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Volume-04 ISSN: 2455-3085 (Online) Issue-03 RESEARCH REVIEW International Journal of Multidisciplinary March-2019 www.rrjournals.com[UGC Listed Journal] Effect of Visuality of Indian Cinema on Society and Individual Psychology Anchal Dahiya M.A (English), D.U. ________________________________________________________________________________________________________ Visuality simply means the state or property of being Bollywood is the most important aspect of Indian cinema. visual. The word was coined by a Scottish historian Thomas Other branches include Tamil Cinema, Bhojpuri cinema, Carlyle. These days the term is much used in the field of visual Parallel cinema etc. For years Bollywood has been affecting culture which includes films, sculptures, paintings etc. Cinema the popular culture of India. From the coming out of the bobby is an immensely popular element of visual culture. colour after the film Bobby to Salman Khan‟s hairstyle in the film Tere Naam and Kareena Kapoor‟s size zero figure in the It embraces limitless possibilities for the expression and film Tashan, Bollywood has never failed to sway the audience representation of ideas, especially in a country like India with and act as a trendsetterfor fashion and music sense of the diverse languages, religions and cultures. Indian cinema binds nation. this diversity in one common thread. It is not only a major source of entertainment but if deployed wisely, it has enormous Let‟s have a look at some of the Bollywood films from the potential of bringing about social changes. last decade that helped in bringing about major cultural changes in India. Films like Girlfriend and Dostana brought Woodman Taylor in his essay, „Penetrating Gazes: Sight forward the gay culture to the popular discourse. -
Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
*‡Table 5. Ethnic and National Groups
T5 Table[5.[Ethnic[and[National[Groups T5 T5 TableT5[5. [DeweyEthnici[Decimaand[NationalliClassification[Groups T5 *‡Table 5. Ethnic and National Groups The following numbers are never used alone, but may be used as required (either directly when so noted or through the interposition of notation 089 from Table 1) with any number from the schedules, e.g., civil and political rights (323.11) of Navajo Indians (—9726 in this table): 323.119726; ceramic arts (738) of Jews (—924 in this table): 738.089924. They may also be used when so noted with numbers from other tables, e.g., notation 174 from Table 2 In this table racial groups are mentioned in connection with a few broad ethnic groupings, e.g., a note to class Blacks of African origin at —96 Africans and people of African descent. Concepts of race vary. A work that emphasizes race should be classed with the ethnic group that most closely matches the concept of race described in the work Except where instructed otherwise, and unless it is redundant, add 0 to the number from this table and to the result add notation 1 or 3–9 from Table 2 for area in which a group is or was located, e.g., Germans in Brazil —31081, but Germans in Germany —31; Jews in Germany or Jews from Germany —924043. If notation from Table 2 is not added, use 00 for standard subdivisions; see below for complete instructions on using standard subdivisions Notation from Table 2 may be added if the number in Table 5 is limited to speakers of only one language even if the group discussed does not approximate the whole of the -
Public Law 107-228 107Th Congress an Act to Authorize Appropriations for the Department of State for Fiscal Year 2003, to Sept
116 STAT. 1350 PUBLIC LAW 107-228—SEPT. 30, 2002 Public Law 107-228 107th Congress An Act To authorize appropriations for the Department of State for fiscal year 2003, to Sept. 30, 2002 authorize appropriations under the Arms Export Control Act and the Foreign [HR 1646] Assistance Act of 1961 for security assistance for fiscal year 2003, and for other purposes. Be it enacted by the Senate and House of Representatives of Foreign Relations the United States of America in Congress assembled, Authorization ^^^™w^»,. „„^^r., ^-^^^ -^ Act, Fiscal Year SECTION 1. SHORT TITLE. o^ri'ar o«i^i This Act may be cited as the "Foreign Relations Authorization note. Act, Fiscal Year 2003". SEC. 2. ORGANIZATION OF ACT INTO DIVISIONS; TABLE OF CONTENTS. (a) DIVISIONS.—This Act is organized into two divisions as follows: (1) DIVISION A.—Department of State Authorization Act, Fiscal Year 2003. (2) DIVISION B.—Security Assistance Act of 2002. (b) TABLE OF CONTENTS.—The table of contents for this Act is as follows: Sec. 1. Short title. Sec. 2. Organization of Act into divisions; table of contents. Sec. 3. Definitions. DIVISION A—DEPARTMENT OF STATE AUTHORIZATION ACT, FISCAL YEAR 2003 Sec. 101. Short title. TITLE I—AUTHORIZATIONS OF APPROPRIATIONS Subtitle A—Department of State Sec. 111. Administration of foreign affairs. Sec. 112. United States educational, cultural, and public diplomacy programs. Sec. 113. Contributions to international organizations. Sec. 114. International Commissions. Sec. 115. Migration and refugee assistance. Sec. 116. Grants to The Asia Foundation. Subtitle B—United States International Broadcasting Activities Sec. 121. Authorizations of appropriations. -
No. of Questions: 40 Correct: ______Full Mark: 40 Wrong: ______
WEEKLY CURRENTAFFAIRS QUESTION DISCUSSION – 22.04.2019 TO 27.04.2019 No. of Questions: 40 Correct: ____________ Full Mark: 40 Wrong: _____________ Time: 20 min Mark Secured: _______ 1. Which country topped the Index of Cancer Preparedness for 2019 released by Economist Intelligence Unit? A) Romania B) Netherlands C) Germany D) Australia 2. Which entity has collaborated with India Post for digitizing 1.5 lakh post offices in India? A) TCS B) Microsoft C) IBM D) Intel 3. Which country has recently set up Coordinating Council for attracting foreign investments, mainly from India? A) Turkmenistan B) Uzbekistan C) Kyrgyzstan D) Kazakhstan 4. Which International organisation has issued recommendations on the usage of screen for kids under 5 years of age? A) United Nations B) UNESCO C) WHO D) UNICEF 5. Indian Army and National Hydroelectric Power Corporation Limited, has signed MoU to build four underground tunnels along the borders of which country? i. Bangladesh ii. China iii. Pakistan iv. Afghanistan A) Option i & ii B) Option ii & iv C) Option iii & ii D) Option iv & i 6. Where was the Asian Boxing Championship 2019 held? A) Beijing B) Bangkok C) Jakarta D) New Delhi 7. Who won the Corporate Excellence award in the Manufacturing Industry, from Enterprise Asia of Malaysia for 2019? A) Andreas Dulger B) Thomas Koetzing C) Prasanna Kumar Rao D) Rainer Dulger 8. What is the name of the world’s first floating nuclear power plant that is tested by Rosenergoatom of Russia? A) Bashkir B) Balakovo C) Akademik Lomonosov D) Beloyarsk 9. When was the first official International Day of Multilateralism and Diplomacy for Peace observed? A) 21st April B) 22nd April C) 24th April D) 23rd April 10. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Eros International
Result Update June 2, 2016 Rating matrix Rating : Hold Eros International (EROINT) | 206 Target : | 225 Target Period : 12 months Improving clarity on transfer pricing… Potential Upside : 9% • Revenues were expected to be subdued in the quarter as it had no What’s changed? big budget movie release. During the quarter, there were six medium Target Changed from 164 to | 225 and six low budget movies, respectively. Hence, revenues came in at EPS FY17E Changed from | 23.8 to | 25.2 | 269.9 crore, down 39.9% YoY and 19.5% QoQ EPS FY18E Introduced at | 28.2 • EBITDA came in at | 32.1 crore vs. our expectation of | 37.9 crore Rating Unchanged while margins came in at 11.9% (estimated 14.9%). Margins came in Quarterly performance lower than estimated owing to higher-than-expected operating Q4FY16 Q4FY15 YoY (%) Q3FY16 QoQ (%) expenses, which came in at | 208.3 crore vs. estimate of | 199 crore Revenue 269.9 449.1 -39.9 335.4 -19.5 • PAT came in at | 32.7 crore, higher than our estimate of | 21.9 crore. EBITDA 32.1 68.2 (52.9) 66.8 -52.0 The beat was due to tax credit of | 5 crore EBITDA (%) 11.9 15.2 -329 bps 19.9 -803 bps Leading producer/distributor with one of the largest film libraries PAT 32.7 51.7 (36.8) 37.8 -13.4 Eros, a producer/distributor, has a large film library of over 2000 films. Key financials Also, it has launched Trinity Pictures to focus on franchise films. -
Sharia in the City Negotiation and Construction of Moral Space
SHARIA IN THE CITY NEGOTIATION AND CONSTRUCTION OF MORAL SPACE BY SHARIF ISLAM DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Behrooz Ghamari-Tabrizi, Chair Associate Professor Zsuzsa Gille Associate Professor Junaid Rana Associate Professor Assata Zerai ABSTRACT This dissertation is primarily concerned with how sharia is practiced by Muslims from a variety of backgrounds in Chicago’s Devon Avenue and how they co-construct physical and moral spaces. More specifically, I am interested in how sharia as a divine, non- contingent moral and legal code is understood and analyzed in various contingent situations and everyday settings such as producing, distributing, marketing and consuming halal food products. Drawing on conversations with residents, employees, and customers who visit stores in Devon Avenue, as well as archival research, my aim is to demonstrate the various multifaceted understandings and implications of sharia for Muslims in the United States. I argue that the multifaceted interpretations and practices of sharia in the United States are connected with the rhythms and everyday practices of Chicago and beyond. These connections, rhythms, and practices are reflected and interpreted in the actions and comments of Muslims and non-Muslims alike. The goal here is not just to show that the religious (for instance, sharia) and the non- religious/secular (grocery stores, restaurants, farms) are intertwined but to what extent these seemingly separate and disparate domains and spaces may be concurrently called upon within the framework of Islam, sharia, and halal food. -
Form 20-F Eros International
SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 20-F ☐ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR 12(g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☑ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☐ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file number 001-36176 EROS INTERNATIONAL PLC (Exact name of Registrant as specified in its charter) Not Applicable (Translation of Registrant’s name into English) Isle of Man (Jurisdiction of incorporation or organization) 550 County Avenue Secaucus, New Jersey 07094 Tel: +1(201) 558 9001 (Address of principal executive offices) Oliver Webster IQ EQ (Isle of Man) Limited First Names House Victoria Road Douglas, IM2 4DF Isle of Man Tel: (44) 1624 630 630 Email: [email protected] (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act. Trading Title of each class Symbol(s) Name of each exchange on which registered A ordinary share, par value GBP 0.30 per share EROS The New York Stock Exchange Securities registered or to be registered pursuant to Section 12(g) of the Act. None (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act None (Title of Class) Indicate the number of outstanding shares of each of the issuer’s classes of capital or common stock as of the close of the period covered by the annual report. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Zakir Naik: What Did I Do to Earn the Tags of ‘Dr Terror’, ‘Hate Monger’? Islamic Scholar Dr
www.Asia Times.US NRI Global Edition Email: [email protected] September 2016 Vol 7, Issue 9 Zakir Naik: What did I do to earn the tags of ‘Dr Terror’, ‘Hate Monger’? Islamic scholar Dr. Zakir Naik wrote an open letter to Indians called ‘Five Questions and an Appeal’ where he lamented about being targeted and labeled a ‘terror preacher’ in India. In the letter, Naik said, “Of 150 countries where I’m respected and my talks are welcomed, I’m being called a terrorist influencer in my own country. What an irony. Why now, when I’ve been doing the same thing for over 25 years?”. Naik, 51, is an Islamic preacher, who founded the Islamic Research Foundation in 1991 when he started Dawah or religious preaching. His lectures mostly revolve around how Islam is superior to all other faiths. While he claims to be an advocate of interfaith dialogue, his preaching’s’ reinforce all the stereotypes which exist against Muslims. Following reports that one of the militants of Dhaka terror attack was inspired by Naik’s misinterpretations of Islam, there are growing demand for strict action against him. In the letter, Naik asks why he has become the enemy number one for the State and Central government. “It has been over two months since the ghastly terror attack in Dhaka, and over one month since I’ve been asking myself what exactly have I done to become the enemy number one of the media as well as the State and Central Gov- ernment,” wrote Naik. × and justice. He also questioned the repeated investigations on him by government agencies. -
Dabboo Ratnani Photography
+91-8068970148 Dabboo Ratnani Photography https://www.indiamart.com/dabboo-ratnani-photography/ A name that is synonymous with excellence & creativity. For over a decade & half, Dabboo Ratnani has continued to master the art of photography. From personality portraits and advertising campaigns to fashion and magazine layouts, Dabboo has ... About Us A name that is synonymous with excellence & creativity. For over a decade & half, Dabboo Ratnani has continued to master the art of photography. From personality portraits and advertising campaigns to fashion and magazine layouts, Dabboo has developed and showcased a discriminating and unique style of his profession. Known for his unassuming disposition, sincere dedication and an eye for making his subjects seem surreal, lens-legend Dabboo Ratnani’s resume shrieks names that scrape the upper echelons of Bollywood’s aristocracy. Some of these celebrities have refused to shoot with anyone but the man himself. Mr. Bachchan, Sachin Tendulkar, Late Michael Jackson, Boris Becker, Shah Rukh Khan, Hrithik Roshan, Sachin Tendulkar, Sanjay Dutt, Aamir Khan, Salman Khan, Aishwarya Rai Bachchan, Preity Zinta, Kareena Kapoor, Bipasha Basu, Rahul Dravid, Ranbir Kapoor, Akshay Kumar, Mahendra Singh Dhoni, Sania Mirza are just a few who deem this man as the only one who can capture the good despite the bad and the ugly! Always accommodating and admirably relaxed, never pushy but gently persuasive, Dabboo has a knack of getting his pictures despite the odds… For more information, please visit https://www.indiamart.com/dabboo-ratnani-photography/aboutus.html OTHER SERVICES P r o d u c t s & S e r v i c e s Advertising Photography Editorial Photography Services Services Photography Services Wedding Photography Services F a c t s h e e t Nature of Business :Service Provider CONTACT US Dabboo Ratnani Photography Contact Person: Dabboo Ratnani 15, Vikas Centre, 106, SV Road, Santacruz West Mumbai - 400054, Maharashtra, India +91-8068970148 https://www.indiamart.com/dabboo-ratnani-photography/.