Reforms to the European Regional Minority-Language Television Corporations in the Current Context of Crisis
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LIVA - a Software Live Video & Audio Production Framework Team’S Presentation
Presentation of the Stars4Media Initiative: LIVA - a software live video & audio production framework Team’s presentation Video Snackbar Hub: exchanging knowledge on new technologies, ideas and workflows to support content creators and part of the Future Media Hubs. An international network of media companies that strengthen each other and collaborate on innovative and/or strategic topics. Chosen representatives for the Stars4Media-project were: ● Morten Brandstrup, Head of news technology – TV2 Denmark ● Hugo Ortiz, IP Broadcast Coach – RTBF ● Floris Daelemans, Innovation Researcher – VRT ● Henrik Vandeput, Software developer (freelancer) – VRT ● Sarah Geeroms, Strategic partnerships and Head of FMH – VRT ● Coralie Villeret, Software engineer and UX designer – RTBF [email protected] Initiative’s summary ● To explore the boundaries of standard broadcast technology ● Building custom components in a creative software (TouchDesigner) ● Exploring the significant profit of a new workflow (both financially and creatively) ● Learning some interesting insights and different approaches from junior profiles ● Expanding our skill-sets https://www.videosnackbarhub.com [email protected] Initiative’s results ● Added experience to the junior profiles within our media organizations ● Resourced our community of like-minded media players ● Resulting components with lots of possibilities ● Helped us explore Github and TouchDesigner in-depth ● Applied new and creative software to our broadcast ● Received constructive feedback from our international -
Contribution of Public Service Media in Promoting Social Cohesion
COUNCIL CONSEIL OF EUROPE DE L’EUROPE Contribution of public service media in promoting social cohesion and integrating all communities and generations Implementation of Committee of Ministers Recommendation Rec (97) 21 on media and the promotion of a culture of tolerance Group of Specialists on Public Service Media in the Information Society (MC-S-PSM) H/Inf (2009) 5 Contribution of public service media in promoting social cohesion and integrating all communities and generations Implementation of Committee of Ministers’ Recommendation Rec (97) 21 on media and the promotion of a culture of tolerance Report prepared by the Group of Specialists on Public Service Media in the Information Society (MC-S-PSM), November 2008 Directorate General of Human Rights and Legal Affairs Council of Europe Strasbourg, June 2009 Édition française : La contribution des médias de service public à la promotion de la cohésion sociale et a l’intégration de toutes les communautés et générations Directorate General of Human Rights and Legal Affairs Council of Europe F-67075 Strasbourg Cedex http://www.coe.int/ © Council of Europe 2009 Printed at the Council of Europe Contents Executive summary . .5 Introduction . .5 Key developments . .6 Workforce . 6 Requirements . .11 Content and services . 13 Conclusions, recommendations and proposals for further action . 18 Conclusions . .18 Recommendations and proposals for further action . .20 Appendix A. Recommendation No. R (97) 21 . 22 Recommendation No. R (97) 21 on Appendix to Recommendation No. R the media and the promotion of a (97) 21 . .22 culture of tolerance . .22 Appendix B. Questionnaire on public service media and the promotion of a culture of tolerance . -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
Increased Transparency and Efficiency in Public Service Broadcasting
Competition Policy Newsletter Increased transparency and efficiency in public service AID STATE broadcasting. Recent cases in Spain and Germany (1) Pedro Dias and Alexandra Antoniadis Introduction The annual contribution granted to RTVE was made dependent upon the adoption of measures Since the adoption of the Broadcasting Communi- to increase efficiency. The Spanish authorities cation in 200, the Commission followed a struc- commissioned a study on the financial situation tured and consistent approach in dealing with of RTVE which revealed that the — at the time numerous complaints lodged against the financ- — existing workforce exceeded what was neces- ing of public service broadcasters in Europe. It sary for the fulfilment of the public service tasks. reviewed in particular the existing financing Agreement could be reached between the Span- regimes and discussed with Member States meas- ish authorities, RTVE and trade unions on a sig- ures to ensure full compliance with the EU State nificant reduction of the workforce through early aid rules. The experience has been positive: Sev- retirement measures. The Spanish State decided to eral Member States have either already changed or finance these measures, thus alleviating RTVE of committed themselves to changing the financing costs it would normally have to bear. The savings rules for public service broadcasters to implement in terms of labour costs and consequently pub- fundamental principles of transparency and pro- lic service costs of RTVE exceeded the financial portionality (2). burden of the Spanish State due to the financing of the workforce reduction measures. The Com- The present article reviews the two most recent mission approved the aid under Article 86 (2) EC decisions in this field which are examples of Treaty, also considering the overall reduction of increased efficiency and transparency in public State aid to the public service broadcaster (). -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
The Public Service Broadcasting Culture
The Series Published by the European Audiovisual Observatory What can you IRIS Special is a series of publications from the European Audiovisual Observatory that provides you comprehensive factual information coupled with in-depth analysis. The expect from themes chosen for IRIS Special are all topical issues in media law, which we explore for IRIS Special in you from a legal perspective. IRIS Special’s approach to its content is tri-dimensional, with overlap in some cases, depending on the theme. terms of content? It offers: 1. a detailed survey of relevant national legislation to facilitate comparison of the legal position in different countries, for example IRIS Special: Broadcasters’ Obligations to Invest in Cinematographic Production describes the rules applied by 34 European states; 2. identifi cation and analysis of highly relevant issues, covering legal developments and trends as well as suggested solutions: for example IRIS Special, Audiovisual Media Services without Frontiers – Implementing the Rules offers a forward-looking analysis that will continue to be relevant long after the adoption of the EC Directive; 3. an outline of the European or international legal context infl uencing the national legislation, for example IRIS Special: To Have or Not to Have – Must-carry Rules explains the European model and compares it with the American approach. What is the source Every edition of IRIS Special is produced by the European Audiovisual Observatory’s legal information department in cooperation with its partner organisations and an extensive The Public of the IRIS Special network of experts in media law. The themes are either discussed at invitation-only expertise? workshops or tackled by selected guest authors. -
LES CHAÎNES TV by Dans Votre Offre Box Très Haut Débit Ou Box 4K De SFR
LES CHAÎNES TV BY Dans votre offre box Très Haut Débit ou box 4K de SFR TNT NATIONALE INFORMATION MUSIQUE EN LANGUE FRANÇAISE NOTRE SÉLÉCTION POUR VOUS TÉLÉ-ACHAT SPORT INFORMATION INTERNATIONALE MULTIPLEX SPORT & ÉCONOMIQUE EN VF CINÉMA ADULTE SÉRIES ET DIVERTISSEMENT DÉCOUVERTE & STYLE DE VIE RÉGIONALES ET LOCALES SERVICE JEUNESSE INFORMATION INTERNATIONALE CHAÎNES GÉNÉRALISTES NOUVELLE GÉNÉRATION MONDE 0 Mosaïque 34 SFR Sport 3 73 TV Breizh 1 TF1 35 SFR Sport 4K 74 TV5 Monde 2 France 2 36 SFR Sport 5 89 Canal info 3 France 3 37 BFM Sport 95 BFM TV 4 Canal+ en clair 38 BFM Paris 96 BFM Sport 5 France 5 39 Discovery Channel 97 BFM Business 6 M6 40 Discovery Science 98 BFM Paris 7 Arte 42 Discovery ID 99 CNews 8 C8 43 My Cuisine 100 LCI 9 W9 46 BFM Business 101 Franceinfo: 10 TMC 47 Euronews 102 LCP-AN 11 NT1 48 France 24 103 LCP- AN 24/24 12 NRJ12 49 i24 News 104 Public Senat 24/24 13 LCP-AN 50 13ème RUE 105 La chaîne météo 14 France 4 51 Syfy 110 SFR Sport 1 15 BFM TV 52 E! Entertainment 111 SFR Sport 2 16 CNews 53 Discovery ID 112 SFR Sport 3 17 CStar 55 My Cuisine 113 SFR Sport 4K 18 Gulli 56 MTV 114 SFR Sport 5 19 France Ô 57 MCM 115 beIN SPORTS 1 20 HD1 58 AB 1 116 beIN SPORTS 2 21 La chaîne L’Équipe 59 Série Club 117 beIN SPORTS 3 22 6ter 60 Game One 118 Canal+ Sport 23 Numéro 23 61 Game One +1 119 Equidia Live 24 RMC Découverte 62 Vivolta 120 Equidia Life 25 Chérie 25 63 J-One 121 OM TV 26 LCI 64 BET 122 OL TV 27 Franceinfo: 66 Netflix 123 Girondins TV 31 Altice Studio 70 Paris Première 124 Motorsport TV 32 SFR Sport 1 71 Téva 125 AB Moteurs 33 SFR Sport 2 72 RTL 9 126 Golf Channel 127 La chaîne L’Équipe 190 Luxe TV 264 TRACE TOCA 129 BFM Sport 191 Fashion TV 265 TRACE TROPICAL 130 Trace Sport Stars 192 Men’s Up 266 TRACE GOSPEL 139 Barker SFR Play VOD illim. -
Minority-Language Related Broadcasting and Legislation in the OSCE
University of Pennsylvania ScholarlyCommons Other Publications from the Center for Global Center for Global Communication Studies Communication Studies (CGCS) 4-2003 Minority-Language Related Broadcasting and Legislation in the OSCE Tarlach McGonagle Bethany Davis Noll Monroe Price University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/cgcs_publications Part of the Critical and Cultural Studies Commons Recommended Citation McGonagle, Tarlach; Davis Noll, Bethany; and Price, Monroe. (2003). Minority-Language Related Broadcasting and Legislation in the OSCE. Other Publications from the Center for Global Communication Studies. Retrieved from https://repository.upenn.edu/cgcs_publications/3 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cgcs_publications/3 For more information, please contact [email protected]. Minority-Language Related Broadcasting and Legislation in the OSCE Abstract There are a large number of language-related regulations (both prescriptive and proscriptive) that affect the shape of the broadcasting media and therefore have an impact on the life of persons belonging to minorities. Of course, language has been and remains an important instrument in State-building and maintenance. In this context, requirements have also been put in place to accommodate national minorities. In some settings, there is legislation to assure availability of programming in minority languages.1 Language rules have also been manipulated for restrictive, sometimes punitive ends. A language can become or be made a focus of loyalty for a minority community that thinks itself suppressed, persecuted, or subjected to discrimination. Regulations relating to broadcasting may make language a target for attack or suppression if the authorities associate it with what they consider a disaffected or secessionist group or even just a culturally inferior one. -
Charte Des Antennes De France Télévisions 1 Té E Té Le Au Centre De L Évision Pub L Éspec 1
2. 5. 6. 1. 4. INDÉPENDANCE DES LE TÉLÉSPEC TATEUR RESPECT 3. TRAITEMENT ANNEXES INDEX SOMMAIRE LURALISME L’honnêteté DES AFFAIRES COLLABORATEURS THÉMATIQUE AU CENTRE DE LA DE LA PERSONNE LE P DE L’informaTION DE FRANCE TÉLÉVISION PUBLIQUE ET DE SA DIGNITÉ JUDICIAIRES TÉLÉVISIONS S E 1 NN T Télévisions N A ÉLÉVISIONS T E C France DES E CHARTE CHARTE DES ANTENNES DE FRAN CHARTE 2 CHARTE DES ANTENNES DE FRANCE TÉLÉVISIONS Préambule : « Liberté et responsabilité » 1. LE TÉLÉSPECTATEUR AU CENTRE DE LA TÉLÉVISION PUBLIQUE 1.1. Les missions de service public ������������������������������� 10 1�1�1� La télévision de tous ���������������������������������������������������� 11 1�1�2� Le rôle social ��������������������������������������������������������������������� 11 1�1�3� Le pluralisme ������������������������������������������������������������������� 12 1�1�4� L’indépendance, les moyens ������������������������������ 12 1.2. Caractéristiques et identités 1�2�1� France 2 ������������������������������������������������������������������������������� 13 1�2�2� France 3 ������������������������������������������������������������������������������ 13 1�2�3� France 4 ����������������������������������������������������������������������������� 14 1�2�4� France 5 ������������������������������������������������������������������������������ 14 1�2�5� France Ô����������������������������������������������������������������������������� 14 ère 1�2�6� Outre-mer 1 ����������������������������������������������������������������� 15 1�2�7� Les -
Mediaset España Sets New Historical Record with 18,5 Million Unique Users in May
Madrid, 12th June, 2013 According to the monthly report of OJD MEDIASET ESPAÑA SETS NEW HISTORICAL RECORD WITH 18,5 MILLION UNIQUE USERS IN MAY • In one year, the media group has increased its traffic by 11.2% compared to May 2012. Telecinco.es has grown by 9.2%, and Cuatro.com 20.6% and Divinity.es has registered an excellent growth of 44.5% • Exceeding Grupo RTVE, by almost 1.8 million monthly unique users • Telecinco.es the third most watched national media in the overall ranking of digital media audited by OJD, surpassed only by Marca.com and Elmundo.es • In addition, Telecinco is a leading in social share in May and became the first channel to exceed 4 million comments a month Once again, Mediaset España sets new record Internet audience to record 18.5 million unique users in May, the month in which Telecinco.es and Divinity.es have also beaten their own record highs with 15.8 million and 1.5 million unique users, respectively, according to the audited report of OJD. In one year, the audiovisual group preferred by users has increased Internet traffic (monthly unique visitors) by 11.2% compared to May 2012. Per site, the growth was 9.2% for Telecinco.es, Cuatro.com 20.6% and an excellent 44.5% for Divinity.es. Mediaset España continues to be absolute leader in Internet among Spanish television operators, both monthly unique browsers (18,483,679 users) and daily traffic (1,487,468 users), ahead of its nearest competitor (*), RTVE Group, which includes all RTVE and RNE sites - by almost 1.8 million monthly unique browsers and 337 808 unique visitors per day. -
Investor Presentation
Investor Presentation September / October 2011 TF1 GROUP Pay TV Advertising Diversification Audiovisual Broadcasting Free Channels Production (()France) adggyency & Internet rights international 2011: A RECORD FOR TV CONSUMPTION Women<50: 3h52 12’ min more vs 2010 / +5% 3h52 3h44 4 +: 3h46 3h40 3h40 16’min more vs 2010 / +8% 3h34 3h32 3h46 3h28 3h31 3h24 3h24 3h13 3h19 3h27 3h24 3h26 3h29 3h23 3h30 3h11 3h22 3h23 3h02 3h18 3h16 3h03 3h08 3h09 3h14 3h00 3h00 2h59 2h57 2h53 3h07 3h03 2h59 2h52 2h47 2h51 2h46 2h46 2h39 2h42 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: Médiamétrie/Médiamat (TV Consumption / January-July) TF1, A EUROPEAN LEADER Audience share (in%) of leading European channels Gap between each leader on their own national territories for H1 2011 (*) and its challenger Leader TF1 23,8 8.6 pts Challenger France 2 15,2 Leader BBC 1 20,9 5.4 pts Challenger ITV1 15,5 Leader RTL 14,2 1.4 pts Challenger Das Erste 12,8 Leader TVE1 14,9 0.8 pts Challenger Tele 5 14,1 Leader Rai 1 19,1 1.5 pts Challenger Canale 5 17,6 Source: Médiamétrie – 1st half 2011. 4 + (France) / Eurodata TV – BARB - Kanter Media (UK) / Eurodata TV – AGB – GFK (Germany) / Kantar Media (Spain) / Eurodata TV – Auditel – AGB Nielsen (Italy). FIRST-HALF 2011: UNRIVALLED TELEVISION OFFER 50 best audiences All channels combined 23. 8% 26. 8% audience share audience share Individuals Women<50 pdm Very solid leader 6.3 50 / 16 / 2 million viewers 50 prime time with over 8 million viewers in prime time 16 with over 9 million 87% 2 with over 10 million of top evenings with Individuals Source: Médiamétrie – Médiamat 5 TF1, 1ST FRENCH TV CHANNEL (ON INDIVIDUALS – 4 YEARS AND +) Audience share 4 years and + (in %) Jan.–Aug.