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India OTT Video Market
Solve. New India OTT Video Market Jan 2021 Bangalore. Delhi. Mumbai. Dubai. Singapore. New York © 2020 RedSeer Consulting confidential and proprietary information Sports streaming period saw the highest OTT Video consumption in 2020 Monthly Consumption, OTT Video Bn Mins ~13% growth 228 231 218 208 200 205 201 204 193 195 181 175 162 Jan'20 Feb'20 Mar'20 Apr'20 May'20 Jun'20 Jul'20 Aug'20 Sept'20 Oct'20 Nov'20 Dec'20 Jan`21 Pre-COVID Lockdown Post Lockdown Growing with sports & new releases - New movie and series - Sports and IPL from Sept to Nov - Declining new releases - Less OTT engagement as released - New movies released didn’t perform well - Free Trial closed by users started moving out - Users watching their - Free StreamFest by Netflix Netflix - TV soaps started again favorite content on repeat - Number of Original increasing and more releases in the pipeline for JFM`21 Note: Analysis excluding YouTube Source : RedSeer IP, RedSeer Analysis 2 © RedSeer Higher releases leading to strong growth for Originals & movies consumption on OTT Genre wise engagement, OTT Video Industry Key Takeaways Jan`20 v/s Jan`21 Originals ~180 Bn ~205 Bn • Increased Investments: Both International & homegrown platforms have been heavily investing in creating & promoting more quality Originals 12% -1 % 11% Others • Rise of regional OTT Platforms: 15% Smaller OTT platforms have only 18% -4% focused on creating relevant Original TV Series content & have gained massive traction 19% over the last year 14% 50% Originals Movies • Mainstream movie releases: Higher -
INDIAN OTT LANDSCAPE a Survey Report by Vidooly
INDIAN OTT LANDSCAPE A Survey Report by Vidooly Video Intelligence & Cross Platform Analytics Software INTRODUCTION The increasing popularity of OTT Platforms in India is no more a secret. While Hotstar, Netflix and Amazon Prime have become established names in the industry, we also have new entrants such as AppleTV+ and Flipkart Videos marking their debut. With 30+ platforms competing to build a subscriber base, they are experimenting with newer way to please their audience. With the help of big data, platforms are devising ways of personalizing their user experience. Innovations such as voice tags, augmented and virtual reality, 360 degree viewing and blockchain technology are also getting intensely explored. The pace at which the industry is transforming, makes it indispensable for the platforms to evolve continuously. Other than recognizing consumer’s changing preferences and their need of personalized experiences, brands also realize their price-sensitive nature. This has led to the provision of multiple screens and introduction of cheaper subscription plans by these platforms in order to fit consumers’ pockets. Undisrupted 4G connectivity has played a major role in enabling the online content consumption, that too, at viewers’ ease. Not only has it made internet accessible but also affordable, thus driving the user-spends towards other means of entertainment - in this case – Video-on-Demand Platforms. The penetration of internet in rural areas has also soared, resulting in a higher demand of regional content on these platforms. There’s no second guessing in the fact that the OTT industry is going to be the face of Media & Entertainment Industry in the coming years. -
Discovering Binge Watching and Audience Engagement Through Sentiment Analysis
International Journal of Advanced Science and Technology Vol. 29, No. 7, (2020), pp. 8030-8038 Discovering Binge watching and Audience Engagement through Sentiment Analysis *Devesh Lowe1, Bhavna Galhotra2, Yukti Ahuja3 1,2IT Department, JIMS Rohini Sector-5, Delhi-1100851 *[email protected], [email protected] 3Management Department, JIMS Rohini Sector-5, Delhi-1100852 [email protected] Abstract Indian audience have trusted and enjoyed television entertainment for the longest time until an alternate medium called Internet based Video on demand (VOD) emerged. The new digital medium let users handpick and watch/listen to video or audio content at a time of their choice. Binge-watching, meaning watching multiple episodes of the same TV series continuously constitutes this phenomenon. Little is known about the transition in the Indian viewer’s behaviour from scheduled broadcast viewership to marathon consumption of entertainment. This study explores how social platforms are deployed to reach and entice audience towards Netflix, Amazon Mx player etc. The study unfolds the audience sentiments towards OVD programming, its promotion and impact with the use of sentiment analysis. The methodology deployed for the study includes a preliminary analysis of secondary data comprising articles, research papers and cases followed by analysis of data collated via Twitter to articulate the viewers’ opinion. The results of the study reflect upon the rising interest in web content and growing fondness for web based video programming. The study is first of its kind in the Indian context and has key takeaways for practitioners in the VOD programming industry, marketing professionals and researchers working in this arena. -
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A Remarkable Evolution of Over-The-Top Media Platforms in India
Case Report l M ba ed o i l a G Global Media Journal 2021 J ournal Vol.19 No.42:259 The Global Network of ISSN 1550-7521 A Remarkable Evolution of Over-the-top Pankaj Thakur* Media Platforms in India: A Case Study of Department of Business Management, University of Horticulture and Forestry, Business and Regulatory Trends Nauni Solan HP-173230, India Abstract *Corresponding author: Pankaj Thakur The Indian film and entertainment industry has shown a shift from conventional TV and big screen to Over-the-top media platforms. These platforms provide ease [email protected] of access to stream anytime anywhere over the internet. With this study the researcher explored the remarkable evolution of these OTT platforms in India. To critically examine the study, the reasons of popularization of these platforms in Tel: 7590088925 Indian audiences were explored. As these platforms also have to face the criticism for showing inappropriate content, the researcher put insight into the regulatory changes made by the Government. The study implied that the evolution of OTT Department of Business Management, platforms started in 2008 with the launch of BIGFlix. A huge rise in consumer base University of Horticulture and Forestry, had shown due to increased internet and smartphone base after 2015. The quality Nauni Solan HP-173230, India and creative content, youth-oriented population and lockdown due to COVID were the main reason of popularization of OTT platforms. The Government suggested self-classifying of the content and three-Tier mechanism to handle the grievances Citation: Thakur P (2021) A Remarkable associated with these media platforms. -
Mobile Video Optimization: Market Evolution and Operator Implications
Mobile Video Optimization: Market Evolution and Operator Implications The popularity of mobile video is evident all around us – in people watching YouTube, Netflix and other content on their smartphones and tablets and communicating via real-time, two-way video. This phenomenon is booming as a result of broad support across the mobile ecosystem, including among devices, networks and services. It shows no signs of slowing, and it has crucial implications for how mobile operators direct their infrastructure investments and strategies. In this paper, we examine some of the technologies and approaches important to operators as they address the challenges attending mobile video growth – as well as some key considerations to help navigate expected future trends. The State of Video in the Mobile Network The growth of mobile video has multiple drivers in a variety of areas. An understanding of these drivers can help illuminate both its history and current trajectory. Ecosystem Support Drivers The rise of mobile video adoption has been fueled by many sources – perhaps none more dramatically than the spread of smartphones, whose screens unleashed a new wave of video consumption and whose cameras supplied torrential volumes of video content. Mobile video use continues to expand with the spread of tablets, whose larger screen size improves the video-watching experience and encourages new forms of consumption, including long-form content such as movies. Research has indicated that tablet users are nearly three times more likely to watch video on their -
How Can We Help MX Player Grow and Increase Its Retention? Aditya Gopal Ganguly
How can we help MX Player grow and increase its retention? Aditya Gopal Ganguly MX Player: A Snapshot MX Player, originally one of the oldest and most popular video players for locally-stored media in the market, was acquired by Times Internet for $140~$200 million in 2018. Post-acquisition, Times Internet has added features like video streaming of original content, partner content, live channels, movies bundled with music, games and news. The OTT feature rolled out initially in the Indian market has been expanded to more than half a dozen markets like the U.S and U.K. The company is also targeting the Middle East and South Asia. The app caters to users across the tiers in India. The entire streaming platform follows Advertising Video on Demand (AVOD) model and has not only carved a space for itself being a free OTT service among a plethora of paid ones but has also managed to top the category over the past few months. Key metrics ● 1,50,000 hrs of premium video content, audio music and games, all for free. ● Largest market - India (175 MAUs, 75 DAUs), Globally - (280 MAUs) ● App Annie’s Breakout Video Streaming App of 2019 (India), ahead of Hotstar, Netflix, Amazon Prime Video and Reliance owned Jio TV. Also among top 10 publishers in India and incredible growth in Indonesia. What has worked? ● Investment in original content has paid off for the organization. MX Player plans to have 50 originals on its platform this year. ● Web Series are the most consumed form of content followed by linear, traditional TV followed by movies. -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication. -
Indexed ARPU South Korea Saw Highest ARPU Among 2019 Game
1 1 2 0 2 0 S T A T E O F M O B I L E Executive Summary 204B $120B 3.7 Hrs 825% 60% Worldwide Downloads Worldwide App Store Per day spent in mobile Higher avg IPO Higher per user in 2019 Consumer Spend by the average user valuation for mobile engagement in 2019 in 2019 companies in 2019 by Gen Z vs older demos in 2019 2 State of Mobile | Copyright 2020 | App Annie Table of Contents ● Macro Mobile Trends 5 ● Gaming 13 ● Finance 22 ● Retail 27 ● Streaming 32 ● Social 36 ● Other Industries Embracing Mobile Transformation 40 ● Worldwide Rankings 45 3 State of Mobile | Copyright 2020 | App Annie The Mobile Performance Standard Through our mobile data and insights platform, we help create winning mobile experiences for those aspiring to achieve excellence 4 State of Mobile | Copyright 2020 | App Annie MACRO MOBILE TRENDS Consumers Top Countries by App Store Downloads Downloaded a Record 120B 240B 100B 200B 204 Billion Apps Growth From 2016 to 2019 Worldwide Downloads Worldwide 80B 160B ● Annual worldwide downloads have grown 45% in — Worldwide 45% the 3 years since 2016 and 6% year over year, — China 80% 60B 120B which is particularly impressive given this excludes — India 190% re-installs and app updates. — United States 5% 40B 80B — Brazil 40% ● Downloads are largely fueled by emerging Country-Level Downloads Country-Level markets, including India, Brazil and Indonesia. — Indonesia 70% 20B 40B ● Consumers in mature markets like the US, Japan and Korea have seen download growth level off, 0B 0B but are still seeking out new apps. -
Katara Uta 2502M 13290.Pdf (2.594Mb)
EVALUATION OF ADAPTIVE VIDEO OPTIMIZATION FOR STALL MINIMIZATION IN WIRELESS NETWORKS by KARISHMA KATARA Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN ELECTRICAL ENGINEERING THE UNIVERSITY OF TEXAS AT ARLINGTON August 2015 Copyright © by Karishma Katara 2015 All Rights Reserved ii To my family, friends and colleagues iii Acknowledgements I would like to express my sincere gratitude to Professor Dr.Qilian Liang, for supervising me and continuous support for the thesis and helping me in every step of my work. Thank you for giving me all these opportunities and a chance to work on something that I truly enjoy. I can truly say that working in your lab has been an once-in-a-lifetime experience. I would like to thank my thesis committee Dr. Alan Davis and Dr. William Dillon for supporting me in this work. I would also like to thank Lisa Parkin Director QA and Nitin Bhandari Senior Wireless Quality Engineer for guiding me during my Internship at Jasper Wireless U.S which helped in collecting real-world data used for this piece of work. Scott Staples Director- Policy Architect, thank you for offering advice on my project, laying the foundation as well as helping in my presentation. Mark Montz Senior Wireless Network Architect, thank you for everything from basic concepts, mathematical analysis and advice on how to present. I would also like to thank Venugopal Velcheru for his valuable suggestions and guiding me during my course work at the University of Texas at Arlington. -
Measuring and Improving the Quality of Experience of Adaptive Rate Video
Measuring and Improving the Quality of Experience of Adaptive Rate Video Hyunwoo Nam Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 c 2016 Hyunwoo Nam All Rights Reserved ABSTRACT Measuring and Improving the Quality of Experience of Adaptive Rate Video Hyunwoo Nam Today’s popular over-the-top (OTT) video streaming services such as YouTube, Netflix and Hulu deliver video contents to viewers using adaptive bitrate (ABR) technologies. In ABR streaming, a video player running on a viewer’s device adaptively changes bitrates to match given network conditions. However, providing reliable streaming is challenging. First, an ABR player may select an inappropriate bitrate during playback due to the lack of direct knowledge of access networks, frequent user mobility and rapidly changing channel conditions. Second, OTT content is delivered to viewers without any cooperation with Internet service providers (ISPs). Last, there are no appropriate tools that evaluate the performance of ABR streaming along with video quality of experience (QoE). This thesis describes how to improve the video QoE of OTT video streaming services using ABR technologies. Our analysis starts from understanding ABR heuristics. How does ABR streaming work? What factors does an ABR player consider when switching bitrates during a download? Then, we propose our solutions to improve existing ABR streaming from the perspective of network operators who deliver video content through their networks and video service providers who build ABR players running on viewers’ devices. From the network operators’ point of view, we propose to find a better video content server based on round trip times (RTTs) between an edge node of a wireless network and available video content servers when a viewer requests a video. -
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