The Judicial Antidote to Judge Julius Hoffman Challenging Claims of Unilateral Executive Authority
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US 6Th Circuit Judge Damon J. Keith 1922-2019
U.S. 6th Circuit Judge Damon J. Keith 1922-2019 Damon J. Keith, a U.S. 6th Circuit Court of Appeals judge whose rulings as a federal district judge in Detroit in the 1970s catapulted him to the status of civil rights icon, died peacefully in his sleep early Sunday at his riverfront apartment in Detroit. He was 96. Keith, the grandson of slaves and the longest-serving African-American judge in the nation, burst onto the national stage in 1970 when, as a U.S. district judge, he ordered citywide busing to desegregate Pontiac schools. It was the first court decision to extend federal court-ordered busing to the North. In 1971, Keith ruled that President Richard Nixon and U.S. Attorney General John Mitchell violated the U.S. Constitution by wiretapping student radicals in Ann Arbor without a court order. In 1979, as judge on the U.S. 6th Circuit Court of Appeals, Keith upheld then-Mayor Coleman Young’s affirmative action plan to integrate the Detroit Police Department. Despite receiving hate mail and death threats, Keith never flinched. “It just let us know that there is still a lot of work to do,” he once said. He was Detroit’s most revered and admired black person next to Young, Detroit’s first black mayor, and Rosa Parks, whose refusal to give up her seat to a white man on an Alabama bus in 1955 sparked the modern civil rights movement. “One cannot be around Damon for very long without sensing his commitment to all that is good about our country,” Judge Peter Fay of the U.S. -
Chicago 7’ by Joshua Furst
YOUR SHABBAT EDITION • OCTOBER 23, 2020 Stories for you to savor over Shabbat and through the weekend, in printable format. Sign up at forward.com/shabbat. GET THE LATEST AT FORWARD.COM 1 GET THE LATEST AT FORWARD.COM Culture Aaron Sorkin’s moralizing liberal fantasy betrays the real ‘Chicago 7’ By Joshua Furst According to the lore provided to the press, the the United States stood firmly against radical agitation development of Aaron Sorkin’s new movie, “The Trial of of all stripes. the Chicago 7,” originated in 2007 when Steven It was a show trial in the classic sense, political theater Spielberg, who at the time was toying with making the meant to affirm the government’s power. That it failed film himself, summoned Sorkin to his home and urged in this goal owes largely to the chaotic drama that him to write the screenplay for him. Interestingly, transpired within the courtroom with, on the one side, Sorkin had never heard of the trial, but to a certain kind Judge Julius Hoffman, an overbearing authoritarian of educated liberal possessing a working knowledge of presence incapable of hiding his prejudice, and on the its historic importance — and this, one must assume, other, defendants who used the trial as another stage includes Spielberg — a courtroom battle of ideas with from which to project their various political messages. nothing less at stake than the soul of America must If the government’s purpose was to put the have seemed to be a perfect match for his very specific counterculture on trial, the defendants used their wit talents. -
Honorary Degree Recipients 1977 – Present
Board of Trustees HONORARY DEGREE RECIPIENTS 1977 – PRESENT Name Year Awarded Name Year Awarded Claire Collins Harvey, C‘37 Harry Belafonte 1977 Patricia Roberts Harris Katherine Dunham 1990 Toni Morrison 1978 Nelson Mandela Marian Anderson Marguerite Ross Barnett Ruby Dee Mattiwilda Dobbs, C‘46 1979 1991 Constance Baker Motley Miriam Makeba Sarah Sage McAlpin Audrey Forbes Manley, C‘55 Mary French Rockefeller 1980 Jesse Norman 1992 Mabel Murphy Smythe* Louis Rawls 1993 Cardiss Collins Oprah Winfrey Effie O’Neal Ellis, C‘33 Margaret Walker Alexander Dorothy I. Height 1981 Oran W. Eagleson Albert E. Manley Carol Moseley Braun 1994 Mary Brookins Ross, C‘28 Donna Shalala Shirley Chisholm Susan Taylor Eleanor Holmes Norton 1982 Elizabeth Catlett James Robinson Alice Walker* 1995 Maya Angelou Elie Wiesel Etta Moten Barnett Rita Dove Anne Cox Chambers 1983 Myrlie Evers-Williams Grace L. Hewell, C‘40 Damon Keith 1996 Sam Nunn Pinkie Gordon Lane, C‘49 Clara Stanton Jones, C‘34 Levi Watkins, Jr. Coretta Scott King Patricia Roberts Harris 1984 Jeanne Spurlock* Claire Collins Harvey, C’37 1997 Cicely Tyson Bernice Johnson Reagan, C‘70 Mary Hatwood Futrell Margaret Taylor Burroughs Charles Merrill Jewel Plummer Cobb 1985 Romae Turner Powell, C‘47 Ruth Davis, C‘66 Maxine Waters Lani Guinier 1998 Gwendolyn Brooks Alexine Clement Jackson, C‘56 William H. Cosby 1986 Jackie Joyner Kersee Faye Wattleton Louis Stokes Lena Horne Aurelia E. Brazeal, C‘65 Jacob Lawrence Johnnetta Betsch Cole 1987 Leontyne Price Dorothy Cotton Earl Graves Donald M. Stewart 1999 Selma Burke Marcelite Jordan Harris, C‘64 1988 Pearl Primus Lee Lorch Dame Ruth Nita Barrow Jewel Limar Prestage 1989 Camille Hanks Cosby Deborah Prothrow-Stith, C‘75 * Former Student As of November 2019 Board of Trustees HONORARY DEGREE RECIPIENTS 1977 – PRESENT Name Year Awarded Name Year Awarded Max Cleland Herschelle Sullivan Challenor, C’61 Maxine D. -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
People's Electric: Engaged Legal Education at Rutgers-Newark
Fordham Urban Law Journal Volume 40 Number 1 The Law: Business of Profession? The Continuing Relevance of Julius Henry Article 3 Cohen for the Practice of Law in the Twenty- First Century 2021 People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s George W. Conk Fordham University School of Law, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the Civil Rights and Discrimination Commons, Law and Society Commons, Legal Education Commons, and the Legal History Commons Recommended Citation George W. Conk, People’s Electric: Engaged Legal Education at Rutgers-Newark Law School in the 1960s and 1970s, 40 Fordham Urb. L.J. 503 (2012). Available at: https://ir.lawnet.fordham.edu/ulj/vol40/iss1/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. CONK_CHRISTENSEN (DO NOT DELETE) 4/15/2013 5:50 PM PEOPLE’S ELECTRIC: ENGAGED LEGAL EDUCATION AT RUTGERS-NEWARK LAW SCHOOL IN THE 1960S AND 1970S George W. Conk* Why Newark? .......................................................................................... 503 Impact Litigation ................................................................................... 506 In Tune with the Times ........................................................................ -
A Nation of Law? (1968-1971) BOBBY SEALE
A Nation of Law? (1968-1971) BOBBY SEALE: When our brother, Martin King, exhausted a means of nonviolence with his life being taken by some racist, what is being done to us is what we hate, and what happened to Martin Luther King is what we hate. You're darn right, we respect nonviolence. But to sit and watch ourselves be slaughtered like our brother, we must defend ourselves, as Malcolm X says, by any means necessary. WILLIAM O'NEAL: At this point, I question the whole purpose of the Black Panther Party. In my thinking, they were necessary as a shock treatment for white America to see black men running around with guns just like black men saw the white man running around with guns. Yeah, that was a shock treatment. It was good in that extent. But it got a lot of black people hurt. ELAINE BROWN: There was no joke about what was going on, but we believed in our hearts that we should defend ourselves. And there were so many that did do that. NARRATOR: By 1968, the Black Panther Party was part of an increasingly volatile political scene. That summer, the National Democratic Convention in Chicago was disrupted by violent clashes between demonstrators and police. The war in Vietnam polarized the nation and the political and racial upheaval at home soon became an issue in the presidential campaign. PRESIDENT RICHARD NIXON: This is a nation of laws and as Abraham Lincoln had said, no one is above the law, no one is below the law, and we're going to enforce the law and Americans should remember that if we're going to have law and order. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
Aspiring to a Model of the Engaged Judge
Maurice A. Deane School of Law at Hofstra University Scholarly Commons at Hofstra Law Hofstra Law Faculty Scholarship 2019 Aspiring To A Model of the Engaged Judge Ellen Yaroshefsky Maurice A. Deane School of Law at Hofstra University Follow this and additional works at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship Part of the Law Commons Recommended Citation Ellen Yaroshefsky, Aspiring To A Model of the Engaged Judge, 74 N.Y.U. Ann. Surv. Am. L. 393 (2019) Available at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship/1251 This Article is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Faculty Scholarship by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. ASPIRING TO A MODEL OF THE ENGAGED JUDGE ELLEN YAROSHEFSKY* In 1967, within months of his appointment by President Lyn- don Johnson to the Federal Bench in Detroit, Judge Damon Keith, [a] rookie judge and an African American . faced contro- versy almost immediately when, in an unusual confluence of circumstance, four divisive cases landed on his docket-all of which concerned hidden discriminatory practices that were deeply woven into housing, education, employment, and po- lice institutions. Keith shook the nation as he challenged the status quo and faced off against angry crowds, the KKK, corpo- rate America, and even a sitting U.S. President.' In 1970, Judge Keith ordered citywide busing in Pontiac, Mich- igan, to help integrate the city's schools-a ruling that prompted death threats against him and intense resistance by some white par- ents. -
A Small Slice of the Chicago Eight Trial
A Small Slice of the Chicago Eight Trial Ellen S. Podgor* The Chicago Eight trial was not the typical criminal trial, in part because it occurred at a time of society’s polarization, student demonstrations, and the rise of the House Un-American Activities Committee. Charges were levied against eight defendants, who were individuals that represented leaders in a variety of movements and groups during this time. This Essay examines the opening stages of this trial from the lens of a then relatively new criminal defense attorney, Gerald Lefcourt. It looks at his experiences before Judge Julius Hoffman and highlights how strong, steadfast criminal defense attorneys can make a difference in protecting key constitutional rights and values. Although judicial independence is crucial to a system premised on due process, it is also important that lawyers and law professors stand up to misconduct and improprieties. INTRODUCTION ............................................................................. 821 I. PROXIMITY AND SETTING .......................................................... 824 A. The Landscape ............................................................. 824 B. Attorney Gerald Lefcourt’s Role .................................. 828 II. ATTORNEY WITHDRAWALS AND SUBSTITUTIONS .................... 834 III. LESSONS LEARNED—RESPONDING TO MISPLACED JUDICIAL CONDUCT .............................................................................. 836 CONCLUSION ................................................................................ -
United States District Court Northern District of Illinois, Eastern Division 219 South Dearborn Street, Chicago, Illinois 60604
Court Information Release United States District Court Northern District of Illinois, Eastern Division 219 South Dearborn Street, Chicago, Illinois 60604 Release Date: Contact: Julie Hodek, Public Information Officer November 9, 2020 United States District Court for the Northern District of Illinois 219 S. Dearborn St., #2548 Chicago, IL 60604 312-435-5693 “A Court at the Heart of America” Nominated for Chicago Emmy Documentary Film Explores Impact of Illinois Federal Courts on Nation “A Court at the Heart of America” has been nominated for a 2019-20 Chicago/Midwest Emmy. The one-hour documentary film commemorates the 200th anniversary of federal courts in Illinois. “A Court at the Heart of America” highlights the people, places, and cases that have shaped the court and the profound impact the court has had on the district and nation. “’A Court at the Heart of America’ stunningly captures our court’s storied history. We are delighted that the film has been recognized with an Emmy nomination,” said Chief Judge Rebecca R. Pallmeyer. “A Court at the Heart of America” was nominated in the category of Outstanding Achievement for Documentary Programs-Historical. The film was produced by CourtMedia, based in Wheaton, Illinois, and commissioned by the Northern District of Illinois Court Historical Association. Emmy winners will be announced in a virtual ceremony on November 20, 2020. The Emmy winners are awarded by the National Academy of Arts & Sciences, Chicago/Midwest Chapter. “A Court at the Heart of America” aired on WTTW Channel 11 (PBS) and can be viewed online. The court’s history is explored visually, as well, in a book published last year by CityFiles Press: Chicago Rules: Federal Cases that Defined the City and the Nation. -
Open Letter to Justice Clarence Thomas from a Federal Judicial Colleague*
AN OPEN LETTER TO JUSTICE CLARENCE THOMAS FROM A FEDERAL JUDICIAL COLLEAGUE* A. LEON HIGGINBOTHAM, JR.t November 29, 1991 Dear Justice Thomas: The President has signed your Commission and you have now become the 106th Justice of the United States Supreme Court. I congratulate you on this high honor! It has been a long time since we talked. I believe it was in 1980 during your first year as a Trustee at Holy Cross College. I was there to receive an-honorary degree. You were thirty-one years old and on the staff of Senator John Danforth. You had not yet started your meteoric climb through the government and federal judicial hierarchy. Much has changed since then. At first I thought that I should write you privately-the way one normally corresponds with a colleague or friend. I still feel ambivalent about making this letter public but I do so because your appointment is profoundly important to this country and the world, and because all Americans need to understand the issues you will face on the Supreme Court. In short, Justice Thomas, I write this letter as a public record so that this generation can understand the challenges you face as an Associate Justice to the Supreme Court, and the next can evaluate the choices you have made or will make. The Supreme Court can be a lonely and insular environment. Eight of the present Justices' lives would not have been very * © Copyright 1991, A. Leon Higginbotham, Jr.. All rights reserved. t Chief judge Emeritus, U.S. Court of Appeals for the Third Circuit, Senior Fellow University of Pennsylvania School of Law. -
Seize the Time: the Story of the Black Panther Party
Seize The Time: The Story of the Black Panther Party Bobby Seale FOREWORD GROWING UP: BEFORE THE PARTY Who I am I Meet Huey Huey Breaks with the Cultural Nationalists The Soul Students Advisory Council We Hit the Streets Using the Poverty Program Police-Community Relations HUEY: GETTING THE PARTY GOING The Panther Program Why We Are Not Racists Our First Weapons Red Books for Guns Huey Backs the Pigs Down Badge 206 Huey and the Traffic Light A Gun at Huey's Head THE PARTY GROWS, ELDRIDGE JOINS The Paper Panthers Confrontation at Ramparts Eldridge Joins the Panthers The Death of Denzil Dowell PICKING UP THE GUN Niggers with Guns in the State Capitol Sacramento Jail Bailing Out the Brothers The Black Panther Newspaper Huey Digs Bob Dylan Serving Time at Big Greystone THE SHIT COMES DOWN: "FREE HUEY!" Free Huey! A White Lawyer for a Black Revolutionary Coalitions Stokely Comes to Oakland Breaking Down Our Doors Shoot-out: The Pigs Kill Bobby Hutton Getting on the Ballot Huey Is Tried for Murder Pigs, Puritanism, and Racism Eldridge Is Free! Our Minister of Information Bunchy Carter and Bobby Hutton Charles R. Garry: The Lenin of the Courtroom CHICAGO: KIDNAPPED, CHAINED, TRIED, AND GAGGED Kidnapped To Chicago in Chains Cook County Jail My Constitutional Rights Are Denied Gagged, Shackled, and Bound Yippies, Convicts, and Cops PIGS, PROBLEMS, POLITICS, AND PANTHERS Do-Nothing Terrorists and Other Problems Why They Raid Our Offices Jackanapes, Renegades, and Agents Provocateurs Women and the Black Panther Party "Off the Pig," "Motherfucker," and Other Terms Party Programs - Serving the People SEIZE THE TIME Fuck copyright.