DEI 2 Continuing Education Word

Total Page:16

File Type:pdf, Size:1020Kb

DEI 2 Continuing Education Word CONTINUING EDUCATION OPPORTUNITIES Below is a list of continuing education opportunities related to racism and bias.We feel it is too critical of a time to miss out on the opportunity to highlight this important learning. The opportunities indicated have been categorized into five different areas to help guide your learning, but this list is not a panacea. In the coming weeks, please be on the lookout for additional opportunities through ProKids to continue the journey on working to become an anti-racist. To find a curated list of topics organized weekly, please go to www.prokids.org/learningaboutracism. Updates are made to this site weekly. Action ness Experiences Implicit Bias White Black Systemic Racism Call to Online Trainings X The Kirwan Institute The Kirwan Institute for the Study of Race and Ethnicity is an interdisciplinary engaged research institute at The Ohio State University established in May 2003. The goal of the Kirwan Institute is to connect individuals and communities with opportunities by educating the public. Two especially relevant webinar titles are Mitigating Implicit Bias and N.C.A.S.E. of Bias Emergence Framework X X Greater Cincinnati Foundation’s Racial Equity Institute August 12th 1:00pm-4:30pm This training presents important information and data on racial disparity in our society and how it got this way. The session is normally very limited but because it is being offered virtually it is more widely available and is highly recommended by those who have already participated. Register for Greater Cincinnati Foundation’s Racial Equity Institute’s training here. Books X X X X So, You Want to Talk About Race by Ijeoma Oluo Ijeoma Oluo explores the complex reality of today's racial landscape--from White privilege and police brutality to systemic discrimination and the Black Lives Matter movement-- offering straightforward clarity that readers need to contribute to the dismantling of the racial divide. X X On the Other Side of Freedom by Deray McKesson Drawing from his own experiences as an activist, organizer, educator, and public official, Mckesson exhorts all Americans to work to dismantle the legacy of racism and to imagine the best of what is possible. Action ness Experiences Implicit Bias White Systemic Racism Call to Black X X Stamped from the Beginning by Ibram X. Kendi Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America--it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit. X X X How to be an Anti-Racist by Ibram X. Kendi This book explains why a personal opposition to racism and racist policies and behaviors does not excuse us from performing the civic duty of actively fighting against organizational structures that promote and maintain White supremacy. X X White Rage by Carol Anderson An unflinching look at America’s long history of structural and institutionalized racism. Carol Anderson uses key moments in U.S. history to formulate a new narrative around race, one that unabashedly exposes White America’s attempts to slow or stop progress in Black America. X X The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander This book shows the many ways racial hierarchy still dominates American society. A deep dive into the racial discrimination within our justice system this book guides readers through the many ways in which Black Americans are under attack from racist policies and procedures within a system that should protect them. X Black Stats by Monique W. Morris A guide n the real-life experiences of Black people in the 21st century, this book shows racial discrimination in the form of facts and figures. A look at the quality of American life, progress toward equality, and the negative impacts of socially unjust policies and discriminatory practices in everything from the government to the entertainment industry. This book dispels the myth that racism is dead, while providing the necessary data to take the steps needed to kill it. X The Invention of the White Race by Theodore W. Allen An examination of the construct of race and its origin in America. This two-volume work spans the country’s history, from the arrival of Africans in America in 1619 to modern-day race relations. X X Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to Worlds War II by Douglas Blackmon In this book, Blackmon documents the disgraceful practice of human labor trafficking that started after the Emancipation Proclamation and lasted all the Way through World War II, when thousands of Black Americans were moving from Southern slavery to involuntary servitude throughout the country. X X Choke Hold by Paul Butler In this book, the former federal prosecutor turned legal commentator exposes the unjust laws and practices within the justice system that continually treat Black men like criminals, thugs, and enemies of the people. In addition to shedding light on a shoddy system, Butler also offers recommendations, albeit controversial, about the different ways Americans can take it down. Citizen: An American Lyric by Claudia Rankine X This book-length poem is interspersed with images and artwork that presents a collective portrait of racial relations in the United States. Action ness Experiences Implicit Bias White Systemic Racism Call to Black White Fragility by Robin Diangelo Referring to the defensive moves that White people make when challenged racially, White X X X X fragility is characterized by emotions such as anger, fear, and guilt and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate White racial equilibrium and prevent any meaningful cross-racial dialogue. X Why I No Longer Talk About Race to White People by Reni Eddo-Lodge Exploring issues from eradicated Black history to the political purpose of White dominance, Whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today. Between the World and Me A 2015 nonfiction book written by Ta-Nehisi Coates and published by Spiegel & Grau. It is X written as a letter to the author's teenage son about the feelings, symbolism, and realities associated with being Black in the United States. Coates recapitulates American history and explains to his son the "racist violence that has been woven into American culture." Racism without Racists by Eduardo Bonilla-Silva’s Acclaimed Racism without Racists documents how, beneath our contemporary X X conversation about race, there lies a full-blown arsenal of arguments, phrases, and stories that Whites use to account for—and ultimately justify—racial inequalities. The fifth edition of this provocative book makes clear that color blind racism is as insidious now as ever. Tears We Cannot Stop: A Sermon to White America by Michael Eric Dyson In his 2016 New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop―a provocative X X and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, or discounted. The Color of Law by Richard Rothstein X This book explains how laws and policy decisions contributes to recent social strife. Sister Outsider by Audre Lorde In this collection of essays and speeches, Lorde explores the complexities of intersectional X identities, her experiences with oppression and topics such as police brutality, self-love, Black Feminism and movements toward equity. From the War on Poverty to the War on Crime: The Making of Mass Incarceration in America by Elizabeth Hinton X In this book, Harvard historian, Hinton examines deadly confrontations between African Americans and the police calling it the “foremost civil rights issue of our time.” Just Mercy by Brian Stevenson X X A powerful true story about the Equal Justice Initiative, the people it represents, and the importance of confronting injustice. Solitary by Albert Woodfox X The Life story of a man who served more than four decades in solitary confinement for a crime he did not commit. I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown X X X An eye-opening account of growing up Black, Christian, and female in middle-class White America. Action ness Experiences Implicit Bias White Systemic Racism Call to Black Me and White Supremacy by Layla Saad X X An indispensable resource for White people who want to challenge White supremacy. Saad takes her readers from their heads into their hearts and ultimately into action. The Fire Next Time by James Baldwin This non-fiction book, written in 1963 contains two essays. The first in the form of a letter X to his nephew discussing the central role of race in American History. The second deals with the relation between race and religion based on the authors experience with Christianity and other’s Islamic ideas. The End of Policing by Alex S. Vitale In this book, the author argues that police reforms—from diversity initiatives to X X community policing--- fail to acknowledge that policing as an institution reinforces race and class inequities by design. Policing Black Lives: State Violence in Canada from Slavery to the Present by Robyn Maynard This book pieces together historic newspaper stories, personal accounts, shocking X legislative barriers, and the often-unacknowledged legacy of Canadian Slavery to look at institutional racism in housing, employment, education, the job market, community relations and much more.
Recommended publications
  • AAS 310 BLACK WOMEN in the AMERICAS Spring 2016
    AAS 310 BLACK WOMEN IN THE AMERICAS Spring 2016 Professor: Place: Day/Time: Office/ Office hours: Course Description: This course presents an interdisciplinary body of scholarship on the social, political, economic, cultural and historical contexts of Black women’s lives in the United States and across the Americas, with a particular focus on Black women’s roles in the development of democratic ideas. We will also focus on the relationship between representations and realities of Black women. One of the central questions we will ask is who constitutes as a black woman? Considering the experiences of mixed-race African American women, Black women in Latin America and the Caribbean, and queer Black women will allow us to consider the ways that race, gender, sexuality and nation operate. Course Objectives: 1. To examine the history, development and significance of Black Women's Studies as a discipline that evolved from the intersection of grassroots activism, "womanist" knowledge and the quest for human rights in a democracy. 2. To examine the terms “Feminist Theory”, “Black Feminist Theory” and “Womanist Theory” as conceptual frameworks for knowledge production about Black women’s lives. 3. To examine “intersectionality” as a critical factor in Black women’s lived experiences in America. 4. To critically analyze stereotypes and images of Black womanhood and the ideologies surrounding these images and to explore the social, political and policy implications of these images. 5. To introduce students to an interdisciplinary body of feminist research, critical essays, prose, fiction, poetry and films by and about Black American women. Student Learning Outcomes: 1.
    [Show full text]
  • Black Feminist Thought by Patricia Hill Collins • Eloquent Rage: a Black Feminist Discovers Her Superpower by Dr
    Resource List Books to read: • Black Feminist Thought by Patricia Hill Collins • Eloquent Rage: A Black Feminist Discovers Her Superpower by Dr. Brittney Cooper • Heavy: An American Memoir by Kiese Laymon • How To Be An Antiracist by Dr. Ibram X. Kendi • I Know Why the Caged Bird Sings by Maya Angelou • Just Mercy by Bryan Stevenson • Me and White Supremacy by Layla F. Saad • Raising Our Hands by Jenna Arnold • Redefining Realness by Janet Mock • Sister Outsider by Audre Lorde • So You Want to Talk About Race by Ijeoma Oluo • The Bluest Eye by Toni Morrison • The Fire Next Time by James Baldwin • The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander • The Next American Revolution: Sustainable Activism for the Twenty-First Century by Grace Lee Boggs • The Warmth of Other Suns by Isabel Wilkerson • Their Eyes Were Watching God by Zora Neale Hurston • This Bridge Called My Back: Writings by Radical Women of Color by Cherríe Moraga • When Affirmative Action Was White: An Untold History of Racial Inequality in Twentieth Century America by Ira Katznelson • White Fragility: Why It's So Hard for White People to Talk About Racism by Robin DiAngelo, PhD • Fania Davis' Little Book of Race and RJ • Danielle Sered's Until We Reckon • The New Jim Crow: Mass Incarceration in the Age of Colorblindness Films and TV series to watch: • 13th (Ava DuVernay) — Netflix • American Son (Kenny Leon) — Netflix • Black Power Mixtape: 1967-1975 — Available to rent • Blindspotting (Carlos López Estrada) — Hulu with Cinemax or available to rent • Clemency (Chinonye Chukwu) — Available to rent • Dear White People (Justin Simien) — Netflix • Fruitvale Station (Ryan Coogler) — Available to rent • I Am Not Your Negro (James Baldwin doc) — Available to rent or on Kanopy • If Beale Street Could Talk (Barry Jenkins) — Hulu • Just Mercy (Destin Daniel Cretton) — Available to rent for free in June in the U.S.
    [Show full text]
  • The Black Woman As Artist and Critic: Four Versions
    The Kentucky Review Volume 7 | Number 1 Article 3 Spring 1987 The lB ack Woman As Artist and Critic: Four Versions Margaret B. McDowell University of Iowa Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation McDowell, Margaret B. (1987) "The lB ack Woman As Artist and Critic: Four Versions," The Kentucky Review: Vol. 7 : No. 1 , Article 3. Available at: https://uknowledge.uky.edu/kentucky-review/vol7/iss1/3 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Black Woman As Artist and Critic: Four Versions 1ett Margaret B. McDowell ·e H. Telling stories and writing criticism, Eudora Welty says, are "indeed separate gifts, like spelling and playing the flute, and the same writer proficient in both has been doubly endowed, but even and he can't rise and do both at the same time."1 In view of the o: general validity of this observation, it is remarkable that several of the best Afro-American women authors are also invigorating Hill critics. City 6), Notable among them are Margaret Walker, Audre Lorde, Alice Walker, and Toni Morrison. In the breadth of their inquiry, the ~ss, " zest of their argument, and the intensity of their commitment to issues related to art, race, and gender, they exemplify a new vitality that emerged after about 1970 in women's discourse about black literature.
    [Show full text]
  • Art for Women's Sake: Understanding Feminist Art Therapy As Didactic Practice Re-Orientation
    © FoNS 2013 International Practice Development Journal 3 (Suppl) [5] http://www.fons.org/library/journal.aspx Art for women’s sake: Understanding feminist art therapy as didactic practice re-orientation *Toni Wright, Karen Wright *Corresponding author: Canterbury Christ Church University, Department of Nursing and Applied Clinical Studies, Canterbury, Kent, UK. Email: [email protected] Submitted for publication: 14th January 2013 Accepted for publication: 6th February 2013 Abstract Catalysed through the coming together of feminist theories that debate ‘the politics of difference’ and through a reflection on the practices of art psychotherapy, this paper seeks to illuminate the progressive and empowering nature that creative applications have for better mental health. It also seeks to critically expose and evaluate some of the marginalisation work that is also done within art psychotherapy practices, ultimately proposing a developmental practice activity and resource hub that will raise awareness, challenge traditional ways of thinking and doing, and provide a foundation for more inclusive practices. This paper’s introduction is followed by a contextualisation of art therapy and third wave feminisms, with suggestions of how those can work together towards better praxis. The main discussion is the presentation of a newly developed practitioner activity and resource hub that art therapists can use to evaluate their current and ongoing practice towards one of greater inclusivity and better reflexivity. Finally, in conclusion there will be a drawing together of what has been possible in feminist art psychotherapy, what remains possible, and with further alliances what more could yet be possible. A video that accompanies this paper is available from: www.youtube.com/watch?v=fLLXVGiZQcU.
    [Show full text]
  • Black Feminist Thought
    Praise for the first edition of Black Feminist Thought “The book argues convincingly that black feminists be given, in the words immor- talized by Aretha Franklin, a little more R-E-S-P-E-C-T....Those with an appetite for scholarese will find the book delicious.” —Black Enterprise “With the publication of Black Feminist Thought, black feminism has moved to a new level. Collins’ work sets a standard for the discussion of black women’s lives, experiences, and thought that demands rigorous attention to the complexity of these experiences and an exploration of a multiplicity of responses.” —Women’s Review of Books “Patricia Hill Collins’ new work [is] a marvelous and engaging account of the social construction of black feminist thought. Historically grounded, making excellent use of oral history, interviews, music, poetry, fiction, and scholarly literature, Hill pro- poses to illuminate black women’s standpoint. .Those already familiar with black women’s history and literature will find this book a rich and satisfying analysis. Those who are not well acquainted with this body of work will find Collins’ book an accessible and absorbing first encounter with excerpts from many works, inviting fuller engagement. As an overview, this book would make an excellent text in women’s studies, ethnic studies, and African-American studies courses, especially at the upper-division and graduate levels. As a meditation on the deeper implications of feminist epistemology and sociological practice, Patricia Hill Collins has given us a particular gift.” —Signs “Patricia Hill Collins has done the impossible. She has written a book on black feminist thought that combines the theory with the most immediate in feminist practice.
    [Show full text]
  • A Return to 1987: Glenda Dickerson's Black Feminist Intervention” by Khalid Y
    The Journal of American Drama and Theatre (JADT) https://jadtjournal.org A Return to 1987: Glenda Dickerson’s Black Feminist Intervention by Khalid Y. Long The Journal of American Drama and Theatre Volume 33, Number 2 (Spring 2021) ISNN 2376-4236 ©2021 by Martin E. Segal Theatre Center Glenda Dickerson (1945-2012) is often recognized as a pioneering Black woman theatre director.[1] A more expansive view of her career, however, would highlight Dickerson’s important role as a playwright, an adaptor/deviser, a teacher, and as this essay will illustrate, a progenitor of feminist theatre and performance theory. This essay offers a brief rumination on how Dickerson made a Black feminist intervention into feminist theatre and performance theory as she became one of the earliest voices to intercede and ensure that Black women had a seat at the table.[2] Glenda Dickerson’s intervention into feminist theatre and performance theory appears in her critical writings. Accordingly, these essays illustrate her engagement with Black feminist thought and elucidate how she modeled a feminist theatre theory through her creative works. Dickerson, along with other pioneering feminist theatre artists, “reshaped the modern dramatic/theatrical canon, and signaled its difference from mainstream (male) theatre.”[3] Dickerson’s select body of essays prompted white feminist theorists and practitioners to be cognizant of race and class as well as gender in their work and scholarship.[4] Moreover, Dickerson’s writings serve a dual function for readers: first, they offer an entryway into her life and creative process as a Black feminist artist. Secondly, they detail her subjective experiences as a Black woman within the professional worlds of theatre and academia.
    [Show full text]
  • Activists Who Yearn for Art That Transforms: Parallels in the Black
    Activists Who Yearn for Art That Transforms: Parallels in the Black Arts and Feminist Art Movements in the United States Author(s): Lisa Gail Collins Source: Signs, Vol. 31, No. 3, New Feminist Theories of Visual Culture (Spring 2006), pp. 717-752 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/498991 Accessed: 12-04-2016 03:30 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs This content downloaded from 134.139.46.24 on Tue, 12 Apr 2016 03:30:04 UTC All use subject to http://about.jstor.org/terms Lisa Gail Collins Activists Who Yearn for Art That Transforms: Parallels in the Black Arts and Feminist Art Movements in the United States What we got to do is to dig into this thing that tugs at our souls—this blue yearning to make a way of our own. Black people you are Black art. —Larry Neal (1969, 58) I wanted to wed my skills to my real ideas and to aspire to the making of art that could clearly reveal my values and point of view as a woman.
    [Show full text]
  • Audre Lorde: Intersectionality and Anti-Racism Work Through Poetry in a White Small-Town Context
    Organizational Aesthetics 10(1): 44-47 Ó The Author(s) 2021 www.organizationalaesthetics.org Audre Lorde: Intersectionality and Anti-Racism Work through Poetry in a White Small-Town Context Emily A. Daniels Dr. Daniels Academic Consulting Helen I. Thomas Independent Scholar About the Work: This short article describes a collaborative, grant-funded effort to explore anti-racism through the works of Audre Lorde. The piece presents some background on Lorde, situates the work in a small-town White context, and offers suggestions for those interested in pursuing this effort. About the Authors: Emily A. Daniels, PhD has over 20 years of experience in teaching and training in private and public education in the US and abroad. Her academic publishing has focused on race and inequality within the educational arena and her interests include critical theories, women’s leadership, and storytelling pedagogy. Helen I. Thomas has a background in corporate Human Resources and has served academic institutions as an educator, grants writer, and administrator. She is also an author and after retiring from two different universities is quite happy with her retirement position as Director of her local library. Organizational Aesthetics 10(1) 45 Audre Lorde: Intersectionality and Anti-Racism Work through Poetry in a White Small- Town Context In the Fall of 2019, before the world had changed, I had the good fortune to enter into a partnership with a small-town library to present an arts-based social justice workshop. We applied for and received a Humanities New York Grant for the development and implementation of in-depth discussions around the poetry of Audre Lorde.
    [Show full text]
  • The Prophetic Visions of Our Lorde
    Smith ScholarWorks Africana Studies: Faculty Publications Africana Studies Fall 2019 “blessed within my selves”: The Prophetic Visions of Our Lorde Flávia Santos de Araújo Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/afr_facpubs Part of the Africana Studies Commons Recommended Citation Flávia Santos de Araújo. ““blessed within my selves”: The Prophetic Visions of Our Lorde.” Wagadu: A Journal of Transnational Women’s and Gender Studies, Fall 2019, vol. 20, pp. 8-31 This Article has been accepted for inclusion in Africana Studies: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] 8 | Flávia Santos de Araújo “blessed within my selves”: The Prophetic Visions of Our Lorde Flávia Santos de Araújo Smith College CONTacT: Flávia Santos de Araújo, Smith College, Northampton, MA. [email protected] To cite this article: [Flávia Santos de Araújo. ““blessed within my selves”: The Prophetic Visions of Our Lorde.” Wagadu: A Journal of Transnational Women’s and Gender Studies, Fall 2019, vol. 20, pp. 8-31] ABSTRACT This essay discusses the intellectual and poetic work of Audre Lorde and its significance for contemporary global movements for liberation. My discus- sion considers Lorde’s theorizing of difference and power, as well as her po- etic work, as prophetic interventions within the context of the 1960s to the early 1990s. I argue that Lorde’s intellectual and literary work is the result of a black woman’s embodied experiences within the intersections of many struggles—notably, the ones against racism, sexism, and homophobia. This strategic positionality becomes, as I discuss, the centrality of Lorde’s pro- phetic vision of collective and inclusive liberation: one that permeates past and current movements for freedom across the Americas, influencing con- temporary practices of international solidarity and the formation of black feminist thought.
    [Show full text]
  • Sister Outsider by Audre Lorde
    Also by Audre Lorde: The First Cities Cables to Rage From a Land Where Other People Live New York Head Shop and Museum Between Our Selves Coal The Black Unicorn Essays and Speeches Use of the Erotic: The Erotic as Power The Cancer Journals by Chosen Poems: Old and New Zami: A New Spelling of My Name Audre Lorde ~ CRO~~ING PRl~~ Berkeley PoETRY Is NoT A LuxuRY 37 one of us holds an incredible reserve of creativity and power, of Poetry Is Not a Luxury* unexamined and unrecorded emotion and feeling. The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep. When we view living in the european mode only as a problem to be solved, we rely solely upon our ideas to make us free, for these were what the white fathers told us were precious. But as we come more into touch with our own ancient, non­ european consciousness of living as a situation to be experi­ enced and interacted with, we learn more and more to cherish our feelings, and to respect those hidden sources of our power from where true knowledge and, therefore, lasting action comes. At this point in time, I believe that women carry within THE QUALITY OF LIGHT by which we scrutinize our lives has direct ourselves the possibility for fusion of these two approaches so bearing upon the product which we live, and upon the changes necessary for survival, and we come closest to this combination which we hope to bring about through those lives.
    [Show full text]
  • Audre Lorde Collection 1950-2002 Spelman College Archives
    Audre Lorde Collection 1950-2002 Spelman College Archives Provenance The Audre Lorde Papers were donated to Spelman College in Lorde‘s will and received by the institution in 1995. Preferred Citation Published citations should take the following form: Identification of item, date (if known); Audre Lorde Papers; box number; folder number; Spelman College Archives. Restrictions Access Restrictions Open to researchers. Appointments are necessary for use of manuscript and archival materials. Use Restrictions Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director of Spelman College Archives. For more information, contact Descriptive Summary Creator Taronda Spencer, Brenda S. Banks and Kerrie Cotten Williams Title The Audre Lorde Papers Dates ca. 1950-2002 Quantity 40 linear ft. Biographical Note Poet, writer. Born Audre Geraldine Lorde on February 18, 1934, in New York, New York. Raised in New York, Lorde attended Hunter College. After graduating in 1959, she went on to get a master‘s degree in library science from Columbia University in 1961. Audre Lorde worked as a librarian in Mount Vernon, New York, and in New York City. She married attorney Edwin Rollins in 1962, and the couple had two children—Elizabeth and Jonathan. The couple later divorced. Lorde‘s professional career as a writer began in earnest in 1968 with the publication of her first volume of poetry, First Cities, was published in 1968. A second volume, Cables to Rage in 1970 was completed while Lorde was writer-in-residence at Tougaloo College in Mississippi. Lorde‘s third volume of poetry, From a Land Where Other People Live, written in 1973 was nominated for a National Book Award.
    [Show full text]
  • Audre Lorde: Intersectionality and Anti-Racism Work Through Poetry in a White Small-Town Context
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@WPI Volume 10 Issue 1 Poetry December 2020 Audre Lorde: Intersectionality and Anti-Racism Work through Poetry in a White Small-Town Context Emily A. Daniels Dr. Daniels Academic Consulting, [email protected] Helen I. Thomas Independent Scholar, [email protected] Follow this and additional works at: https://digitalcommons.wpi.edu/oa Part of the Business Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Social Justice Commons To access supplemental content and other articles, click here. Recommended Citation Daniels, Emily A. and Thomas, Helen I. (2021) "Audre Lorde: Intersectionality and Anti- Racism Work through Poetry in a White Small-Town Context," Organizational Aesthetics: Vol. 10: Iss. 1, 44-47. Available at: https://digitalcommons.wpi.edu/oa/vol10/iss1/11 This Special Topic is brought to you for free and open access by Digital WPI. It has been accepted for inclusion in Organizational Aesthetics by an authorized administrator of Digital WPI. For more information, please contact [email protected]. Organizational Aesthetics 10(1): 44-47 Ó The Author(s) 2021 www.organizationalaesthetics.org Audre Lorde: Intersectionality and Anti-Racism Work through Poetry in a White Small-Town Context Emily A. Daniels Dr. Daniels Academic Consulting Helen I. Thomas Independent Scholar About the Work: This short article describes a collaborative, grant-funded effort to explore anti-racism through the works of Audre Lorde. The piece presents some background on Lorde, situates the work in a small-town White context, and offers suggestions for those interested in pursuing this effort.
    [Show full text]