Bol Bai Bol 2019
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The Jails and the Women Prisoners As They Exist……
CHAPTER - 1 THE JAILS AND THE WOMEN PRISONERS AS THEY EXIST……. The state of Punjab is a prosperous region known for its industrious and hardworking people. But even as these tall well built people cope with numerous specific regional problems, accept changes and grow in a global world – the glaring fact that needs specific attention, is the growing incidence of crime and even more so - the growing incidence of crime committed by women. The changing nature and patterns of these crimes require serious consideration. Most jails had little or no provisions for women to start with - later some arrangements were made to accommodate them. With the increase in women prisoners in each jail the area of confinement is deficient in many ways. Taking up the region of Punjab, which is the focus of the present study, we find that all the prisons located in the various parts of Punjab do not have provisions to keep women prisoners. Only the District and Central jails, which are eight in number, have some provisions to keep women prisoners. There is one exclusive jail for women at Ludhiana, which houses only women prisoners. Once convicted, the women from all the other eight jails are supposed to be sent to this jail. However, a large number of under- trails are also lodged here. Women are under detention in the dowry act cases, drug trafficking- NDPS act, excise act, theft, murders due to family disputes and illicit relationships. A majority of the women prisoners belong to the lower socio-economic strata, a few to the lower middle class and a very few belong to the middle middle class strata of society. -
Banda Bahadur
=0) |0 Sohan Singh Banda the Brave ^t:- ;^^^^tr^ y^-'^;?^ -g^S?^ All rights reserved. 1 € 7?^ ^jfiiai-g # oft «3<3 % mm "C BANDA THE BRAVE BY 8HAI SOHAN SINfiH SHER-I-BABAE. Published by Bhai NARAiN SINGH Gyani, Makaqeb, The Puiyabi Novelist Co,, MUZAm, LAHORE. 1915. \^t Edition?^ 1000 Copies. [Pmy 7 Hupef. 1 § J^ ?'Rl3]f tft oft ^30 II BANDA THE BRAVE OR The Life and Exploits OF BANDA BAHADUB Bliai SoJiaii Siiigli Shei-i-Babar of Ciiijrainvala, Secretarv, Office of the Siiperiiitendeiit, FARIDKOT STATE. Fofiuerly Editor, the Sikhs and Sikhism, and ' the Khalsa Advocate ; Author of A Tale of Woe/ *Parem Soma/ &c., &c. PXJ]E>irjrABX I^O^irElL,IST CO., MUZANG, LAHORE. Ut Edition, Price 1 Rupee. PRINTED AT THE EMPIRE PRESS, LAHORE. — V y U L — :o: My beloved Saviour, Sri Guru Gobind Singh Ji Kalgi Dhar Maharaj I You sacrificed your loving father and four darlings and saved us, the ungrateful people. As the subject of this little book is but a part and parcel of the great immortal work that you did, and relates to the brilliant exploits and achievements of your de- voted Sikhs, I dedicate it to your holy name, in token of the deepest debt of gratitude you have placed me and mine under, in the fervent hope that it may be of some service to your beloved Panth. SOHAN SINGH. FREFAOE. In my case, it is ray own family traditions that actuated me to take up my pen to write this piece of Sikh History. Sikhism in my family began with my great great grand father, Bhai Mansa Singh of Khcm Karn, Avho having received Amrita joined the Budha Dal, and afterwards accompanied Sardar Charat Singh to Giijranwala. -
United Punjab: Exploring Composite Culture in a New Zealand Punjabi Film Documentary
sites: new series · vol 16 no 2 · 2019 DOI: http://dx.doi.org/10.11157/sites-id445 – article – SANJHA PUNJAB – UNITED PUNJAB: EXPLORING COMPOSITE CULTURE IN A NEW ZEALAND PUNJABI FILM DOCUMENTARY Teena J. Brown Pulu,1 Asim Mukhtar2 & Harminder Singh3 ABSTRACT This paper examines the second author’s positionality as the researcher and sto- ryteller of a PhD documentary film that will be shot in New Zealand, Pakistan, and North India. Adapting insights from writings on Punjab’s composite culture, the film will begin by framing the Christchurch massacre at two mosques on 15 March 2019 as an emotional trigger for bridging Punjabi migrant communi- ties in South Auckland, prompting them to reimagine a pre-partition setting of ‘Sanjha Punjab’ (United Punjab). Asim Mukhtar’s identity as a Punjabi Muslim from Pakistan connects him to the Punjabi Sikhs of North India. We use Asim’s words, experiences, and diary to explore how his insider role as a member of these communities positions him as the subject of his research. His subjectivity and identity then become sense-making tools for validating Sanjha Punjab as an enduring storyboard of Punjabi social memory and history that can be recorded in this documentary film. Keywords: united Punjab; composite culture; migrants; Punjabis; Pakistani; Muslims; Sikhs; South Auckland. INTRODUCTION The concept ‘Sanjha Punjab – United Punjab’ cuts across time, international and religious boundaries. On March 15, 2019, this image of a united Punjab inspired Pakistani Muslim Punjabis and Indian Sikh Punjabis to cooperate in support of Pakistani families caught in the terrorist attacks at Al Noor Masjid and Linwood Majid in Christchurch. -
A Man Called Banda © 2019 Rupinder Singh Brar, Yuba City, CA
A Man Called Banda © 2019 Rupinder Singh Brar, Yuba City, CA. All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval process, without permission in writing from the publisher. -- Cataloging-in-Publication Data Brar, Rupinder S. 1961-, author A Man Called Banda / by Rupinder S. Brar ; 2019. | Includes bibliographical references. pages ; cm Front cover: A silhouette of a statue of Banda Bahadur from a monument to him at Chappar Chiri, Punjab, India 8 A MAN CALLED BANDA Rupinder Singh Brar 10 Table of Contents The Prophet and the Ascetic 6 The Road to Chappar Chiri 15 Provisions Arms and Victory 20 The Guru Will Protect You 28 Two and a Half Strikes 34 Defeat Defiance and Redemption 40 Life and Death in the Garden of Good and Evil 47 The Age of the Mughals 50 The House of Nanak and the House of Babur 58 The Empire in Crisis 65 The Khalsa Revolution 72 Just War: 77 A Moral Case for Rebellion 77 Assessing a Legend: 85 The Ethics of Banda’s War 85 Bandhi Bir 94 12 PART I COMES A WARRIOR BRAVE Chapter 1 The Prophet and the Ascetic Meticulously maintained weather charts at NASA confirm that on September 14th, 1708, a solar eclipse was witnessed in the northern hemisphere that included almost all parts of India. On that day, many historians believe, an unknown ascetic named Madho Das became a disciple of Guru Gobind Singh and came to be known as Banda. -
15 Kanika Singh Format
The story of a Sikh museum KANIKA SINGH GURDWARA Sis Ganj in old Delhi One enters the museum with is one of the holiest Sikh shrines in the head covered and without shoes, India. As one walks down the street of as one would in the sacred space of a Chandni Chowk, the main boulevard gurdwara. The entrance to the museum in the old city, the Sis Ganj gurdwara is on the busy fawwara roundabout does a prominent landmark. The fawwara not quite prepare the visitor for the roundabout on which it is located is space inside. The museum has large always busy with the traffic of devotees, open halls, spread over two storeys. both locals who visit the gurdwara daily The display is unusual. In a and those who have travelled into Delhi museum, one typically expects a col- as pilgrims. As a resident of Delhi and lection of old, rare objects which have a historian interested in the city’s past historical value. Here, the display is and its heritage dynamics, it is interest- entirely made up of modern paintings. ing for me to observe the commemo- There are portraits of the Sikh gurus, rations and celebrations around the stories from their life and that of their gurdwara. The gurpurab celebrations followers. These ‘history paintings’ and the accompanying nagar kirtans narrate the story of the Sikh past. are a regular feature of the Sis Ganj These are oil paintings on canvas gurdwara and Chandni Chowk. The made in a western realist style. While fawwara (a blue and white colonial- the workmanship in some paintings is period fountain in the middle of a crude, on the whole it is impressive. -
Stars Come out for First Ever Punjabi International Film Festival Harbhajan Mann, Gippy Grewal, Neeru Bajwa Confirmed
For Immediate Release Stars Come Out for First ever Punjabi International Film Festival Harbhajan Mann, Gippy Grewal, Neeru Bajwa Confirmed March 30, 2012, Toronto, ON – Top Punjabi film stars Harbhajan Mann, Gippy Grewal, Neeru Bajwa and more are confirmed to participate in the first-ever Punjabi International Film Festival (PIFF). PIFF will be held in Ontario, Canada from May 18-21, 2012. The four-day extravaganza will feature a lineup of international feature films, short films and documentaries from around the world on themes of Punjabi culture and identity. PIFF will include glamorous gala events, film parties, concerts, workshops, seminars and much more as it celebrates South Asian Heritage Month and the Punjabi community in Toronto, Brampton and Mississauga. Punjabi singer and actor Harbhajan Mann has become a prominent figure in the revitalization of Punjabi cinema. He has starred and produced in movies such as: Ji Aayan Nu, Asa Nu Mann Watna Da, Dil Apna Punjabi, Mitti Wajaan Mardi, Mera Pind, My home, "Jag Jeondiyan De Mele" and "Heer Ranjha". “tars like Harbhajan Mann are beloved by the entire Punjabi Community and beyond for their decades of work promoting Punjabi cultural through film and music says “uy Gill, Presidet of PIFF. Gippy Grewal and Neeru Bajwa are extremely popular as part of the new generation of Punjabi films stars who are breathing fresh life into the industry. Festival partners include Humber College, The Mississauga Arts Council, The Brampton Board of Trade ad ore. The entire community is coming together to make this a fun filled event that people of all ages ad akgrouds a ejoy, says Mr. -
1 Do Not Reproduce This Article in Part Or Full Without Written Permission of Author How the British Divided Punjab Into Hindu
How the British divided Punjab into Hindu and Sikh By Sanjeev Nayyar December 2016 This is chapter 2 from the E book on Khalistan Movement published by www.swarajyamag.com During a 2012 visit to Naina Devi Temple in Himachal Pradesh, about an hour's drive from Anandpur Sahib, I wondered why so many Sikhs come to the temple for darshan. The answer lies in the events of 1699. In the Chandi Charitra, the tenth Guru says that in the past god had deputed Goddess Durga to destroy evil doers. That duty was now assigned to him hence he wanted her blessings. So he invited Pandit Kesho from Kashi to conduct the ceremony at the hill of Naina Devi. The ceremony started on Durga Ashtami day, in the autumn of October 1698, and lasted for six months. At the end of this period, the sacred spring Navratras began on 21 March 1699. Then, “When all the ghee and incense had been burnt and the goddess had yet not appeared, the Guru came forward with a naked sword and, flashing it before the assembly declared: ‘This is the goddess of power!” This took place on 28 March 1699, the Durga Ashtami day. The congregation was then asked to move to Anandpur, where on New Year Day of 1st Baisakh, 1699, the Guru would create a new nation.” 3 On 30 March 1699, at Anandpur, Govind Singhji gave a stirring speech to the assembly about the need to protect their spiritual and temporal rights. He then asked if anyone would offer his head in the services of God, Truth and Religion. -
Sikhi Explored
Sikhi Explored Sunday 4th December Volume 1 | Issue 1 Shaheedi of Sri Guru Tegh Bahadur Sahib Jee Waheguru Jee Ka Khalsa, Waheguru Jee Ke Fateh! Our Sikh history is rich beyond our imagination. The stories of our Gurus and their Sikh are truly inspiring, and the lessons to be learnt from reading about their lives, are countless. With the grace of the Guru, KCL Sikh Soc humbly look to share some of these beautiful gems from history with you all! In our first ever edition, we are going to remember the ultimate sacrifice our 9th Guru gave on the 24th November, 1675. Early Life Born in 1621, Guru Jee was first named ‘Tyag Mal’ by his father, the 6th Guru , Sri Hargobind Sahib Jee. During his childhood Guru Jee was taught Gurmukhi, Hindi and Sanskrit from the highly renowned Sikh scholar Bhai Gurdaas Jee. Fundamentally he was an apostle of peace and carried with him limitless virtues; notably his ability to remain calm and unshaken throughout his whole life. There are many stories of his childhood that indicate his humble personal- ity and the uncomprimising love he had for all. Despite being the son of the king of kings (Guru Hargboind Sahib Jee) whilst living in Bakale, Guru Jee worked on the land like ordaniry people, re- fusing to take offerings from anyone. Staying true to the saint-soldier concept ordained by his father, Guru Jee also learnt and mastered swordmanship, horsemanship and archery. At the tender age of just 13, Tyag Mal Ji marched bravely into battle with his father to protect their village, people and religion from the Moghuls, whom were under the control of Kale Khan. -
THE EVOLUTION of the ROLE of WOMEN in the SIKH RELIGION Chapter Page
UGC MINOR RESEARCH PROJECT FILE NO: 23-515/08 SPIRITUAL WARRIORS: THE EVOLUTION OF THE ROLE OF WOMEN IN THE SIKH RELIGION SUBMITTED BY DR. MEENAKSHI RAJAN DEPARTMENT OF HISTORY S.K SOMAIYA COLLEGE OF ARTS, SCIENCE AND COMMERCE, VIDYAVIHAR, MUMBAI 400077 MARCH 2010 SPIRITUAL WARRIORS: THE EVOLUTION OF THE ROLE OF WOMEN IN THE SIKH RELIGION Chapter Page Number 1 INTRODUCTION 1 2 ROLE OF WOMEN IN SIKH HISTORY 12 3 MATA TRIPTA 27 4 BIBI NANAKI 30 5 MATA KHIVI 36 6 BIBI BHANI 47 7 MATA SUNDARI 53 8 MAI BHAGO 57 9 SARDARNI SADA KAUR 65 10 CONCLUSION 69 BIBLIOGRAPHY 71 i Acknowledgement I acknowledge my obligation to the University Grants Commission for the financial assistance of this Minor Research Project on Spiritual Warriors: The Evolution of the Role of Women in the Sikh Religion. I extend my thanks to Principal K.Venkataramani and Prof. Parvathi Venkatesh for their constant encouragement. I am indebted to the college and library staff for their support. My endeavour could not have been realised without the love, support and encouragement from my husband, Mr.Murli Rajan and my daughter Radhika. I am grateful to my father, Dr. G.S Chauhan for sharing his deep knowledge of Sikhism and being my guiding light. ii 1 CHAPTER - 1 INTRODUCTION Sikhism is one of the youngest among world religions. It centers on the Guru –Sikh [teacher -disciple] relationship, which is considered to be sacred. The development of Sikhism is a remarkable story of a socio- religious movement which under the leadership of ten human Gurus’ developed into a well organized force in Punjab.1Conceived in northern India, this belief system preached and propagated values of universalism, liberalism, humanism and pluralism within the context of a “medieval age.” Its teachings were “revealed’ by Guru Nanak (1469-1539 AD) who was, in turn, succeeded by nine other Gurus’. -
1. Introduction “Bhand-Marasi”
1. INTRODUCTION “BHAND-MARASI” A Folk-Form of Punjabi theatre Bhand-Marasi is a Folk-Form of Punjabi theatre. My project is based on Punjabi folk-forms. I am unable to work on all the existing folk-forms of Punjab because of limited budget & time span. By taking in concern the current situation of the Punjabi folk theatre, I together with my whole group, strongly feel that we should put some effort in preventing this particular folk-form from being extinct. Bhand-Marasi had been one of the chief folk-form of celebration in Punjabi culture. Nowadays, people don’t have much time to plan longer celebrations at homes since the concept of marriage palaces & banquet halls has arrived & is in vogue these days to celebrate any occasion in the family. Earlier, these Bhand-Marasis used to reach people’s home after they would get the wind of any auspicious tiding & perform in their courtyard; singing holy song, dancing, mimic, becoming characters of the host family & making or enacting funny stories about these family members & to wind up they would pray for the family’s well-being. But in the present era, their job of entertaining the people has been seized by the local orchestra people. Thus, the successors of these Bhand- Marasis are forced to look for other jobs for their living. 2. OBJECTIVE At present, we feel the need of “Data- Creation” of this Folk Theatre-Form of Punjab. Three regions of Punjab Majha, Malwa & Doaba differ in dialect, accent & in the folk-culture as well & this leads to the visible difference in the folk-forms of these regions. -
A Study of Educational Opportunity for Punjabi Youth. Final Report. INSTITUTION South Asian American Education Association, Stockton, CA
DOCUMENT RESUME ED 236 276 UD 023 154 AUTHOR Gibson, Margaret A. TITLE Home-School-Community Linkages: A Study of Educational Opportunity for Punjabi Youth. Final Report. INSTITUTION South Asian American Education Association, Stockton, CA. SPONS AGENCY Department of Education, Washington, DC. PUB DATE 83 GRANT NIE-G-80-0123 NOTE 270p.; Funding was provided by the Home, Community, and Work Program. PUB TYPE Reports - Research/Technical (143) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS Academic Achievement; *Cultural Influences; Educational Opportunities; *Family School Relationship; High Schools; *Immigrants; *Indians; Minority Groups; *Parent Attitudes; Religious Cultural Groups; School Community Relationship; Student Behavior; *Success IDENTIFIERS California; *Sikhs ABSTRACT This report presents findings from ethnographic research that focused on factors which promote and impede educational opportunity for Punjabi Sikh immigrants in "Valleyside," an agricultural town in California. The report is divided into two parts. Part one considers the setting and the sociocultural context for schooling ia "Valleyside." Drawing from interviews with Punjabi and non-immigrant residents, parents' views of life in America, job opportunities, family structure, social relations, and child rearing are described. Background on Punjabis in India is provided.Their reasons for immigrating to the United States, their theory of success, and their life strategies are explored. In addition, social relations between'Punjabis and members of the mainstream majority are discussed. This section closes with a comparative analysis of child rearing, emphasizing those patterns most directly related to school performance at the secondary level. The second half of the report focuses on schooling itself by examining social, structural, and cultural factors which influence educational opportunity, home-school relations, and school response patterns. -
Lesson 3 Last Class
Lesson 3 Last Class... The actions of Gurbaksh Singh and the Rise of the Sikh Empire Who was Gurbaskh Singh? • Conflicting stories – Born in 1670 his name was Lashman Das – Intelligent and strong – During a hunting trip he shot a female deer (doe) • Doe was pregnant and both doe and child died – Caused change in him – Joined group of Bairagi Sadhus and became Narayan Das more commonly known as Madho Das – Joined group of Bairagi Sadhus and became Narayan Das more commonly known as Madho Das – Learned all manner of Trantric Mantras – Settled in Nanded and became a hermit Madho Das to Gurbaksh Singh • Sri Guru Gobind Singh Ji went to the ashram of Madho Das • He wasn’t there at the time and Guru Ji had the Sikhs prepare food • Madho Das returned, enraged he tried to use mantras against Guru Ji • Upon failing he gave up and was eventually blessed by Guru Ji Madho Das to Gurbaksh Singh • Guru Ji instructed him to give up his current life and become a true warrior fighting for righteousness • At the time Bahadur Shah refused to punish the Governor of Sirhind, Nawab Wazir Khan • Guru Ji supplied him with five gold tipped arrow, a nishan Sahib (flag) and a nagara (war drum). – Possibly sword and bow • Also blessed him with a Hukumnamah instructing other Sikhs to join him against the tyranny of the Mughals Madho Das to Gurbaksh Singh • Guru Ji instructed him to give up his current life and become a true warrior fighting for righteousness • At the time Bahadur Shah refused to punish the Governor of Sirhind, Nawab Wazir Khan • Guru Ji supplied him with five gold tipped arrow, a nishan Sahib (flag) and a nagara (war drum).