Songs of Freedom with Music Direction by Ulysses Owens Jr
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October 8, 2018 Jazz Album Chart
Jazz Album Chart October 8, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Yellowjackets 1 1 4 1 Raising Our Voice Mack Avenue 272 272 0 4 46 2 2 weeks at No. 1 2 2 16 2 Count Basie Orchestra All About That Basie Concord Jazz 266 242 24 3 48 5 3 4 9 3 Bob James Espresso Evolution Music 252 240 12 4 45 4 4 5 2 2 Karrin Allyson Some of That Sunshine kasrecords 250 239 11 8 52 1 5 3 1 1 Steve Turre The Very Thought of You Smoke Sessions 239 241 -2 6 50 1 6 7 41 6 Cécile McLorin Salvant The Window Mack Avenue 233 222 11 3 47 3 7 7 20 7 Christian Sands Facing Dragons Mack Avenue 231 222 9 3 51 6 Stefon Harris & Blackout 8 10 51 8 Sonic Creed Motema 218 209 9 2 53 8 Most Reports 8 9 7 1 Verve Jazz Ensemble Connect The Dots Lightgroove Media 218 217 1 10 38 2 10 6 3 1 John Coltrane Both Directions at Once - The Lost Album Impulse / Verve 199 237 -38 13 35 0 11 13 5 2 Antonio Adolfo Encontros - Orquestra Atlantica AAM Music 184 197 -13 12 39 1 12 11 7 7 Houston Person & Ron Carter Remember Love HighNote 181 204 -23 7 43 1 12 11 12 1 Bobby Sanabria West Side Story Re-Imagined Jazzheads 181 204 -23 11 32 0 14 18 27 14 Helen Sung Sung with Words (A Collaboration with Dana Stricker Street 179 168 11 4 41 0 Gioia) 15 14 6 6 Charlie Sepulveda & The Turnaround Songs For Nat HighNote 174 184 -10 7 40 2 16 14 14 11 Ben Paterson Live at Van Gelder’s Cellar Live 173 184 -11 8 37 0 17 21 14 4 Kamasi Washington Heaven and Earth Young Turks 153 151 2 13 29 0 18 16 10 2 Cory Weeds Little Big Band Explosion Cellar Live 151 181 -30 12 33 0 19 17 11 10 Marcus Miller Laid Black Blue Note 145 172 -27 14 25 0 20 20 17 2 Black Art Jazz Collective Armor Of Pride HighNote 143 165 -22 13 35 0 21 19 18 13 Mark Winkler & Cheryl Bentyne Eastern Standard Time Café Pacific 141 167 -26 6 37 0 22 22 25 22 James Austin, Jr. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Miguel Zenón Quartet
Jimmy Katz Jimmy MIGUEL ZENÓN QUARTET Miguel Zenón Alto Sax Luis Perdomo Piano Hans Glawischnig Bass Henry Cole Drums PROGRAM There will be no intermission. Saturday, February 11 @ 7 PM and 9:30 PM Prince Theatre Part of the African Roots, American Voices series. 16/17 SEASON 5 PROGRAM NOTES Miguel Zenón’s new album, Típico, is above all a celebration of his longstanding quartet. His previous releases have augmented the core unit with additional instrumentalists as Zenón looked outward to explore various aspects of his Puerto Rican heritage. This new album feels more intimate. Its focus stays closer to home, with nods to Zenón’s own personal and professional life as it zeroes in on what makes his band unique. Zenón’s quartet has been developing a common language for more than a decade. Pianist Luis Perdomo and bassist Hans Glawischnig have been with Zenón since the turn of the millennium; drummer Henry Cole joined the band in 2005. Their language is thoroughly fluent in modern jazz, with instrumental prowess. The dialect of rhythmic and harmonic complexity they’ve created together through the years is distinctive. ABOUT THE ARTISTS Miguel Zenón (Alto Sax) Multiple Grammy® nominee and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often contradictory poles of innovation and tradition. Widely considered as one of the most groundbreaking and influential saxophonists of his generation, he has also developed a unique voice as a composer and as a conceptualist, concentrating his efforts on perfecting a fine mix between Latin American folkloric music and jazz. -
July 23, 2018 Jazz Album Chart
Jazz Album Chart July 23, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds John Coltrane 1 3 160 1 Both Directions at Once - The Lost Album Impulse / Verve 275 258 17 2 55 13 Most Reports 2 1 1 1 Joey Alexander Eclipse Motema 237 315 -78 10 48 0 3 2 4 2 Kenny Barron Quintet Concentric Circles Blue Note 227 284 -57 10 49 0 4 4 2 2 Eddie Henderson Be Cool Smoke Sessions 223 257 -34 10 48 0 5 14 64 5 Bob Mintzer Big Band - New York Voices Meeting of Minds MCG Jazz 222 190 32 2 49 4 6 8 5 4 Allan Harris The Genius of Eddie Jefferson Resilience 212 233 -21 9 45 1 7 6 10 6 Buster Williams Audacity Smoke Sessions 207 243 -36 4 54 1 8 18 14 8 Ellis Marsalis The Ellis Marsalis Quintet Plays the Music of ELM 206 180 26 8 42 3 Ellis Marsalis 9 10 3 3 Mike LeDonne and The Groover Quartet From The Heart Savant 200 223 -23 7 45 1 10 12 7 5 Jim Snidero & Jeremy Pelt Jubilation! Savant 185 215 -30 11 43 1 11 5 9 5 Freddy Cole My Mood Is You HighNote 184 249 -65 7 46 0 12 10 25 10 Marcus Miller Laid Black Blue Note 178 223 -45 3 40 1 13 7 6 2 Don Braden Earth, Wind and Wonder Creative Perspective Music 177 240 -63 11 42 0 14 9 7 6 Tia Fuller Diamond Cut Mack Avenue 175 231 -56 9 40 0 Black Art Jazz Collective 15 21 114 15 Armor Of Pride HighNote 172 164 8 2 55 5 Most Reports 16 22 21 16 Brad Mehldau Trio Seymour Reads The Constitution! Nonesuch 170 160 10 5 46 2 17 14 12 12 Cyrille Aimée Live Mack Avenue 167 190 -23 5 45 1 18 17 15 8 Benito Gonzalez, Gerry Gibbs & Essiet Essiet Passion, Reverence, Transcendence Whaling City Sound 166 184 -18 10 35 0 19 49 142 19 Kamasi Washington Heaven and Earth Young Turks 163 112 51 2 43 7 20 22 16 16 Tiffany Austin Unbroken Con Alma Music 158 160 -2 5 35 0 Cory Weeds Little Big Band 21 52 - 21 Explosion Cellar Live 154 111 43 1 43 10 Highest Debut 22 13 10 8 Manhattan Transfer The Junction BMG 152 194 -42 11 32 0 23 16 19 13 McClenty Hunter, Jr. -
Monterey Jazz Notes.Indd
Cal Performances Presents About the Artists Saturday, January , , pm Th e Monterey Jazz Festival th Anniversary Monterey Jazz festivals, both in performance and Zellerbach Hall Band refl ects the long history of artistic excel- instruction. lence and sophisticated informality for which the Grammy-winning trumpeter Terence Festival has gained international fame. Blanchard was the MJF’s Artist-in-Residence, All-star bands at Monterey have been part and appeared at the MJF in and with Monterey Jazz Festival of the casual atmosphere of the Monterey Jazz his own groups. Terence is a strong supporter of Festival (MJF). Since , the Festival has as- jazz education and is the Artistic Director of the th Anniversary Tour sembled master musicians under the “Monterey Th elonious Monk Institute of Jazz Performance in All-Stars” moniker. At least all-star bands have New Orleans. graced Festival stages and have included Gil Evans, NEA Jazz Master Recipient James Moody has Gerry Mulligan, Elvin Jones, Dizzy Gillespie, appeared at the MJF six times since , where he Clark Terry, Ray Brown, Sonny Stitt, Max Roach, has performed with Quincy Jones, Dizzy Gillespie, Shelly Manne, Bobby Hutcherson, Hank Jones, the Preservation Bebop Jazz Band, the Terence Milt Jackson and many more. Blanchard Sextet and the MJF th Anniversary Th e MJF th Anniversary all-star band epito- Band, among others. In , he performed a mizes the spirit and history of the MJF’s artistic special free concert to celebrate the MJF’s th legacy. Chosen for their devotion to spreading jazz Anniversary. to the world, outstanding leadership abilities and Vocalist Nnenna Freelon is a six-time Grammy masterful performances, the th Anniversary nominee who the Los Angeles Times placed “in the Band celebrates the Festival’s golden moment as very top echelon” of jazz singers. -
Ed Love's Highly Recommended Cds for 2017
Ed Love's Highly Recommended CDs for 2017 Artist Title Label Azar Lawrence & Al McLean Frontiers Cellar Live Kenny Burrell Unlimted High Note Wallace Roney A Place In Time High Note Steve Slagle Alto Manhattan Panorama Terell StaFFord Forgive And Forget HHM Emmet Cohen Masters Legacy, Vol 1 Cellar Live Dizzy Gillespie Concert OF The Century Justin Time Ron Boustead Unlikely Valentine N/C Scott WhitField New Jazz Standards Volume Two Summit Ben Markley Clockwise OA2 Charlie Sepulveda Mr. EP High Note Greg Abate Road To Forever Whaling City Sound Jeremy Pelt Make Noise High Note Heads OF State Four In One Smoke Sessions Claire Daly 2648 West Grand Blvd. Glass Beach Sidney Jacobs First Man Baby Chubs Howard Johnson Testimony Tuscarora Ken Fowser Now Hear This Positone The Muh Trio Prague After Dark J Mood Mike Longo Only Time Will Tell CAP 1 Ed Love's Highly Recommended CDs for 2017 Artist Title Label Bill Evans On A Monday Evening Fantasy Chicago Orchestra Live From Space IDBLM 049400 The Jazz At Lincoln Center Orchestra The Music oF John Lewis Blue Engine Benny Green Happiness Sunnyside Bobby Watson Made In America Smoke Sessions Robert McCarther Stranger In Town N/C Angie Wells Love And MischieF AW Cory Weeds Dreamsville Cellar Live Steve Nelson Brothers Under The Sun High Note Eric Alexander Second Impression High Note Tom Harrell Something Gold, Something Blue High Note Mark Murphy Wild and Free High Note Steve Davis Think Ahead Smoke Sessions Jazzmeia Horn A Social Call Prestige Giacomo Gates What Time Is It? Savant Ray Mantilla High -
Jeff Jarvis,Director
CONCERT JAZZ ORCHESTRA JEFF JARVIS, DIRECTOR WITH SPECIAL GUEST GARY SMULYAN, BARITONE SAXOPHONE SUNDAY, APRIL 29, 2012 4:00PM UNIVERSITY THEATRE PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. TONIGHT’S PROGRAM GENTLY / Bob Mintzer This well-crafted original is the title track of a recording of the Bob Mintzer Big Band. This recording project was unique in that the horn section stood in a circle surrounding a specially designed ribbon microphone that was extremely sensitive and accurate. This microphone would not accept loud dynamic levels, so Bob Mintzer wrote material that showcased the band playing at softer dynamics, which resulted in frequent use of muted brass, flugelhorns, and woodwinds. Today’s soloists include Josh Andree (tenor sax) and Will Brahm (guitar). THEN AND NOW / George Stone This terrific original composition and arrangement is featured on a recent recording of the George Stone Big Band entitled “The Real Deal”, performed by a collection of Southern California’s finest studio musicians. George’s music is frequently featured at our concerts because of its superior quality, both from a compositional standpoint and also in terms of orchestration. This piece has it all—melodic integrity, intense rhythms, lush harmonies, and sufficient solo space. Today’s soloists include Eun young Koh (piano), Josh Andree (tenor sax), Will Brahm (guitar), and Daniel Hutton (alto sax). CHINA BLUE / Jeff Jarvis Originally composed as a commission for a big band in Williamsburg VA, the work features a winding trumpet melody supported by muted trombone parts, warm flugelhorn lines, and beautiful woodwind parts played by the saxophone section. The piece proves challenging since the musicians are faced with executing exposed parts with delicacy and restraint. -
TKA APAP Brochure 20
2017 - 2018 SQUIRREL NUT ZIPPERS DAVINA and the VAGABONDS Table of Contents Afro-Cuban All Stars 1 Ann Hampton Callaway 2 Arturo Sandoval 3 Béla Fleck 4 Bettye LaVette 5 Agents Bill Charlap 6 Brian Blade & The Fellowship Band 7 Catherine Russell 8 Cécile McLorin Salvant 9 Agents Charles Lloyd 10 Chick Corea 11 Jack Randall - [email protected] Davina & The Vagabonds 12 AK, AZ, CA, HI, IL, IA, MI, MN, NE, NV, OR, WA, WI, & CANADA Eileen Ivers 13 Ellis Marsalis 14 Jamie Ziefert - [email protected] Elvin Bishop 15 CT, DE, ME, MD, MA, NH, NJ, NY, PA, RI, VT, VA, WV, & D.C. Harold López-Nussa 16 Herlin Riley 17 Dan Peraino - [email protected] Hot Club of Cowtown 18 AL, AR, CO, FL, GA, KY, ID, IN, KS, LA, MS, MO, MT, NC, ND, NM, Jack Broadbent 19 OH, OK, SC, SD, TN, TX, UT, WY, PR, & US VIRGIN ISLANDS James Cotton 20 Jamison Ross 21 Gunter Schroder - [email protected] JLCO with Wynton Marsalis 22 EUROPE, NORTH AFRICA, SOUTH AFRICA, MIDDLE EAST Joey Alexander 23 Joey DeFrancesco 24 Matt McCluskey - [email protected] John Pizzarelli 25 ASIA/PACIFIC, AUSTRALIA AND NEW ZEALAND, John Sebastian 26 LATIN/SOUTH AMERICA, CARIBBEAN Lisa Fischer 27 Marcia Ball 28 Ted Kurland - [email protected] Melissa Aldana 29 PRESIDENT Meshell Ndegeocello 30 Pat Metheny 31 Ravi Coltrane 32 Red Baraat 33 Savion Glover 34 APAP BOOTH #1003 Sonny Knight and The Lakers 35 Soul Rebels 36 Squirrel Nut Zippers 37 Stacey Kent 38 The Kurland Agency 173 Brighton Avenue Boston, MA 02134 p | (617) 254-0007 e | [email protected] www.thekurlandagency.com AFRO-CUBAN ALL STARS Juan de Marcos González, founder of Sierra Maestra and AFRO-CUBAN ALL STARS and one of the key creators of the Buena Vista Social Club, began his career paying tribute to the traditional Cuban music of the 1950’s, considered the golden age of Cuban music. -
Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83
♫ Donate Live Stream · WBGO LOADING... Saturday Afternoon Jazz On the Air Music News Listen & Connect Calendars & Events Support About Search Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83 By DAVID R. ADLER • NOV 6, 2019 ! Twitter " Facebook # Google+ $ Email LEO VAN VELZEN / LEOVANVELZEN.COM Gerry Teekens, founder and proprietor of Criss Cross Jazz, an unassuming Dutch indie label that became a vital repository of recorded jazz from the 1980s onward, died on Oct. 31. He was 83. His death was confirmed by his son, Jerry Teekens, Jr. At the news, tributes poured in from Criss Cross artists old and new, including soprano saxophonist Sam Newsome and guitarist David Gilmore. Formerly a professional drummer, Teekens founded Criss Cross in 1981 with a mission to document swinging, straight-ahead jazz of the highest caliber. At first the roster featured musicians as revered as guitarist Jimmy Raney and saxophonist Warne Marsh, but it grew to include the young and the promising: saxophonists Kenny Garrett, Chris Potter and Mark Turner, to name but a few, and pianists Orrin Evans, Bill Charlap and Benny Green. Countdown Watch later Share Multiple times a year, Teekens would cross the ocean from Enschede, Netherlands (thus the Criss Cross name), taking up at Rudy Van Gelder’s famed studio in New Jersey (and later at Systems Two in Brooklyn) for a full week of recording — knocking out an album a day, in the old-school way. In recent years the Criss Cross aesthetic began to broaden, with artists like alto saxophonist David Binney and trumpeter Alex Sipiagin using electronics and synthesizers, moving beyond the strictures of one-take-and-done while still remaining on board with the label. -
University of California Santa Cruz
UNIVERSITY OF CALIFORNIA SANTA CRUZ EXTENDED FROM WHAT?: TRACING THE CONSTRUCTION, FLEXIBLE MEANING, AND CULTURAL DISCOURSES OF “EXTENDED VOCAL TECHNIQUES” A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by Charissa Noble March 2019 The Dissertation of Charissa Noble is approved: Professor Leta Miller, chair Professor Amy C. Beal Professor Larry Polansky Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Charissa Noble 2019 TABLE OF CONTENTS List of Figures v Abstract vi Acknowledgements and Dedications viii Introduction to Extended Vocal Techniques: Concepts and Practices 1 Chapter One: Reading the Trace-History of “Extended Vocal Techniques” Introduction 13 The State of EVT 16 Before EVT: A Brief Note 18 History of a Construct: In Search of EVT 20 Ted Szántó (1977): EVT in the Experimental Tradition 21 István Anhalt’s Alternative Voices (1984): Collecting and Codifying EVT 28evt in Vocal Taxonomies: EVT Diversification 32 EVT in Journalism: From the Musical Fringe to the Mainstream 42 EVT and the Classical Music Framework 51 Chapter Two: Vocal Virtuosity and Score-Based EVT Composition: Cathy Berberian, Bethany Beardslee, and EVT in the Conservatory-Oriented Prestige Economy Introduction: EVT and the “Voice-as-Instrument” Concept 53 Formalism, Voice-as-Instrument, and Prestige: Understanding EVT in Avant- Garde Music 58 Cathy Berberian and Luciano Berio 62 Bethany Beardslee and Milton Babbitt 81 Conclusion: The Plight of EVT Singers in the Avant-Garde -
Sfjazz Education Become a Member Tickets About Sfjazz
TICKETS TICKETS ON SALE 2|28 • 11AM • MEMBERS SFJAZZ Afro-Latin Jazz guest instructors OKAN 3|6 • 11AM • PUBLIC EDUCATION FREE SUMMER WORKSHOPS BART These workshops for advanced middle and high school WEB Civic Center Station GOUGH FRANKLIN VAN POLK LARKIN HYDE jazz musicians focus on theory, improvisation, audition SFJAZZ.org (SFJAZZ is only a NESS ST ST ST skills, and more. Sign-ups open May 1. 10 minute walk from ST DIGITAL LAB INTENSIVES PHONE Civic Center BART.) ST AVE • 12-4PM 7|11 THEORY & SIGHT-READING MUNI ST 8 Learn music and audio production in our state-of-the-art Public 866.920.5299 GROVE TH ST Digital Lab! We off er dynamic programs for older teens 7|19 AFRO-LATIN JAZZ W/ SPECIAL GUESTS OKAN • 1:30-4:30PM Members 415.788.7353 Metro: Van Ness or ST Civic Center Stations HAYES 9 and adults in songwriting, arranging, production, record- 7|25 IMPROVISATION W/ JEANNE GEIGER • 10AM-2PM TH Bus: 5, 5R, 6, 7X, 21, ST ing, mixing, and more. Our low student-teacher ratio and IN PERSON FELL ST 10 8|1 AUDITION SKILLS • 10AM-2PM 47, 49, 7, 7R, 90 TH the latest in gear and software make our intensives the 201 Franklin Street (at Fell), San Francisco ST OAK ST 11 summer destination for digital music. Each series contains PARKING TH 4 SFJAZZ.ORG/EDUCATION ST twenty hours of instruction Performing Arts ST Garage Members $300 | Public $360 Civic Center Garage MARKET SUMMER INTERNSHIPS California Parking ENSEMBLES & MORE Place 2 Park For detailed directions, please visit 511.org 6|23-27 INTRO TO MUSIC PRODUCTION • 1-5PM SFJAZZ’s passionate interns are indispensable to achieving Douglas Parking Auditions for the Fall 2020 Monday Night Band take our goals as an organization. -
An In-Depth Analysis of Classic Jazz Compositions for a Graduate Jazz Guitar Recital Derick Cordoba Florida International University
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 7-20-2007 An in-depth analysis of classic jazz compositions for a graduate jazz guitar recital Derick Cordoba Florida International University DOI: 10.25148/etd.FI14061511 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Music Performance Commons Recommended Citation Cordoba, Derick, "An in-depth analysis of classic jazz compositions for a graduate jazz guitar recital" (2007). FIU Electronic Theses and Dissertations. 2495. https://digitalcommons.fiu.edu/etd/2495 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. AN IN-DEPTH ANALYSIS OF CLASSIC JAZZ COMPOSITIONS FOR A GRADUATE JAZZ GUITAR RECITAL A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC by Derick Cordoba 2007 To: Dean Juan Antonio Bueno College of Architecture and the Arts This thesis, written by Derick Cordoba, and entitled An In-depth Analysis of Classic Jazz Compositions for a Graduate Jazz Guitar Recital, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. Sam Lussier Gary Campbell Michael Orta, Major Professor Date of Defense: July 20, 2007 The thesis of Derick Cordoba is approved. Dean Juan Antonio Bueno College of Architecture and the Arts Dean George Walker University Graduate School Florida International University, 2007 •• 11 ABSTRACT OF THE THESIS AN IN-DEPTH ANALYSIS OF CLASSIC JAZZ COMPOSITIONS FOR A GRADUATE JAZZ GUITAR RECITAL by Derick Cordoba Florida International University, 2007 Miami, Florida Professor Michael Orta, Major Professor The purpose of this thesis was to analyze jazz compositions by several great composers.