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Holly Sykes's Life, the 'Invisible' War, and the History Of
LITERATURE Journal of 21st-century Writings Article How to Cite: Parker, J.A., 2018. “Mind the Gap(s): Holly Sykes’s Life, the ‘Invisible’ War, and the History of the Future in The Bone Clocks.” C21 Literature: Journal of 21st-century Writings, 6(3): 4, pp. 1–21. DOI: https:// doi.org/10.16995/c21.47 Published: 01 October 2018 Peer Review: This article has been peer reviewed through the double-blind process of C21 Literature: Journal of 21st-century Writings, which is a journal of the Open Library of Humanities. Copyright: © 2018 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distri- bution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: C21 Literature: Journal of 21st-century Writings is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Parker, J.A., 2018. “Mind the Gap(s): Holly Sykes’s Life, the ‘Invisible’ War, and the History of the Future in The Bone LITERATURE Journal of 21st-century Writings Clocks.” C21 Literature: Journal of 21st-century Writings, 6(3): 2, pp. 1–21. DOI: https://doi.org/10.16995/c21.47 ARTICLE Mind the Gap(s): Holly Sykes’s Life, the ‘Invisible’ War, and the History of the Future in The Bone Clocks Jo Alyson Parker Saint Joseph’s University, Philadelphia, PA, US [email protected] David Mitchell’s The Bone Clocks (2014) features a complex temporal scheme. -
Representations of Love in the Novels of Jeanette Winterson from 1985 to 2000
THE U1'IIVERSITY OF HULL Representations of Love in the Novels of Jeanette Winterson From 1985 to 2000 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Julie Lisa Ellam B.A.(Hons), M.A. April 2003 1 Acknowledgements The support and guidance of my supervisor, Dr Jane Thomas, has enabled me to complete this work. I am also indebted to her for advising me to apply for the Graduate Teaching Assistant position at Hull University and for all of the technical advice she has offered consistently whilst I was working on both my thesis and M.A. dissertation. I would also like to acknowledge and thank Professor Angela Leighton for her detailed analysis of a draft of this work. Thanks must go to my family, friends and colleagues who have had to endure a constant barrage of complaints and tears over the last few years. Without their kindness and love it is unlikely that I would have even embarked on such a project, let alone complete it. Finally, this is for all the absent loved ones who are always in my thoughts. 11 Contents Acknowledgements 1 Contents 11 Abbreviations 111 Introduction 1 Chapter 1 The Ties That Bind 16 (Oranges are not the Only Fruit (1985)) Chapter 2 Love, Testing the Limits of Freedom 57 (The Passion (1987)) Chapter 3 Writing Strategies: Love, Politics and Art 96 (Sexing the Cherry (1989)) Chapter 4 Undying Love 127 (Written on the Body (1992)) Chapter 5 The Language of Love 159 (Written on the Body (1992) and Art and Lies (1994)) Chapter 6 Cheating Hearts 19l (Gut Symmetries (1997)) Chapter 7 Love Stories: New arid Old 221 (The.Powerbook (2000)) Conclusion 256 Bibliography 262 ill Abbreviations 0 Oranges Are Not the Only Fruit (1985) P The Passion (1987) S Sexing the Cherry (1989) W Written on the Body (1992) AL Art and Lies (1994) GS Gut Symmetries (1997) TP The.Powerbook (2000) A 0 Art Objects: Essays on Ecstasy and Effrontery (1995) 1 Introduction What a strange world it is where you can have as much sex as you like but love is taboo. -
James Baldwin As a Writer of Short Fiction: an Evaluation
JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction. -
New Books | January–June 2014 Highlights
ONEWORLD NEW BOOKS | JANUARY–jUNE 2014 HIGHLIGHTS FICTION | 8 FICTION | 11 FICTION | 18 HISTORY | 28 POLITICS | 32 SCIENCE | 40 PSYCHOLOGY | 46 LITERATURE | 54 GIFT | 56 CONTENTS CONTENTS FICTION New 2 New in Paperback 18 NON-FICTION History 22 Philosophy 31 Politics & Current Affairs 32 Business 38 Science 40 Psychology 46 Literature 54 Gift 56 Religion 58 BEGINNER’S GUIDES New 59 Complete List 62 DISTRIBUTORS & REPRESENTATIVES 64 Beads of water sparkled on their brown backs. Even from behind her sunglasses, Janet’s eyes winced at the brightness of their silvery-brown skin. Then her eyes were drawn to the wobbling water that lassoed the sun into strange rings and coils. And there, beneath it all, was the crack. For a moment, she thought that there was no crack. Surely if there were a crack, the water level would have dipped. Surely, she would have noticed if the water level had dipped. Or Solomon would have said something about the water level dropping. Nothing had been said or noticed. Until now. She stood there. Her three little silver darlings shivered in the heat and murmured to one side. She slid her sunglasses onto the top of her head. She stood over the pool, leaning out as far as she dared. Still the water looped and coiled the glinting light. It would take time for the waves to settle. But she had time. Of that commodity she had an abundance. Always that sense of time on her hands. As though time were some sticky substance that clung to her fingers and had to be carefully scoured off. -
British Persian Studies and the Celebrations of the 2500Th Anniversary of the Founding of the Persian Empire in 1971
British Persian Studies and the Celebrations of the 2500th Anniversary of the Founding of the Persian Empire in 1971 A thesis submitted to The University of Manchester for the degree of Master of Philosophy in the Faculty of Humanities. 2014 Robert Steele School of Arts, Languages and Cultures Contents Abstract ........................................................................................................................................................................ 4 Declaration .................................................................................................................................................................. 5 Copyright Statement ................................................................................................................................................ 5 Acknowledgements .................................................................................................................................................. 6 Introduction .......................................................................................................................................................................... 7 Objectives and Structure ............................................................................................................................................. 8 Literature Review .......................................................................................................................................................... 9 Statement on Primary Sources............................................................................................................................... -
Nicolas Mathieu Leurs Enfants Après Eux the Children Who Came After Them
RENTREE LITTERAIRE 2018 ACTES SUD Nicolas Mathieu Leurs enfants après eux The Children Who Came After Them First selection: Prix Goncourt 2018, Prix de Flore 2018, Prix Médicis 2018 Selection of le Prix France Culture Télérama des étudiants. Prix Blù/Jean-Marc Roberts Prix de la Feuille d'or de la ville de Nancy Prix des Medias France Bleu-France 3-L'Est Républicain *** Rights sold to: Germany (Hanser Berlin) *** August 1992. One afternoon during a heatwave in a lost valley somewhere in eastern France, with its dormant blast furnaces and its lake. 14-year-old Anthony and his cousin decide to steal a canoe to find out what it’s like on the other side at the famous naturist beach. The trip ultimately takes Anthony to his first love and a first summer that will determine everything that happens afterwards - the drama of life starts for him here. In this book, Nicolas Mathieu conjures up a valley, an era, adolescence, and the political journey of a young generation that has to forge its own path in a dying world. Four summers and four defining moments, from Smells Like Teen Spirit to the 1998 World Cup, which capture the hectic lives of those living in that intermediate France of the medium-sized cities and their quiet residential estates, astride the countryside and the concrete expanses of the outer suburbs. It is also the portrait of a France far-removed from the centres of globalisation, alternating between decency and rage. A France where almost everybody lives, and which many people would like to forget. -
Differently Drawn Boundaries of the Permissible in German And
67 Differently Drawn Boundaries of the Permissible in German and Australian Literary Journalism by Beate Josephi, Edith Cowan University, Australia Christine Müller, University of Applied Science, Germany Australian author Anna Funder’s Stasiland serves as a useful study for exploring the differences between German and Australian notions of literary journalism when it comes to claims of verifiability and authenticity. ustralian author Anna Funder’s book Stasiland, which deals with life in Athe former East Germany, is based on a series of interviews. It has been described as “a fresh and highly original close-up of what happens to people in the corrosive atmosphere of a totalitarian state.”1 Stasiland, which came out in 2002, tells the story of ordinary citizens who got caught up in the web of East Germany’s state security [Staatssicherheit or “Stasi”]. Yet, it is more than a history about the Stasi. It is a personal exploration of the reality of psychological terror that, as far as Anna Funder was concerned, had not yet been sufficiently told.2 Stasiland was shortlisted for numerous prizes in Australia and also “received rave notices”3 in Britain, where it won the BBC Four Samuel Johnson Prize in 2004, a substantial award which carries a prize money of £30,000. The prize is an award for nonfiction only, and Stasiland was commended for stretching the boundaries of nonfiction writing.4 The Sunday Times, to quote from the book’s back cover, called it “a masterpiece of investigative analysis, written almost like a novel, with a perfect mix of compassion and distance.”5 It was, then, book-length journalism with a literary ambition. -
2020 Fall Commencement
Georgia Southern University Digital Commons@Georgia Southern Commencement Programs Office of Student Affairs Fall 2020 2020 Fall Commencement Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/commencement- programs Part of the Higher Education Commons This brochure is brought to you for free and open access by the Office of Student Affairs at Digital Commons@Georgia Southern. It has been accepted for inclusion in Commencement Programs by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Twenty-Ninth Annual Fall Commencement 2020 Georgia Southern University SCHEDULE OF CEREMONIES UNDERGRADUATE Sunday, Dec. 13 • 2 p.m. • Savannah Convention Center Wednesday, Dec. 16 • 10 a.m. • Paulson Stadium in Statesboro Wednesday, Dec. 16 • 3 p.m. • Paulson Stadium in Statesboro Thursday, Dec. 17 • 10 a.m. • Paulson Stadium in Statesboro GRADUATE Thursday, Dec. 17 • 3 p.m. • Paulson Stadium in Statesboro COMMENCEMENT NOTES Photography: A professional photographer will take Accessibility Access: If your guest requires a picture of you as you cross the stage. A proof of accommodations for a disability, accessible seating this picture will be emailed to you at your Georgia is available. Guests entering the stadium from the Southern email address and mailed to your home designated handicap parking area should enter address so that you may decide if you wish to through the Media Gate or Gate 13 (Statesboro purchase these photos. Find out more about this Ceremony). Accessible seating for the Savannah service at GradImages.com. ceremonies are available on the right hand side near the back of the Exhibit Hall. -
The Bone Clocks, Climate Change, and Human Attention
humanities Article Seeing What’s Right in Front of Us: The Bone Clocks, Climate Change, and Human Attention Elizabeth Callaway Environmental Humanities Program, The University of Utah, Salt Lake City, UT 84112, USA; [email protected] Received: 1 November 2017; Accepted: 18 January 2018; Published: 26 January 2018 Abstract: The scales on which climate change acts make it notoriously difficult to represent in artistic and cultural works. By modeling the encounter with climate as one characterized by distraction, David Mitchell’s novel The Bone Clocks proposes that the difficulty in portraying climate change arises not from displaced effects and protracted timescales but a failure of attention. The book both describes and enacts the way more traditionally dramatic stories distract from climate connections right in front of our eyes, revealing, in the end, that the real story was climate all along. Keywords: climate change; clifi; digital humanities; literature and the environment Climate change is notoriously difficult to render in artistic and literary works. In the environmental humanities, there is an entire critical conversation around how and whether climate change can be represented in current cultural forms. The challenges often enumerated include the large time scales on which climate operates (Nixon 2011, p. 3), the displacement of climate effects (p. 2) literary plausibility of including extreme events in fiction (Ghosh 2016, p. 9), and the abstract nature of both the concept of climate (Taylor 2013, p. 1) and the idea of collective human action on the planetary scale (Chakrabarty 2009, p. 214). In this article, I argue that David Mitchell’s novel The Bone Clocks proposes a different primary difficulty in representing climate change. -
Her Money, My Sweat: Women Organizing to Transform Globalization
HER MONEY, MY SWEAT: WOMEN ORGANIZING TO TRANSFORM GLOBALIZATION Submitted to the School of Interdisciplinary Studies (Western College Program) in partial fulfillment of the requirements for the degree of Bachelor of Philosophy Interdisciplinary Studies by Emily Bates Brown Miami University Oxford, Ohio 2007 APPROVED __________________________________________________ Yulonda E. Sano, Advisor ABSTRACT HER MONEY, MY SWEAT: WOMEN ORGANIZING TO TRANSFORM GLOBALIZATION Emily Bates Brown Women who live in Third World nations are disproportionately negatively affected by globalization. Moreover, theorizations of Third World women’s economic hardships are often characterized in terms of their victimization and helplessness even within Western feminist literature. Such characterizations have been intensely criticized in the last two decades by Third World and postcolonial feminist theorists who have effectively exposed the dangers of representing Third World women as a homogenized group. Western feminist discourse on gender, globalization, and Third World cultures has since made inroads toward addressing the specificity of identity issues such as race, class, and nationality, and in bridging the gap between the objectives of Western and non-Western women’s groups. Within discussions of the inequities of globalization and in efforts to organize women around globalization issues, negotiating similar identity issues and goals is a constant challenge. With an emphasis on the intersection of theory and practice, this thesis argues that for transnational feminist networks to organize constructively on globalization issues in the Third World, the agency and experience of local actors must be regarded as a primary source of legitimate knowledge. Only in this way will transnational feminist networks, which operate across both geographical and intangible borders, be successful in empowering local actors and in producing more viable, counter-hegemonic economic opportunities than currently exist under processes of globalization. -
Towards a More Inclusive Capitalism by the Henry Jackson Initiative for Inclusive Capitalism Towards a More Inclusive Capitalism
Towards a More InclusIve capITalIsM By The henry Jackson InITIaTIve for InclusIve capITalIsm Towards a More InclusIve capITalIsM First published in 2012 on behalf of The Henry Jackson Initiative www.henryjacksoninitiative.org By: The Henry Jackson Society 8th Floor – Parker Tower, 43-49 Parker Street, London, WC2B 5PS Tel: 020 7340 4520 © The Henry Jackson Society, 2012 All rights reserved The views expressed in this publication are those of the authors and are not necessarily indicative of those of The Henry Jackson Society or its directors Designed by Genium, www.geniumcreative.com ISBN 978-1-909035-03-4 2 Towards a More InclusIve capITalIsM CONTenTs execuTIve suMMary 4 The case for capITalIsm 4 Three paThways 5 ConclusIon 5 InTroducTIon 6 adaM sMITh and The case for InclusIve capITalIsM 8 paThway 1: 13 fosTerIng educaTIon for employmenT paThway 2: 18 nurTurIng sTarT-ups and smes paThway 3: 22 reformIng managemenT and governance pracTIces To counTer shorT-TermIsm The quesTIon of eThIcs 26 conclusIon 28 Task force bIographIes 29 3 Towards a More InclusIve capITalIsM execuTIve summary At a time when capitalism is very much under siege, this paper makes the case that it remains the most powerful economic system we have for raising people out of poverty and building cohesive societies. At the same time, we, the members of the Henry Jackson Initiative for Inclusive Capitalism task force—a trans-Atlantic and non-partisan private-sector group of business, policy and academic practitioners—recognize that the recent crisis has highlighted a number of weaknesses in the system. Accordingly, we set out the case for capitalism, identify three areas in which progress needs to be made to improve it, and identify a number of companies already working in these areas to improve the functioning of our system. -
Thomas Keneally Paul Sharrad University of Wollongong, [email protected]
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2015 A National (Diasporic?) Living Treasure: Thomas Keneally Paul Sharrad University of Wollongong, [email protected] Publication Details Sharrad, P. (2015). A National (Diasporic?) Living Treasure: Thomas Keneally. Le Simplegadi, XIII (14), 20-27. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A National (Diasporic?) Living Treasure: Thomas Keneally Abstract Although Thomas Keneally is firmly located as a national figure, his international literary career and his novels’ inspection of colonial exile, Aboriginal alienation, and movements of people throughout history reflect aspects of diasporic experience, while pushing the term itself into wider meaning of the transnational. Keywords treasure, keneally, living, thomas, diasporic, national Disciplines Arts and Humanities | Law Publication Details Sharrad, P. (2015). A National (Diasporic?) Living Treasure: Thomas Keneally. Le Simplegadi, XIII (14), 20-27. This journal article is available at Research Online: http://ro.uow.edu.au/lhapapers/2212 Le Simplegadi ISSN 1824-5226 Vol. XIII-No. 14 November 2015 DOI: 10.17456/SIMPLE-4 This work is lincensed under a Creative Commons Attribution 3.0 Paul Sharrad A National (Diasporic?) Living Treasure: Thomas Keneally Abstract I: Malgrado Thomas Keneally sia riconosciuto come autore nazionale australiano, la sua reputazione internazionale e l’analisi, nei suoi romanzi, dell’esilio coloniale, dell’alienazione degli Aborigeni e delle migrazioni nel corso della storia riflettono aspetti dall’esperienza diasporica che dilatano lo stesso termine sino ad abbracciare aspetti ‘trasnazionali’.