Sandia Offers the World a Fertilizer That Fizzles As a Bomb
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Here Is Endlessness Somewhere Else
Here is Endlessness Somewhere Else TTrioreau White Office 26, rue George Sand, 37000 Tours Vernissage : vendredi 21 mai 2010 Exposition du 22 mai au 13 juin 2010 Titre : Here is Endlessness Somewhere Else (Bas Jan Ader (“here is always somewhere else”) + Samuel Beckett (“lessness” – “sans”)) James Joyce, “Ulysse” : “le froid des espaces interstellaires, des milliers de degrés en-dessous du point de congélation ou du zéro absolu de Fahrenheit, centigrade ou Réaumur : les indices premiers de l’aube proche.” Alphaville – Jean-Luc Godard Alfaville Mel Bochner & TTrioreau (4 affiches perforées sur mur gris – édition multiples : 5 + 2 EA) Here is Endlessness Somewhere Else TTrioreau (néon blanc sur mur gris – édition multiples : 5 + 2 EA) Here is Endlessness Somewhere Else TTrioreau (White Office – façade grise + fenêtre écran, format panavision 2/35) Here is Endlessness Somewhere Else TTrioreau (White Office – intérieur gris + projecteur 35mm, film 35mm vierge gris, format panavision 2/35 + néon blanc sur mur gris) Here is Endlessness Somewhere Else TTrioreau (White Office – intérieur gris + projecteur 35mm, film 35mm vierge gris, format panavision 2/35 + néon blanc sur mur gris) Annexes : Lessness A Story by SAMUEL BECKETT (1970) Ruins true refuge long last towards which so many false time out of mind. All sides endlessness earth sky as one no sound no stir. Grey face two pale blue little body heart beating only up right. Blacked out fallen open four walls over backwards true refuge issueless. Scattered ruins same grey as the sand ash grey true refuge. Four square all light sheer white blank planes all gone from mind. Never was but grey air timeless no sound figment the passing light. -
James Baldwin As a Writer of Short Fiction: an Evaluation
JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction. -
Samuel Beckett's Peristaltic Modernism, 1932-1958 Adam
‘FIRST DIRTY, THEN MAKE CLEAN’: SAMUEL BECKETT’S PERISTALTIC MODERNISM, 1932-1958 ADAM MICHAEL WINSTANLEY PhD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE MARCH 2013 1 ABSTRACT Drawing together a number of different recent approaches to Samuel Beckett’s studies, this thesis examines the convulsive narrative trajectories of Beckett’s prose works from Dream of Fair to Middling Women (1931-2) to The Unnamable (1958) in relation to the disorganised muscular contractions of peristalsis. Peristalsis is understood here, however, not merely as a digestive process, as the ‘propulsive movement of the gastrointestinal tract and other tubular organs’, but as the ‘coordinated waves of contraction and relaxation of the circular muscle’ (OED). Accordingly, this thesis reconciles a number of recent approaches to Beckett studies by combining textual, phenomenological and cultural concerns with a detailed account of Beckett’s own familiarity with early twentieth-century medical and psychoanalytical discourses. It examines the extent to which these discourses find a parallel in his work’s corporeal conception of the linguistic and narrative process, where the convolutions, disavowals and disjunctions that function at the level of narrative and syntax are persistently equated with medical ailments, autonomous reflexes and bodily emissions. Tracing this interest to his early work, the first chapter focuses upon the masturbatory trope of ‘dehiscence’ in Dream of Fair to Middling Women, while the second examines cardiovascular complaints in Murphy (1935-6). The third chapter considers the role that linguistic constipation plays in Watt (1941-5), while the fourth chapter focuses upon peristalsis and rumination in Molloy (1947). The penultimate chapter examines the significance of epilepsy, dilation and parturition in the ‘throes’ that dominate Malone Dies (1954-5), whereas the final chapter evaluates the significance of contamination and respiration in The Unnamable (1957-8). -
The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works Theresa A. Incampo Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Dramatic Literature, Criticism and Theory Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Incampo, Theresa A., "The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/209 The Evocation of the Physical, Metaphysical and Sonic Landscapes within the Short Dramatic Works of Samuel Beckett Submitted by Theresa A. Incampo May 4, 2012 Trinity College Department of Theater and Dance Hartford, CT 2 Table of Contents Acknowledgements 5 I: History Time, Space and Sound in Beckett’s short dramatic works 7 A historical analysis of the playwright’s theatrical spaces including the concept of temporality, which is central to the subsequent elements within the physical, metaphysical and sonic landscapes. These landscapes are constructed from physical space, object, light, and sound, so as to create a finite representation of an expansive, infinite world as it is perceived by Beckett’s characters.. II: Theory Phenomenology and the conscious experience of existence 59 The choice to focus on the philosophy of phenomenology centers on the notion that these short dramatic works present the theatrical landscape as the conscious character perceives it to be. The perceptual experience is explained by Maurice Merleau-Ponty as the relationship between the body and the world and the way as to which the self-limited interior space of the mind interacts with the limitless exterior space that surrounds it. -
Beckett and Nothing with the Negative Spaces of Beckett’S Theatre
8 Beckett, Feldman, Salcedo . Neither Derval Tubridy Writing to Thomas MacGreevy in 1936, Beckett describes his novel Murphy in terms of negation and estrangement: I suddenly see that Murphy is break down [sic] between his ubi nihil vales ibi nihil velis (positive) & Malraux’s Il est diffi cile à celui qui vit hors du monde de ne pas rechercher les siens (negation).1 Positioning his writing between the seventeenth-century occasion- alist philosophy of Arnold Geulincx, and the twentieth-century existential writing of André Malraux, Beckett gives us two visions of nothing from which to proceed. The fi rst, from Geulincx’s Ethica (1675), argues that ‘where you are worth nothing, may you also wish for nothing’,2 proposing an approach to life that balances value and desire in an ethics of negation based on what Anthony Uhlmann aptly describes as the cogito nescio.3 The second, from Malraux’s novel La Condition humaine (1933), contends that ‘it is diffi cult for one who lives isolated from the everyday world not to seek others like himself’.4 This chapter situates its enquiry between these poles of nega- tion, exploring the interstices between both by way of neither. Drawing together prose, music and sculpture, I investigate the role of nothing through three works called neither and Neither: Beckett’s short text (1976), Morton Feldman’s opera (1977), and Doris Salcedo’s sculptural installation (2004).5 The Columbian artist Doris Salcedo’s work explores the politics of absence, par- ticularly in works such as Unland: Irreversible Witness (1995–98), which acts as a sculptural witness to the disappeared victims of war. -
Essays on Monkey: a Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston
University of Massachusetts Boston ScholarWorks at UMass Boston Critical and Creative Thinking Capstones Critical and Creative Thinking Program Collection 9-1997 Essays on Monkey: A Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/cct_capstone Recommended Citation Ping-I Mao, Isabelle, "Essays on Monkey: A Classic Chinese Novel" (1997). Critical and Creative Thinking Capstones Collection. 238. http://scholarworks.umb.edu/cct_capstone/238 This is brought to you for free and open access by the Critical and Creative Thinking Program at ScholarWorks at UMass Boston. It has been accepted for inclusion in Critical and Creative Thinking Capstones Collection by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ESSAYS ON MONKEY: A CLASSIC . CHINESE NOVEL A THESIS PRESENTED by ISABELLE PING-I MAO Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1997 Critical and Creative Thinking Program © 1997 by Isabelle Ping-I Mao All rights reserved ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL A Thesis Presented by ISABELLE PING-I MAO Approved as to style and content by: Delores Gallo, As ciate Professor Chairperson of Committee Member Delores Gallo, Program Director Critical and Creative Thinking Program ABSTRACT ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL September 1997 Isabelle Ping-I Mao, B.A., National Taiwan University M.A., University of Massachusetts Boston Directed by Professor Delores Gallo Monkey is one of the masterpieces in the genre of the classic Chinese novel. -
Novella Salon
NOVELLA SALON MARCH 19, 2018 1 NOVELLA OPENING Crybaby in Love For my seventh birthday I asked my parents for a Gameboy. We lived in the middle of nowhere, New Hampshire, and during the summers swarms of mosquitos that bred in our community pools and ponds reserved playing outside as an activity for the fearless or idiotic. I had never asked for a toy as expensive as a Gameboy before, because my mom stayed home to play with me instead of having a job, and I didn’t want her to think she wasn’t enough for me when I was enough for her. But the delight in reading old library books to her inevitably faded, and at school during lunch all the kids would crowd around their Gameboys playing with each other, a club I desperately wanted to join. A week before my birthday, while my parents were out playing ping-pong at the church, I moved a chair around the house, stop- ping to examine all the upper shelves in our closests. I found the 2 Gameboy box hastily tucked under some blankets, as if it were napping until the big reveal. My glee betrayed me and when my parents stepped through the door I ran to wrap my arms around their knees, surprising all three of us. I found the Gameboy! I said, and my parents looked at each other, before my mom replied, Well, I’ll just make sure your card contains all the surprise this year! Since we moved to America, every 1st of June my mom would cut a heart out of a manila folder and use whatever office supplies we had lying around to draw my current obsession—aquariums, the red candy flakes I sometimes ate as a snack, Clifford the big red dog—but more importantly, write “Happy Birthday Bao Bao! I love you.” By this time PBS Kids had taught me “I love you” was something American families said to each other, but I had lived more of my life Chinese, and my parents even more so, so I never asked them to say it. -
Contributors
CONTRIBUTORS Lisa Badner has published poems in TriQuarterly, Mudlark, Fourteen Hills and forthcoming in The Cape Rock. She studies with Phillip Schultz in the NYC Master Class of The Writers Studio. She cycles everywhere and lives in Brooklyn with her kid and partner. Martine Bellen’s most recent books are Ghosts! and 2X(squared). The Wabac Machine (Furniture Press Books) is forthcoming in 2013. Lucy Biederman is doctoral student in English Literature at the University of Louisiana in Lafayette. She is the author of a chapbook, The Other World (Danc- ing Girl Press). Her poems have recently appeared or are forthcoming in ILK, Shampoo, Gargoyle, and Many Mountains Moving. Richard Brautigan (1935-1984) was an American writer popular during the late 1960s and early 1970s and is often noted for using humor and emotion to pro- pel a unique vision of hope and imagination throughout his body of work which includes ten books of poetry, eleven novels, one collection of short stories, and miscellaneous non-fiction pieces. His easy-to-read yet idiosyncratic prose style is seen as the best characterization of the cultural electricity prevalent in San Fran- cisco, Brautigan’s home, during the ebbing of the Beat Generation and the emer- gence of the counterculture movement. Brautigan’s best-known works include his novel, Trout Fishing in America (1967), his collection of poetry, The Pill versus The Springhill Mine Disaster (1968), and his collection of stories, Revenge of the Lawn (1971). Stephen Campiglio’s poems have recently appeared in Marco Polo Arts Maga- zine, Off the Coast, New England Jazz History Database, and the anthology, New Hungers for Old: One-Hundred Years of Italian American Poetry. -
What Are They Doing There? : William Geoffrey Gehman Lehigh University
Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context .................................. -
2 “Nothing Is More Real Than Nothing” a Reading of Beckett's
, 2 “Nothing is more Real Than Nothing” A Reading of Beckett’s “Ping” as a Postmodern Text Oya Batum Mentese, Raymond Federman, who was a close friend and mentor of Beckett, in his famous lecture “The Imagery Museum of Samuel Beckett” (2006) delivered following his friend’s death, has said about understanding Beckett that one should not even try, instead one should use one’s sense and imagination to appreciate the imagery of “Sam’s text painting” for adds Federman, Beckett who could have been himself a great painter, became that painter in his work. He painted beautiful tableaux for us with words rather than with paint. (www.poeticinhalation.com/theimagerymuseum ofsamuelbackett.pdf) Federman has asked us to take Beckett at his word, yet as one tries to decipher the structural and linguistic complexity of Beckett 11 “Nothing is more Real Than Nothing” A Reading of Beckett’s “Ping” as a Postmodern Text texts one inevitably or perhaps out of habit or academic curiosity tries to go beyond the technical innovativeness, to his meaning or purpose or at least to discovering the source of his artistic commitment. Practically all Beckett texts have nontraditional narrative structures which quickly create enigmas for the reader; Ping published in 1966, one of the late works, rates among the most enigmatic. The enigma starts with the classification of the text within recognizable genres. What is Ping? Is it fiction or poetry? If fiction, is it a short story? Hugh Kenner has informed us that Ping was the residuum of a novel which Beckett began the year following its publication (176). -
Travels with Samuel Beckett, 1928-1946
Beyond the Cartesian Pale: Travels with Samuel Beckett, 1928-1946 Charles Travis [I]t is the act and not the object of perception that matters. Samuel Beckett, “Recent Irish Poetry,” e Bookman (1934).1 Introduction he Irish Nobel laureate Samuel Beckett’s (1902-1989) early writings of the 1930s and 1940s depict the cities of Dublin, London and Saint-Lô Tin post-war France, with affective, comedic and existential flourishes, respectively. These early works, besides reflecting the experience of Beckett’s travels through interwar Europe, illustrate a shift in his literary perspective from a latent Cartesian verisimilitude to a more phenomenological, frag- mented and dissolute impression of place. This evolution in Beckett’s writing style exemplifies a wider transformation in perception and thought rooted in epistemological, cultural and philosophical trends associated with the Conti- nental avant garde emerging in the wake of the fin de siècle. As Henri Lefeb- vre has noted: Around 1910, the main reference systems of social practice in Eu- rope disintegrated and even collapsed. What had seemed estab- lished for good during the belle époque of the bourgeoisie came to an end: in particular, space and time, their representation and real- ity indissociably linked. In scientific knowledge, the old Euclidian and Newtonian space gave way to Einsteinian relativity. But at the same time, as is evident from the painting of the period—Cézanne first of all, then analytical Cubism—perceptible space and per- spective disintegrated. The line of horizon, optical meeting-point of parallel lines, disappeared from paintings.2 At the age of fourteen, Beckett, a son of the Protestant Anglo Irish bourgeoisie, witnessed in the largely Catholic nationalist uprising in Ireland, something Charles Travis is at Trinity College Dublin, Long Room Hub. -
Footfalls on the Boundary of Another World, Let Us Listen to Their Echoes and Take Note of the Indica Tions These May Afford
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com ^arbaro (College ILtbrarg FROM THE GEORGE B. SOHIER PRIZE FUND "The surplus each year over and above what shall be required for the prize shall be expended for books for the library ' ' c FOOTFALLS ON THE Boundary of Another World. WITH NARRATIVE ILLUSTRATIONS. BY ROBERT DALE OWEN", FORMERLY MEMBER OF CONGRESS, AND AMERICAN MINISTER TO NAPLES. " As it is the peculiar method of the Academy to interpose no personal judgment, 1 mt. to admit those opinions which appear must probable, to compare arguments, and to set forth all that may be reasonably stated in favor of each proposition, and so, without obtruding any authority of its own. to leave the judgment of the hearers free and unprejudiced, we will retain this custom which has l>ecn handed down from Focrates ; and this method, dear brother Quintus, if you please, w - will adopt, as often as possible, in all our dialogues together." — Cicero ds. Divin. Lib, ii. §72. PHILADELPHIA: J. B LIPPINGOTT & CO. 18G5. * Entered according to Act of Congress, in the year 1859, by J. B. UPPIXCOTT & CO. in the Clerk's Office of the District Court of the United States for the Bantarr District of Penttsylvania. PREFACE. It may interest the reader, before perusing mis volume, to know some of the circumstances which preceded and pro duced it. • The subjects of which it treats came originally under my notice in a land where, except to the privileged foreigner, such subjects are interdicted, — at Naples, in the autumn of 1855.