Unravelling the Digital Video Consumer
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EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call
NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call REFINITIV STREETEVENTS EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call EVENT DATE/TIME: NOVEMBER 04, 2020 / 9:30PM GMT REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2020 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. 1 NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call CORPORATE PARTICIPANTS Adam Fogelson: STX Films - Chairman Andy Warren: Eros STX Global Corporation - CFO Bob Simonds: Eros STX Global Corporation - Co-Chairman & CEO Drew Borst: Eros STX Global Corporation - EVP Investor Relations & Business Development Noah Fogelson: Eros STX Global Corporation - Co-President Rishika Lulla Singh: Eros STX Global Corporation - Co-President & Director CONFERENCE CALL PARTICIPANTS Eric Katz, Wolfe Research, LLC - Research Analyst Robert Routh, FBN Securities, Inc., Research Division - Research Analyst Robert Fishman, MoffettNathanson LLC - Analyst Ted Cronin, Citigroup Inc., Research Division - Research Analyst Tim Nollen, Macquarie Research - Senior Media Analyst PRESENTATION Operator Good afternoon, ladies and gentlemen, and welcome to Eros STX Global Corporation Business Update Call. This call is being broadcast live on the Internet, and a replay of the call will be available on the company's website. The company published earlier certain financial information, including a 20-F transition report and 6-K filing which are available on the company's website. The company would like to remind everyone listening that during this call, it will be making forward- looking statements under the safe harbor provisions of the federal securities laws. -
Here) Camstreamer.Com
CamStreamer App USE CASE - instructions Dacast integration Use the Dacast online video platform for ad-free live streaming with the CamStreamer App. Dacast is a paid service which provides many advantages in comparison with free but ad-powered platforms like YouTube or Facebook. Dacast offers the possibility of a live broadcast which you can embed in websites and share on social media. By using Paywall Pay Per View, you can monetize the stream. It also provides 24/7 streaming possibilities without video length limitation or the risk of your stream being blocked due to copyright. Dacast has the tools to password protect both live video content and on-demand content and allows users to restrict access to their live streams to specific countries if needed. Setting up your live stream is simple! All you need is your Dacast login information and you can start streaming in under a minute. What do you need? Tip: A free 30-day license can be acquired at - An AXIS camera (check compatibility here) camstreamer.com. Try everything out before - The CamStreamer App paying for the license. - The account on Dacast (30 days trial) Steps for set-up: 1. Sign in to the camera’s web interface. In the Apps tab, install the CamStreamer App and get a free trial or buy a license at www.camstreamer.com. Setting up the camera to stream: 1. In the STREAM MANAGER, click on the ADD NEW SERVICE button. More information about free trial or licence for CamOverlay App you can find at www.camstreamer.com 1 CamStreamer App USE CASE - instructions Dacast integration 2. -
EARNINGS RELEASE: Q4 and FY 2020-21
EARNINGS RELEASE: Q4 and FY 2020-21 Mumbai, 20th April, 2021 – Network18 Media & Investments Limited today announced its results for the quarter and financial year ended 31st March 2021. Consolidated EBITDA up 29% in COVID year; Highest ever EBITDA margins led by cost controls and innovative measures. PAT up by ~9x at Rs. 547 cr. Strong recovery in TV ad-growth to high single digits in Q4; Digital growing at fast clip TV News remains #1 on reach; margins expanded all through the year TV Entertainment grew viewership share by ~2% to 10.9%; full year margins highest ever Flagship GEC Colors returns to a strong #2 position during the year Entertainment OTT fastest to 1mn D2C subscribers within first year of launch Digital News breaks even for the full year; subscription the next engine of growth Summary Consolidated Financials Q4FY21 Q4FY20 Growth FY21 FY20 Growth Consolidated Operating Revenue (Rs Cr) 1,415 1,464 -3% 4,705 5,357 -12% Consolidated Operating EBITDA (Rs Cr) 279 225 24% 796 617 29% Operating EBITDA margin 19.7% 15.4% 16.9% 11.5% Highlights for Q4 Q4 Operating EBITDA up 24% YoY, Q4 Operating Margin expanded to highest ever ~20% Entertainment operating margins are at a healthy ~19% in Q4. News margins rose to highest ever levels of ~27% in Q4, led by 5% YoY revenue growth. Digital News maintained its break-even performance. Consolidated revenue ex-film production grew 2% YoY, despite deferral of award shows Highlights for FY2020-21 Consolidated Annual EBITDA margins rose to ~17%, the best ever inspite of COVID Group EBITDA up 29% YoY despite pandemic impact dragging revenue down 12% YoY. -
Youtube: Pakistan's Most Popular Online Video Platform
YouTube: Pakistan’s most popular online video platform To help marketers understand Pakistan’s video-viewing behavior, we conducted a YouTube Profiling Study with Kantar TNS. “Our YouTube profiling research shows that although YouTube only became available again in Pakistan a couple of years ago, it's already established itself as the favorite online video destination of the country,” said Matt Beal, senior consultant at Kantar TNS. When it comes to online video, YouTube is top of mind in Pakistan. YouTube has stronger reach and more users in Pakistan than ever before. Here are key stats highlighting Pakistanis’ active engagement on the platform. 73% 78% of online Pakistanis of YouTube users in Pakistan watch YouTube agree that the platform is every month.1 their first stop when looking for any kind of video.1 YouTube reaches % In Pakistan, YouTube reaches 80 the highest number of users of online millennials during TV's primetime evening residing in metro cities hours (8 p.m.-11 p.m.).1 in Pakistan.2 64% 63% of online Pakistanis of YouTube users in say YouTube is their Pakistan agree that they favorite video platform.1 often watch YouTube with friends and family.1 YouTube is where Pakistanis come to watch diverse, high-quality content. YouTube has more than 650 Pakistan-based channels with 100,000 or more subscribers — up from just eight in 2016.3 The top eight content categories on YouTube in Pakistan:3 Sports TV/Cinema Comedy Travel News/Talk Shows Music Beauty Food YouTube has become an essential part of the consumer path to purchase in Pakistan. -
The Edge How Disney + Hotstar's Entry Changes Astro's Value
The Edge Section: News Ad Value: RM 17,366 10-May-2021 Size : 936cm2 PR Value: RM 52,098 How Disney + Hotstar's entry changes Astro's value proposition How Disney+ Hotstar's entry changes Astro's value proposition BY CINDY YEAP ,,I feel a disturbance in the force” — the opening line by Malaysian actor Nazruditi Rahman,as emcee ofT he Walt Disney Company,s online media day for Malaysia on May 4, may have been his way of celebrating Star Wars Day, com memorating George Lucas' Star Wars fran- chisei which Disney bought in 2012. hotstar Yet, those words could prove prescient in The Home efGiabaland Malaysian Hlu the coining months for the Malaysian me Start Streaming 1 June dia scene,with Disney+ Hotstar streaming locally from June 1, if the services' perfor mance in just five months in Indonesia is any indication, astro Disney's announcement for Malaysia last week came a week after it announced the de cision to stop 18 of 22 Disney-owned linear or conventional TV channels from Oct 1 in Southeast Asia and Hong Kong to signal the weight it is putting on its direct-to -customer streaming services. Only National Geographic, Nat Geo Wild,Star Chinese Channel and Star Ahmad Izham (at the launch of Disney+ Hotstar): We look forward to continuing our deep-rooted support of Malaysian-made content and shining a well-deserved Chinese Movies remain for now, while those spotlight on inspiring Malaysian stories, filmmakers and talent culled include FX,Fox Sports,Star Sports,Nat Ge。People and SCM Legend. -
5G Network Infra
MPEG Workshop Next Generation Media Services and Technologies Media Tech. R&D Center Dr. Jongmin Lee (Center Leader) • The time will soon come when everyone can create, deliver and consume video data everywhere based on 5G network infra • Mobile video service is now rapidly evolving Main keyword: 4K/8K UHD, AR/VR, 3-D, N-screen • Many SKT’s multi-media services are developed / developing based on MPEG technologies and systems HEVC, AVC, MMT, etc. Media Service Trend Media Service Trend • Mobile video traffic is rapidly increasing □ Video Traffic □ Audio,Video Web, Traffic etc. Traffic Daily average T Byte `16 `17 `18 `19 `20 `21 Global Mobile Live Broadcasting Traffic forecast, Cisco 2016 All these devices increase mobile video traffic ! Media Service Trend • Mobile Media Market Trend $ Billion □ Desktop 554 □ Smart phone / Tablets 179 ’20 ’14 Global Online Media Market $ Million 7801 Media Devices (%), *Ref. from StatCounter (2016.10) 6345 5136 4149 7.5 ’14 2,587 3069 1,926 4.5 ’14 ’15 ’16 ’17 ’18 ’19 ’20 ’12 ’14 South Korea Media Market *Ref. from STRABASE (2014.12) Cord-cutting ratio in US. Media Service Trend Source: Mary Meeker, Internet Trends 2016 SKT’s Media Services • Fixed IPTV ( ), Mobile IPTV ( ), 360 VR VoD / Live, etc 8K UHD IPTV Trial (`15.10), UHD Multi-View (`16.9) Adaptive 4K IPTV Commercialization (`14.4) Oksusu VR Streaming Service(`16.10) Oksusu Mobile IPTV Commercialization (`17.10) AI Voice Recognizer / Speaker 360 VR Real-time Streaming SKT’s Global Working • Developing the next-generation TV platform for the U.S market • Various MPEG technologies were adopted into ATSC 3.0, especially, HEVC, DASH, and MMT. -
India OTT Video Market
Solve. New India OTT Video Market Jan 2021 Bangalore. Delhi. Mumbai. Dubai. Singapore. New York © 2020 RedSeer Consulting confidential and proprietary information Sports streaming period saw the highest OTT Video consumption in 2020 Monthly Consumption, OTT Video Bn Mins ~13% growth 228 231 218 208 200 205 201 204 193 195 181 175 162 Jan'20 Feb'20 Mar'20 Apr'20 May'20 Jun'20 Jul'20 Aug'20 Sept'20 Oct'20 Nov'20 Dec'20 Jan`21 Pre-COVID Lockdown Post Lockdown Growing with sports & new releases - New movie and series - Sports and IPL from Sept to Nov - Declining new releases - Less OTT engagement as released - New movies released didn’t perform well - Free Trial closed by users started moving out - Users watching their - Free StreamFest by Netflix Netflix - TV soaps started again favorite content on repeat - Number of Original increasing and more releases in the pipeline for JFM`21 Note: Analysis excluding YouTube Source : RedSeer IP, RedSeer Analysis 2 © RedSeer Higher releases leading to strong growth for Originals & movies consumption on OTT Genre wise engagement, OTT Video Industry Key Takeaways Jan`20 v/s Jan`21 Originals ~180 Bn ~205 Bn • Increased Investments: Both International & homegrown platforms have been heavily investing in creating & promoting more quality Originals 12% -1 % 11% Others • Rise of regional OTT Platforms: 15% Smaller OTT platforms have only 18% -4% focused on creating relevant Original TV Series content & have gained massive traction 19% over the last year 14% 50% Originals Movies • Mainstream movie releases: Higher -
Airtel Digital Tv Recharge Offers in Mumbai
Airtel Digital Tv Recharge Offers In Mumbai usuallyBoris corrugate noddled hissome tragopans cane or beguilingcounterplots instrumentally, fitly. Goober but dilated patronized fresh. Karl never paid so representatively. Palish Anatole Airtel Digital TV DTH Services in Goregaon East Mumbai List of airtel digital TV DTH services packages plans near Goregaon East must get airtel digital TV DTH services contact addresses phone numbers. Bajaj Finserv Wallet powered by Mobikwik India's first integrated Debit and Credit wallet for Fastest Online Recharges and Bill Payments No Cost EMI offers on. What axis the best TV packages? Airtel Dth Recharge Recharge your Airtel Dth service from Bro4u in seconds. Click on your entertainment channel plans? Airtel DTH Mumbai Toll-Free Customer a Number- 022 4444-00. Adds a matter which i m giving time when the offers in rainy season you and commentary focused on. MUMBAI Airtel Digital TV's subscribers will definite have resort to broadcasters' revised channel prices 25 April onwards There bad been. Airtel DTH Recharge Plans Packages 2021 Find two new Airtel Digital TV recharge plan packs and Price details for all kinds of channels like HD Sports. Airtel Digital TV Recharge Plans Gizbot. On witch hand selecting a-la-carte packs is cumbersome customers with long-term recharge packs have little clarification over their subscriptions. Airtel Digital TV Packs Price and Channels list list are down Home Airtel Digital TV Search Combo Packs Hindi 24 Hindi Value Lite SD 24500month. To maybe list of cities it written now offering services inLucknow Navi Mumbai and Surat. Browse best prepaid recharge plans for your Airtel number. -
Balaji Telefilms Limited
Balaji Telefilms Limited Company Overview BSE Code 532382 Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE Entertainment sector and it is in film production, distribution & entertainment industry. BTL was Key Highlights incorporated in 1994 as a private limited Latest Date 17 Sept 2018 company and became listed in the year 2000. Latest Price (Rs.) 106.5 BTL produces Television serial content, Movies 52 Week High (Rs.) 181 and digital content. 52 week low (Rs.) 102 BTL has produced 18000 hours of Television Face Value (Rs.) 2 content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112 some of the best television serials in the country Net Worth (Rs. in Cr.) 853 including the famous K series of daily soap: TTM EPS (Rs.) -4.61 ‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani PE Ratio (x) 0 Ghar Ghar Ki' and more recently created ‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34 programming. EV/ EBITDA (x) -31.01 Market Cap./ Sales (x) 3.19 Segment Summary Shareholding Pattern The company operates in 3 segments. Promoters 33% FII 18% 1. TV Serial Production DII 35% The backbone of the company is their TV serial Non-Institutional 14% production business. BTL is in this business from the incorporation of the company in 1994. The returns from the TV Business are steady because the company operates on a cost-plus model, whereby company adds profit to the whole cost of production and bill that to the broadcaster. 2. Movie Production The company started movie production in 2001. -
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The Growth of VOD Investment in Local Entertainment Industries Contents
Asia-on- demand: the Growth of VOD Investment in Local Entertainment Industries contents Important Notice on Contents – Estimations and Reporting 04 GLOSSARY This report has been prepared by AlphaBeta for Netflix. 08 EXECUTIVE SUMMARY All information in this report is derived or estimated by AlphaBeta analysis using both 13 FACT 1: proprietary and publicly available information. Netflix has not supplied any additional data, nor VOD INVESTMENT IN LOCAL ASIAN CONTENT COULD GROW 3.7X BY 2022 does it endorse any estimates made in the report. Where information has been obtained from third party sources and proprietary sources, this is clearly referenced in the footnotes. 17 FACT 2: STRONG CONSUMER DEMAND INCENTIVIZES INVESTMENT IN HIGH-QUALITY Published in October 2018 LOCAL ENTERTAINMENT ONLINE 23 FACT 3: THROUGH VOD, ORIGINAL CONTENT PRODUCED IN ASIA IS GETTING INCREASED ACCESS TO GLOBAL AUDIENCES 27 FACT 4: THE ECONOMIC IMPACT OF LOCAL CONTENT INVESTMENT IS 3X LARGER THAN WHAT VOD PLAYERS SPEND 32 FACT 5: VOD PLAYERS OFFER BENEFITS TO THE LOCAL INDUSTRY - WELL BEYOND LOCAL CONTENT INVESTMENT 38 FACT 6: THE CONTENT PRODUCTION VALUE CHAIN IS BECOMING MORE GLOBAL AND DIVERSE, ALLOWING ASIAN COUNTRIES TO SPECIALIZE 43 FACT 7: THE KEY DRIVERS TO CAPTURING THE VOD CONTENT OPPORTUNITY ARE INVESTMENT INCENTIVES, SUPPORTIVE REGULATION, AND AlphaBeta is a strategy and economic advisory business serving clients across Australia and HIGH-QUALITY INFRASTRUCTURE Asia from offices in Singapore, Sydney, Canberra and Melbourne. 54 FINAL THOUGHTS: IMPLICATIONS FOR POLICYMAKERS SINGAPORE Level 4, 1 Upper Circular Road 57 APPENDIX: METHODOLOGY Singapore, 058400 Tel: +65 6443 6480 Email: [email protected] Web: www.alphabeta.com glossary The following terms have been used at various stages in this report. -
The Export of European Films on SVOD Outside Europe
The export of European films on SVOD services outside Europe Christian Grece September 2019 A publication of the European Audiovisual Observatory Table of Contents Overview of 79 SVOD services in 21 countries worldwide Analysis by region and country ▪ North America – Canada and USA ▪ Latin America – Argentina, Brazil and Mexico ▪ South East Asia – Indonesia, Malaysia, Philippines, Singapore and Thailand ▪ East Asia – China and Japan ▪ India ▪ Oceania –Australia and New Zealand ▪ Middle East – The United Arab Emirates, Egypt and Saudi Arabia ▪ Individual countries - Russian Federation, South Africa and Turkey Introduction The aim of this report is to give a picture on the export of EU films on SVOD services outside of the European Union. 79 SVOD services in 21 countries worldwide are part of the sample. The report looks at the circulation of unique film titles and the volume/occurrences of films available on these services, on a regional and service basis. The first part gives a snapshot of the availability of EU films around the globe after which a overview for each region is provided. Methodology The analysis has been carried out based on data provided by Ampere Analysis and comprehends SVOD catalogue data collected in June 2019. A film is defined as a feature film, fiction film, documentary or other film content available in the “Film” / “Movie” section of the SVOD catalogues part of the sample. For the origin of a film, only the first country of production is taken into account. The production countries are based on data collected from the Observatory’s LUMIERE database on admissions to films in Europe, IMDb and the Movie database.