Services & Music November 2017
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The English Lyrics of the Henry VIII Manuscript
The English Lyrics of the Henry VIII Manuscript by RAYMOND G. SIEMENS B. A. (Hons), The University of Waterloo, 1989 M.A., The University of Alberta, 1991 A THESIS SUBMITTED LN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES, Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May 20, 1997 ©R.G. Siemens, 1997 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or 'by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. /7 v. Department of The University of British Columbia Vancouver, Canada Date DE-6 (2788) Abstract The Henry VIII MS (BL Additional MS 31,922)—a song book with lyrics by Henry VIII, Thomas Wyatt, William Cornish, and other literary figures of the early Henrician court—is a document that contributes greatly to a critical understanding of the connections between poetry, patronage, and power in early Renaissance society because of the prominence of its chief author, the King himself, and the manuscript's reflection of literary, social, and political elements of the early Tudor court. Acknowledging that the contents of the Henry VIII MS have been thoroughly treated as "words for music" by the musicologist John Stevens, whose Music and Poetry in the Early Tudor Court and Music at the Court of Henry VIII are the standard works in the area, my thesis builds on existing scholarship to treat the lyrics of H chiefly as "words," as literary texts. -
New Head for Hawford, OV Artists, Stephen Cleobury Concert & A
N ew Head for Hawford, OV Artists, Stephen Cleobury concert & a tribute to Cecil Duckworth Announcement of New Head at King’s Hawford The Headmaster and Governors of The King’s School, Worcester are delighted to announce the appointment of Mrs Jennie Phillips as the new Head of King’s Hawford, one of Worcester’s leading 2 – 11 Prep Schools. Jennie will join in April 2021 from Monmouth School Girls’ Prep School where she is currently the Head. She was appointed from a dynamic field of sitting Heads and Deputies, and was the unanimous choice of the Headmaster, Governors and the staff who met her. Jennie was educated at Oxford High School, and read Education at the University of Exeter. A keen hiker and swimmer, Jennie is married to Eddie and they have two daughters, Amelia and Daisy, who are all excited about the move. Reflecting on her appointment, Mrs Phillips said, “I am absolutely delighted to be joining the team at King’s Hawford. The school has a wonderful warmth and a sense of community which is clearly held dear by parents, staff and pupils alike. I very much look forward to getting to know the school community and building on the excellent work of Mr Jim Turner, whilst working closely with Mr Richard Chapman, Head of King’s St Albans, under the Head of our Foundation, Mr Gareth Doodes. We will work together to provide parents with the choice of two outstanding, vibrant Prep school learning environments with high aspirations, that prepare our pupils well for the next step in their journey as they move on to King’s Worcester at the age 11.” The Headmaster of the King’s Foundation, Gareth Doodes, celebrated Jennie’s appointment. -
Services and Music List
Services and Music List March and April 2018 WELCOME Much of our attention, both in Church and in the world, is given to what is extraordinary; to anything which is unusual or which stands out. The daily round of prayer and praise at the Cathedral reminds us that our access to God, and our privilege to begin and end each day begun and ended in God – is far from ordinary. The gold of word and sacrament is supported here at Wells through sensitively chosen and performed music, which for many, is the very ‘language of God.’ It enables us to reflect our world and its triumphs and tribulations back to God creatively and so to experience our share in the divine life. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE February 25 – March 3: The Very Reverend Dr John Davies, DL, Dean March 4 – 10: The Reverend Canon Andrew Featherstone, Chancellor March 11 – 17: The Reverend Canon Nicholas Jepson-Biddle, Precentor March 18 – 24: The Venerable Anne Gell, Archdeacon of Wells March 25 – 31: The Reverend Canon Nicholas Jepson-Biddle, Precentor April 1 – 7: The Reverend Canon Andrew Featherstone, Chancellor April 8 – 14: The Very Reverend Dr John Davies, DL, Dean April 15 – 21: The Reverend Canon Andrew Featherstone, Chancellor April 22 – 28: The Reverend Canon Nicholas Jepson-Biddle, Precentor April 29 – May 5: The Very Reverend Dr John Davies, DL, Dean WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Trinity Choral Services:Choral Services 2
Trinity College Chapel Choral Services & Anthem Texts Lent Term 2010 Sundays COLLEGE COMMUNION 10.00 a.m. COLLEGE EVENSONG WITH ADDRESS 6.15 p.m. Tuesdays EVENSONG 6.15 p.m. Thursdays EVENSONG 6.15 p.m. Tuesday 2nd February: Sung Eucharist for Candlemas 10.55 a.m. Ash Wednesday 17th February: Holy Communion & Imposition of Ashes 6.15 p.m. Holy Communion is celebrated each Wednesday lunchtime 12.30 p.m. Morning Prayer is said each weekday (except Friday) and Saturday morning 8.45 a.m. Holy Communion is celebrated each Friday morning during term 8.00 a.m. Evening Prayer is said on Monday and Wednesday evenings 6.15 p.m. The Reverend Dr Michael Banner Dean of Chapel Stephen Layton Director of Music The Reverend Alice Goodman Chaplain The Reverend Christopher Stoltz Chaplain Michael Waldron, Simon Bland Organ Scholars JANUARY 17 The Second Sunday after Epiphany 10:00 am College Communion Hymn 377: St Denio (Welsh melody / Roberts) Mass (MacMillan) 1st Lesson Isaiah 62: 1-5 Hymn 367 (i): Capetown (Filitz) Gospel John 2: 1-11 Preacher The Dean of Chapel Hymn 141: Salisbury (Howells) Hymn 484, omitting *: Aurelia (Wesley) Voluntary March (Choveaux) 5:40 pm Organ Music Before Evensong Stephen Cleobury (King’s College) Prelude and Fugue in c, BWV 546 (Bach) Sei gegrüßet, Jesu gütig, BWV 768 (Bach) 6:15 pm College Evensong Responses (McWilliam) Psalm 89: 1-8 Magnificat Primi toni (Victoria) Nunc Dimittis Double Choir (Holst) Anthem This worldes joie (Bax) Hymn 47: Dix (Kocher / Monk) Preacher Professor Amartya Sen, formerly Master of Trinity Hymn 49 (i): Wessex (Surplice) Voluntary Fantasia and Fugue in c, BWV 537 (Bach) 19 Tuesday 6:15 pm Choral Evensong Joint Service with the Choir of King’s School Ely Voluntary Postlude in G (Stanford) Introit Justorum animæ (Stanford) Responses (Rose) Psalm 150 1st Lesson Amos 7: 1-17 Canticles Service in C (Stanford) 2nd Lesson 1 Corinthians 6: 12-end Anthem Te lucis ante terminum (Balfour Gardiner) Hymn 413: Nun danket (Crüger / Mendelssohn) Final Responses (Rose) Voluntary Symphony No. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Cracking a Centuries-Old Tradition
Cracking a Centuries-Old Tradition hen I went to Cambridge, WEngland, on sabbatical in 2013–14, I never dreamed I would wind up conducting one of the world’s great choirs, and pos- sibly changing the way they sing early music. My project for the year was to write a follow-up to Shakespeare’s Songbook (Norton, 2004), my study of all the songs sung, quoted, or alluded to in the plays of Shakespeare. The sequel is a broader look at songs in English Equal Temperament Ruined Harmony (and by Ross W. why you should care) (Norton, 2007); one Duffin Renaissance comedy, from the on Just Intonation in the Renaissance; one 15th century through the plays of on keyboard temperament; and one on Just Intonation in the 18th century. So, in spite of Shakespeare’s contemporaries. the central purpose of my sabbatical, my tun- Being at Clare Hall at the University of ing work was getting a lot of attention, and I Cambridge allowed me easy access to the was pleased when Stephen Cleobury at King’s resources of the superb University Library College and Andrew Nethsingha at St John’s across the street, a wonderful advantage for College each asked me to coach their choral my work. But it also allowed me the option scholars (the men from the men and boys to attend choral services, virtually every choir) in Just Intonation. By coincidence, it day if I wanted, at any of the thirty-one happened that both coachings were to occur Cambridge colleges. Nowadays, colleges post on the same day, and that became a red-letter the music for all the services each term in day on my calendar—the expected high point an online “Term List,” so I could pick out in of my entire year in Cambridge. -
2021-2022 Music Season Brochure
UPLIFT YOUR SPIRIT Music at Christ Church Cathedral 2021-22 About Richards, Fowkes & Co. Opus 24 In December 2013, Christ Church Cathedral commissioned Richards, Fowkes & Co. to design, build, and install a new organ for the primary worship space. Opus 24, completed in March 2021, is a three-manual, 58-stop mechanical-action instrument designed to accompany congregational singing and choral music, in addition to playing solo organ repertoire with a wide palette of colorful sounds. Join us as we celebrate Opus 24’s inaugural season! UPLIFT YOUR SPIRIT with Christ Church Cathedral’s 2021-22 Season of Music! Friends of Music Most of the concerts in our 2021-22 season are offered at no charge, thanks, in part, to generous contributions to the cathedral’s Friends of Music Fund. Friends of Music donations support music programming outside the cathedral’s annual budget. You can become a Friend of Music today by donating online (text GIVECCC to 73256 or visit abundant.co/ccc/friendsofmusic) or send a check to Christ Church Cathedral with “Friends of Music” written on the memo line. Subscribe To have a copy of the season brochure mailed to you annually, visit cincinnaticathedral.com/music or contact Kathy Noe (knoe@cccath. org or 513.842.2051) with your street address. You may also ask to receive our monthly music e-news. Programming All programming is subject to change. See cincinnaticathedral.com/ music for updated information. See the calendar at the bottom of the music webpage for add to calendar links for concerts and worship services. Weekly Sunday Worship 8:00 AM, 10:00 AM, 12:00 PM 3 September 2021 Sunday, September 26 | 5:30 PM Kory Caudill and Wordsmith The Concert for the Human genre-bending original music to launch conversation around Family is an inspiring collaboration that bridges jazz, hip-hop, reconciliation, healing, and between award-winning and bluegrass, performed by justice in the communities we call musicians and church leaders a multicultural team led by home. -
OCTOBER 2019 IAN KEATLEY (Director of Music) STEPHEN DISLEY (Assistant Director of Music)
OCTOBER 2019 IAN KEATLEY (Director of Music) STEPHEN DISLEY (Assistant Director of Music) GILLY MYERS (Canon Precentor) RACHEL YOUNG (Succentor) ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTING ANTHEMS 4 Friday 5.30pm Evensong (men’s voices) Tallis 35 472 (ii) Octavi toni (Victoria) In manus tuas (Pedro de Cristo) 6 SUNDAY 11.00am Eucharist 37 (1-9) 467; 279 (t. 305); Mass for five voices (Byrd) My soul, there is a country (Hubert Parry) TRINITY 400 (t. 167) Ave verum corpus (Plainsong) XVI 3.00pm Evensong Ayleward 142 CP 478; 500 Short service (Caustun) I was glad (Hubert Parry) 7 Monday 5.30pm Evensong Rawsthorne 47 471 Rawsthorne in D Like as the hart (Noel Rawsthorne) 8 Tuesday 5.30pm Evensong Ayleward 50 252 Walmisley in D minor To this temple (Edward Bairstow) 11 Friday 5.30pm Evensong Ayleward 38 (1-14) 396 Watson in E Thy word is a lantern (Henry Purcell) 12 Saturday 4.00pm Evensong (Hogarth Singers) Wells 66 361 Dyson in F Bogoroditse Devo (Sergei Rachmaninoff) 13 SUNDAY 11.00am Eucharist 100 433 (omit v.5); Missa Brevis ‘Awake, my soul’ For the beauty of the earth (John Rutter) HARVEST CP 272 (t. 237); 265 (Judith Bingham) Hymn to the Virgin (Benjamin Britten) 3.00pm Evensong Shephard 144 CP 448 (t. 265); 235 (omit v.3) Kelly in C Rejoice in the Lord (John Redford) 14 Monday 5.30pm Evensong (men’s voices) Harris 72 247 Wood in E I will lift up mine eyes (Ernest Walker) 15 Tuesday 5.30pm Evensong (men’s voices) Millington 74 245 Secundi toni (Gombert) Alleluia (Igor Stravinsky) THE CATHEDRAL CHOIR IS ON HOLIDAY UNTIL 28 OCTOBER 16 Wednesday 4.00pm Evensong (Tormead School) Terry 119 (81-104) 250 Wood in E flat (no 2) I will sing with the spirit (John Rutter) 18 Friday 5.30pm Evensong (men’s voices) Tallis 103 244 Morley fauxbordons Let us now laud (William Mundy) 20 SUNDAY 11.00am Eucharist (University of London 121 55; CP 346 (tune ii); CP 81 Sumsion in F Notre Père (Maurice Duruflé) TRINITY Church Choir) Ave verum (Camille Saint-Saëns) XVIII 3.00pm Evensong Ferial 149 347 (t. -
April 2008 in This Issue
The Sacred in Opera April 2008 In this Issue... Ruth Dobson For the next two editions of the SIO newsletter, we are taking an in-depth look at one-act Christmas operas which can be easily produced and are appropriate for both children and adults. This issue we will profile Amahl and the Night Visitors, Only a Miracle, St. Nicholas, Good King Wenceslas, and The Shepherd’s Play. The next issue will highlight The Christmas Rose, The Greenfield Christmas Tree, The Finding of the King, The Night of the Star, and others. Thanks to Allen Henderson for sharing his insight into a triology of operas by Richard Shephard, Good King Wenceslas, The Shepherd’s Play, and St. Nicholas, with us in this issue. As great as Amahl and the Night Visitors is, there are these and other works waiting to be discovered by all of us. We hope you will find these suggestions interesting. These operas vary in length from 10 minutes to an hour, and can be presented alone or paired with others. Amahl and the Night Visitors is almost always a successful box office draw. Pairing it with a lesser known work could make for a very enjoyable afternoon or evening presentation and give audiences an opportunity to enjoy other equally wonderful works. Several of these operas use children as cast members, while others call for only adult performers, but all have stories appropriate for children. They are written in a variety of styles and have very different production requirements. Producers would need to take into consideration the ages of the children that are the target audience. -
Stainer & Bell
STAINER & BELL INFORMATION SHEET ASK 63 MUNDY, William Library Volume: Latin Antiphons and Psalms edited by Frank Ll. Harrison. Stock No. EC2 (printed to demand: comb-bound) Works by William Mundy can also be found in: Consort Songs (edited Philip Brett). Stock No. MB22 Elizabethan Consort Music I (edited Paul Doe). Stock No. MB44 The Gyffard Partbooks I (transcribed and edited by David Mateer). Stock No. EC48 The Gyffard Partbooks II (transcribed and edited by David Mateer). Stock No. EC51 The Mulliner Book (newly transcribed and edited by John Caldwell). Stock No. MB1 Except where an asterisk is shown against a title, our archive and offprint service can usually provide authorised photocopies. Prices are available on application. Individual choral titles from the Early English Church Music series are also available for purchase as Adobe Acrobat PDF files through the secure Stainer & Bell online shop. Please see www.eecm.net for full details. Title Details No. of pages Notes Adhaesit Pavimento SATBB 11 in EC2 Adolescentulus Sum Ego SAATBB 12 in EC2 Alleluya [V. Per te dei genitrix] I 4-part 1 in EC48 Alleluya [V. Per te dei genitrix] II 4-part 1 in EC48 Beati Immaculati SAATB 11 in EC2 Domine, Non Est Exaltatum SATTBB 11 in EC2 Domine, Quis Habitabit SSAATB 25 in EC2 Eructavit Cor Meum SATTBB 24 in EC2 Exurge Christe 4-part 1 in MB1 Exurge Christe (attrib.) 4-part 2 in EC48 Fantasia 5-part 4 in MB44 Fie, fie, my fate Consort song 2 in MB22 In Aeternum SAA (or T) TBB 13 in EC2 In exitu Israel [with BYRD, William 4-part 15 in EC48 and SHEPPARD, -
Emerald Ensemble September 2017 the Two Elizabeths Program Notes
Emerald Ensemble September 2017 The Two Elizabeths Program Notes with Texts and Translations Dance, clarion air (1952) Michael Tippett (1905–1998) O Lord, give thy Holy Spirit (after 1566) Thomas Tallis (c.1505–1585) Weep, O mine eyes (1599) John Bennet (c.1575–after 1614) Mitte manum tuam (2006) James MacMillan (b.1959) Fair Phyllis I saw sitting all alone (1599) John Farmer (c.1570–c.1605) O Lord, the maker of all thing William Mundy (c.1528–1591) O Care, thou wilt despatch me (1600) Thomas Weelkes (1576–1623) The Song Sung True (2013) Judith Weir (b.1954) 1. Sing — 2. Song — 3. Orpheus — 4. Folk Music intermission Lullabye for Lucy (1981) Peter Maxwell Davies (1934–2016) Come, blessed bird (1601) Edward Johnson (fl.1572–1601) O Lord, make thy servant Elizabeth (c.1570) William Byrd (c.1540–1623) Arise, awake (1601) Thomas Morley (1557/8–1602) Choral Dances, from Gloriana (1953) Benjamin Britten (1913–1976) 1. Time — 2. Concord — 3. Time and Concord — 4. Country Girls — 5. Rustics and Fishermen — 6. Final Dance of Homage The Hills (1953) John Ireland (1879–1962) Andrew Turner, from Five Epigrams (1960) Nicholas Maw (1935–2009) White-flowering days (1953) Gerald Finzi (1901–1956) 1 Dance, clarion air (1952) Michael Tippett (1905–1998) So often we hear stories of wunderkind composers who wrote masterpieces in their teens and twenties—folks like Bach, Handel, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, Prokofiev, Walton, Britten—that we forget about the slew of brilliant composers who were relatively late bloomers, among them Haydn, Bruckner, Mahler, Elgar, Janáček, Vaughan Williams, Pärt, and the present example, Michael Tippett.