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The Long Red Thread How Democratic Dominance Gave Way to Republican Advantage in Us House of Representatives Elections, 1964
THE LONG RED THREAD HOW DEMOCRATIC DOMINANCE GAVE WAY TO REPUBLICAN ADVANTAGE IN U.S. HOUSE OF REPRESENTATIVES ELECTIONS, 1964-2018 by Kyle Kondik A thesis submitted to Johns Hopkins University in conformity with the requirements for the degree of Master of Arts Baltimore, Maryland September 2019 © 2019 Kyle Kondik All Rights Reserved Abstract This history of U.S. House elections from 1964-2018 examines how Democratic dominance in the House prior to 1994 gave way to a Republican advantage in the years following the GOP takeover. Nationalization, partisan realignment, and the reapportionment and redistricting of House seats all contributed to a House where Republicans do not necessarily always dominate, but in which they have had an edge more often than not. This work explores each House election cycle in the time period covered and also surveys academic and journalistic literature to identify key trends and takeaways from more than a half-century of U.S. House election results in the one person, one vote era. Advisor: Dorothea Wolfson Readers: Douglas Harris, Matt Laslo ii Table of Contents Abstract…………………………………………………………………………………....ii List of Tables……………………………………………………………………………..iv List of Figures……………………………………………………………………………..v Introduction: From Dark Blue to Light Red………………………………………………1 Data, Definitions, and Methodology………………………………………………………9 Chapter One: The Partisan Consequences of the Reapportionment Revolution in the United States House of Representatives, 1964-1974…………………………...…12 Chapter 2: The Roots of the Republican Revolution: -
My Chemical Romance Co Ty Wiesz O MCR
My Chemical Romance Co ty wiesz o MCR Poziom trudności: Średni 1. Ile członków liczy sobie zespół My Chemical Romance A - 3 B - 4 C - 5 D - 6 2. Z jakiego stanu w USA pochodzi zespół A - Kalifornia B - Nevada C - New Jersey D - Iowa 3. W którym roku powstał zespół? A - 2000 B - 2001 C - 2002 D - 2003 4. Z czyjej iniciatywy powstał zespół? A - Gerarda Waya i Mikeya Waya B - Mikeya Waya i Matta Pelissiera C - Gerarda Waya i Matta Pelissiera D - Mikeya Waya i Raya Toro 5. Kto wymyślił nazwę zespołu? A - Gerard B - Mikey C - Frank D - Ray Copyright © 1995-2021 Wirtualna Polska 6. Gerard jest wokalistą, ale orócz tego kim jeszcze jest? A - jest rysownikiem B - jest aktorem C - jest kucharzem 7. Kto w zespole gra na bassie?? A - Ray B - Bob C - Gerard D - Mikey 8. Kto gra na perkusji?? A - Mikey B - Ray C - Bob D - Frank 9. Kto jest gitarzystą prowadzącym w zepole? A - Mikey B - Bob C - Ray D - Frank 10. Gerard miał duże szanse na podpisanie kontraktu z Cartoon Network o wydanie własnej kreskówki. Jaki tytuł ona nosiła?? A - The Umbrella Academy B - Three Tales of Chemical Romance C - The Breakfast Monkey D - Demolition Lovers 11. Jak miała na imię babcia Mikeya i Gerarda? A - Elena B - Helena C - Alicia D - Rachel Copyright © 1995-2021 Wirtualna Polska 12. Gerard razem z MAttem napisał piosenkę, która inspirowana była tragedią z 11 wrzesnia. Jaki nosi on tytuł?? A - Drowning Lessons B - Early Sunsets Over Monroeville C - Headfirst for Halos D - Skylines and Turnstiles 13. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
1 “Knock the EPA Out!” Environmental Politics and Community Identity In
“Knock the EPA Out!” Environmental Politics and Community Identity in Appalachian Ohio* In May 1988, millions of Americans tuned into a special edition of the Oprah Winfrey Show broadcast from a small town in southeastern Ohio, a region hard hit by industrial and mining losses. “They were middle class people, once earning good money in the coal mines [and] in the steel mills,” the show’s opening sequence declared as Rust Belt imagery flashed across the screen. “But the rug was pulled out from under them. They never imagined themselves standing in welfare lines, never imagined relying on food stamps.” As they discussed the problems of job losses in the area, many in the audience, especially those laid-off from the region’s mines, mills and power plants, blamed new environmental regulations, particularly the Clean Air Act, and envisioned a return to the industrial past. “The whole bottom line is: knock the EPA out!” railed one audience member. “We want work. We don’t want the clean air. We want the factories back. We want the mines back.”1 The late 1960s and early 1970s were a golden age for the communities of southeastern Ohio. Nestled in the foothills of the Appalachian Mountains, local residents benefited from an upswing in mining employment prompted by the increased use of coal in electricity production. By the mid-1980s, however, a variety of factors including a lack of economic diversification, low education levels, and inadequate transportation as well as the increasing environmental standards encoded in the Clean Air Act manifested in high unemployment, poverty and out- migration. -
19738 Hon. Grace F. Napolitano Hon. Curt Weldon Hon
19738 EXTENSIONS OF REMARKS October 12, 2001 TRIBUTE TO ANNA MARIA ARIAS why she was choosing to undergo the com- three were called by destiny to perform heroic plicated bone marrow surgery, Anna Maria feats. As fire raged through the Pentagon, Mr. HON. GRACE F. NAPOLITANO simply said, ‘‘I have to do this, we have impor- Jones, Staff Sgt. Braman, and Major Pantaleo OF CALIFORNIA tant work to do and this thing keeps getting in rushed inside. These three men along with all IN THE HOUSE OF REPRESENTATIVES the way.’’ That was Anna Maria, totally de- the public safety and military personnel at the voted to her work and committed to serving scene were responsible for rescuing hundreds Friday, October 12, 2001 others. of men and women injured by the explosion, Mrs. NAPOLITANO. Mr. Speaker, I rise Last Sunday, I attended Anna Maria Arias’ the building collapse and burning jet fuel dur- today with a heavy heart to honor the memory memorial mass at the Church of Guadalupe ing the first minutes following the attack. After of an exceptional woman, Anna Maria Arias. and her burial ceremony at Mt. View Ceme- the injured had been saved, they remained on On Monday, October 1, 2001, Anna Maria lost tery, in San Bernardino, CA. Her husband the site for many days to recover the bodies a seven-year battle against aplastic anemia Robert Bard and her mother Rita Valenzuela of those who perished. and passed away from complications related spoke of the tremendous courage and deter- I salute all Americans who answered the to a bone marrow transplant procedure at MD mination of one so young. -
It's Not a Fashion Statement
Gielis /1 MASTER THESIS NORTH AMERICAN STUDIES IT’S NOT A FASHION STATEMENT. AN EXPLORATION OF MASCULINITY AND FEMININITY IN CONTEMPORARY EMO MUSIC. Name of student: Claudia Gielis MA Thesis Advisor: Dr. M. Roza MA Thesis 2nd reader: Prof. Dr. F. Mehring Gielis /2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. M. Roza and Prof. Dr. F. Mehring Title of document: It’s Not a Fashion Statement. An exploration of Masculinity and Femininity in Contemporary Emo Music. Name of course: MA Thesis North American Studies Date of submission: 15 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Claudia Gielis Gielis /3 Abstract Masculinity and femininity can be performed in many ways. The emo genre explores a variety of ways in which gender can be performed. Theories on gender, masculinity and femininity will be used to analyze both the lyrics and the music videos of these two bands, indicating how they perform gender lyrically and visually. Likewise a short introduction on emo music will be given, to gain a better understanding of the genre and the subculture. It will become clear that the emo subculture allows for men and women to explore their own identity. This is reflected in the music associated to the emo genre as well as their visual representation in their music videos. This essay will explore how both a male fronted band, My Chemical Romance, and a female fronted band, Paramore, perform gender. All studio albums and official music videos will be used to investigate how they have performed gender throughout their career. -
Medium-Easy Full Band
Matrix Publishing 2009 New Issue Marching Band CD Who Are You (Henning) MBA 274 $65 MARCH BAND...Grade ME Pop Tunes/Stands and Pep Band _arr. Dave Henning. This rock classic from the band “the Who” makes an electrifying opener that will start your show with a bang. Walking On Sunshine (Gray/Major) MBA 275 $65 MARCH BAND...Grade ME Pop Tunes/Stands and Pep Band _arr. Allen Gray/Carl Major. This 80’s hit by Katrina and the Waves makes a great pep band tune or feature for your danceline. This one swings all the way to the last note. Oi To the World (Gray) MBA 276 $65 MARCH BAND...Grade ME Pop Tunes/Stands and Pep Band _arr. Allen Gray. Rock the stands with this punk rock classic from the group “The Vandals”. Shoop Shoop Song (Burke) MBA 277 $65 MARCH BAND...Grade E Pop Tunes/Stands and Pep Band _arr. Dallas Burke. Cher had a big hit with the remake of this soul classic. A very playable tune that works well in the stands. Thank You For the Venom (Burke) MBA 278 $65 MARCH BAND...Grade ME Pop Tunes/Complete Marching Band Shows _arr. Dallas Burke. Our first tune in the “Music of MCR” show helps you explode off the line and get into a powerful groove right away. Dead! (Burke) MBA 279 $65 MARCH BAND...Grade ME Pop Tunes/Complete Marching Band Shows _arr. Dallas Burke. The second title in our “Music of MCR” show has a fun shuffle feel that’s a nice style contrast. -
To Download This Handout As an Adobe Acrobat
AEI Election Watch 2006 October 11, 2006 Bush’s Ratings Congress’s Ratings Approve Disapprove Approve Disapprove CNN/ORC Oct. 6-8 39 56 CNN/ORC Oct. 6-8 28 63 Gallup/USAT Oct. 6-8 37 59 Gallup/USAT Oct. 6-8 24 68 ABC/WP Oct. 5-8 39 60 ABC/WP Oct. 5-8 32 66 CBS/NYT Oct. 5-8 34 60 CBS/NYT Oct. 5-8 27 64 Newsweek Oct. 5-6 33 59 Time/SRBI Oct. 3-4 31 57 Time/SRBI Oct. 3-4 36 57 AP/Ipsos Oct. 2-4 27 69 AP/Ipsos Oct. 2-4 38 59 Diag.-Hotline Sep. 24-26 28 65 PSRA/Pew Sep. 21-Oct. 4 37 53 LAT/Bloom Sep. 16-19 30 57 NBC/WSJ Sep. 30-Oct. 2 39 56 Fox/OD Sep. 12-13 29 53 Fox/OD Sep. 26-27 42 54 NBC/WSJ (RV) Sep. 8-11 20 65 Diag-Hotline Sep. 24-26 42 56 LAT/Bloom Sep. 16-19 45 52 Final October approval rating for the president and Final October approval rating for Congress and number of House seats won/lost by the president’s number of House seats won/lost by the president’s party party Gallup/CNN/USA Today Gallup/CNN/USA Today Number Number Approve of seats Approve of seats Oct. 2002 67 +8 Oct. 2002 50 +8 Oct. 1998 65 +5 Oct. 1998 44 +5 Oct. 1994 48 -52 Oct. 1994 23 -52 Oct. 1990 48 -9 Oct. 1990 24 -9 Oct. 1986 62 -5 Apr. -
Loyola Marymount University Presents
Loyola Marymount University ATTIC SALT 2017 Volume 8 Loyola Marymount University Presents Loyola Loyola Marymount University Presents 1 Published by Loyola Marymount University The University Honors Program One LMU Drive, Suite 4400 Los Angeles, CA 90045-2659 All correspondence should be sent to the above address. ©2017 Attic Salt. All Rights Reserved. Cover Design and Layout by Yazmin Delgado-Castellanos [email protected] Printed by DSJ Printing, Inc. in Santa Monica, California 2 ATTIC SALT noun 18th Century: A translation of the Latin Sal Atticum. Graceful, piercing, Athenian wit. Attic Salt is an interdisciplinary journal which accepts submissions in any genre, format, or medium – essays, original research, creative writing, videos, artwork, etc. – from the entire LMU undergraduate and graduate community. Visit www.atticsaltlmu.com for full-length works, past journals, and other information. Attic Salt is published annually in the spring semester. 3 Co-Editors-in-Chief: 2017 Staff Alfredo Hernandez Isabel Ngo Jordan Rehbock Media Editors: Jordan Woods Mary Alverson Editorial Staff: Cameron Bellamoroso Carrie Callaway Alexander Dulak Gillian Ebersole Erin Hood Publication Design: Yazmin Delgado-Castellanos Faculty Advisor: Dr. Alexandra Neel 4 Dear Attic Salt Readers, This year begins a new chapter in the life of the journal as we welcome our new editorial staff. Despite the transition, we still Editors’ garnered more than 140 submissions from the LMU community. We redesigned and launched a new website that documents our past issues and serves as an archive of premier interdisciplinary work. Letter In this year's edition of Attic Salt, the one theme we felt ran through the selected works was a sense of alternative reviewing and editing the numerous submissions we received perspective. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
108Th Congress Congressional Member Organizations (Cmos)
108th Congress Congressional Member Organizations (CMOs) All Members listed below are officers of their respective caucuses; each caucus maintains its own membership list. 2015 Caucus Rep. E. Clay Shaw (Christine Pollack - x53026) Rep. Collin Peterson (Robin Goracke - x52165) 21st Century Health Care Caucus Rep. James Greenwood (Alan Eisenberg - x54276) Rep. Patrick Kennedy (Michael Zamore - x54911) Rep. Charlie Norwood (Rodney Whitlock - x54101) Rep. Anna Eshoo (Vanessa Kramer - x58104) Addiction, Treatment and Recovery Caucus Rep. Jim Ramstad (Karin Hope - x52871) Rep. Patrick Kennedy (Rachael Bornstein - x54911) Air Force Caucus Rep. Cliff Stearns American Heritage Rivers Caucus Rep. Paul Kanjorski (Kate McMahon - x56511) Appalachian Caucus Rep. Bob Ney (Will Heaton - x56265) Army Corps Reform Caucus Rep. Earl Blumenauer (Janine Benner - x54811) Rep. Wayne Gilchrest (Andrew Smarick - x55311) Rep. Ron Kind (Ben Proctor - x55506) Rep. Thomas Tancredo (Mac Zimmerman - x57882) Rep. John Shadegg (Matthew Clark - x53361) Rep. Ellen Tauscher (John Fisher - x51880) Bipartisan Congressional Pro-Choice Caucus Rep. James Greenwood (Laura Stevens - x54276) Rep. Nancy Johnson (Jaime Cheshire - x54476) Rep. Louise Slaughter (Julia Ernst - x53615) Rep. Diana DeGette (Shannon Good - x54431) Bi-Partisan Congressional Pro-Life Caucus Rep. Christopher H. Smith (John Cusey - x57669) Rep. James Oberstar Bipartisan Congressional Refugee Caucus Rep. Ileana Ros-Lehtinen (Frederick Ratliff - x53931) Rep. John Conyers (Kristen Wells - x55126) Rep. Christopher Smith (George Phillips - x53765) Rep. Zoe Lofgren (Ur Jaddou - x53072) Bipartisan Disabilities Caucus Rep. James R. Langevin (Amy Judge - x52735) Rep. Jim Ramstad (Dan Elling - x52871) Rep. Major Owens (Larry Walker - x56231) Rep. Nancy Johnson (Susan Christensen - x54476) Blue Dog Coalition Rep. Jim Turner (Elizabeth Hurley Burks - x52401) Rep. -
Vital Statistics on Congress 2001-2002
Vital Statistics on Congress 2001-2002 Vital Statistics on Congress 2001-2002 NormanJ. Ornstein American Enterprise Institute Thomas E. Mann Brookings Institution Michael J. Malbin State University of New York at Albany The AEI Press Publisher for the American Enterprise Institute WASHINGTON, D.C. 2002 Distributed to the Trade by National Book Network, 152.00 NBN Way, Blue Ridge Summit, PA 172.14. To order call toll free 1-800-462.-642.0 or 1-717-794-3800. For all other inquiries please contact the AEI Press, 1150 Seventeenth Street, N.W., Washington, D.C. 2.0036 or call 1-800-862.-5801. Available in the United States from the AEI Press, do Publisher Resources Inc., 1224 Heil Quaker Blvd., P O. Box 7001, La Vergne, TN 37086-7001. To order, call toll free: 1-800-937-5557. Distributed outside the United States by arrangement with Eurospan, 3 Henrietta Street, London WC2E 8LU, England. ISBN 0-8447-4167-1 (cloth: alk. paper) ISBN 0-8447-4168-X (pbk.: alk. paper) 13579108642 © 2002 by the American Enterprise Institute for Public Policy Research, Washington, D.C. All rights reserved. No part of this publication may be used or reproduced in any manner whatsoever without permission in writing from the American Enterprise Institute except in the case of brief quotations embodied in news articles, critical articles, or reviews. The views expressed in the publications of the American Enterprise Institute are those of the authors and do not necessarily reflect the views of the staff, advisory panels, officers, or trustees of AEI. Printed in the United States ofAmerica Contents List of Figures and Tables vii Preface ............................................