megavision Teleunion Aster CDN TV Teleradio America Veintiuno Canal 5 HONDURAS Beat TV Cholusat Sur Mas TV TeleProgreso Campus TV Congreso TV Maya TV TeleSistema Canal 11 DTV Mi Vina Channel Hondureno Canal 30 Globo TV Reflexiones TV TEN Canal 10 Canal 39 HCH Si TV TV Hondurena Canal 48 Honduras TV Sulavision TV Nacional de Canal 5 El Lider Hondured Canal 13 Telecadena 7 y 4 Honduras Canal 6 JBN TV Teleceiba
    [Show full text]
  • Universidad Central Del Ecuador Facultad De Comunicación Social Carrera De Comunicación Social
    UNIVERSIDAD CENTRAL DEL ECUADOR FACULTAD DE COMUNICACIÓN SOCIAL CARRERA DE COMUNICACIÓN SOCIAL Representaciones de masculinidades, feminidades y jerarquías socioeconómicas en dos versiones de la telenovela “Yo soy Betty, la fea” (1999) y “Betty en NY” (2019) Trabajo de Titulación previo a la obtención del Título en Comunicación Social con énfasis en Educomunicación, Arte y Cultura AUTORA: Loza Villa Nathaly Michelle TUTORA: PhD. Monserrat Andrea Fernández Vela Quito, 2020 Derechos de autor Yo, Nathaly Michelle Loza Villa, en calidad de autora y titular de los derechos morales y patrimoniales del trabajo de titulación: Representación de masculinidades, feminidades y jerarquías socioeconómicas en dos versiones de la telenovela “Yo soy Betty, la fea” (1999) y “Betty en NY” (2019), modalidad proyecto de investigación, en conformidad con el Artículo 114 del CÓDIGO ORGÁNICO DE LA ECONOMÍA SOCIAL DE LOS CONOCIMIENTOS, CREATIVIDAD E INNOVACIÓN, concedo a favor de la Universidad Central del Ecuador una licencia gratuita, intransferible y no exclusiva para el uso no comercial de la obra, con fines estrictamente académicos. Conservo a mi favor todos los derechos de autor sobre la obra, establecidos en la normativa citada. Así mismo, autorizo a la Universidad Central del Ecuador para que realice la digitalización y publicación de este trabajo de titulación en el repositorio virtual, de conformidad con lo dispuesto en el Art. 144 de la Ley Orgánica de Educación Superior. El autor declara que la obra objeto de la presente autorización es original en su forma de expresión y no infringe el derecho de autor de terceros, asumiendo la responsabilidad por cualquier reclamación que pudiera presentarse por esta causa y liberando a la Universidad de toda responsabilidad.
    [Show full text]
  • Managing Digital Signage and Enterprise TV
    CHAPTER3 Managing Digital Signage and Enterprise TV Revised: March 17, 2008, OL-15762-02 Activation Software feature modules for Cisco DMS are purchased and licensed separately. Features are hidden from all users until you purchase and install the required license to use them, and even then remain hidden from users whose privilege levels are low. To understand feature licenses and learn how to install them, see Managing Licenses for Features and Components of Cisco DMS, page 2-3. To learn how user access to features is restricted by the combination of licenses and user privilege levels, see Understanding User Roles in DMS-Admin, page 2-9. To learn which software feature modules are available for you to purchase, see http://www.cisco.com/go/dms. • Overview, page 3-2 Working with Dashboard Gauges for Digital Signage and Enterprise TV, page 3-3 Configuring Your DMPs to Support Centralized Management, page 3-10 Enabling the YPbPr (Component Video) Interface on DMPs, page 3-11 Managing and Grouping Your DMPs, page 3-12 Managing Your DMP Displays, page 3-24 Configuring the Settings for Enterprise TV, page 3-32 Working with Assets and Categories in Your Media Library, page 3-63 Understanding the Two Types of Playlists for Digital Signage, page 3-71 Working with Presentations, Templates, and Presentation Playlists for Digital Signage, page 3-71 Using a Content Delivery System with DMPs, page 3-96 Using Advanced Tasks, page 3-111 Stopping All Running Events and Commands on DMPs, page 3-121 Enabling and Disabling Troubleshooting Access on DMPs,
    [Show full text]
  • La Radio Musical Como Germen Para El Nacimiento Del Pop Español
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Comunicación Audiovisual y Publicidad II TESIS DOCTORAL La radio musical como germen para el nacimiento del Pop español MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Susana Ferrero Blanco Director Francisco García García Madrid, 2017 © Susana Ferrero Blanco, 2017 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD II TESIS DOCTORAL La radio musical como germen para el nacimiento del Pop español MEMORIA PARA OPTAR AL GRADO DE DOCTOR Presentada por Susana Ferrero Blanco Dirigida por el Dr. Francisco García García Madrid, 2017 La radio musical como germen para el nacimiento del Pop español Dedicatoria Because They’re young Duane Eddy Agradecimientos A Francisco García García, mi director de Tesis Doctoral, por su guía constante, por su paciencia y por su confianza en el proyecto. A Carlos Ibáñez Puerta, mi pareja, por su gran apoyo, por sus palabras de aliento y por compartir tanto los peores como los mejores momentos de este largo periodo. A Elena Ibáñez Puerta por su carácter infatigable, por su claridad de juicio y por su disposición. A mis padres Eleazar Ferrero Nielfa y Leovigilda Blanco Rodríguez por su amor incondicional y por apoyarme desde la infancia, permitiendo que me dedicara a lo que siempre he amado. A Jorge e Isabel Ferrero Blanco por ser lo mejor que se puede ser: buenos hermanos. A Sahamos por ser la avanzadilla exploradora tanto a nivel académico como espiritual. A Josefina Arregui, mi maestra de canto, por compartir conmigo sus vastos conocimientos y su dilatada experiencia.
    [Show full text]