Short Notice

Total Page:16

File Type:pdf, Size:1020Kb

Short Notice Reviews /151 Some sections will cause problems for most listeners: the rather severe opening (and, interestingly enough, one of the last written) baritone recitative with surging orchestral undertow, and the finale—a magnificent, but musically involved, Gloria (in English). University of Utah Choruses (David A. Shand and J. Marlowe Nielson, conductors) and South High Girls' Chorus (Armont Willardsen, conductor) do commendably. The still immature college voices make one wish for greater depth, power, and richness of tone quality, particularly in climactic moments— as in the finale, which fails to reach its potential. This leads one to the question: Why not the Tabernacle Choir? Its 375 mature, routined voices would seem the answer. I've asked this question for years—ever since the Oratorio's completion in 1947. Robertson completed the Oratorio with the Tabernacle Choir and the Brig- ham Young University Symphony (which he then conducted) in mind. He wrote a special Tabernacle organ part for Alexander Schreiner. A few months later he won the Reichhold Award, left Brigham Young University for the University of Utah—and the Oratorio went on the shelf. It remained—years later—for non-Mormon-Greek-Portuguese-Swiss-French- Jewish Maurice Abravanel ("Salt Lake City is the only city in the world where I'm a gentile") to bring it off the shelf to performance. The day will—and should—come when the Tabernacle Choir and the Philadelphia Orchestra or Utah Symphony bring out another—better—stereo Book of Mormon Oratorio pressing. It would seem to be a logical recording project for the Church's "most effective missionary." One hopes that the Choir's tight, demanding schedule could accommodate such a venture. And while we're at it, why not annual July 24th Tabernacle performances by Tabernacle Choir and orchestra as a serious counterpart to Crawford Gates' popular Mormon folk-musical, Promised Valley, w h i c h enjoyed a successful sixty- day tourist run under Church sponsorship last summer? What an improvement on the annual Days of '47 pageant. Until a new, better Oratorio recording is made, the Vanguard album, with Arnold Friberg cover-drawing, is available—but not moving briskly—at some record dealers or the Utah Symphony office. We might hope the M.I.A. would consider offering the Oratorio as a mass-listening project some year in the Church's myriad cultural halls. The existing enviable physical culture program might be persuaded to move over for a week or so. SHORT NOTICE The Latter-day Saint Family. Compiled by Blaine R. Porter. Salt Lake City, Utah: Deseret Book Company, 1966, xii, 438 pp. $4.95. This book is a compilation of forty selections on family life in general and Mormon family life in particular. Dr. Porter has wisely selected representative writings from well-known authorities outside as well as within the Church, thus adding a commendable scholarly dimension to the book. As the author states in his preface, the book is not a comprehensive picture 152/DIALOGUE: A Journal of Mormon Thought of the Mormon family. At the outset, Dr. Reuben Hill analyzes the "American Family Today," in an article which introduces studies of divorce, mobility, governmental influences, economic pressures, family size, and other problems. Against this general background, the book limits itself to three areas: teaching moral and religious values, the eternal relationship of the family, and authori- tarian versus democratic practices in family relations. Here we find much that is instructive and also some repetition. Victor A. Christopherson repeats a num- ber of paragraphs in his three articles. In others the same illustrations and scriptural quotations turn up again and again, probably because about three- fourths of the selections are reprints from the Improvement Era and other Church publications. I recommend among the many informative and helpful essays Joshua Liebman's "Love Thyself Properly" and the Overstreets' "The Unloving Person- ality and the Religion of Love." For students of family relations or for anyone wishing a permanent collection of articles by Latter-day Saint General Authori- ties on the concept of eternal marriage and the family in its theological frame- work, the book will be valuable. Shirley B. Paxman Provo, Utah . and truth on every part is so deare unto me, that I will not lie to bring any man in love and admiration with God and his works, for God needeth not the lies of men. from Topsell's APOLOGIA {1607).
Recommended publications
  • Journal of Book of Mormon Studies Contributors
    Journal of Book of Mormon Studies Volume 13 Number 1 Article 1 7-31-2004 Contributors Journal of Book of Mormon Studies Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Studies, Journal of Book of Mormon (2004) "Contributors," Journal of Book of Mormon Studies: Vol. 13 : No. 1 , Article 1. Available at: https://scholarsarchive.byu.edu/jbms/vol13/iss1/1 This Front Matter is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. CONTRIBUTORS Gerald S. Argetsinger is an associate professor in the Department of Cultural and Creative Studies at the National Technical Institute for the Deaf, a college of the Rochester Institute of Technology. He received a BA in theatre from Brigham Young University and a PhD in dramaturgy from Bowling Green State University. He has 25 years’ experience in directing outdoor drama, and his scholarly writings include two books on the father Gerald S. Argetsinger of Danish theatre, Ludvig Holberg. David F. Boone is associate professor of church history and doctrine at Brigham Young University. His research interests include the frontier American West, the historical Southern States Mission, and the Church of Jesus Christ of Latter-day Saints in the 20th century. David F. Boone John E. Clark is professor of anthropology at Brigham Young University and director of the BYU New World Archaeological Foundation. John E.
    [Show full text]
  • The Commissioned Flute Choir Pieces Presented By
    THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document.
    [Show full text]
  • Mormon Literature: Progress and Prospects by Eugene England
    Mormon Literature: Progress and Prospects By Eugene England This essay is the culmination of several attempts England made throughout his life to assess the state of Mormon literature and letters. The version below, a slightly revised and updated version of the one that appeared in David J. Whittaker, ed., Mormon Americana: A Guide to Sources and Collections in the United States (Provo, Utah: BYU Studies, 1995), 455–505, is the one that appeared in the tribute issue Irreantum published following England’s death. Originally published in: Irreantum 3, no. 3 (Autumn 2001): 67–93. This, the single most comprehensive essay on the history and theory of Mormon literature, first appeared in 1982 and has been republished and expanded several times in keeping up with developments in Mormon letters and Eugene England’s own thinking. Anyone seriously interested in LDS literature could not do better than to use this visionary and bibliographic essay as their curriculum. 1 ExpEctations MorMonisM hAs bEEn called a “new religious tradition,” in some respects as different from traditional Christianity as the religion of Jesus was from traditional Judaism. 2 its beginnings in appearances by God, Jesus Christ, and ancient prophets to Joseph smith and in the recovery of lost scriptures and the revelation of new ones; its dramatic history of persecution, a literal exodus to a promised land, and the build - ing of an impressive “empire” in the Great basin desert—all this has combined to make Mormons in some ways an ethnic people as well as a religious community. Mormon faith is grounded in literal theophanies, concrete historical experience, and tangible artifacts (including the book of Mormon, the irrigated fields of the Wasatch Front, and the great stone pioneer temples of Utah) in certain ways that make Mormons more like ancient Jews and early Christians and Muslims than, say, baptists or Lutherans.
    [Show full text]
  • NOVEMBER 2003 Liahona
    THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS • NOVEMBER 2003 Liahona General Conference Addresses The Journey Begins, by Glen S. Hopkinson More than 12,000 people joined the Church in the British Isles from 1837 to 1847. Nearly 5,000 of them sailed from Liverpool, England, to America, beginning in 1840. They eventually made their way to Nauvoo, Illinois, in at least 36 companies. THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS • NOVEMBER 2003 Liahona 2 Conference Summary for the 173rd 37 Repentance and Change SUNDAY AFTERNOON SESSION Semiannual General Conference Elder Dallin H. Oaks 85 We Believe All That God Has 41 Realize Your Full Potential Revealed SATURDAY MORNING SESSION Elder Richard G. Scott Elder L. Tom Perry 4 The State of the Church 89 An Enduring Testimony of the President Gordon B. Hinckley PRIESTHOOD SESSION Mission of the Prophet Joseph 8 A Sure Foundation 44 Personal Priesthood Responsibility Elder Henry B. Eyring Elder Sheldon F. Child Elder Russell M. Nelson 93 “Come, Follow Me” 10 The Atonement, Repentance, 47 Young Men—Holders of Keys Elder William W. Parmley and Dirty Linen Elder Monte J. Brough 95 Are You a Saint? Elder Lynn A. Mickelsen 50 Priesthood, Keys, and the Power Elder Quentin L. Cook 13 Seeing the Promises Afar Off to Bless 97 The Empowerment of Humility Anne C. Pingree Elder Merrill J. Bateman Bishop Richard C. Edgley 16 Let Our Voices Be Heard 53 The Phenomenon That Is You 99 How Choice a Seer! Elder M. Russell Ballard President James E. Faust Elder Neal A.
    [Show full text]
  • CH Rental 6/11/14 10:21 AM Page 1
    06-22 DCINY_CH Rental 6/11/14 10:21 AM Page 1 Sunday Afternoon, June 22, 2014, at 2:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Distinguished Concerts International New York (DCINY) Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director presents Under the Western Sky Hometown Praise: Music from Utah UTAH VOICES and THE LEGACY BRASS ENSEMBLE MICHAEL D. HUFF, Director CARRIE MORRIS, Accompanist WILLIAM WALKER “Saints Bound for Heaven” from arr. Mack Wilberg The Southern Harmony (1835) KURT BESTOR “Prayer of the Children” arr. Andrea S. Klouse LEROY ROBERTSON “The Lord’s Prayer” from Oratorio from the Book of Mormon Music by J. ELLIS “How Firm a Foundation” Lyrics by ROBERT KEEN arr. Mack Wilberg Music by CRAWFORD Selections from Promised Valley GATES, Lyrics by ARNOLD SUNDGAARD WILLIAM CLAYTON “Come, Come Ye Saints” arr. Mack Wilberg SAMUEL A. WARD “America, the Beautiful” arr. Michael D. Huff IRISH FOLK SONG “Be Thou My Vision” arr. Michael D. Huff ENGLISH FOLK SONG “Thou Gracious God, Whose Mercy Lends” arr. Mack Wilberg Intermission PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 06-22 DCINY_CH Rental 6/11/14 10:21 AM Page 2 MARIACHI ESPUELAS DE PLATA NORTH SIDE HIGH SCHOOL (TX) RAMON NIÑO III, Director IMELDA MARTINEZ, Director PEPE GUIZAR “Tema y Guadalajara” arr. Crescencio Hernández/ Carlos Martinez TRADITIONAL “Trompetas del Diablo” Polka arr. José Hernández VERACRUZ FOLK SONG “El Alegre” arr. José Hernández / Eduardo López DISTINGUISHED CONCERT SINGERS INTERNATIONAL CRISTIAN GRASES, DCINY Debut Conductor CARLOS CUEVAS, Piano WALDO CHAVEZ, Bass AARON SERFATY, Percussion DAWN DRAKE, Percussion ALBERTO GRAU “El Viento ” from Opereta Ecológica ALBERTO GRAU “La Cucaracha” LARRY FARROW “Jamaican Market Place” CRISTIAN GRASES Gloria (World Premiere) Gloria Te Alabamos Señor Dios Porque Solo Tú Am én CRISTIAN GRASES “Tottoyo” CRISTIAN GRASES “Calypso “ We Want to Hear From You! Upload your intermission photos and post-show feedback to Twitter, Instagram, and Facebook.
    [Show full text]
  • Mormons, Opera, and Mozart
    BYU Studies Quarterly Volume 43 Issue 3 Article 4 7-1-2004 Mormons, Opera, and Mozart Gideon O. Burton Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Burton, Gideon O. (2004) "Mormons, Opera, and Mozart," BYU Studies Quarterly: Vol. 43 : Iss. 3 , Article 4. Available at: https://scholarsarchive.byu.edu/byusq/vol43/iss3/4 This Introduction is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Burton: Mormons, Opera, and Mozart Mormons, Opera, and Mozart Gideon O. Burton ne of the world's great operatic works, The Magic Flute is the subject of this issue of BYU Studies, which presents a variety of perspectives from scholars and performers who have enjoyed and explored Mozart's masterpiece both critically and personally. It may seem unusual for BYU Studies to devote so much attention to a single operatic work, but opera is itself an inclusive art form, inviting the very sort of interdisciplinary study to which this periodical is com(i.i5)mitted. While this opera has pleased diverse audiences from well before the beginnings of Mormonism, Latter-day Saint points of view open up the work in interesting ways. For example, Latter-day Saint doctrines help to high­ light certain themes salient in The Magic Flute (such as the marital union of man and woman), and Mormon history shares some common cul­ tural moments with thematic elements in the opera (such as parts of Freemasonry).
    [Show full text]
  • The Delights of Making Cumorah's Music
    Journal of Book of Mormon Studies Volume 13 Number 1 Article 8 7-31-2004 The Delights of Making Cumorah's Music Crawford Gates Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Gates, Crawford (2004) "The Delights of Making Cumorah's Music," Journal of Book of Mormon Studies: Vol. 13 : No. 1 , Article 8. Available at: https://scholarsarchive.byu.edu/jbms/vol13/iss1/8 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title The Delights of Making Cumorah’s Music Author(s) Crawford Gates Reference Journal of Book of Mormon Studies 13/1–2 (2004): 70–77. ISSN 1065-9366 (print), 2168-3158 (online) Abstract As a missionary in the Eastern States Mission, Crawford Gates participated in the Hill Cumorah Pageant in 1941. Although he loved the music and considered it appro- priate to the Book of Mormon scenes of the pageant, he thought then that the pageant needed its own tailor- made musical score. Twelve years later he was given the opportunity to create that score. Gates details the challenge of creating a 72-minute musical score for a full symphony orchestra and chorus while working full time as a BYU music faculty member and juggling church and family responsibilities. When that score was retired 31 years later, Gates was again appointed to create a score for the new pageant.
    [Show full text]
  • David H. Sargent History
    David H. Sargent History Brigham Young University School of Music Professor of Composition/Theory/Composer in Residence, 1976-2008 Interview June 16, 2009 Education: BA, Brigham Young University, 1966 MM, University of Illinois, 1968 MA, Brigham Young University, 1969 DMA, University of Illinois, 1975 Interview with Mike Ohman-June 16, 2009 David, you’ve been at BYU thirty-two In the process of your education at years. Your experiences are important BYU, you were also a teaching to preserve. Tell us about where you assistant. were raised, and little of your educational background. Yes. I taught a theory class, and what was called a dictation class—ear training. I grew up in Springville, Utah, a town next door to BYU. I started piano at age seven When you came to BYU as an and took lessons until I went on my undergraduate, who were some of your mission. My undergraduate major at BYU professors? Also, what was the facility was music, my minor German. I did a like? master‟s degree at BYU. In those days, everybody‟s master‟s degree was the same: My BYU days began in 1959, but I didn‟t about a third of it was music education, a get started in music until 1963. I took two third musicology, and a third theory. Very years off 1961-1963 for my mission. The little was left over for your specialty. theory classes were taught in the Knight Mangum Building. When I applied at the University of Illinois, School of Music, they didn‟t Martha: I also started in 1963.
    [Show full text]
  • The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992
    THE SECULARIZATION OF THE REPERTOIRE OF THE MORMON TABERNACLE CHOIR, 1949-1992 Mark David Porcaro A dissertation submitted to the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music (Musicology) Chapel Hill 2006 Approved by Advisor: Thomas Warburton Reader: Severine Neff Reader: Philip Vandermeer Reader: Laurie Maffly-Kipp Reader: Jocelyn Neal © 2006 Mark David Porcaro ALL RIGHTS RESERVED ii ABSTRACT MARK PORCARO: The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992 (Under the direction of Thomas Warburton) In 1997 in the New Yorker, Sidney Harris published a cartoon depicting the “Ethel Mormon Tabernacle Choir” singing “There’s NO business like SHOW business...” Besides the obvious play on the names of Ethel Merman and the Mormon Tabernacle Choir, the cartoon, in an odd way, is a true-to-life commentary on the image of the Salt Lake Mormon Tabernacle Choir (MTC) in the mid-1990s; at this time the Choir was seen as an entertainment ensemble, not just a church choir. This leads us to the central question of this dissertation, what changes took place in the latter part of the twentieth century to secularize the repertoire of the primary choir for the Church of Jesus Christ of Latter-day Saints (LDS)? In the 1860s, when the MTC began, its sole purpose was to perform for various church meetings, in particular for General Conference of the LDS church which was held in the Tabernacle at Temple Square in Salt Lake City. From the beginning of the twentieth century and escalating during the late 1950s to the early 1960s, the Choir’s role changed from an in-house choir for the LDS church to a choir that also fulfilled a cultural and entertainment function, not only for the LDS church but also for the American public at large.
    [Show full text]
  • An Oral History of Utah Valley University Interview with Dr. Terry
    UTAH VALLEY UNIVERSITY Utah Valley University Library George Sutherland Archives & Special Collections Oral History Program Telling Our Story: An Oral History of Utah Valley University Interview with Dr. Terry Hill September 15, 2011 An oral history project directed by Catherine McIntyre, Archivist & Digitization Librarian, UVU Library & George Sutherland Archives Interview with Dr. Terry Hill UVU Library, George Sutherland Archives September 15, 2011 CM: Catherine McIntyre, Archivist MF: Mike Freeman, Director of UVU Library JM: Jeremy Myntti, Archives intern and former student of Dr. Hill TH: Terry Hill, retired professor of music at UVU [Interview begins 00:18.8] CM: Today is September 15, and we're here at the UVU Sutherland Archives with Dr. Terry Hill, who is a retired professor of music at UVU and I have here—I'm Catherine McIntyre and we have Mike Freeman, the library director here and Jeremy Myntti. If you want to tell us a little about yourself first—about your background, your educational background, where you're from, and how you came here, and all that. TH: All that good stuff. I'm from Provo. I was born and raised here. I went to Provo High School, and Dixon Jr. High, where I started playing in the orchestra in seventh grade, and by the time I was in ninth grade I was in the local symphony, the Utah Valley Symphony, the adult orchestra. That proved to be a real advantage. That put me about a decade ahead of most people and their experiences. I can go back to that later. [Then I went to] Brigham Young University [as a] music education major.
    [Show full text]
  • Journeys of Creativity and Discovery T UPCOMING EVENTS Faculty Luncheon with Eric Mazur | May 15
    BRIGHAM YOUNG UNIVERSITY-IDAHO | SPRING 2015 | VOL. 15 NUM.2 t Journeys of Creativity and Discovery t UPCOMING EVENTS Faculty Luncheon with Eric Mazur | May 15 Spori Summit Coming Fall 2015 This overnight retreat is held at the Sky Mountain Ranch west of Victor, ID every fall. The retreat allows BYU-Idaho faculty from any department and various backgrounds the opportunity to share ideas about instruction and develop lasting friendships with colleagues. “How Student Learning Transformed My Teaching” 12:00–1:30 pm, MC Grand Ballroom Each year, the Academic Office brings a national leader in higher education to speak with our faculty. This year, Eric Mazur, recipient of the Minerva Prize, will be our presenter. He is recognized worldwide for his contribution to learning in higher education. We are pleased to have Dr. Mazur speak to our faculty and give the workshops listed below: Faculty Banquet June 11, 6 pm, MC Grand Ballroom “Flat Space, Deep Learning” 10:15–11:00 am, MC 387 Join us for this year’s annual Faculty Banquet and awards ceremony as we honor and learn “Peer Instruction” (requires RSVP) from great colleagues. 2:00–3:15 pm, MC 387 Q&A Session Brown Bag 3:30–4:30 pm, MC 387 May 21, 1:00 pm, MC 387 May 22, 11:30 pm, MC 372 June 18, 1:00 pm, MC 387 June 19, 11:30 am, MC 387 R&CW Conference July 16, 4:30 - 6:30 pm, I-Center We invite all faculty to use this as a forum for exhibiting student learning in senior projects and upper-division courses.
    [Show full text]
  • SALT Article 2015
    SALT An exclusive community magazine serving the residents of St. Mary’s,Oak Hills & Arcadia Heights Georgia and Crawford Gates: A Life Composed in Harmony January 2015 Cover photo: Busath | January Photography 2015 | 1 YourYOUR St. ST .Mary’s MARY’S ExpertsEXPERT If you’re curious about your home value, I’ve got tools to help you figure out how much your house is worth. I live in St. Mary’s and know it well. Recently, I helped a homeowner sell their home for over $75,000 more than the appraisal they obtained. The combination of my interactive pricing tool (including homes that I have sold off the market) and my local real estate knowledge will give you the insight you need to price your home correctly. THOMAS WRIGHT President & Principal Broker REAL ESTATE 801.652.5700 SummitSothebysRealty.com ©MMXIV Sotheby’s International Realty Affiliates, Inc. All Rights Reserved. Sotheby’s International Realty® is a licensed trademark to Sotheby’s International Realty Affiliates, Inc. An Equal Opportunity Company. Each Office Is Independently Owned And Operated. SHOPPING FOR A MORTGAGE? I’ve been helping people with home loans for more than 17 years. I am truly grateful for how rewarding it is to help my clients select the mortgage that gets them into the home of their dreams. Now as part of the Axiom Financial team, I will provide you with the best customer experience possible. We know it’s important your house feels like a home. It’s all in the detailsThomas Grant Sr. Mortgage Consultant │ NMLS #250556 MORTGAGE 801.580.7194 │ [email protected] axiomfinancial.com/thomas_grant ©2014 Axiom Financial LLC, Equal Housing Lender, NMLS #4642.
    [Show full text]