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Craig Anderton
$2.50 February 1983 TW O NEW SYNTHESIZES . MODULES: SHEPARD ■ FUNCTION DYNAMIC TOUCH CONTROLLER NEW AGE MUSIC SYNTHESIZED CHOIRS PRO-ONE DYNAMICS MODIFICATION THE VOICE 400 The Fastest, Most Versatile and Musical Synthesizer Voice Available Oscillator A Oscillator B continuous waveshaping, continuous waveshaping variable pulse width, mod from saw to sine, AR enve ulation by S/H or LFO, low lope generator or LFO er octave, linear F.M. modulation, hard sync to VCO A. Keypad and Bank S w itch F ilte r Selects one of thirty-two High pass, Low pass, Band presets. pass all modes are 24db/ oct. Controls include Reso Operating Mode nance, Response (continu S w itch es ously variable) i: ADSR control Live, Memory and modulation, S/H or LFO Edit functions. mod, Noise source, Key board tracking. Output Section mixes your external signal Voltage Controlled into the delay, mixes Dry/ A m p lif ie r Delay, and output volume has its own ADSR and fea control. tures low noise and wide dynamic range. Analog Delay M o d u la tio n wide range low noise delay line operates from flanging to multiple wide range Low Frequency Oscillator with continuous waveshap repeats. Regeneration and LFO depth control will create a wide ing of three waveforms. LFO may be modulated by the Attack range of effects. Release envelope generator. The Voice 400 answers the need for a programmable syn * A voice for a sequencer or computer. thesizer that’s versatile enough to be all these things: * A complete synthesizer for wind or string controllers. -
The Utah Statesman, October 3, 1983
Utah State University DigitalCommons@USU The Utah Statesman Students 10-3-1983 The Utah Statesman, October 3, 1983 Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/newspapers Recommended Citation Utah State University, "The Utah Statesman, October 3, 1983" (1983). The Utah Statesman. 1463. https://digitalcommons.usu.edu/newspapers/1463 This Book is brought to you for free and open access by the Students at DigitalCommons@USU. It has been accepted for inclusion in The Utah Statesman by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. "1--------- Monday, October 3, 1983 UTAH STATE UNIVERSITY Logan, Utah 20 Pages ______ __. If keeping up in school is tough for you, A stubborn defense in the second half and imagine the increased difficulty if you were an improved offense in the first half unable to hear. Writer Reagan Davis combined to give the Aggies their first interviews two deaf students. .. Page 3 season football win. ..... Page 7 1ffu\®UJJ11&fu\ it@it~~ film@, fill Movement walks for arms talks Saturday morning almost 70 Cache Valley citizens participated in a "Freeze Walk," a na tionally organized walk-a thon event designed to raise funds to support and further a nuclear freeze. Locally the walk was sponsored by CCONAR (Cache Citizens Opposed to the Nuclear Arms Race),and despite poor weather the walk took place as scheduled. The 10-kilometer walk wound through central Logan, beginning and ending at Logan's Central Park. USU students were the majority of those participating in Saturday's anti-nuclear demon stration, labeled a Freeze Walk. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Publicacion7135.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. -
Page 1 of 1 Spyro Gyra: a Foreign Affair
Spyro Gyra: A Foreign Affair - Music Review - No Ripcord Page 1 of 1 No Ripcord | Independent Music & Film Magazine Home Music Reviews Music Features Film Reviews Film & TV Features Believe The Hype Staff Home LATEST MUSIC REVIEWS MUSIC REVIEWS Das Racist - Relax Nirvana - Nevermind (Reissue) Spyro Gyra Big Troubles - Romantic Comedy A Foreign Affair Matthew Sweet - Modern Art (Amherst Records) Veronica Falls - Veronica Falls Buy it from Insound Jens Lekman - An Argument With Myself EP More Music Reviews Spyro Gyra, with the release of A Foreign Affair , haven't done too much to dispel the notion that startling, LATEST MUSIC FEATURES inventive jazz is largely a thing of the past. In its own peculiar way, great jazz can elevate music to new, unthought heights. The inventiveness rightly associated with the historied genre accounts for major Polarsets and Big Deal (Interviews) developments in all areas of pop music, and even the fusion jazz Spyro Gyra espoused in their early years Overlooked Albums #16: Laura Nyro - has played its own part in that development. More Than A New Discovery R.E.M.: Giving It Away For Good The confrontational styles of fusion and rock music meshed particularly well, and I always have time in my Nevermind: It Was Twenty Years Ago listening for a little something from the '70s — some Weather Report or Return to Forever can really hit the Today... spot. But the subsumption and branching of fusion into smooth jazz did little of value for the modern music landscape, and the continued music landscape, and the continued innovation experienced in the early era More Music Features of fusion subsided under the "smooth" label. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Jazzweek SPYRO GYRA
JazzWeek with airplay data powered by jazzweek.com • March 13, 2006 Volume 2, Number 16 • $7.95 In This Issue: BET Jazz Becomes ‘BET J’ . 4 Najee Wins NAACP Image Award . 5 Essentially Ellington Finalists . 6 Music and Industry News In Brief . 7 Reviews and Picks . 14 Jazz Radio . 18 Smooth Jazz Stylistically Unapologetic: Radio. 25 Radio SPYRO GYRA Panels. 24, 29 News. 4 Q&A with Jay Beckenstein ... page 10 Charts: #1 Jazz Album – David “Fathead” Newman #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger egistration will open on Monday, March 13 for the Jazz- MUSIC EDITOR Tad Hendrickson Week Summit 2006. Because of the change in our busi- Rness structure and ownership, we were delayed in making CONTRIBUTING EDITORS final arrangements until three months later than we had planned. Keith Zimmerman Kent Zimmerman In the interim, all available hotel rooms in downtown Roches- CONTRIBUTING WRITER/ ter, N.Y., were booked for a large religious convention during the PHOTOGRAPHER weekend we had originally targeted. As a result, we’ve had to move Tom Mallison the Summit one week later than our originally published dates of PHOTOGRAPHY June 8-10. We apologize for the inconvenience. It is our plan to Barry Solof have firm dates for 2007 by December of this year. Founding Publisher: Tony Gasparre This year’s Summit will run from Thursday, June 15 through Saturday, June 17, coinciding with the final three days of the ADVERTISING: Devon Murphy Rochester International Jazz Festival. The host hotel will be the Call (866) 453-6401 ext. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
“Horizons Band” Partial Song List 1
“Horizons Band” partial song list 1 Contemporary/Rock/Dance Move Your Body- Nina Sky Can’t Stop the Feeling - Justin Timberlake Save Room – John Legend Shut Up and Dance - Walk the Moon Don't Cha- Pussycat Dolls Cheap Thrills - Sia Man, I Feel Like a Woman – Shania Twain Me Too - Meghan Trainor Don't Stop the Music – Rhianna Fireball - Pit Bull Jump - Pointer Sisters Uptown Funk - Bruno Mars Mercy - Duffy Ex's and Oh's - Elle King You're Everything - Michael Buble All About That Bass – Meghan Trainor I Like It – Enrique Iglesias Rather Be – Clean Bandit DJ Got Us Falling In Love – Usher Happy – Pharrell Williams Born This Way – Lady Gaga You Gotta Be – Des'ree Edge of Glory – Lady Gaga I Gotta Feelin' – Black Eyed Peas I Like It – Enrique Iglesias Sweet Dreams Medley – La DJ Got Us Falling In Love – Usher Bouche/Eurythmics California Gurls – Katy Perry Crazy in Love – Beyonce Say It Right – Nelly Furtado Just Dance – Lady Gaga Dress You Up – Madonna Love Shack - B52’s Forget You– Cee-lo Green Get the Party Started - Pink Treasure – Bruno Mars I Need to Know- Marc Anthony Don't Stop Believin’ - Journey This is Your Night - Amber Party Rock Anthem - LMFAO Electric Slide - Marci Griffith How Will I Know - Whitney Houston Another Night - Real McCoy Let the Good Times Roll – BB King Mambo Number 5 - Lou Bega Moves Like Jagger - Maroon 5 Soak Up the Sun - Sheryl Crow Rolling In the Deep - Adelle Conga - Gloria Estefan Brokenhearted - Karmin What I Like About You - The Romantics Blurred Lines– Robin Thicke R.O.C.K. -
11De JAARGANG, NR. 207 Volg Het Jazznieuws Op De Voet. Ga Naar
1 11de JAARGANG, NR. 207 18 NOVEMBER 2013 IN DIT NUMMER: 1 NIEUWSBERICHTEN 4 BOEKBESPREKING 5 PLATENRECENSIES Ben van den Dungen, Pericopes. Jorn Swart, Gary Peacock, Vein, Stacey Kent, Ragini Trio e.a. 17 CONCERTVERSLAGEN An Old Monk. Hermine Deurloo, Festival Jazz Int. Rotterdam e.a. EN VERDER: 22 New York Calling (Roos Plaatsman) 25 Bestellers en tips Jazzcenter JAZZ FLITS 208 staat 2 DECEMBER op http://www.jazzflits.nl NIEUWSSELECTIE ONAFHANKELIJK JAZZMAGAZINE SINDS 2003 NIEUW MAASTRICHTS FESTIVAL MATIG BEZOCHT Het nieuwe Maastrichtse jazzfestival MJAZZ werd 2 en 3 november door slechts zo’n achthonderd mensen bezocht. Dat meldt de website Dicht- bij.nl. Niettemin krijgt het festival volgend jaar een vervolg. MJAZZ is bedoeld als opvolger van het MECC Jazzfestival. Dat ging in 2011 ter ziele. Voor het tweedaagse festival wa- ren onder anderen trompettiste Saskia Laroo, saxofonist Scott Hamilton, zanger Alain Clarke en organist Rob Mostert gecontracteerd. Zaterdag passeerden Jules Buckley. (Persfoto) ongeveer 450 mensen de kassa van het MECC en was Alain Clarke de grote trek- JULES BUCKLEY NIEUWE ker. Een dag later bevonden zich onge- CHEF-DIRIGENT METROPOLE ORKEST veer 350 mensen in het MECC. “Wellicht is de externe promotiecampag- Jules Buckley volgt met ingang van dit seizoen Vince Mendoza op als chef-dirigent van het Metropole Orkest. ne te laat gestart en misschien hadden Buckley was de afgelopen vijf jaar als vaste gastdirigent sommige marketingmiddelen op betere aan het orkest verbonden. wijze ingezet moeten worden”, sugge- reert organisator Aerd de Boode op Jules Buckley: “Het is een eer om chef-dirigent te worden van Dichtbij.nl. -
Geographic Perspectives on Contemporary / Smooth Jazz
GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ By WILLIAM ROBERT FLYNN Bachelor of Music in Classical Guitar Performance California State University, Fullerton Fullerton, California 2000 Master of Applied Geography Texas State University San Marcos, Texas 2001 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2014 GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ Dissertation Approved: Dr. G. Allen Finchum Dissertation Adviser Dr. Brad A. Bays Dr. Jonathan C. Comer Dr. Thomas Lanners Outside Committee Member ii ACKNOWLEDGEMENTS Completing this dissertation and my doctoral program at Oklahoma State University would not have been possible without the support of many people over the past ten years. I would like to start with my advisor and chair, Dr. Allen Finchum, who not only happens to share my interest in smooth jazz, but has always been there for me. One could not ask for a better mentor, as he was always so giving of his time, whether we were discussing my research, talking about my experiences as a graduate instructor, or him just taking an interest in my personal life. I feel blessed to have been able to work with such a special graduate committee, comprised of Dr. Jon Comer, Dr. Brad Bays, and Dr. Tom Lanners. Dr. Comer sparked my passion for quantitative methods and spatial analysis, and Dr. Bays taught my very first course at OSU, a wonderful and stimulating seminar in historical geography. With Dr. Lanners, I could not have asked for a better fit for my outside committee member, and I feel privileged to have been able to work with a musician of his caliber.