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Shadows and Wind
1 HUMAN RIGHTS UNDER VIETNAMESE COMMUNISM A Politically Incorrect Approach Ottawa, February 2001 For Human Rights (Huntington Beach, C.A.) March 2001 Ton That Thien American anti-war writers and Vietnam For decades, the literature on Vietnam was strongly dominated by a coterie of Western - predominantly American – journalists and academics who claimed to be experts on Vietnam. These “experts” were fiercely anti-war revolutionaries determined to bring down South Vietnam for internal American reasons. South Vietnam provided the most convenient focus for the anti-war denunciations and demonstrations. As David Horowitz, one of the most radical leaders of the American anti-war movement wrote in his reflections after the war: “My speech illustrated the real importance of Vietnam to the radical cause, which was not ultimately about Vietnam but about our antagonism to America in our desire for revolution. Vietnam served to justify the desire; we needed the war and its violent images to vindicate our destructive intentions”.1 Typical of the above attitude is the “Indo-China Peace Campaign” organized by the famed actress Jane Fonda, which “worked tirelessly to ensure the victory of the North Vietnamese Communists...Fonda travelled first to Hanoi and then to the liberated zones of South Vietnam to make a propaganda film... it attempted to persuade viewers that the Communists were going to create a new society in the south. Equality and justice awaited its inhabitants if only America would cut off support for the Saigon regime...”2 Another illustration is that of Frances Fitzgerald, author of the best seller and Pulitzer Prize winning book, Fire in the Lake. -
Operational Details Finalized As Debate Nears by Kate Gibson Ing All That Is Necessary to Host the Debate During the Daytime on Oct
arts & entertainment perspectives sports Harpist Yolanda Learning to fly: Bielek, Bergman Kondonssis and flutist A novice skydiver bring national Eugenia Zuckerman kick takes flight for the titles to Wake off Secrest Series first time Page B1 Page B5 Page A9 Press Box: 40ers Owens a picture of arrogance Old Gold and Black Page B1 thursday, september 28, 2000 “covers the campus like the magnolias” volume 84, no. 5 Operational details finalized as debate nears By Kate Gibson ing all that is necessary to host the debate during the daytime on Oct. 11, and the The Deacon Shop will be selling Presi- Old Gold and Black Reporter at Wake Forest,” said Sandra Boyette, “Our goal has been to reduce northern half will close at mid-day on the dential debate merchandise from 8:30 the vice president for university advance- inconvenience to the university same date to reopen only after the debate a.m. until after the debate, and the Sundry Last spring, the university began prepa- ment. has finished and the candidates have left Shop will continue its usual business rations for the Presidential Debate. Their From 10 p.m. Oct. 8 until noon on community as much as possible, the campus. hours. plans are now nearly Oct. 12, students and faculty must pres- while providing all that is necessary To begin its renovation into a debate The debate will also affect buildings sur- complete. ent their university identification card to to host the debate at Wake Forest.” hall, Wait Chapel will close at 5 p.m. rounding Wait Chapel. -
The Legacy of American Photojournalism in Ken Burns's
Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage. -
Wanting, Not Waiting
WINNERSdateline OF THE OVERSEAS PRESS CLUB AWARDS 2011 Wanting, Not Waiting 2012 Another Year of Uprisings SPECIAL EDITION dateline 2012 1 letter from the president ne year ago, at our last OPC Awards gala, paying tribute to two of our most courageous fallen heroes, I hardly imagined that I would be standing in the same position again with the identical burden. While last year, we faced the sad task of recognizing the lives and careers of two Oincomparable photographers, Tim Hetherington and Chris Hondros, this year our attention turns to two writers — The New York Times’ Anthony Shadid and Marie Colvin of The Sunday Times of London. While our focus then was on the horrors of Gadhafi’s Libya, it is now the Syria of Bashar al- Assad. All four of these giants of our profession gave their lives in the service of an ideal and a mission that we consider so vital to our way of life — a full, complete and objective understanding of a world that is so all too often contemptuous or ignorant of these values. Theirs are the same talents and accomplishments to which we pay tribute in each of our awards tonight — and that the Overseas Press Club represents every day throughout the year. For our mission, like theirs, does not stop as we file from this room. The OPC has moved resolutely into the digital age but our winners and their skills remain grounded in the most fundamental tenets expressed through words and pictures — unwavering objectivity, unceasing curiosity, vivid story- telling, thought-provoking commentary. -
The U.S. Broadcast News Media As a Social Arena in the Global Climate Change Debate
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Repository @ Iowa State University Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 The .SU . broadcast news media as a social arena in the global climate change debate Adam Jeremy Kuban Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Journalism Studies Commons, and the Mass Communication Commons Recommended Citation Kuban, Adam Jeremy, "The .SU . broadcast news media as a social arena in the global climate change debate" (2007). Retrospective Theses and Dissertations. 15479. https://lib.dr.iastate.edu/rtd/15479 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The U.S. broadcast news media as a social arena in the global climate change debate by Adam Jeremy Kuban A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Program of Study Committee: Jeff Blevins, Major Professor Lulu Rodriguez Eugene Takle Iowa State University Ames, Iowa 2007 Copyright © Adam Jeremy Kuban, 2007. All rights reserved. 2009 ii TABLE OF CONTENTS CHAPTER 1. INTRODUCTION 1 Past studies on public knowledge and information sources 3 CHAPTER 2. LITERATURE REVIEW AND THEORETICAL FRAMEWORK 6 The rise and fall of media coverage of scientific issues 6 National versus international triggering events 9 The social arena theory 10 Research questions 18 CHAPTER 3. -
J366E HISTORY of JOURNALISM University of Texas School of Journalism Spring 2012
J366E HISTORY OF JOURNALISM University of Texas School of Journalism Spring 2012 Instructor: Dr. Tom Johnson Office: CMA 5.155 Phone: 232-3831 email: [email protected] Office Hours: W, Th 1:30-3 by appointment and when you least expect it Class Time: 11-12:15 Tuesday and Thursday, CMA 3.120 REQUIRED READINGS Wm David Sloan, The Media in America: A History (8th Edition). Reading packet: available on Blackboard. COURSE DESCRIPTION Development of the mass media; social, economic, and political factors that have contributed to changes in the press. Three lecture hours a week for one semester. Prerequisite: Upper-division standing and a major in journalism, or consent of instructor. OBJECTIVES J 366E will trace the development of American media with an emphasis on cultural, technological and economic backgrounds of press development. To put it more simply, this course will examine the historic relationship between American society and the media. An underlying assumption of this class is that the content and values of the media have been greatly influenced by changes in society over the last 300 years. Conversely, the media have helped shape our society. More specifically, this course will: 1. Examine how journalistic values such as objectivity have evolved. 2. Explain how the media influenced society and how society influenced the media during different periods of our nation's history. 3. Examine who controlled the media at different periods of time, how that control was exercised and how that control influenced media content. 4. Investigate the relationship between the public and the media during different periods of time. -
25 Indian Road, 4F | New York, NY 10034 (212) 942-2743 Cell (917) 689-4139
25 Indian Road, 4F | New York, NY 10034 (212) 942-2743 Cell (917) 689-4139 SIMON SUROWICZ [email protected] TEACHING Adjunct Professor, Columbia University, The Graduate School of Journalism 2010 Adjunct, New York University, School of Continuing & Professional Studies 2008 ● Digital Broadcast Journalism ● Investigative Journalism MULTIMEDIA Senior Multimedia Producer, ABC News.com 2006 - 2009 ● Created and launched “The Blotter,” ABC News’ award-winning Investigative Team's Web site. ● Managing editor responsible for overall day-to-day editorial oversight. ● Liaison with the Web development team on functional specifications and layout implementations. ● Developed distribution channels to deliver original “Blotter” content across all ABC News platforms. ● Managed a small team of graphic artists, video editors, IT specialists and content management engineers. ● Broke several major news stories, including the Congressman Mark Foley sex scandal which changed the political landscape in Congress (12 million impressions for a single story, the highest ever at ABCNews.com). ● Oversaw substantial growth – routinely reached and surpassed monthly metrics goals. ● The Blotter’s innovative concept and unique design was widely emulated at ABCNews.com. Senior Producer, Brian Ross Investigates Webcasts 2006 – 2009 www.simonsurowicz.com ● Produced weekly Webcasts, featuring top experts examining the major investigative stories of the week. (*partial list) Interrogation Techniques: Waterboarding A Sting Gone Bad: To Catch a Predator Inside a Taliban ‘Commencement’ To Heimlich or not to Heimlich? Covert ‘Black’ Operation in Iran TELEVISION Producer, ABC News 1995 – 2006 ● Produced broadcast segments for all ABC News platforms, including: "20/20", "Primetime Live", "World News Tonight", "Nightline" and "Good Morning America". (*The following is a partial list) ● “The Great Diamond Heist” Produced a one-hour exclusive ABC News PrimeTime Special on the largest diamond heist in history, now being turned into a movie by Paramount. -
The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art
Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns. -
Nailing an Exclusive Interview in Prime Time
The Business of Getting “The Get”: Nailing an Exclusive Interview in Prime Time by Connie Chung The Joan Shorenstein Center I PRESS POLITICS Discussion Paper D-28 April 1998 IIPUBLIC POLICY Harvard University John F. Kennedy School of Government The Business of Getting “The Get” Nailing an Exclusive Interview in Prime Time by Connie Chung Discussion Paper D-28 April 1998 INTRODUCTION In “The Business of Getting ‘The Get’,” TV to recover a sense of lost balance and integrity news veteran Connie Chung has given us a dra- that appears to trouble as many news profes- matic—and powerfully informative—insider’s sionals as it does, and, to judge by polls, the account of a driving, indeed sometimes defining, American news audience. force in modern television news: the celebrity One may agree or disagree with all or part interview. of her conclusion; what is not disputable is that The celebrity may be well established or Chung has provided us in this paper with a an overnight sensation; the distinction barely nuanced and provocatively insightful view into matters in the relentless hunger of a Nielsen- the world of journalism at the end of the 20th driven industry that many charge has too often century, and one of the main pressures which in recent years crossed over the line between drive it as a commercial medium, whether print “news” and “entertainment.” or broadcast. One may lament the world it Chung focuses her study on how, in early reveals; one may appreciate the frankness with 1997, retired Army Sergeant Major Brenda which it is portrayed; one may embrace or reject Hoster came to accuse the Army’s top enlisted the conclusions and recommendations Chung man, Sergeant Major Gene McKinney—and the has given us. -
NATAS Supplement.Qxd
A SPECIAL SUPPLEMENT TO BROADCASTING & CABLE AND MULTICHANNEL NEWS The National Academy of Television Arts & Sciences at 50 years,0 A golden past with A platinum future marriott marquis | new york october 20-21, 2005 5 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Greetings From The President Executive Committee Dennis Swanson Peter O. Price Malachy Wienges Chairman of the Board President & CEO Treasurer Dear Colleagues, Janice Selinger Herb Granath Darryl Cohen As we look backwards to our founding and forward to our future, it is remarkable Secretary 1st Vice Chairman 2nd Vice Chairman how the legacy of our founders survives the decades. As we pause to read who Harold Crump Linda Giannecchini Ibra Morales composed Ed Sullivan’s “Committee of 100” which established the Academy in 1955, Chairman’s Chairman’s Chairman’s the names resonate with not just television personalities but prominent professionals Representative Representative Representative from theatre, film, radio, magazines and newspapers. Perhaps convergence was then Stanley S. Hubbard simply known as collaboration. Past Chairman of the Board The television art form was and is a work in progress, as words and pictures morph into new images, re-shaped by new technologies. The new, new thing in 1955 was television. But television in those times was something of an appliance—a box Board of Trustees in the living room. Families circled the wagons in front of that electronic fireplace Bill Becker Robert Gardner Paul Noble where Americans gathered nightly to hear pundits deliver the news or celebrities, fresh from vaudeville and Betsy Behrens Linda Giannecchini David Ratzlaff Mary Brenneman Alison Gibson Jerry Romano radio, entertain the family. -
Robert C. Maynard Institute for Journalism Education Oral History Collection
http://oac.cdlib.org/findaid/ark:/13030/c8sb4b6f Online items available Guide to the Robert C. Maynard Institute for Journalism Education Oral History Collection Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Robert C. Maynard MS 192 1 Institute for Journalism Education Oral History Collection Guide to the Robert C. Maynard Institute for Journalism Education Oral History Collection Collection number: MS 192 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 11/06/2015 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Robert C. Maynard Institute for Journalism Education Oral History collection Dates: 2001 Collection number: MS 192 Creator: Robert C. Maynard Institute for Journalism Education Collection Size: 1.5 linear feet(2 boxes) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Robert C. Maynard Institute for Journalism Education Oral History Collection consists of 29 oral history interviews conducted in 2001 by Earl Caldwell with prominent black journalists that began their careers during the 1960s-1970s. A majority of the interviewees worked at -
University Microfilms International 300 N
EXPLORATION OF AGENDA-SETTING IN THE NEWS MAGAZINE "60 MINUTES". Item Type text; Thesis-Reproduction (electronic) Authors Beal, Martha Bovard. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 10:28:49 Link to Item http://hdl.handle.net/10150/274772 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame.