The Great Gatsby and the Struggle for Wealth, Purity, and the Pursuit of Identity

Total Page:16

File Type:pdf, Size:1020Kb

The Great Gatsby and the Struggle for Wealth, Purity, and the Pursuit of Identity The Great Gatsby and the Struggle for Wealth, Purity, and the Pursuit of Identity By Shani Jeanpierre A Thesis Submitted to the Department of English California State University Bakersfield In partial Fulfillment for the Degree of Masters of English Winter 2013 Copyright By Shani Jeanpierre 2013 The Great Gatsby and the Struggle for Wealth, Purity, and the Pursuit of Identity By: Shani Jeanpierre This thesis has been accepted on behalf of the Department of English by their supervisory committee: Signature of Reader #1 Signature of Reader #2 Shani Jeanpierre 1 The Great Gatsby and the Struggle for Wealth, Purity, and the Pursuit of Identity Introduction: F. Scott Fitzgerald’s The Great Gatsby is a novel with a timeless story that is read by many for both scholastic benefits and for pleasure. It contains a story of romance, lies, betrayal, and murder. There is, however, more to the story than what many see on the surface. Many of the characters in the story obsess over identity or struggle against the identity their society gives them. It is a subject that many of the novel’s readers can relate to. Fitzgerald may have written the novel the way he did because of his own struggle with his own less than desirable identity given to him by the society he lived in. Many students, instructors, and critics have analyzed the subjects of wealth, materialism, greed, and even racism within F. Scott Fitzgerald’s The Great Gatsby, but few have considered what role these subjects play in one’s identity. It seems most of the characters in the novel are struggling to either gain their own desired identity or fight against the identity society has given them. Because Gatsby is from a poor background, he is not seen as someone good enough for Daisy to marry. To not have wealth is to not be worthy of marriage or commitment. Having wealth means being respected and having the feeling of being pure or powerful, but simply being rich does not give one acceptance within the pure community. One must come from a wealthy background as well. Gatsby fights his impure identity by lying about his background and obtaining wealth by whatever means necessary.. Tom struggles with an identity obtained from his college years that follows him through his adulthood, so he tries to obtain and maintain an identity of Nordic purity. Tom believes that the Nordic label will help him fight against Shani Jeanpierre 2 his polo player identity and project an image of superiority over anyone who may threaten his marriage or masculinity. He is also strongly influenced by a book entitled The Rise of the Colored Empires that suggests the people of the Nordic race are responsible for the advancement of civilization. Both Gatsby and he create the identity of a pure and flawless woman for Daisy that she cannot live up to, so she must both struggle with this identity and use it to her advantage to get what she needs from both men for as long as she can. Many critics have also pointed out what it means to be a feminine woman and a masculine man in the society of which The Great Gatsby takes place as well as which characters seem to fit in with their given gender roles and which characters seem to struggle with fitting the standards of these roles. Few, however, have discussed what acting outside of one’s gender role means to the identities of the characters in the novel or how it could possibly affect their lives or place in society. Critics have been known to connect Fitzgerald’s personal life with the characters and events in Gatsby. Once a reader does research on Fitzgerald’s life, obvious connections can be made such as the attitudes and names that some of his characters share with people who made an impact in his life, but few have considered what Fitzgerald’s motivations behind these parallels were and what purpose they serve. People often see similarities between Fitzgerald and the characters of Gatsby, Nick, and sometimes even Tom, but they do not often consider why he would create these parallels or what their significance is. The same can be said for the similarities between significant figures in his life, such as the women he loved, and different characters in the novel. After closely examining both his life and the connections that are often found in Gatsby and paying close attention to how the people and events are represented in his novel, it Shani Jeanpierre 3 seems that Fitzgerald’s purpose in creating such connections was to criticize the materialistic society and attitudes of Americans of the 1920’s. Part 1: The Importance of Appearance and Strong Performance in The Great Gatsby Gatsby goes to great lengths to make those in Daisy’s social circle comfortable and accepting of him . He even goes as far as replacing the evening gown of one of his houseguests when she tears it on one of his chairs. It seems, however, that no matter what he does, he is never fully accepted by Daisy’s peers. The woman whose gown is replaced explains that she feels that there is “something funny about a fellow that’ll do a thing like that” and that such a gesture means that he “doesn’t want any trouble with anybody” (Fitzgerald 43). This is a rather odd reaction to such a deed that illustrates respect and kindness. This leads readers to wonder what about Gatsby prevents his wealthy peers from accepting him as one of their own. They have no problem indulging in his wealth by enjoying his parties, but they all seem to feel that there is something about him that sets him apart from the rest of them. Because there is so much mystery surrounding his true identity, many cannot identify what about him makes him so different. Many critics have speculated that his peers’ unwillingness to accept him within their social circle is due to underlying racism. Nick, the narrator, focuses a great deal of his attention on Gatsby’s appearance. Although Gatsby is white, Nick often describes him as “tan,” “dark,” or “brown.” This is Shani Jeanpierre 4 a great contrast to his white surroundings. Daisy is described as white and so are Jordan, Nick, and Tom. Nick also focuses a lot of his attention on their white clothing and the whiteness of the houses in East Egg. The purpose of this is to emphasize that although Gatsby is able to fool most of the wealthy whites into believing he is a wealthy businessman, he will never fully fit in with his white surroundings. While many critics agree that Gatsby’s purpose in creating the façade of a wealthy and respectable businessman is to win Daisy’s affection, Peter L. Hays , author of "Oxymoron in The Great Gatsby", suggests that the situation is reversed and that by having Daisy as a wife he will gain the respect he desires and he just needs the wealth to attract her (Hays 319). In the novel, Daisy is described to be a “grail” (Fitzgerald 149). This sparks thoughts of the Holy Grail and its representation of divinity and purity. Daisy is viewed as so perfect that people such as Gatsby and Tom begin to see her less as a human being as the story progresses. Hays believes that Gatsby’s goal to convince Daisy to leave Tom for him has to do with his desire to be respected by all those around him. If someone as pure as Daisy loves Gatsby, then everyone else will too. Hays also believes that his desire to be seen as pure to those around him is a result of underlying racism. If Gatsby is not wealthy, he is no better than ethnic minorities (Hays 323). Walter Benn Michaels, an American literary theorist, explains in his book Our America: Nativism, Modernism and Pluralism that it is not only a wealthy lifestyle Gatsby must obtain in order to win Daisy, but also a change of his past and background. Michaels suggests that in order to be respected one must have good “breeding” (Michaels 26). This can be linked with Hays’s opinion that the desire to be wealthy is due to underlying racism. Michaels, however, goes on to suggest that being wealthy alone does Shani Jeanpierre 5 not change a person’s background. A “brown, black, red, [or] yellow,” person can never gain any respect with money alone. Because Gatsby is brown, he attempts to change his background to one he feels fits the profile of the kind of person people like Tom would view as a true Nordic. Michaels suggests that Gatsby feels he needs to convince those around him he attended Oxford University and that he has always been a man whom Daisy could fall in love with. If he can fool people into believing that this is his true background, he will gain a place among the Nordics, thus giving himself a secure place in society. When Tom explains to Nick, Jordan, and Daisy the importance of preserving the Nordic culture and influence in America, Gatsby has not yet been introduced to the reader. Michaels’s argument seems to be based off the assumption that Gatsby has read The Rise of the Colored Empires just as Tom has. Gatsby’s desire to appear respectable like the wealthy whites is more likely to do with the white influence surrounding him. A.E. Elmore, author of “Color and Cosmos in The Great Gatsby,” points out that the color white “makes more appearances in the novel than any other single color, and something like three of every four are applied to East Egg or characters from East Egg, especially to Daisy” (Elmore 428).
Recommended publications
  • Biographical Background
    アメリカ文学 A American Fiction in the 20th Century F. Scott Fitzgerald, The Great Gatsby, and America in the 1920s Lecture on Biographical Background: Fitzgerald and the Writing of The Great Gatsby How to Cite this Lecture: Armstrong, Christopher J. “Fitzgerald and the Writing of the Great Gatsby,” Chukyo University, American Literature A, 3 June & 12 July 2019. American Fiction in the 20th Century Outline: Part 1: Family and College Life, First Love and Zelda Sayre Part 2: Great Neck, Long Island, France, Italy and The Writing of The Great Gatsby American Fiction in the 20th Century Family and College Life •Born Francis Scott Key Fitzgerald, St. Paul, Minnesota, 1896 •Grew up in a middle-class Roman Catholic family •Mother: Mollie McQuinlan, daughter of Irish immigrant and successful business man •Father, Edward, president of furniture manufacturing company •Two daughters born, both died in 1896, the year of Scott’s birth •Edward’s business failed in 1898, family moved to Buffalo, later Syracuse, back to Buffalo •Mollie’s money helped support the family •Third daughter born, 1900, died •Fourth daughter born, Annabel, 1901 Edward Fitzgerald and •Return to St. Paul, 1908: Father “a failure the rest of his son Scott his days” (FSF) American Fiction in the 20th Century Family and College Life •Residence in the Summit Avenue district of St Paul, St. Paul. MN, 1900-1910 1908-11 •Scott’s playmates: wealthy, affluent •Scott aware of social distinctions •Publishes fiction, poetry in the school paper •1911-13: Scott attends the private Catholic Newman School in New Jersey Residence of railway tycoon James J.
    [Show full text]
  • F Scott Fitzgerald's New York
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1993 His Lost City: F Scott Fitzgerald's New York Kris Robert Murphy College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Murphy, Kris Robert, "His Lost City: F Scott Fitzgerald's New York" (1993). Dissertations, Theses, and Masters Projects. Paper 1539625818. https://dx.doi.org/doi:10.21220/s2-zdpj-yf53 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. HIS LOST CITY: F. SCOTT FITZGERALD’S NEW YORK A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Kris R. Murphy 1993 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, July 1993 Scott Donaldson Christopher MacGowan Robert Maccubbin TABLE OF CONTENTS Page ACKNOWLEDGEMENTS.............................................................................................iv ABSTRACT.............................................................................. ...................................... v CHAPTER I. ‘The far away East. .the vast, breathless bustle of New York”. 3 CHAPTER II. “Trips to New York” (1907-1918)........................................................ 11 CHAPTER III. ‘The land of ambition and success” (1919-1920) ................................ 25 CHAPTER IV. ‘The great city of the conquering people” (1920-1921)...................... 53 CHAPTER V.
    [Show full text]
  • F. Scott Fitzgeralds the Great Gatsby Pdf, Epub, Ebook
    F. SCOTT FITZGERALDS THE GREAT GATSBY PDF, EPUB, EBOOK John Sutherland | 128 pages | 23 Oct 2018 | CONNELL PUBLISHING LTD | 9781907776014 | English | United Kingdom F. Scott Fitzgeralds The Great Gatsby PDF Book He was famous. It was F. Score on SAT Reading. Of the many new writers that sprang into notice with the advent of the post-war period, Scott Fitzgerald has remained the steadiest performer and the most entertaining. Remember: art only imitates, but doesn't duplicate life. But not everyone had trouble seeing the future: in a cover story about Gertrude Stein, the intellectual icon offered her prognostications on the literature of her time. And I hope she'll be a fool - that's the best thing a girl can be in this world, a beautiful little fool. Get a Britannica Premium subscription and gain access to exclusive content. And, of course, Nick agrees to set up a tea date for his cousin Daisy and Gatsby. Mozart loved potty jokes. Coming behind them, Tom stops his car when he sees a commotion on the road. Anna Wulick. As they are about to drink mint juleps to cool off, Tom confronts Gatsby directly on the subject of his relationship with Daisy. Entertain your brain with the coolest news from streaming to superheroes, memes to video games. Overview of the life and career of American writer F. Unsuccessful upon publication, the book is now considered a classic of American fiction and has often been called the Great American Novel. Learn about what movies and books have gotten wrong about F. Another figure from King's circle reportedly appears in fictionalized form in the novel.
    [Show full text]
  • The Concept of the Flapper in the Early Writings of F. Scott Fitzgerald
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1967 The onceptC of the Flapper in the Early Writings of F. Scott itF zgerald Janet Foster Carroll Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Carroll, Janet Foster, "The oncC ept of the Flapper in the Early Writings of F. Scott itzF gerald" (1967). Electronic Theses and Dissertations. 3283. https://openprairie.sdstate.edu/etd/3283 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. THE CONCEPT OF THEFLAPP:m IN THE EARLY WRITINJS OFF. SCOTT FIT'lGmwJ> BY JANETFOSTm CARROLL A thesis subnitted in partial .fulfillment of the requirements tor the degree Master of Arts, Major in English, South Dakota State University 1967 SOUTH DAKOTA STATS UNJYeR51TY LIBRARY THE CONCEPT OF THE FLAPPER IN THE FARLY WRITIIDS OFF. SCOTT FITZGERALD This thesis is approved as a creditable and independent investigation by a candidate for the degree, M�ster of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department. Thesis Adviser / Date The writer wishes to express her sincere appreciation to Mrs. Ruth Alexander for her guidance and encouragement in the preparation of this essay.
    [Show full text]
  • Editorial Introduction
    The Pennsylvania State University The Graduate School College of the Liberal Arts TEMPORARILY DEVOTEDLY YOURS: THE LETTERS OF GINEVRA KING TO F. SCOTT FITZGERALD A Dissertation in English by Robert Russell Bleil © 2008 Robert Russell Bleil Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 ii The dissertation of Robert Russell Bleil was reviewed and approved* by the following: James L. W. West III Edwin Erle Sparks Professor of English Dissertation Advisor Co-Chair of Committee Christopher Clausen Professor of English, emeritus Co-Chair of Committee Mark S. Morrisson Professor of English William L. Joyce Dorothy Foehr Huck Chair and Head of Special Collections, University Libraries and Professor of History Robert R. Edwards Edwin Erle Sparks Professor of English and Comparative Literature Director of Graduate Studies Department of English *Signatures are on file in the Graduate School iii ABSTRACT When Ginevra King met F. Scott Fitzgerald in St. Paul, Minnesota on January 4, 1915 there was instant chemistry between them. That night in her diary, Ginevra exclaimed, “Scott perfectly darling am dipped about.” For his part, Scott was equally smitten with Ginevra; although he was due back in Princeton immediately, Scott stayed over an extra day to spend more time with the brunette debutante from Chicago. Upon his return to Princeton, Scott immediately sent Ginevra a special delivery letter; according to the customs of the time, such a letter constituted Scott’s formal declaration that he was interested in pursuing a correspondence with Ginevra. A vivacious and fun- loving girl, Ginevra was no stranger to the importance of a “special delie” and the epistolary game was afoot.
    [Show full text]
  • F. Scott Fitzgerald's Ledger, 1919–1938
    F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 1 F. Scott Fitzgerald’s Ledger, 1919–1938 F. Scott Fitzgerald’s Ledger is one of the richest primary source documents in existence for any literary author. Fitzgerald began recording information in this business ledger sometime in 1919 or 1920 after leaving the Army and moving to New York to begin his professional life as a writer. Fitzgerald divided the Ledger into five sections: “Record of Published Fiction,” “Money Earned by Writing since Leaving Army,” “Published Miscelani (including movies) for which I was Paid,” “Zelda’s Earnings,” and “Outline Chart of my Life”. The “Record of Published Fiction” and “Published Miscelani” are spreadsheets listing everything he wrote and its publication history up to the time of its final disposition. He meticulously tracked his earnings from 1919 through 1937 in the section titled “Money Earned by Writing since Leaving Army.” In addition, he recorded Zelda’s earnings from her writing. In the autobiographical section, “Outline Chart of my Life,” he provided background about his early years but later included monthly entries for each year. F. Scott Fitzgerald’s Ledger is part of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections, located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The digital version of the Ledger, which includes access to the full text and is keyword-searchable, was produced by the staff of the Digital Collections Department of the University of South Carolina.
    [Show full text]
  • Writing Celebrity: Modernism, Authorial Personas, and Self-Promotion in the Early Twentieth Century United States
    Writing Celebrity: Modernism, Authorial Personas, and Self-Promotion in the Early Twentieth Century United States Timothy W. Galow A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2008 Approved by: Linda Wagner-Martin (Director) Erin Carlston (Chair) María DeGuzmán John McGowan Janice Radway ABSTRACT Timothy W. Galow: Writing Celebrity: Modernism, Authorial Personas, and Self- Promotion in the Early Twentieth Century United States (Under the direction of Linda Wagner-Martin, Erin Carlston, John McGowan, Maria Deguzmán, and Janice Radway) “Writing Celebrity” argues that the rise of a national celebrity culture at the turn of the twentieth century transformed cultural production in the United States. While most literary studies of this period focus on the relationship between elite authors and the mass market, I assert that the influence of personality marketing transcended traditional aesthetic categories and reshaped the profession of authorship for both “highbrow” and “lowbrow” writers. Against this backdrop, my work traces the impact that an emergent celebrity culture had on the careers of Gertrude Stein and F. Scott Fitzgerald. Drawing on archival documents, literary texts, and various extant publicity materials, I examine how both of these authors attempted to market distinctive personas and the various ways in which readers and critics responded to their public identities. Gertrude Stein, immediately following the runaway success of The Autobiography of Alice B. Toklas , theorized an authorial identity that exists only in the very instant of creation and instills texts with permanent value.
    [Show full text]
  • Max Perkins: Editor of Genius Free Ebook
    FREEMAX PERKINS: EDITOR OF GENIUS EBOOK A. Scott Berg | 496 pages | 13 Oct 2016 | Simon & Schuster Ltd | 9781471147043 | English | London, United Kingdom Max Perkins, Editor of Genius - Andrew Scott Berg - Google книги Editor of Genius indeed A. Scott Berg's biography of Max Perkins, the editor of Fitzgerald, Hemingway and Thomas Wolfe, shows how some of the greatest American novels of the 20th century were shaped by his skill, patience, and Perkins' own remarkable talent. Scott Berg was born in Norwalk, Connecticut on December 4, He became fascinated with novelist F. Scott Fitzgerald while he was in high school. Berg even went so far as to attend Princeton University, from which he graduated inmainly because it was Fitzgerald's alma mater. While studying 20th-century literature at Princeton, Berg noticed that one name - that of editor Max Perkins - kept coming up in connection with authors such as Fitzgerald, Hemingway, and Wolfe. He Max Perkins: Editor of Genius to base his senior thesis on Max Perkins. Berg's research on Perkins continued for Max Perkins: Editor of Genius years after graduation, eventually culminating in the publication of Max Perkins: Editor of Genius, which received the American Book Award. Lindbergh won the Pulitzer Prize for Biography or Autobiography in He also wrote the story for a film entitled Making Love Max Perkins, Editor of Genius. Andrew Scott Berg. This "highly readable work of literary history" New York Times Book Review is the first to explore the professional and personal life of editor extraordinaire Maxwell Petkins -- guiding light for such stellar literary figures as E Scott Fitzgerald, Ernest Hemingway, Max Perkins: Editor of Genius Wolfe, and many more.
    [Show full text]
  • STAGED PERFORMANCES and the RECONSTRUCTION of GENDER IDENTITY in MRS.DALLOWAY and the GREAT GATSBY
    “BEYOND THE GILDED CAGE:” STAGED PERFORMANCES AND THE RECONSTRUCTION OF GENDER IDENTITY IN MRS.DALLOWAY and THE GREAT GATSBY ANTHONY F. PINZONE Bachelor of Arts in English Literature Baldwin Wallace University December 2016 submitted in partial fulfillment of requirements for the degree of MASTER OF ARTS IN ENGLISH at CLEVELAND STATE UNIVERSITY APRIL 2019 This thesis is hereby approved for ANTHONY F. PINZONE Candidate for the Master of Arts in English for the Department of English and the CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by Thesis Chairperson, Dr. Frederick Karem _________________________________________________ Department & Date Thesis Committee Member, Dr. Rachel Carnell __________________________________________________ Department & Date Thesis Committee Member and Director of Graduate Studies in English, Dr. Adam Sonstegard ____________________________________________________ Department & Date Student’s Date of Defense: April 11, 2019 ACKNOWLEDGEMENTS I would like to thank the members of my committee for their guidance, patience, and helpful insights during the writing process. Professor Karem helped tremendously in narrowing down the central focus of my paper, while also encouraging me to think beyond the local level of the performances of Mrs. Dalloway and Gatsby. Professor Carnell provided ample critique of Woolf and Fitzgerald, allowing me to reexamine my own voice in the critical conversation surrounding these twentieth century novels. Professor Sonstegard added a fresh gender perspective on the novels in question, and for that I am most grateful. Other individuals I would like to thank include Professor Burrell who assisted greatly in my Pre-Thesis Colloquium class, while also detailing performance studies and recommending the theories of Richard Schechner, Erving Goffman, and Judith Butler.
    [Show full text]
  • An In-Depth Study of Fitzgerald's Female Found in the Basil Stories
    Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) 5-2005 Resurrected: an In-Depth Study of Fitzgerald's Female Found in The aB sil Stories and the Great Gatsby Therese Fields Seton Hall University Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Fields, Therese, "Resurrected: an In-Depth Study of Fitzgerald's Female Found in The asiB l Stories and the Great Gatsby" (2005). Seton Hall University Dissertations and Theses (ETDs). 2353. https://scholarship.shu.edu/dissertations/2353 Resurrected: An In-Depth Study of Fitzgerald's Female Found in The Basil Stories and The Great Gatsby. By: Therese Fields Submitted in partial fulfillment of the requirements for the degree of Masters of Arts in the Department of English Seton Hall University May2005 Fields 2 Thesis Mentor Second Reader Fields 3 When people hear the name F. Scott Fitzgerald they quickly think of his masterpiece, The Great Gatsby. Fitzgerald's Gatsby is the great American novel. Why? It withstands time and the changes of contemporary society. This novel moves us, shakes us, and reminds us of our enlightening dreams and the realistic truths behind them. Why do readers connect with and feel empathy for the flawed Jay Gatsby? We, like Gatsby, hope for the green light and all that it holds in store for us. Gatsby is driven by the green light, which represents his hope to change the past. It is this idealistic dream, this flaw that acts as the glue forever connecting Gatsby to his readers.
    [Show full text]
  • The Romance of F. Scott Fitzgerald and Ginevra King, His First Love Online
    20smo (Free) The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love Online [20smo.ebook] The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love Pdf Free Par James L.W. West audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook Détails sur le produit Publié le: 2007-12-18Sorti le: 2007-12-18Format: Ebook Kindle | File size: 29.Mb Par James L.W. West : The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love before purchasing it in order to gage whether or not it would be worth my time, and all praised The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love: Commentaires clientsCommentaires clients les plus utiles0 internautes sur 0 ont trouvé ce commentaire utile. Mon fanal bleu, si près, si loin de Zelda. Qui souffla la lumière de ma jeunesse?Par BandabonnotThe New York Times disait "Un portrait fascinant non seulement d'un premier amour, mais de la façon dont un auteur a utilisé les souvenirs intacts de l'idéalisme juvénile et l’émotion douce-amère qui alimenteront sa carrière." , L’Entertainment Weekly poursuit "Ce qui est remarquable, ce sont les formes littéraires variées à travers lesquelles la jeune fille refera surface dans la fiction de Fitzgerald." Elle est devenue l'inspiration dans This Side of Paradise et le modèle de Daisy Buchanan dans The Great Gatsby. Scott a aussi écrit des histoires courtes inspirées de son amour de jeunesse, y compris "Babes in the Woods» et «Rêves d'hiver ».
    [Show full text]
  • OUT with the OLD, in with the NEW: the 1920S BEGIN Osher Lifelong Learning – Vanderbilt University Carole Bucy, Ph.D
    OUT WITH THE OLD, IN WITH THE NEW: THE 1920S BEGIN Osher Lifelong Learning – Vanderbilt University Carole Bucy, Ph.D. Professor of History – Volunteer State Community College Davidson County Historian FRANCIS SCOTT KEY FITZGERALD NEWMAN SCHOOL PRINCETON UNIVERSITY TRIANGLE DRAMATIC SOCIETY PRINCETON UNIVERSITY GINEVRA KING Source: Literature Salon Blog: accessed at: https://literaturesalon.wordpress.com/2014/01/21/famous-couples-zelda-and-f-scott-fitzgerald/ Source: Martha Stewart website: Accessed at: https://www.marthastewartweddings.com/387274/f-scott-fitzgerald-marries- first-american-flapper-95-years-ago-today Old St. Mary’s Catholic Church Cemetery, Rockville, Maryland THE TENNESSEAN, 31 DECEMBER 1919 GENERAL LAWRENCE TYSON & HIS SON, CHARLES MCGHEE TYSON COLONEL LUKE LEA & MEN Source: Encyclopedia Britannica; Accessed at: https://www.britannica.com/event/World-War-I/Killed-wounded-and-missing Source: Encyclopedia Britannica; Accessed at: https://www.britannica.com/event/World-War-I/Killed-wounded-and-missing 1873 - Dayton, Ohio EIGHTEENTH AMENDMENT TO THE U.S. CONSTITUTION JANUARY 16, 1920 February 1, 1920 – The Tennessean Attorney General A. Mitchell Palmer Source: Memphis Commercial Appeal, June, 1919; reprinted the The Literary Digest, 5 July 1919 Source: The Literary Digest, 3 January 1920 LOUIS F. POST, ASSISTANT SECRETARY OF THE POST OFFICE “Many Americans had traveled from the heady, buoyant, New Freedom Days of 1912 – to the sour, fearful, and far more pessimistic mood of the Red Scare.” NATHAN MILLER, NEW WORLD COMING
    [Show full text]