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KÖITES 20.02−20.03.2018 Rahvusraamatukogus E−R 10−20, L 12−19 Professionaalne Eesti Köitekunst 1918−2018 20.02 R EESTIEESTI KIRJANDUSKIRJANDUSEESTI Professionaalne eesti köitekunst 1918−2018Professionaalne eesti EESTIKIRJANDUS köitekunst 1918−2018 EESTI20.02−20.03.2018 RahvusraamatukogusProfessionaalne20.02−20.03.2018 eesti KÖITES E−R 10−20, L 12−19köitekunstRahvusraamatukogus 1918−2018 KÖITESEESTI E−R 10−20, L 12−19 20.02−20.03.2018 Rahvusraamatukogus KÖITES E−R 10−20, L 12−19 1 TÄNAME: ĞƐƟ<ŝƌũĂŶŝŬĞ>ŝŝƚ͕ĞƐƟZĂŚǀƵƐƌĂĂŵĂƚƵŬŽŐƵ͕ ĞƐƟdĂƌďĞŬƵŶƐƟͲũĂŝƐĂŝŶŝŵƵƵƐĞƵŵ͕ĚĂŵƐŽŶͲƌŝĐƵŵƵƵƐĞƵŵ͕ dĂůůŝŶŶĂmůŝŬŽŽůŝŬĂĚĞĞŵŝůŝŶĞƌĂĂŵĂƚƵŬŽŐƵ͕ TÄNAME: ĞƐƟ<ŝƌũĂŶŝŬĞ>ŝŝƚ͕ĞƐƟZĂŚǀƵƐƌĂĂŵĂƚƵŬŽŐƵ͕ dĂůůŝŶŶĂ>ŝŶŶĂŵƵƵƐĞƵŵ͕<ŽĚĂŶŝŬƵmŚŝƐŬŽŶŶĂ^ŝŚƚŬĂƉŝƚĂů͕ĞƐƟdĂƌďĞŬƵŶƐƟͲũĂŝƐĂŝŶŝŵƵƵƐĞƵŵ͕ĚĂŵƐŽŶͲƌŝĐƵŵƵƵƐĞƵŵ͕ Eesti Nahakunstnike Liit ĞƐƟ<ƵůƚƵƵƌŬĂƉŝƚĂů͕sϭϬϬŬŽƌƌĂůĚƵƐƚŽŝŵŬŽŶĚ dĂůůŝŶŶĂmůŝŬŽŽůŝŬĂĚĞĞŵŝůŝŶĞƌĂĂŵĂƚƵŬŽŐƵ͕ dĂůůŝŶŶĂ>ŝŶŶĂŵƵƵƐĞƵŵ͕<ŽĚĂŶŝŬƵmŚŝƐŬŽŶŶĂ^ŝŚƚŬĂƉŝƚĂů͕ Eesti Nahakunstnike Liit ĞƐƟ<ƵůƚƵƵƌŬĂƉŝƚĂů͕sϭϬϬŬŽƌƌĂůĚƵƐƚŽŝŵŬŽŶĚ TÄNAME: ĞƐƟ<ŝƌũĂŶŝŬĞ>ŝŝƚ͕ĞƐƟZĂŚǀƵƐƌĂĂŵĂƚƵŬŽŐƵ͕ ĞƐƟdĂƌďĞŬƵŶƐƟͲũĂŝƐĂŝŶŝŵƵƵƐĞƵŵ͕ĚĂŵƐŽŶͲƌŝĐƵŵƵƵƐĞƵŵ͕ dĂůůŝŶŶĂmůŝŬŽŽůŝŬĂĚĞĞŵŝůŝŶĞƌĂĂŵĂƚƵŬŽŐƵ͕ dĂůůŝŶŶĂ>ŝŶŶĂŵƵƵƐĞƵŵ͕<ŽĚĂŶŝŬƵmŚŝƐŬŽŶŶĂ^ŝŚƚŬĂƉŝƚĂů͕ Eesti Nahakunstnike Liit ĞƐƟ<ƵůƚƵƵƌŬĂƉŝƚĂů͕sϭϬϬŬŽƌƌĂůĚƵƐƚŽŝŵŬŽŶĚ EESTI KIRJANDUS Professionaalne eesti EESTI köitekunst 1918−2018 20.02−20.03.2018 Rahvusraamatukogus KÖITES E−R 10−20, L 12−19 ESTONIAN LITERATURE IN ESTONIAN BINDINGS Professional Estonian Fine Bookbinding from 1918–2018 TÄNAME: ĞƐƟ<ŝƌũĂŶŝŬĞ>ŝŝƚ͕ĞƐƟZĂŚǀƵƐƌĂĂŵĂƚƵŬŽŐƵ͕ ĞƐƟdĂƌďĞŬƵŶƐƟͲũĂŝƐĂŝŶŝŵƵƵƐĞƵŵ͕ĚĂŵƐŽŶͲƌŝĐƵŵƵƵƐĞƵŵ͕ dĂůůŝŶŶĂmůŝŬŽŽůŝŬĂĚĞĞŵŝůŝŶĞƌĂĂŵĂƚƵŬŽŐƵ͕ dĂůůŝŶŶĂ>ŝŶŶĂŵƵƵƐĞƵŵ͕<ŽĚĂŶŝŬƵmŚŝƐŬŽŶŶĂ^ŝŚƚŬĂƉŝƚĂů͕ Eesti Nahakunstnike Liit ĞƐƟ<ƵůƚƵƵƌŬĂƉŝƚĂů͕sϭϬϬŬŽƌƌĂůĚƵƐƚŽŝŵŬŽŶĚ 2 Korraldaja: Eesti Nahakunstnike Liit Organizer: Estonian Leatherwork Artists' Union Eesti Nahakunstnike Liit loodi 1993. aastal Eesti The Estonian Leatherwork Artists' Union was Kunstnike Liidu alaliiduna. founded in 1993 as the subunion of the Estonian Eesti Nahakunstnike Liit on mittetulundusühing, mis Artists' Association. koondab professionaalseid nahakunstnikke. Liidu ees- The Estonian Leatherwork Artists' Union is a non- märk on edendada nahakunsti, luua võimalusi enese- profit organization that unites professional leather- täiendamiseks ja ärgitada initsiatiivi tutvustamaks work artists and bookbinders. The aim of the union seda traditsioonidega kunstiala laiemalt. is to foster leather art, to create and find educational Samuti vahendab liit informatsiooni nii Eestis toimu- opportunities, and to introduce this long-standing art vate kui ka rahvusvaheliste näituste ja sündmuste field to other people. The Leatherwork Artists' Union kohta, mis seotud naha- ja köitekunstiga. also shares information on exhibitions, workshops, competitions, and other events connected to leather art in Estonia and abroad. www.nahakunst.ee Väljaandja: Eesti Nahakunstnike Liit Publisher: Estonian Leatherwork Artists' Union Näituse koostaja ja kujundaja: Külli Grünbach-Sein Compiler and exhibition design: Külli Grünbach-Sein Tõlge inglise keelde: OÜ Luisa Tõlkebüroo Translation into English: OÜ Luisa Tõlkebüroo Fotod ja kataloogi kujundus: Tiia Eikholm Photos and catalogue design: Tiia Eikholm Autoriõigus: Eesti Nahakunstnike Liit, 2018 Copyright: Estonian Leatherwork Artists' Union, 2018 Kataloogi väljaandmist on rahastanud Kodanikuühiskonna Sihtkapital The National Foundation of Civil Society has funded the publication 3 Köitekunst on oluline osa eesti nahakunstist. Inter- Rahvusraamatukogu fondidest ning kunstnike erako- preteeriva iseloomuga kunstiline köide on alati mees- gudest. Eksponeeritud olid 137 eesti kirjaniku teosed konnatöö – kirjanik, tüpograafiline kujundaja ja lõpuks köidetuna 69 eesti köitekunstniku poolt 1920. aasta- köitja. See, et need kolm osapoolt tavaliselt ei tunne test tänapäevani, kokku üle 220 raamatu, millest ena- üksteist ja on tihti pärit suisa erinevatest aegruumi- mikku on võimalik näha käesolevas kataloogis. dest, teeb tööprotsessi just köitekunstniku jaoks erili- Näituse eksponeerimist rahvusraamatukogus toetas selt väljakutsuvaks, sest elemente, nii mõttelisi kui ka Eesti Kultuurkapital ja näituse jäädvustamist ning füüsilisi, millega tuleb pieteeditundeliselt arvestada, digikataloogi väljaandmist Kodanikuühiskonna Siht- on palju. kapital koos EV100 korraldustoimkonnaga. Eksposit- Eesti köitekunst on leidnud palju rahvusvahelist siooni loomisel olid suureks abiks Eesti Rahvusraama- tähelepanu ja tunnustust, kuid seda pigem näitustel tukogu näituste osakonna inimesed. ja konkurssidel, kus on tulnud tõlgendada võõrkeelset Korraldajate eriline tänu kuulub inimestele, kelleta kirjandust. Täitmaks tühikut, mis väheste eranditega selle näituse koostamine ei oleks olnud võimalik: viimastel aastakümnetel eestikeelse kirjasõna interpre- Anne Tiivel (ETDM), Rene Haljasmäe (TLÜ AR), Marian teerival köitmisel tekkinud on, korraldas Eesti Naha- Habicht ja Kristiina Hiiesalu (TLM), Ülle Kruus ja Kersti kunstnike Liit koostöös Eesti Kirjanike Liiduga kahte Koll (EKM), Tiit Aleksejev (EKL) kultuurivaldkonda ühendava ülevaatenäituse „Eesti Eesti Nahakunstnike Liit on väga tänulik eesti kirja- kirjandus eesti köites. Professionaalne eesti köite- nikele, kes oma teoseid näituse heaks annetasid: kunst 1918–2018“. Vahur Afanasjev, Ave Alavainu, Tiit Aleksejev, Meelis Väljapanek oli ühtlasi austusavaldus ja kingitus 100- Friedenthal, Viiu Härm, Holger Kaints, Doris Kareva, aastasele Eesti Vabariigile, andes läbilõike nii meie Hille Karm, Andrus Kivirähk, Kalju Kruusa, Viivi Luik, kirjandusest kui ka seda tõlgendavast köitekunstist. Jaan Malin, Ülo Matteus, Sofi Oksanen, Kai-Mai Olbri, Näituse pikk ajatelg võimaldas vaadelda selle eriala Loone Ots, Imbi Paju, Lauri Pilter, Asta Põldmäe, arengut, tähistas ju eesti professionaalne nahakunst Piret Raud, Paul-Eerik Rummo, Triin Soomets, Jüri 2017. aastal oma 100. sünnipäeva. Tänu oma teoseid Talvet, Ilmar Taska, Erik Tohvri, Leelo Tungal, Jaan annetanud kirjanikele pakkus projekt nüüdisaegse Undusk, Arvo Valton, Maarja Undusk (Ellen Niit) ja eesti kirjanduse loomingulist interpreteerimisvõima- Aino Pervik (Eno Raud). lust 42-le praegu aktiivselt tegutsevale köitekunstni- Lõpuks tänu kõigile kunstnikele entusiastliku näitusel kule ja värsked teosed said esitletud koos vanema osalemise ning väärikate traditsioonide ja eesti nüü- köitepärandiga Eesti Tarbekunsti- ja Disainimuuseumi, disaegse köitekunsti elushoidmise eest. Adamson-Ericu Muuseumi, Tallinna Linnamuuseumi, Tallinna Ülikooli Akadeemilise Raamatukogu ja Eesti Näituse koostaja Külli Grünbach-Sein 4 Bookbinding plays a significant role in Estonian leather art. The works of 137 Estonian writers bound by 69 Estonian Artistic binding with its interpretative character is nearly bookbinders from the 1920s to today were displayed: always the result of teamwork between the writer, the more than 220 books in total, most of which can be seen typographic designer and finally, the bookbinder. Usually in this catalogue. these three parties do not know one another and often The exhibition at the National Library of Estonia was sup- come from completely different ages. It makes the work- ported by the Cultural Endowment of Estonia. Documen- ing process particulary challenging for the bookbinder, as tation of the exhibition and the publication of its digital there are many conceptual and physical elements which catalogue were supported by the National Foundation have to be treated with reverence and respect. of Civil Society together with the Estonia 100 organising Estonian craft bookbinding has recently gained consider- team. The people working in the Exhibition Installation able international attention and recognition, often -in ex Department of the National Library of Estonia were of hibitions and competitions where the challenge has been immense help in putting the exhibition together. to interpret foreign literature. In order to provide a more The organisers would like to give special thanks to the fol- complete overview of Estonian literature in fine bindings lowing people, without whom it would not have been pos- in recent times the Estonian Leatherwork Artists´ Union sible to stage the exhibition: Anne Tiivel (Estonian Museum in collaboration with the Estonian Writers´ Union organ- of Applied Art and Design), Rene Haljasmäe (TLU Aca- ised an exhibition that unites these two cultural spheres demic Library), Marian Habicht & Kristiina Hiiesalu (Tallinn and provides a resumé of national bookbinding: „Estonian City Museum), Ülle Kruus & Kersti Koll (Art Museum of Literature in Estonian Bindings. Professional Estonian Fine Estonia) and Tiit Aleksejev (Estonian Writers´ Union). Bookbinding from 1918–2018“. The Estonian Leatherwork Artists´ Union is extremly grate- The exhibition was also a tribute and a gift to the Republic ful to the Estonian writers who donated their works for of Estonia on its 100th annivesary as it gave a histori- the exhibition: Vahur Afanasjev, Ave Alavainu, Tiit Alekse- cal overview of both our literarture and the art of book- jev, Meelis Friedenthal, Viiu Härm, Holger Kaints, Doris binding interpreting it. The long timeline of the exhibition Kareva, Hille Karm, Andrus Kivirähk, Kalju Kruusa, Viivi allowed us to examine the development within this field of Luik, Jaan Malin, Ülo Matteus, Sofi Oksanen, Kai-Mai Olb- study. Indeed, professional Estonian leather art celebrat- ri, Loone Ots, Imbi Paju, Lauri Pilter, Asta Põldmäe, Piret ed its own 100th birthday in 2017. Thanks to writers who Raud, Paul-Eerik Rummo, Triin Soomets, Jüri Talvet, Ilmar donated their works, the project provided 42 currently Taska, Erik Tohvri, Leelo Tungal, Jaan
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