CORAL Style and Gramar Guide

Total Page:16

File Type:pdf, Size:1020Kb

CORAL Style and Gramar Guide CORAL STYLE AND GRAMMAR GUIDE Updated September, 2014 Thank you in advance for helping to reinforce CORAL’s brand by following these established guidelines. Please do not hesitate to contact the communications team with suggestions, corrections, and questions about writing and usage preferences. Writing tips Avoid the passive voice. Although it’s very common in academic and scientific publications writing, when writing for a general audience using the passive voice can make you sound unsure or can seem like you’re avoiding responsibility. What is a passive sentence? When the noun or noun phrase that would be the object of a sentence appears as the subject of a sentence. Look for sentences with “to be” verbs and past participles, which often end in “-ed.” Always ask yourself “who will do the action?” Examples: . Passive Voice: Funding guidelines will be created and results will be evaluated to measure the performance that is achieved. (Who will do it?) . Active Voice: The foundation will create funding guidelines and hire a consultant to evaluate the grantee’s performance. Avoid abbreviations. It’s OK to use MPAs, U.S., and other common abbreviations, but otherwise you should avoid alphabet soup. If an abbreviation is appropriate and will be used repeatedly throughout the piece, put it in parentheses after spelling out the name the first time. Example: . Bay Islands Conservation Network (BICA) will study the issue. BICA’s experts will... Avoid weak modifiers and meaningless words (very, really, a lot, key, crucial, critical, essential, serious, etc.). These aren’t banned words, but they tend to weaken your writing. It’s better to use strong verbs and to be specific. Real-world examples and compelling statistics make writing more persuasive and interesting to read. Example: . Avoid: Our efforts really increased underwater visibility in the area. 1 . Do: We increased visibility by 80% in the area. Avoid repetition. Don't repeat words more than absolutely necessary. If you've already called something "significant," call it "important" next time. Write simply and avoid jargon. Less is more! Ask yourself: have I said something in a more complicated way than necessary? Funders and decision makers don’t want to spend a lot of time reading. The faster you get to the point the more interested they will be. Given our line of work, the words below are sometimes exactly the right word, but they are overused and don’t mean as much to people outside of the conservation field. Think twice about using the words below and refer to a thesaurus when needed. ambitious . key . analytic(al) . leverage (verb) . assessment . massive . campaign . mechanism . capacity . mitigate (mitigation) . core . optimum . critical . policy(maker) . crucial . priority . decision maker . prioritize . engage(ment) . resources . etc. rigorous . expert(ise) . serious . impact (verb) . strategic . implement (verb) . technical . institution(al) . utilize . intense . venue . issue . world-class Other words and phrases to avoid or use with care: . Through this [effort/program/etc.] (and other related phrases) - Beginning a sentence this way often ends up not truly making sense, lacking clarity, or just sounding jargony. Although it is occasionally the most efficient and accurate way to describe something, use with great caution. Train [someone] on how to [do something] - Not wrong, just clunky. Rework when possible. (Example: Rather than "CORAL trained fishermen on how to use 2 the guide," try "CORAL trained fishermen to use the guide," or "CORAL trained fishermen on the guide's proper use.") . What he/she said was… Instead of using so many words, try to be more concise and write “he/she said…” Grammar and Mechanics Avoid dangling modifiers. A dangling modifier occurs when a modifier can be misinterpreted to be associated with a word other than the intended word. Example: . Incorrect: Organizing files every three months, the office seemed to run better. (The office can’t organize files on its own.) . Correct: Anne made the office function more smoothly by organizing files every three months. Use commas to set off phrases. Lists, phrases, and clauses that are non-restrictive or parenthetical (i.e., the sentence would make sense and have the same meaning without them) must be set off by commas, meaning that they must **both start and end** with commas. Examples: These animals, including sea stars, periwinkles, and sharks, are fascinating. The whales, having eaten many small fish, swam away. Which vs. That Basic rule: Use commas with "which," but not with "that." Explanation for when to use each: http://www.worldwidewords.org/articles/which.htm This and That "This" and "that" (and "these" and "those") are demonstrative adjectives—they generally can't stand alone. For instance, it's technically incorrect to say "This makes us happy." You need a noun for "this" to modify. A correct sentence would be "This decision makes us happy." (I think it's totally fine to ignore this rule most of the time, but not in more formal writing.) 3 Between vs. Among Use "between" when only two parties are involved; if there are more, you need to use "among." For example, "CORAL fosters relationships between operators and conservation managers" vs. "CORAL builds connections among managers, operators, and other stakeholders." Hyphens A good rundown of hyphen use: http://www.grammarbook.com/punctuation/hyphens.asp Prepositions Make sure you've got the right preposition to go with your verb. (There may be some discrepancies between American and British English here.) For instance, you train someone "on" or "in" something, but you teach someone "about" something. Comprise "Comprise" is one of the most frequently misunderstood and misused words in the English language, so there's a good chance people won't notice if you use it incorrectly. However, if you happen to reach a grammarian (like Joe), he or she will frown mightily. It's tricky, because "comprise" sounds like and has a similar meaning to "compose." However, "comprise" is a synonym for "include." Although it's correct to say "the group is composed of many stakeholders," to say "the group is comprised of many stakeholders" would be like saying "the group is included of many stakeholders." (Your English teacher vomits.) The correct phrase is: "the group comprises many stakeholders." In another common form, "The group, comprising many stakeholders, was quite large." (NOT "The group, comprised of many stakeholders, was quite large.") Make material easier to digest with lists and bullets. Use a semicolon instead of a comma if lists are long, complicated, or have items with commas. • At the staff retreat, Michael baked pies, cookies, and muffins; played Hawaiian music; and danced late into the night, amusing his guests. Use a colon to let readers know a long list is coming, especially if you use semi- colons as separators. 4 . Use bullets if your list has more than two or three items—they’re great for breaking up big blocks of dense text. o Press tab to indent and make a subpoint. But think twice about going to a third level or beyond. Give each bullet the same syntax (for example, all of the items in this bulleted list begin with a command). In addition, if one of your bullets is a sentence, they all should be sentences, and vice versa, for consistency. Don’t put commas or semicolons at the end of bullets; use a period only when the bullet is a complete sentence. Maintain parallel structure for both lists and bullets o CORAL seeks to decrease destructive fishing, improve marine park management, and tackle other local threats. o NOT: CORAL seeks to decrease destructive fishing, improvements in marine park management, and tackling other local threats. Formatting and punctuation With a few exceptions, CORAL uses Associated Press (AP) Style since it puts a premium on clarity and brevity. It’s also what guides many English-language newspapers and magazines, so it’s familiar to readers. Some CORAL-specific style rules you should master: . Colons: do not capitalize the phrase or sentence that begins after a colon (this is an exception to the AP style). Commas: use the serial or “Oxford” comma (a comma before the last item in a list) - Madhavi has dived in Fiji, Palmyra, and Honduras. - Use a comma to separate two independent clauses; otherwise use your judgment. Read out loud and listen to where the reader might need to take a breath. Examples: Headquarters staff celebrated the holiday by going on a crazy scavenger hunt, and three of them felt nauseous afterwards. (Those are two full sentences connected by the conjunction “and.” CORAL’s headquarters staff celebrated the holiday by going on a crazy scavenger hunt and found several unusual items on the list. (To be a complete sentence “found several unusual items” would need a “they” in 5 front of it.) . Dates: when including the date on memos, letters, reports, and footers, follow this format: month day, year • January 1, 2014 . Quotation marks: Periods and commas go inside the quotation marks, regardless of whether the punctuation is part of the quoted material. (American rule. Sorry, but that's the way it's gotta be.) Other punctuation goes inside if it's part of the quote, but outside if it's not. Example: "I think this rule is hella stupid!" said Sarah. (Can you believe Sarah said "hella"?) . Footnotes: o Place footnotes at the end of a sentence or at the end of a clause. o The number follows every punctuation mark except for the dash, which it precedes . Formal titles: capitalize formal titles before the name, but use lowercase after or when alone o Executive Director Michael Webster met with President Obama today. After President Obama hires Michael to be in charge of the world’s coral reefs, CORAL will need to find a new executive director.
Recommended publications
  • Chapter 2 Working with Text: Basics Copyright
    Writer Guide Chapter 2 Working with Text: Basics Copyright This document is Copyright © 2021 by the LibreOffice Documentation Team. Contributors are listed below. You may distribute it and/or modify it under the terms of either the GNU General Public License (https://www.gnu.org/licenses/gpl.html), version 3 or later, or the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), version 4.0 or later. All trademarks within this guide belong to their legitimate owners. Contributors To this edition Rafael Lima Jean Hollis Weber Kees Kriek To previous editions Jean Hollis Weber Bruce Byfield Gillian Pollack Ron Faile Jr. John A. Smith Hazel Russman John M. Długosz Shravani Bellapukonda Kees Kriek Feedback Please direct any comments or suggestions about this document to the Documentation Team’s mailing list: [email protected] Note Everything you send to a mailing list, including your email address and any other personal information that is written in the message, is publicly archived and cannot be deleted. Publication date and software version Published April 2021. Based on LibreOffice 7.1 Community. Other versions of LibreOffice may differ in appearance and functionality. Using LibreOffice on macOS Some keystrokes and menu items are different on macOS from those used in Windows and Linux. The table below gives some common substitutions for the instructions in this document. For a detailed list, see the application Help. Windows or Linux macOS equivalent Effect Tools > Options LibreOffice >
    [Show full text]
  • Type & Typography
    Type & Typography by Walton Mendelson 2017 One-Off Press Copyright © 2009-2017 Walton Mendelson All rights reserved. [email protected] All images in this book are copyrighted by their respective authors. PhotoShop, Illustrator, and Acrobat are registered trademarks of Adobe. CreateSpace is a registered trademark of Amazon. All trademarks, these and any others mentioned in the text are the property of their respective owners. This book and One- Off Press are independent of any product, vendor, company, or person mentioned in this book. No product, company, or person mentioned or quoted in this book has in any way, either explicitly or implicitly endorsed, authorized or sponsored this book. The opinions expressed are the author’s. Type & Typography Type is the lifeblood of books. While there is no reason that you can’t format your book without any knowledge of type, typography—the art, craft, and technique of composing and printing with type—lets you transform your manuscript into a professional looking book. As with writing, every book has its own issues that you have to discover as you design and format it. These pages cannot answer every question, but they can show you how to assess the problems and understand the tools you have to get things right. “Typography is what language looks like,” Ellen Lupton. Homage to Hermann Zapf 3 4 Type and Typography Type styles and Letter Spacing: The parts of a glyph have names, the most important distinctions are between serif/sans serif, and roman/italic. Normal letter spacing is subtly adjusted to avoid typographical problems, such as widows and rivers; open, touching, or expanded are most often used in display matter.
    [Show full text]
  • Corel® Wordperfect® Office 2020 Handbook
    Handbook Part One: Introduction 3 getting started Part Two: WordPerfect 15 creating professional-looking documents Part Three: Quattro Pro 133 managing data with spreadsheets Part Four: Presentations 183 making visual impact with slide shows Part Five: Utilities 241 using WordPerfect Lightning, Address Book, and more Part Six: Writing Tools 259 checking your spelling, grammar, and vocabulary Part Seven: Macros 273 streamlining and automating tasks Part Eight: Web Resources 283 finding even more information on the Internet Handbook highlights What’s included? . 3 What’s new in WordPerfect Office 2020 . 11 Installation . 11 Help resources. 5 Documentation conventions . 6 WordPerfect basics . 17 Quattro Pro basics. 135 Presentations basics . 185 WordPerfect Lightning . 243 Index. 285 Part One: Introduction Welcome to the Corel® WordPerfect® Office 2020 Handbook! More than just a reference manual, this handbook is filled with valuable tips and insights on a wide variety of tasks and projects. The following chapters in this introductory section are key to getting started with the software: • What’s new in WordPerfect Office 2020 on page 11 • Installation on page 11 • Using the Help files on page 6 If you’re ready to explore specific components of the software in greater detail, see the subsequent sections in this handbook. For an A-to-Z look at the topics covered in this manual, see the index on page 285. What’s included? WordPerfect Office includes the following programs: • Corel® WordPerfect® — for creating professional-looking documents. See Part Two: WordPerfect on page 15. • Corel® Quattro Pro® — for managing, analyzing, reporting, and sharing data. See Part Three: Quattro Pro on page 133.
    [Show full text]
  • Why Two Spaces After a Period Isn't Wrong (Or, the Lies Typographers Tell About History)
    Whytwo spaces after a period isn’t wrong (or,the lies typographers tell about history) by heraclitus http://www.heracliteanriver.com/?p=324 The topic of spacing after a period (or “full stop” in some parts of the world) has received alot of attention in recent years. The vitriol that the single-space camp has toward the double-spacers these days is quite amazing, and typographers have made up an entire fake history to justify their position. The story usually goes something likethis: Once upon a time,typographical practice was anarchy. Printersput in all sizes of spaces in haphazardways, including after periods. Then, a standardemerged: the single space after a period. Unfortunately,the evil typewriter came along,and for some unknown reason (usually blamed on monospace fonts), people began to put wider double spaces after periods. Typographersrailed against the practice,but theycould do nothing.Actual printed work used the single space,but the morons with their typewriterscould not be stopped. Early computersand printersused simi- lar monospace typefaces, and the evil persisted. Then, in the past couple decades, it became possible to use proportional fonts easily,and finally typographerscould step in and save the day again with their single sentence spaces! The only people today who continue to use double spaces arestodgy old typing teachersand ignorant fools, who daretothink that their practice is okay in the face of the verdict of the experts in typography. Ashort version of this story is told, for example, by Grammar Girl in her advice
    [Show full text]
  • The Effects of Font Type and Spacing of Text for Online Readability and Performance
    CONTEMPORARY EDUCATIONAL TECHNOLOGY, 2014, 5(2), 161-174 The Effects of Font Type and Spacing of Text for Online Readability and Performance Nafiseh Hojjati & Balakrishnan Muniandy Universiti Sains Malaysia, Malaysia Abstract Texts are a group of letters which are printed or displayed in a particular style and size. In the course of the fast speed of technological development everywhere and expanding use of computer based instruction such as online courses, students spend more time on a computer screen than printed media. Texts have been the main element to convey messages. It has also been a significant component for learning. The main goal of this research is to measure the effects of font type and spacing of on screen text and its readability in improving and boosting the learner’s ability to read easily, recall information, and enhance their reading speed and comprehension from on screen text with different topics. The readability of text on screens is necessary to ensure effective engagement in order to enhance the level of students’ readability. For this purpose two font types were selected, Times New Roman (serif) and Verdana (san serif) for the respondents. Verdana was designed only for computer screens display. Readability test on a computer screen was conducted on 30 postgraduate students. Overall, the results showed that there was a significant difference between the readability of serif and san serif font type of on-screen display. The research findings suggest Verdana font type as a better choice in displaying long text for on-screen display. Keywords: Font type; Readability; Spacing; On-screen text; Serif; San serif Introduction Texts are a collection of letters and words which are printed or displayed in a particular style and size.
    [Show full text]
  • NRC Style Sheet (2018) NRC Follows APA Style As Presented in the Sixth Edition of the Publication Manual of the American Psychological Association
    NRC Style Sheet (2018) NRC follows APA style as presented in the sixth edition of the Publication Manual of the American Psychological Association. This list comprises points on which NRC style deviates from this reference (marked by *) and clarifies other styling issues. NRC style is flexible, and it may be determined that the author’s preferred style should be maintained. Table of Contents Preferred Spellings ……………………………..2 Avoidable Words/Phrases ……………………………. 2 General ..………………………….2-4 Capitalization ……………………………. 4 Emphasis ……………………………. 5 Hyphens, Dashes, and Spacing .………………………….5-6 House Exception to Rule on Prefixes/Suffixes …………………………….6 Lists ……………………………. 6 Numbers and Figures …………………………….6 Person, Tense, and Voice …………………………….7 University Names and NRC Branding .………………………….7-8 Galley Proofing Only ……………………………. 8 Tables and Figures …………………………. 8-9 Table and Figure Examples .………………………. 9-10 APA Style Guide: Quick Notes on In-Text Citations ..……………………. 11-12 APA Style Guide: Quick Notes on Reference Lists ..……………………. 12-14 1 PREFERRED SPELLINGS advisor follow-up (n, adj); follow up (v) racial/ethnic African American student (no hyphen) general education (not gen ed) service-learning after-school (adj) health care student athlete (no hyphen for noun) aka higher education (no hyphen) study abroad (v); study-abroad (adj) Asian American student (no hyphen) listserv supplemental instruction associate degree living-learning (adj) test taking (n); test-taking (adj) buy-in note taking (n); note-taking (adj) undergraduate (not undergrad)
    [Show full text]
  • Unit 4 : Making Type Easy to Read
    Making Type Easy to Read Unit 4 : Making Type Easy to Read Readers are easily discouraged by hard-to-read copy. Readership drops when the wrong typeface, type size, or line spacing is used. Improper alignment or paragraph indications can also interfere with readership. Subtleties like letter and word spacing, hyphenation, and punctuation can undermine the image of professionalism you hope to project in your print communications. Lesson 1 : Setting the Body Copy 1.1. Learning Objectives On completion of this lesson you will be able to describe: ♦ Choose the appropriate typeface and size for body text. ♦ Determining lines pacing and alignment. 1.2. Introduction The first four decisions you make when setting body copy are among the most important design decisions you make. ♦ What typeface should use? ♦ What type size should I use? ♦ What's all the fuss about leading? ♦ Which alignment is better: flush-left/ragged-right or justified? 1.3. Choose the Right Typeface As long as you choose one of the main stream serif typefaces, which are characterized by small finishing strokes that guide the reader's eye from letter to letter, you really can't go wrong. With typefaces designed for extended reading, what you use is not as important as how you use it. Keep in mind that I'm not talking about strange typefaces like Choose the Right Aachen Bold. I'm talking about classic serif typefaces that have Typeface proven their utility through decades and even hundreds of years of use. Here are a few safe typefaces for body copy: Baskerville Janson Caslon Melior Erhardt Palatino 53 Graphics Design Garamond Plantin (in its many forms including Minion, Sabon, and Utopia) Goudy Times ITC Century.
    [Show full text]
  • Full List of Grammar Mistakes and Typically Misused Terms
    Glossary of Terms A e.g. 3:30 p.m. Always use figures City: E except for noon and midnight. Always capitalize when referring to Abbreviations: Email: Avoid redundancies such as 10 the City of Durham organization. Abbreviations of capitalized No hyphen and no capitalization, a.m. this morning or 10 p.m. Example: “The City expects words should also be capitalized. unless it begins a sentence or is tonight. to increase police patrols in Examples: Aug. (August), Mon. used in a headline. Use lowercase downtown Durham.” (Monday), St. (Street). Such And: and hyphen for e‐government abbreviations should be followed If space allows use the word and City Council: and e‐commerce. Do not underline by a period. See also “acronyms,” in most titles rather than the Always capitalize when referring email addresses in printed “dates,” and “FAQs.” ampersand (&). Do not capitalize in to the Durham City Council. publications. titles or headlines. Acronyms: Citywide: Use the two‐letter United States Articles, Conjunctions, One word. Do not hyphenate. F Postal Service abbreviations Prepositions: without periods, e.g. NC, VA, DC, In headlines or titles, write Commas: Facebook: in business correspondence. Use articles, conjunctions, and short Use commas to punctuate a One word with the first letter all caps, but no periods, in longer prepositions in lowercase (a, an, series of three or more words, capitalized. abbreviations when the individual and, at, for, in, of, on, or, the, to). phrases, or thoughts and include letters are pronounced, e.g. ABC, Exception: capitalize conjunctions a comma BEFORE the “and” or FAQs: CIA, FBI, IRS.
    [Show full text]
  • A Typographic Case Study: Children’S Digital Books in New Zealand Primary Schools Nicholas Vanderschantz, University of Waikato, Waikato, New Zealand
    A Typographic Case Study: Children’s Digital Books in New Zealand Primary Schools Nicholas Vanderschantz, University of Waikato, Waikato, New Zealand Abstract: Increasingly children’s educational reading material is presented in a screen-based envir- onment. This includes a range of interactive learning tools, interactive whiteboards, on-line standardized testing material, digital books including CD-ROMs and E-Books, as well as digital reference books such as encyclopedia and dictionary. With this increase in on-screen educational reading material and use of on-screen reading material in the school, it seems clear that the quality of material intended for children’s on-screen reading requires careful consideration to ensure that it is of a high standard and that it will facilitate children’s learning. This investigation case study’s digital books intended for learning through reading as found to be available to students of New Zealand Primary Schools. The writer analyses a selection of the products of the two publishers that were found available to primary and intermediate school children at two different schools in two different socio-economic school regions. The writer outlines specific consideration of typographic presentation with respect to eye movements that will aid in the development of material for children’s on-screen learning including CD-ROM, E- Book, and web-based reading material. Keywords: Children’s On-screen Learning, Children’s On-screen Reading, Design for Children, Design of On-screen Text, Design of On-screen Typography, E-Books, Enhanced E-Books, CD-ROM Books, Digital Books Background NCREASINGLY, CHILDREN’S EDUCATIONAL reading material is in a screen- based environment.
    [Show full text]
  • Chapter 2 Setting up Libreoffice Choosing Options to Suit the Way You Work Copyright
    Getting Started Guide Chapter 2 Setting up LibreOffice Choosing Options to Suit the Way You Work Copyright This document is Copyright © 2018 by the LibreOffice Documentation Team. Contributors are listed below. You may distribute it and/or modify it under the terms of either the GNU General Public License (http://www.gnu.org/licenses/gpl.html), version 3 or later, or the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), version 4.0 or later. All trademarks within this guide belong to their legitimate owners. Contributors This book is adapted and updated from Getting Started with OpenOffice.org 3.3. To this edition Paul Figueiredo Dave Barton Amanda Labby Jorge Rodriguez Olivier Hallot To previous editions Jean Hollis Weber Agnes Belzunce Hazel Russman John A Smith Martin Saffron Steve Schwettman Ron Faile Jr. Daniel Carrera Peter Hillier-Brook Stefan A. Keel Michele Zarri Feedback Please direct any comments or suggestions about this document to the Documentation Team’s mailing list: [email protected] Note: Everything you send to a mailing list, including your email address and any other personal information that is written in the message, is publicly archived and cannot be deleted. Publication date and software version Published May 2018. Based on LibreOffice 6.0. Documentation for LibreOffice is available at https://documentation.libreoffice.org/en/english-documentation/ Contents Copyright..............................................................................................................................2
    [Show full text]
  • The Lyx User's Guide
    The LYX User’s Guide by the LYX Team∗ Version 2.2.x April 20, 2017 ∗If you have comments on or error corrections to this documentation, please send them to the LYX Documentation mailing list: [email protected] Contents 1. Getting Started1 1.1. What is LYX?...............................1 1.2. How LYX Looks..............................1 1.3. HELP...................................2 1.4. Basic LYX Setup.............................2 1.5. LATEX Setup................................2 2. How to work with LYX3 2.1. Basic File Operations...........................3 2.2. Basic Editing Features..........................4 2.3. Undo and Redo..............................5 2.4. Mouse Operations.............................5 2.5. Navigating.................................6 2.5.1. The Outliner...........................6 2.5.2. Horizontal Scrolling........................7 2.6. Input/Word Completion.........................8 2.7. Basic Key Bindings............................8 3. LYX Basics 11 3.1. Document Types............................. 11 3.1.1. Introduction............................ 11 3.1.2. Document Classes......................... 11 3.1.3. Document Layout......................... 15 3.1.4. Paper Size and Orientation................... 15 3.1.5. Margins.............................. 16 3.1.6. Important Note.......................... 16 3.2. Paragraph Indentation and Separation................. 16 3.2.1. Introduction............................ 16 3.2.2. Paragraph Separation....................... 17 3.2.3. Fine-Tuning...........................
    [Show full text]
  • Chapter 2 Working with Text: Basics Copyright
    Writer 5.4 Guide Chapter 2 Working with Text: Basics Copyright This document is Copyright © 2017 by the LibreOffice Documentation Team. Contributors are listed below. You may distribute it and/or modify it under the terms of either the GNU General Public License (http://www.gnu.org/licenses/gpl.html), version 3 or later, or the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), version 4.0 or later. All trademarks within this guide belong to their legitimate owners. Contributors Jean Hollis Weber Feedback Please direct any comments or suggestions about this document to the Documentation Team’s mailing list: [email protected] Note: Everything you send to a mailing list, including your email address and any other personal information that is written in the message, is publicly archived and cannot be deleted. Acknowledgments This chapter is updated from part of previous versions of Chapter 3 in the LibreOffice Writer Guide. Contributors to earlier versions are: Jean Hollis Weber John A. Smith Hazel Russman John M. Długosz Ron Faile Jr. This chapter is adapted from part of Chapter 3 of the OpenOffice.org 3.3 Writer Guide. The contributors to that chapter are: Jean Hollis Weber Agnes Belzunce Daniel Carrera Laurent Duperval Katharina Greif Peter Hillier-Brook Michael Kotsarinis Peter Kupfer Iain Roberts Gary Schnabl Barbara M. Tobias Michele Zarri Sharon Whiston Publication date and software version Published 26 December 2017. Based on LibreOffice 5.4. Note for Mac users Some keystrokes and menu items are different on a Mac from those used in Windows and Linux.
    [Show full text]