Downloaded From: Version: Accepted Version Publisher: Palgrave Macmillan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
CV FIU Aug 2017
Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R. -
Happy Mondays Kinky Afro Mp3, Flac, Wma
Happy Mondays Kinky Afro mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Kinky Afro Country: UK Released: 1990 Style: Leftfield, Indie Rock MP3 version RAR size: 1652 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1528 mb Rating: 4.1 Votes: 430 Other Formats: WAV DMF AU VQF DXD AUD ASF Tracklist Hide Credits Kinky Afro A Engineer [Assistant, Recording] – Cam Engineer [Recording] – Ray BlairProducer, Arranged By, Mixed By – Paul Oakenfold And Steve Osborne* Kinky Afro (Live) B Mixed By, Recorded By – Simon Machan Companies, etc. Recorded At – Sound Factory, New York Credits Artwork [Kinky Artwork] – Central Station Design Written-By, Performer – Happy Mondays Notes Published By London Music ℗ + © 1990 Factory Communications Ltd. Track B recorded live at the 'Sound Factory' N.Y.C. July 18th 1990. Initial copies came in a 12 x 12" package . Containing a T-shirt with the band's logo on the front. There was also a information sticker attached. Barcode and Other Identifiers Barcode: 9 399601 025675 Other versions Category Artist Title (Format) Label Category Country Year Happy Kinky Afro (7", Single, FAC 302/7 Factory FAC 302/7 UK 1990 Mondays Pap) Happy Kinky Afro (VHS, FAC 302 Factory FAC 302 UK 1990 Mondays Promo, PAL) London Happy Kinky Groovy Afro Records, 869 353-2 869 353-2 France 1990 Mondays Remix (CD, Single) Barclay, Factory London Happy Kinky Groovy Afro KINKR 1 Records, KINKR 1 UK 1990 Mondays (Remix) (12", Promo) Factory Happy Kinky Afro Remix Festival DMX 76737/8 DMX 76737/8 Australia 1990 Mondays (12", Promo, W/Lbl) Records Related Music albums to Kinky Afro by Happy Mondays Happy Mondays - Hallelujah Happy Mondays - W.F.L. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, -
Nibbler by Ken Urban
NIBBLER BY KEN URBAN DRAMATISTS PLAY SERVICE INC. NIBBLER Copyright © 2017, Ken Urban All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of NIB- BLER is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation profes- sional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, elec- tronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for NIBBLER are controlled exclusively by Dra- matists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No profes- sional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of Dramatists Play Service, Inc., and paying the requi- site fee. Inquiries concerning all other rights should be addressed to Abrams Artists Agency, 275 Seventh Avenue, 26th Floor, New York, NY 10001. -
Morning Glory: Classic Album Under Review
OASIS MORNING GLORY: CLASSIC ALBUM UNDER REVIEW Oasis (Whats The Story?) Morning Glory: A Classic Album Under Review is a documentary film which revisits and re-assesses this powerhouse of a record. With the use of archive footage, long forgotten videos and contributions from those around at the time, this program uncovers why the bands second album is arguably their most satisfying. Features include live and studio performances of tracks from Morning Glory, reviewed by a panel of esteemed experts, band interviews, rarely seen photographs and archive footage. Bonus feature: When Oasis Met Blur the full recording from the moment the Britpop heavyweights met at the same radio station in 1995. “I’m loving this Under Review series. FEATURES INCLUDE • Live and studio performances of tracks from Morning Glory, reviewed by a panel of esteemed They are very, very cool...” experts. — Bob Blackburn, WESTWOOD ONE • Band interviews, rarely seen photographs and archive footage. • Review, comment, criticism and insight from; ex-NME writer and official Oasis biographer, Paolo Hewitt; Noel Gallagher’s early employee and organist in Inspiral Carpets, Clint Boon; punk veteran, writer and Manchester author, John Robb; bassist in Britpoppers Dodgy, Nigel Clark; ex-Mojo editor and guitar music expert, Pat Gilbert; Manchester local radio DJ who championed Oasis early on, Justin Moorhouse; ex-Uncut editor, Paul Lester and others. EXTRAS INCLUDE • Bonus feature; ‘When Oasis Met Blur’ – the full recording from the moment the Britpop heavyweights met at the same radio station in 1995. • Interactive digital Oasis quiz. Artist Oasis • Full contributor biographies. Title Morning Glory: Classic Album Under Review Selection # SIDVD516 • Beyond DVD section UPC 823564509693 Prebook 2/6/2007 Street Date 3/13/2007 Retail $19.95 Genre Rock Run Time 82 minutes Box Lot 30 Label SEXY INTELLECTUAL Audio 5.1 Surround Sound Format DVD T: 800-888-0486 | F: 610-650-9102 | PO Box 280 | Oaks, PA 19456 | www.MVDb2b.com Publicity Contact: Clint Weiler | 610.650.8200 x115 | [email protected]. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
Popular Culture and Urban Regeneration: Manchester's
Popular culture and urban regeneration: Manchester’s Northern Quarter Dr Katie Milestone, Department of Sociology, Manchester Metropolitan University, UK The Northern Quarter • ‘Creative’ district in central Manchester, UK • Bohemian, quirky, non- corporate, hip (?) • Hub for fledgling creative industries and pop culture Location Manchester, UK 500,000 (2.5 million) Cottonopolis, Shock city, History • 19th and 20th C (up to 1960s) - thriving commercial and retail area • Close to (slum) accommodation – Ancoats • Animated 24 hours due to market Ancoats Decline Rebirth Post-war Britain and the rise of the working class • Explosion of popular culture • Rise of consumer society • Dynamic new forms of cultural production • Established cultural hierarchies dismantled • Rise of working class access to Higher Education = w/c involved in cultural production • Cultural producers (writers, film makers, musicians and artists) from working class backgrounds • Changing demographic of cultural producers • Increased representation of working class culture – especially of the north Late 1970s - 1980s The 1980s saw the success of “From 1976 onwards alternative or resistant spaces emerged in Manchester music impact on which punk and post punk the physical and symbolic were to play a crucial role. transformation of the city… The habitus of pop bohemians became imposed on spaces of the city centre and abandoned Punk had shown the sites became captured and possibilities for independent reinterpreted. The pop scene had a physical and symbolic action in the provinces… impact on the environment yet, at the same time, it was In 1982, the Hacienda marks a inspired and impressed upon by the landscape, architecture transition from the old city to and mood of the city” Milestone,K 1996: 104 in Wynne and O’Connor (eds) From the new city – the city of the Margins to the Centre:Production and industrial production to the Consumption in the PostIndustrial City, Ashgate city of the consumption of the industrial. -
Scanned Image
Compulsion are on our to promote their new Iohri and Sandra welcome you to album The Future ls Medium, out June 17th. Catch them in Leicester (The Charlotte, 20th) or W firstofall: Stoke (The Stage July 3rd). Done Lying Down return from a six week tour of . Nottingham Music. Industry. Week is a four day Europe with Killdozer and Chumbawamba with a event for budding musicians, promoters, sound re-recorded and remixed version on 7" and cd of THE mixers and DJs. Organised by Carlos Thrale of Can’t Be Too Certain from their Kontrapunkt _ u r I S Arnold & Carlton College, one of the few album on Immaterial Records. The cd format OLDEN FLEECE To colleges in the UK to award a BTEC in popular also features three exclusive John Peel session music, in conjunction with Confetti School Of tracks. A UK tour brings them to Leicester (The 105 Mansfield Road Nottingham ’ Recording Technology, Carlsboro Soundaalso Charlotte, July 3rd) and Derby (The Garrick, Traditional Cask Ales involved are the Warehouse Studios and East 4th). ’** Guest Beers "“* msterdam Midlands Arts. The four day event begins on Ambient Prog Rockers The Enid return with a Monday 22nd July comprising seminars and "‘.‘:-5-@5953‘:-5: ' string of summer dates prior to the release of Frankfurt £69 tin workshops led by professionals from all areas of their singles compilation Anarchy On 45. I I n I I - a u u ¢ u I I a n | n - o - | q | I q n I - Q - - - - I I I | ¢ | | n - - - , . , . the music industry, and evening gigs. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,