Law, Order, and Crime March 8-10, 2013
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Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
III. Discussion Questions A. Individual Stories Nathaniel Hawthorne
III. Discussion Questions a. Individual Stories Nathaniel Hawthorne, “Rappaccini’s Daughter” (1844) 1. As an early sf tale, this story makes important contributions to the sf megatext. What images, situations, plots, characters, settings, and themes do you recognize in Hawthorne’s story that recur in contemporary sf works in various media? 2. In Hawthorne’s The Scarlet Letter, the worst sin is to violate, “in cold blood, the sanctity of the human heart.” In what ways do the male characters of “Rappaccini’s Daughter” commit this sin? 3. In what ways can Beatrice be seen as a pawn of the men, as a strong and intelligent woman, as an alien being? How do these different views interact with one another? 4. Many descriptions in the story lead us to question what is “Actual” and what is “Imaginary”? How do these descriptions function to work both symbolically and literally in the story? 5. What is the attitude toward science in the story? How can it be compared to the attitude toward science in other stories from the anthology? Jules Verne, excerpt from Journey to the Center of the Earth (1864) 1. Who is narrator of this tale? In your opinion, why would Verne choose this particular character to be the narrator? Describe his relationship with the other members of this subterranean expedition. Many of Verne’s early novels feature a trio of protagonists who symbolize the “head,” the “heart,” and the “hand.” Why? How does this notion apply to the protagonists in Verne’s Journey to the Center of the Earth? 2. -
1970S Feminist Science Fiction As Radical Rhetorical Revisioning. (2014) Directed by Dr
BELK, PATRICK NOLAN, Ph.D. Let's Just Steal the Rockets: 1970s Feminist Science Fiction as Radical Rhetorical Revisioning. (2014) Directed by Dr. Hephzibah Roskelly. 204 pages. Feminist utopian writings from the 1970s included a clearly defined rhetorical purpose: to undermine the assumption of hidden male privilege in language and society. The creative conversation defining this rhetorical purpose gives evidence of a community of peers engaging in invention as a social act even while publishing separately. Writers including Samuel Delany, Joanna Russ, James Tiptree, Jr., and Ursula Le Guin were writing science fiction as well as communicating regularly with one another during the same moments that they were becoming fully conscious of the need to express the experiences of women (and others) in American literary and academic society. These creative artists formed a group of loosely affiliated peers who had evolved to the same basic conclusion concerning the need for a literature and theory that could finally address the science of social justice. Their literary productions have been well-studied as contemporaneous feminist utopias since Russ’s 1981 essay “Recent Feminist Utopias.” However, much can be understood about their rhetorical process of spreading the meme of feminist equality once we go beyond the literary productions and more closely examine their letters, essays, and commentary. This dissertation will show that this group of utopian fiction writers can be studied as exactly that: a loosely connected, collaborative, creative group of peers with specific ideas about how humanity could be better if assumptions of male superiority were undermined and with the rhetorical means to spread those ideas in ways which changed the literary and social conversation. -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Lightspeed Magazine, Issue 66 (November 2015)
TABLE OF CONTENTS Issue 66, November 2015 FROM THE EDITOR Editorial, November 2015 SCIENCE FICTION Here is My Thinking on a Situation That Affects Us All Rahul Kanakia The Pipes of Pan Brian Stableford Rock, Paper, Scissors, Love, Death Caroline M. Yoachim The Light Brigade Kameron Hurley FANTASY The Black Fairy’s Curse Karen Joy Fowler When We Were Giants Helena Bell Printable Toh EnJoe (translated by David Boyd) The Plausibility of Dragons Kenneth Schneyer NOVELLA The Least Trumps Elizabeth Hand NOVEL EXCERPTS Chimera Mira Grant NONFICTION Artist Showcase: John Brosio Henry Lien Book Reviews Sunil Patel Interview: Ernest Cline The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Rahul Kanakia Karen Joy Fowler Brian Stableford Helena Bell Caroline M. Yoachim Toh EnJoe Kameron Hurley Kenneth Schneyer Elizabeth Hand MISCELLANY Coming Attractions Upcoming Events Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2015 Lightspeed Magazine Cover by John Brosio www.lightspeedmagazine.com Editorial, November 2015 John Joseph Adams | 712 words Welcome to issue sixty-six of Lightspeed! Back in August, it was announced that both Lightspeed and our Women Destroy Science Fiction! special issue specifically had been nominated for the British Fantasy Award. (Lightspeed was nominated in the Periodicals category, while WDSF was nominated in the Anthology category.) The awards were presented October 25 at FantasyCon 2015 in Nottingham, UK, and, alas, Lightspeed did not win in the Periodicals category. But WDSF did win for Best Anthology! Huge congrats to Christie Yant and the rest of the WDSF team, and thanks to everyone who voted for, supported, or helped create WDSF! You can find the full list of winners at britishfantasysociety.org. -
It Came from Outer Space: the Virus, Cultural Anxiety, and Speculative
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 It came from outer space: the virus, cultural anxiety, and speculative fiction Anne-Marie Thomas Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Thomas, Anne-Marie, "It came from outer space: the virus, cultural anxiety, and speculative fiction" (2002). LSU Doctoral Dissertations. 4085. https://digitalcommons.lsu.edu/gradschool_dissertations/4085 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. IT CAME FROM OUTER SPACE: THE VIRUS, CULTURAL ANXIETY, AND SPECULATIVE FICTION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Anne-Marie Thomas B.A., Texas A&M-Commerce, 1994 M.A., University of Arkansas, 1997 August 2002 TABLE OF CONTENTS Abstract . iii Chapter One The Replication of the Virus: From Biomedical Sciences to Popular Culture . 1 Two “You Dropped A Bomb on Me, Baby”: The Virus in Action . 29 Three Extreme Possibilities . 83 Four To Devour and Transform: Viral Metaphors in Science Fiction by Women . 113 Five The Body Electr(on)ic Catches Cold: Viruses and Computers . 148 Six Coda: Viral Futures . -
Book Reviews from the Sf Press
BOOK REVIEWS FROM THE SF PRESS Solar Lottery Anthony Boucher: Fantasy & Science Fiction August 1955, p. 94 Philip K. Dick’s SOLAR LOTTERY (Ace, 35 cents) is kept from a Grade A rating only by a tendency, in both its nicely contrasted plots, to dwindle away at the end. This first novel by one of the most interesting new magazine writers (one of F&SF’s discoveries, I may add proudly) creates a strange and highly convincing and self-consistent future society, peculiarly governed by Games Theory and the principle of randomness; against this background, built up with the detail of a Heinlein and the satire of a Kornbluth, it relates a taunt melodrama of political conflict and a stirring space-quest to rediscover a lost tenth planet. P. Schuyler Miller: Astounding Science Fiction November 1955, p. 151 Here’s another demonstration that you get a whale of a lot for your money from Ace. “Solar Lottery” is in the van Vogt tradition, taking a man with a mission, involving him hopelessly in a society built on a novel concept of science or philosophy, and allowing all sorts of unseen forces to prowl and putter behind the scenes. This time the gimmick is not non-Aristotelian semantics but von Neumann’s Theory of Games, which the author has built up as the mainspring of a Twenty-third Century planetary lottery whose one winner, the Quizmaster, is dictator of mankind until an assassin cuts him down or the “bottle” – never quite explained – twitches someone else in his place. Outside the Game, those who have special skills useful to the manufacturing combines may sell themselves into absolute serfdom, while those who have only manual skills are “unclassified” and hopeless. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Single-Gendered Worlds in Science Fiction: Better for Whom? Victor Grech with Clare Thake-Vasallo and Ivan Callus
VECTOR 269 – SPRING 2012 Single-gendered Worlds in Science Fiction: Better for Whom? Victor Grech with Clare Thake-Vasallo and Ivan Callus n excess of one gender is a regular and worlds are commoner than men-only worlds is that a problematic trope in SF, instantly removing any number of writers have speculated whether a world Apotential tension between the two sexes while constructed on strict feminist principles might be utopian simultaneously generating new concerns. While female- rather than dystopian, and ‘for many of these writers, only societies are common, male-only societies are rarer. such a world was imaginable only in terms of sexual This is partly a true biological obstacle because the female separatism; for others, it involved reinventing female and body is capable of bringing a baby forth into the world male identities and interactions’.2 after fertilization, or even without fertilization, so that a These issues have been ably reviewed in Brian prospective author’s only stumbling block to accounting Attebery’s Decoding Gender in Science Fiction (2002), in for the society’s potential longevity. For example, which he observes that ‘it’s impossible in real life to to gynogenesis is a particular type of parthenogenesis isolate the sexes thoroughly enough to demonstrate […] whereby animals that reproduce by this method can absolutes of feminine or masculine behavior’,3 whereas only reproduce that way. These species, such as the ‘within science-fiction, separation by gender has been the salamanders of genus Ambystoma, consist solely of basis of a fascinating series of thought experiments’.4 females which does, occasionally, have sexual contact Intriguingly, Attebery poses the question that a single- with males of a closely related species but the sperm gendered society is ‘better for whom’?5 from these males is not used to fertilise ova. -
“WHEN IT CHANGED”, DE JOANNA RUSS Lucia De La Rocque (UERJ/ FIOCRUZ)1
50 A QUESTÃO DAS TECNOLOGIAS REPRODUTIVAS EM “WHEN IT CHANGED”, DE JOANNA RUSS Lucia de La Rocque (UERJ/ FIOCRUZ)1 A percepção das escritoras feministas de ficção científica do amálgama entre os campos ocupados pelas questões de gênero e de ciência passa, necessariamente, pela discussão travada por essas autoras acerca do papel da mulher numa sociedade em que a ciência respalda o poder masculino. Essas obras denunciam como uma forma de ciência, alavancada pelo patriarcado, manipula o corpo da mulher, principalmente nas questões que remetem ao biológico. Esse tipo de leitura, na realidade, instiga debates fundamentais para o feminismo, cobrindo desde a discussão em torno de formas alternativas de reprodução humana, tais como se apresentam na ficção e já aconteceram ou estão para acontecer, envolvendo maior ou menor teor decisório das mulheres sobre seu próprio corpo, até questionamentos sobre a idéia do ciborgue, altamente polêmica e trazida para o cerne dos estudos feministas com as obras pioneiras de Donna Haraway. Neste trabalho, focaremos justamente a primeira inovação mencionada: o modo pelo qual a ficção científica de autoria feminina tem encarado as biotecnologias reprodutoras (novas tecnologias reprodutivas, ou NTRs). As NTRs têm desempenhado um papel bastante ambíguo quanto à arena de estudos de gênero. Por um lado denunciadas como ferramenta do patriarcado por grande parte da crítica feminista (Scavonne: 2003), por outro essas tecnologias também têm sido encaradas como possibilidades de libertação do corpo da mulher no que concerne à reprodução da espécie; e é nesse cenário onde se encaixa o conto When it changed, de Joanna Russ, de 1975, focado no presente trabalho.