The Giza “Written” Landscape and the Double Project of King Khufu
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PYRAMIDS and ZIGGURATS AS the ARCHITECTONIC REPRESENTATIONS of the ARCHETYPE of the COSMIC MOUNTAIN. Part I
I Andrzej WIERCINSKI, Warszawa PYRAMIDS AND ZIGGURATS AS THE ARCHITECTONIC REPRESENTATIONS OF THE ARCHETYPE OF THE COSMIC MOUNTAIN. Part I "Is there a man of you who by anxious thought can add a cubit to the age of his life? "(The Gospel of St. Matthew, 6, 27, according to Greek text) 1. Explanation of the problem The astrobiological religion played the role of a main ideological system which regulated societies of the formative-theocratic phase of cultural development of mankind which was distinguished by the rise of cultic centers of the monumental architecture. The latter ones were the cores of early urbanisation process. This religion has precised a model of the world with well defined position of man within it, and the sense of his activities. Its essence consisted of a dynamical and informational principle of transformation of an Absolute One into pairs of polarised opposites which, in turn, create an universal frame of reference of Cardinal Points organizing the time-spatial order of rhythmically repeating and mutually synchron ised cosmic, biological and socio-cultural processes and, at last, the psychic processes of the human individual. All these was vivified, personificated and deified ( for the main assumtions of the model see: A. Wiercinski, 19761 ). The astrobiological model of the world and man was statically patterned in mutually equivalent, due to a symbolical analogisation, archetypical (in Jungian sense) and iconic-numerical representations. Among them, the main position has been occupied by: the Cosmic Mountain, the Cosmic Tree � Cosmic Ladder � Cosmic Pillar, the Mandala, the Cosmic Man� man as Microcosmos and, © Del documento, los autores. -
2012: Providence, Rhode Island
The 63rd Annual Meeting of the American Research Center in Egypt April 27-29, 2012 Renaissance Providence Hotel Providence, RI Photo Credits Front cover: Egyptian, Late Period, Saite, Dynasty 26 (ca. 664-525 BCE) Ritual rattle Glassy faience; h. 7 1/8 in Helen M. Danforth Acquisition Fund 1995.050 Museum of Art Rhode Island School of Design, Providence Photography by Erik Gould, courtesy of the Museum of Art, Rhode Island School of Design, Providence. Photo spread pages 6-7: Conservation of Euergates Gate Photo: Owen Murray Photo page 13: The late Luigi De Cesaris conserving paintings at the Red Monastery in 2011. Luigi dedicated himself with enormous energy to the suc- cess of ARCE’s work in cultural heritage preservation. He died in Sohag on December 19, 2011. With his death, Egypt has lost a highly skilled conservator and ARCE a committed colleague as well as a devoted friend. Photo: Elizabeth Bolman Abstracts title page 14: Detail of relief on Euergates Gate at Karnak Photo: Owen Murray Some of the images used in this year’s Annual Meeting Program Booklet are taken from ARCE conservation projects in Egypt which are funded by grants from the United States Agency for International Development (USAID). The Chronique d’Égypte has been published annually every year since 1925 by the Association Égyptologique Reine Élisabeth. It was originally a newsletter but rapidly became an international scientific journal. In addition to articles on various aspects of Egyptology, papyrology and coptology (philology, history, archaeology and history of art), it also contains critical reviews of recently published books. -
The Cradle of Pyramids.Wps
The cradle of pyramids in satellite images Amelia Carolina Sparavigna Dipartimento di Fisica, Politecnico di Torino, Torino, Italy We propose the use of image processing to enhance the Google Maps of some archaeological areas of Egypt. In particular we analyse that place which is considered the cradle of pyramids, where it was announced the discovery of a new pyramid by means of an infrared remote sensing. Saqqara and Dahshur are burial places of the ancient Egypt. Saqqara was the necropolis of Memphis, the ancient capital of the Lower Egypt. This place has many pyramids, including the well-known step pyramid of Djoser, and several mastabas. As told in Wikipedia, 16 Egyptian kings built pyramids there and the high officials added their tombs during the entire pharaonic period [1]. The necropolis remained an important complex for non-royal burials and cult ceremonies till the Roman times. Dahshur is another royal necropolis located in the desert on the west bank of the Nile [2]. The place is well-known for several pyramids, two of which are among the oldest and best preserved in Egypt. Therefore this site can be properly considered as the cradle of Egyptian pyramids [3]. Figure 1 shows the Djoser pyramid and the Great Enclosure at Saqqara. The two images have been obtained from Google Maps after an image processing with two programs, AstroFracTool, based on the calculus of the fractional gradient, and the wavelet filtering of Iris, as discussed in Ref.4. The reader can compare the images with the original Google Maps, using the coordinates given in the figure [5]. -
Cambridge Archaeological Journal 15:2, 2005
Location of the Old Kingdom Pyramids in Egypt Miroslav Bârta The principal factors influencing the location of the Old Kingdom pyramids in Egypt are reconsidered. The decisive factors influencing their distribution over an area of c. eighty kilometres were essentially of economic, géomorphologie, socio-political and unavoidably also of religious nature. Primary importance is to be attributed to the existence of the Old Kingdom capital of Egypt, Memphis, which was a central place with regard to the Old Kingdom pyramid fields. Its economic potential and primacy in the largely redistribution- driven state economy sustained construction of the vast majority of the pyramid complexes in its vicinity. The location of the remaining number of the Old Kingdom pyramids, including many of the largest ever built, is explained using primarily archaeological evidence. It is claimed that the major factors influencing their location lie in the sphere of general trends governing ancient Egyptian society of the period. For millennia, megaliths and monumental arts were pyramids see Edwards 1993; Fakhry 1961; Hawass commissioned by the local chieftains and later by the 2003; Lehner 1997; Stadelmann 1985; 1990; Vallogia kings of Egypt. The ideological reasons connected 2001; Verner 2002; Dodson 2003). The reasons that may with the construction and symbolism of the pyra be put forward to explain their location and arrange mids were manifold, and in most cases obvious: the ment are numerous but may be divided into two basic manifestation of power, status and supremacy over groups: practical and religious. It will be argued that the territory and population, the connection with the whereas the general pattern in the distribution of the sacred world and the unlimited authority of the rulers pyramid sites may be due mainly to practical reasons, (O'Connor & Silverman 1995). -
Egypt and the Egyptians
Cambridge University Press 978-0-521-61689-8 - Egypt and the Egtptians, Second Edition Douglas J. Brewer and Emily Teeter Frontmatter More information Egypt and the Egyptians Surveying more than three thousand years of Egyptian civilization, Egypt and the Egyptians offers a comprehensive introduction to this most rich and complex of early societies. From high politics to the concerns of everyday Egyptians, the book explores every aspect of Egyptian culture and society, including religion, language, art, architecture, cities, and mummification. Archaeological and doc- umentary sources are combined to give the reader a unique and expansive view of a remarkable ancient culture. Fully revised and updated, this new edition looks more closely at the role of women in Egypt, delves deeper into the Egyptian Neolithic and Egypt’s transi- tion to an agricultural society, and includes many new illustrations. Written for students and the general reader, and including an extensive bibliography, a glossary, a dynastic chronology and suggestions for further reading, this richly illustrated book is an essential resource for anybody wishing to explore the society and civilization of ancient Egypt. douglas j. brewer is Professor of Anthropology at the University of Illi- nois, Urbana, and Director of the Spurlock Museum. He is the author of numer- ous books and articles on Egypt covering topics from domestication to cultural change and the environment. He has over twenty-five years’ experience of field- work in Egypt and is currently co-director of the excavations at Mendes. emily teeter is an Egyptologist and Research Associate at the Oriental Insti- tute, University of Chicago. -
Ancient Egyptian Royal Circumcision from the Pyramid Complex of Djedkare
Ancient Egyptian Royal Circumcision from the Pyramid Complex of Djedkare • XLIX/2 • pp. 155–164 • 2011 mohAmED mEGAhED, hAnA VYmAZALoVÁ ANCIENT EGYPTIAN ROYAL CIRCUMCISION FROM THE PYRAMID COMPLEX OF DJEDKARE ABSTRACT: Male circumcision in ancient Egypt is well documented in representative scenes in tombs, as well as in physical remains of Egyptian people from various periods. Scenes showing the operation of circumcision are however very rare and only a few examples have been preserved from the millennia of Egyptian history. This paper presents another example of such a scene, which was found on a relief fragment discovered in the pyramid complex of the Fifth Dynasty king Djedkare. At the moment, it is the oldest preserved depiction of this operation known so far, and it probably played a ritual function within the king's pyramid complex decoration program. KEY WORDS: Ancient Egypt – Djedkare – Relief – Circumcision INTRODUCTION numerous fragments of reliefs have been found in the late Fifth Dynasty pyramid complex of Djedkare in As well as the other old Kingdom pyramid complexes, South Saqqara (Figure 1) by the Egyptian archaeological Djedkare's pyramid complex was badly damaged over missions between the 1940s and 1980s, when limited and time, and as a result of the reuse of its building materials unsystematic excavations were carried out in the funerary throughout succeeding generations. modern excavation temple under the direction of Abdel Salam mohamed of the monuments have however begun to reveal the hussain, Ahmed Fakhry, and mahmoud Abdel Razek. architectural plan of the sites and have brought to light Results of this work were never fully published and the fragments of decoration programs of the individual fragments of relief decoration have not been available complexes; these provide us with partial information about for the scientific public (see Fakhry 1959: 10, 30, Leclant the kings and their reigns. -
Famous Pharaohs
Ancient Egyptians: History Information Sheet Famous Pharaohs Name: Khufu Name: Khafra Reigned: 2589 - 2566 BC Reigned: 2558 - 2504 BC Khufu is also known as King Cheops and Khafra is famous for building the is the builder of the Great Pyramid of second of the pyramids at Giza and the Giza. The Giza pyramids are famous as Sphinx which guards his tomb. Some being the oldest of the Seven Ancient historians believe that the head of the Wonders of the World and the only one Sphinx is carved in Khafra’s image. to still be in existence today. Name: Ankhenaten Name: Hatshepsut Reigned:1351 - 1337 BC Reigned: 1472 - 1457 BC Ankhenaten is most remembered for Hatshepsut is remembered not only changing the belief system of ancient because she was a woman (it was very Egypt, if only for a short while. He rare for a woman to be a ruler) but also introduced Aten, a sun god, as the one because of the many accomplishments true god and changed Egypt from a she achieved throughout her reign. kingdom that worshiped many gods to During her reign, trade flourished, the a kingdom that worshiped just one. economy grew and she built and restored many magnificent temples Name: Rameses II and other buildings. Reigned: 1279 - 1213 BC Rameses II is also known as Rameses Name: Tutankhamen the Great. He was a great military ruler Reigned: 1334 - 1325 BC and famously defeated the Hittites to Tutankhamen is not remembered for his regain control of lands that had been reign as king as much as he is famous lost during the reign of Ankhenaten. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
The Pyramids of Ancient Egypt by History.Com, Adapted by Newsela Staff on 08.01.17 Word Count 765 Level 870L
The Pyramids of Ancient Egypt By History.com, adapted by Newsela staff on 08.01.17 Word Count 765 Level 870L The Great Pyramid of Giza, also called the Pyramid of Khufu or Cheops, is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now Cairo, Egypt. The Great Pyramid was originally covered by casing stones that formed a smooth outer surface. Photo: Jerome Bon/Wikimedia Commons The pyramids of Egypt are among history's greatest buildings. A pyramid is a building with four triangle-shaped sides and a square base. The peak of pyramid building began late in Egypt's third dynasty. It continued until about the sixth, around 2325 B.C. In ancient Egypt, a dynasty was a period where all of the rulers were from a single family. The Egyptian pyramids are still a sight to see. They give us a peek into the country’s rich and glorious past. The Pharaoh in Egyptian Society During the third and fourth dynasties, Egypt prospered greatly. Kings, or pharaohs, held a special position in Egyptian society. They were believed to have been chosen by the gods. Ancient Egyptians believed that when the pharaoh died, part of his spirit remained with his body. This article is available at 5 reading levels at https://newsela.com. 1 To properly care for his spirit, his body was mummified. Everything the king would need in the afterlife was buried with him. This included gold bowls and cups, food, furniture and other offerings. The Egyptians built pyramids as tombs for their pharaohs. -
The Iconography of the Princess in the Old Kingdom 119 Vivienne G
THE OLD KINGDOM ART AND ARCHAEOLOGY PROCEEDINGS OF THE CONFERENCE HELD IN PRAGUE, MAY 31 – JUNE 4, 2004 Miroslav Bárta editor Czech Institute of Egyptology Faculty of Arts, Charles University in Prague Academia Publishing House of the Academy of Sciences of the Czech Republic Prague 2006 OOKAApodruhéKAApodruhé sstrtr ii–xii.indd–xii.indd 3 99.3.2007.3.2007 117:18:217:18:21 Contributors Nicole Alexanian, James P. Allen, Susan Allen, Hartwig Altenmüller, Tarek El Awady, Miroslav Bárta, Edith Bernhauer, Edward Brovarski, Vivienne G. Callender, Vassil Dobrev, Laurel Flentye, Rita Freed, Julia Harvey, Salima Ikram, Peter Jánosi, Nozomu Kawai, Jaromír Krejčí, Kamil O. Kuraszkiewicz, Renata Landgráfová, Serena Love, Dušan Magdolen, Peter Der Manuelian, Ian Mathieson, Karol Myśliwiec, Stephen R. Phillips, Gabriele Pieke, Ann Macy Roth, Joanne M. Rowland, Regine Schulz, Yayoi Shirai, Nigel Strudwick, Miroslav Verner, Hana Vymazalová, Sakuji Yoshimura, Christiane Ziegler © Czech Institute of Egyptology, Faculty of Arts, Charles University in Prague, 2006 ISBN 80-200-1465-9 OOKAApodruhéKAApodruhé sstrtr ii–xii.indd–xii.indd 4 99.3.2007.3.2007 117:18:217:18:21 Contents Foreword ix Bibliography xi Tomb and social status. The textual evidence 1 Nicole Alexanian Some aspects of the non-royal afterlife in the Old Kingdom 9 James P. Allen Miniature and model vessels in Ancient Egypt 19 Susan Allen Presenting the nDt-Hr-offerings to the tomb owner 25 Hartwig Altenmüller King Sahura with the precious trees from Punt in a unique scene! 37 Tarek El Awady The Sixth Dynasty tombs in Abusir. Tomb complex of the vizier Qar and his family 45 Miroslav Bárta Die Statuen mit Papyrusrolle im Alten Reich 63 Edith Bernhauer False doors & history: the Sixth Dynasty 71 Edward Brovarski The iconography of the princess in the Old Kingdom 119 Vivienne G. -
Egyptology.Pdf
oi.uchicago.edu JAN 1 0 1992 RESEARCH ARCHIVES -DIRECTOR'S LIBRARY THE ORIENTAL INSTITUTE UNIVERSITY OF CHICAGO EGYPTOLOGY AT THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber Oriental Institute, University of Chicago Printed by University of Chicago Printing Department, 1983 On the cover: Painted Decoration at Medinet Habu Cleaned by the Epigraphic Survey oi.uchicago.edu ,At work in anlent Thebes. I dorm - . oi.uchicago.edu The Oriental Institute and the World of the Pharaohs n the desert west of the Nile, an Egyptologist scrutinizes the traces of an inscription on a temple wall: comparing an artist's drawing with the wall itself, he will occa- sionally add a line to the drawing or take one away. Earlier the wall was photographed in fine detail, but since a camera cannot discriminate between the effects of weathering and the signs carved by an ancient craftsman, an artist working di- rectly on an enlargement of the photograph made a drawing that allows the carvings to be distin- guished from accidental marks. When the drawing was completed, the photograph was bleached out, leaving a facsimile of what survives of the original craftsman's work. Now the Egyptologist is checking for any trace of ancient carving that the artist might have missed, or any clues that might have escaped the camera s eye. The Egyptologist, the photog- rapher and the artist are members work in Egypt concentrates pri- Artist comparing drawing with of a team of specialists working on marily on the documentation of the the original scene. -
House of Eternity: Tomb of Nefertari
- - - OUSE OF ETERNITY The Tomb of Nefertari John K. McDonald The Getty Conservation Institute and the J. Paul Getty Museum Los Angeles Cover/title page: Detail a/Queen Nefertari 0/'1 the north wall of Chamber G. All photographs are by Guillermo Aldana unless credited otherwise. The Getty Conservation Institute works internationally to further the appreciation and preservation of the world's cultural heritage for the enrichment and use of present and future generations. This is the first volume in the Conservation and Cultural Heritage series, which aims to provide in a popular format information about selected culturally significant sites throughout the world. © 1996 The J. Paul Getty Trust All rights reserved Printed in Singapore Library of Congress Cataloging-in-Publication Data McDonald. John K. House of eternity: the tomb of Nefertari I John K. McDonald. p. cm. ISBN 0-89236-415-7 1. Nefertari. Queen. consort of Rameses II. King of Egypt-Tomb. 2. Mural painting and decoration. Egyptian. 3. Tombs-Egypt. 4. Valley of the Queens (Egypt) I. Title. DT73· v34M35 1996 932-dc20 96-24123 C1P Contents Foreword 5 Introduction Dynasties of Ancient Egypt II Nefertari: Radiant Queen A Letter from Nefertari The Queen's Titles and Epithets 19 The Valley of the Queens Ernesto Schiaparelli 25 Conveyance to Eternal Life: The Royal Tombs of Egypt Tomb Paints and Materials 33 The Tomb Builders' Village 37 After Nefertari's Burial 41 Resurrection and Recurrent Risks 47 The King of the Dead and His Divine Family Divine Guidance 55 Among the Immortals: A Walk through the "House of Eternity" The Texts in the Tomb III Conclusion 116 Acknowledgments II HOUSE OF ETER ITY an honored and < > beloved queen, still in the prime of earthly existence, set off upon a voyage to the netherworld, in quest of eternal life.