Natural Dye and Uniforms
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Altered Blue and Red Paints
Altered Blue and Red paints Investigations of Old Man in Warnemünde and The Drowned Boy by Edvard Munch (1863–1944) Jin Strand Ferrer MA DISSERTATION Project-based Master’s Degree in Conservation Department of Archaeology, Conservation and History UNIVERSITY OF OSLO Spring 2019 I Copyright Jin Strand Ferrer 2019 Altered Blue and Red paints: Investigations of Old Man in Warnemünde and The Drowned Boy by Edvard Munch (1863–1944) Jin Strand Ferrer http://www.duo.uio.no Print: Reprosentralen, University of Oslo II Table of contents 1 Introduction ...................................................................................................................... 5 1.1 Background .......................................................................................................................... 5 1.1.1 Edvard Munch and Warnemünde (1907–1908) ................................................................ 6 1.2 Objectives and research questions ................................................................................... 10 1.2.1 Dissertation structure ...................................................................................................... 11 2 Paint manufacture: cobalt blue, synthetic ultramarine, and red lake paints .......... 13 2.1 Paint manufacture ............................................................................................................. 14 2.2 Additives and extenders .................................................................................................... 14 2.3 Binding media: -
Natural Colourants with Ancient Concept and Probable Uses
JOURNAL OF ADVANCED BOTANY AND ZOOLOGY Journal homepage: http://scienceq.org/Journals/JABZ.php Review Open Access Natural Colourants With Ancient Concept and Probable Uses Tabassum Khair1, Sujoy Bhusan2, Koushik Choudhury2, Ratna Choudhury3, Manabendra Debnath4 and Biplab De2* 1 Department of Pharmaceutical Sciences, Assam University, Silchar, Assam, India. 2 Regional Institute of Pharmaceutical Science And Technology, Abhoynagar, Agartala, Tripura, India. 3 Rajnagar H. S. School, Agartala, Tripura, India. 4 Department of Human Physiology, Swami Vivekananda Mahavidyalaya, Mohanpur, Tripura, India. *Corresponding author: Biplab De, E-mail: [email protected] Received: February 20, 2017, Accepted: April 15, 2017, Published: April 15, 2017. ABSTRACT: The majority of natural colourants are of vegetable origin from plant sources –roots, berries, barks, leaves, wood and other organic sources such as fungi and lichens. In the medicinal and food products apart from active constituents there are several other ingredients present which are used for either ethical or technical reasons. Colouring agent is one of them, known as excipients. The discovery of man-made synthetic dye in the mid-19th century triggered a long decline in the large-scale market for natural dyes as practiced by the villagers and tribes. The continuous use of synthetic colours in textile and food industry has been found to be detrimental to human health, also leading to environmental degradation. Biocolours are extracted by the villagers and certain tribes from natural herbs, plants as leaves, fruits (rind or seeds), flowers (petals, stamens), bark or roots, minerals such as prussian blue, red ochre & ultramarine blue and are also of insect origin such as lac, cochineal and kermes. -
Indigo Fructose Dye Vat
Kraftkolour Pty Ltd Factory 2, 99 Heyington Ave THOMASTOWN Vic 3074 Tel: 1300 720 493 Web: Kraftkolour.net.au Indigo Fructose Dye Vat The fructose indigo vat was developed by Michel Garcia. The addition of the fructose sugar acts as a reducing agent to the Indigo. The sugar removes one of the oxygen molecules from the indigo making it soluble in water. The addition of the Calcium Hydroxide (slaked or hydrated lime) changes the pH from an acid to a base. The proper pH to get good colour on wool should be about +9 and for cotton and cellulose +10. When the yarn or fabric is dipped into the indigo dye vat, it turns a green colour. When the yarn is raised into the air, the oxygen molecules from the air, bind with the indigo and turn the green into blue. To get darker and more intense blues, the yarn needs to be dipped into the indigo vat and raised into the air to oxidize several times. The colour builds up onto the yarn or cloth in layers. Keep dipping and airing out the yarn until the desired level of colour is achieved. An Indigo vat can be re-used and kept alive for several weeks until all of the indigo has been exhausted. If the Vat still has indigo but has turned blue, reheat the Vat to 50 deg C. Check the pH. Add about a teaspoon of fructose crystals and wait 15-30 minutes. The Vat should turn green. If it is still blue add some Calcium Hydroxide. -
The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels. -
NATURAL DYE 101 Indigo NATURAL DYE 101: Indigo
NATURAL DYE 101 Indigo NATURAL DYE 101: Indigo •IS THERE ANOTHER NATURAL DYE that holds such deep, almost magical, powers as indigo? One that is called by so many names, such as ai (Japan), landian (China), chàm (Laos and Vietnam), nila (India), gara (Africa), or añil (Central America)? One that beckons the spirits or causes mutinies? In this collection of articles, learn about the natural dye indigo—an overview of its history and science, and places to visit with rich indigo cultural roots. Meet a few artisans who work with indigo and sustain its traditional roots, learn some tips for dyeing and care, and learn more from additional resources. Contents Explore the World of the Natural Dye Indigo and How-To | 3 A Place to Visit: Lao Traditional Culture and Education Center in Vientiane, Laos | 6 Meet Ms. Mai Suxiong, An Artisan of Hmong Batik Indigo Cloth | 8 In Country: Indigo and the El Salvador Story of Grace Guirola | 10 An Ode to Indigo and Dorothy Miller | 12 Natural Fermentation Vat | 14 A Care Tip: Washing Excess Indigo Dye Particles | 15 Contemporary Artisan Cloth and Indigo Projects | 16 Additional Resources | 16 Further Reading | 17 ClothRoads | NATURAL DYEING 101: INDIGO | 2 Explore the World of the Natural Dye Indigo •by Judy Newland OUR JOURNEY through the ancient and mysterious world of the natural dye indigo begins with an overview of this dye deeply embedded in cultures around the world--one that is both art and science and touches the disciplines of botany, chemistry, economics, fashion, medicine, politics, as well as textile and social history. -
Tyrian Purple (6,6'-Dibromoindigo)
Tyrian Purple (6,6’-dibromoindigo) A New Twist on the Dye of Old An Ancient Process The Current Way The base chemical of 6,6’-dibromoindigo dye is Dow Chemical Company was the first company to make found naturally in mollusks and certain other crustaceans. Fabric can be dyed through synthetic indigo dye. 6,6’-dibromoindigo soon followed. Indigo direct dyeing, where the fabric or fiber is dyes (including 6,6’-dibromoindigo) are no longer made in the coated with the paste of the mollusk’s mucus U.S., because it is cheaper to import them from other countries. gland. The pasted fabric is allowed to sit in the Today, indigo dye is produced using laboratory chemical sun so that the purple can develop. Fabric can processes. These processes are highly efficient and cost-effective also be dyed using vat dyeing. In this process, the saliva of the mollusk is combined with for the companies that use them, but there are a growing paste of the mucus gland and allowed to dry. number of environmental concerns that are associated with their This residue is ground into a powder and put manufacture and use, as the dying process creates a large into a warm solution of sodium hydroxide or amount of chemical waste that must be disposed of carefully. At lye, away from sunlight, and fabric this time, both lawmakers and chemists are investigating simpler, is immersed in it. Finally, the dyed fabric is put through a finishing process (for safer, and more efficient ways to get the vividly colored clothing example, an acid wash), and washed with soap and water. -
H'mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 H’mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat CAT Village, Hoang Lien Commune, SAPA Town, Lao Cai Province, Vietnam Le Thi Hanh Lien1*, Nguyen Thi Hai Yen2, Dao Thi Luu3, Phi Thi Thu Hoang4, Nguyen Thuy Linh5 1, 2, 3, 4 Institute of Geography, Vietnam Academy of Science and Technology, 18 Hoang Quoc Viet Road, Nghia Do, CauGiay District, Ha Noi, Vietnam 5Management Development Institute of Singapore *Corresponding author: lehanhlien2017[at]gmail.com Abstract: Indigo dyeing and beeswax batik are the two traditional crafts that have long been associated with the H’Mong people in Sa Pa in general, Cat Cat village in particular and still preserved until the presentday. Through many stages of making indigo dye combined with sophisticated techniques and the ingenuity, meticulousness of the artisans in each motif and pattern, unique beeswax batik and indigo dyeing products have been created bringing the cultural identity of the H’mong people. These handicraft products have become a highlight to attract tourists to learn and discover local cultural values and they are meaningful souvenirs for visitors after each trip. In recent years, the development of the community-based tourism model in Cat Cat village has brought many benefits to the local community. Meanwhile, it has also contributed to creating opportunities for the development and restoration of H’mong traditional crafts. Keywords: indigo dyeing, beeswax batik, H’Mong, Cat Cat, Sa Pa 1. Introduction cultural and religious life of the H'Mong. -
Roadmap of Solid-State Lithium-Organic Batteries Toward 500 Wh Kg−1 † † Lihong Zhao, Alae Eddine Lakraychi, Zhaoyang Chen, Yanliang Liang, and Yan Yao*
Focus Review http://pubs.acs.org/journal/aelccp Roadmap of Solid-State Lithium-Organic Batteries toward 500 Wh kg−1 † † Lihong Zhao, Alae Eddine Lakraychi, Zhaoyang Chen, Yanliang Liang, and Yan Yao* Cite This: ACS Energy Lett. 2021, 6, 3287−3306 Read Online ACCESS Metrics & More Article Recommendations *sı Supporting Information ABSTRACT: Over the past few years, solid-state electrolytes (SSEs) have attracted tremendous attention due to their credible promise toward high-energy batteries. In parallel, organic battery electrode materials (OBEMs) are gaining momentum as strong candidates thanks to their lower environmental footprint, flexibility in molecular design and high energy metrics. Integration of the two constitutes a potential synergy to enable energy-dense solid- state batteries (SSBs) with high safety, low cost, and long-term sustainability. In this Review, we present the technological feasibility of combining OBEMs with SSEs along with the possible cell configurations that may result from this peculiar combination. We provide an overview of organic SSBs and discuss their main challenges. We analyze the performance-limiting factors and the critical cell design parameters governing cell-level specific energy and energy density. Lastly, we propose guidelines to achieve 500 Wh kg−1 cell-level specific energy with solid-state Li−organic batteries. Downloaded via Yan Yao on August 25, 2021 at 16:56:41 (UTC). rganic battery electrode materials (OBEMs) have molecules (<2 g cm−3) penalizes the energy density received considerable attention in the past few years. (volumetric) of assembled cells; second, low electronic O With a chemical composition derived from naturally conductivity imposes the use of large amount of conductive abundant elements (C, H, N, O, and S), a real possibility of agents which lower the cell-level specific energy (gravimetric); being generated from renewable resources (biomass), and an See https://pubs.acs.org/sharingguidelines for options on how to legitimately share published articles. -
Introduction to Indigo and Shibori
ICHF Show Guide NEC Birmingham 30th March – 2nd April 2006 1 Darkly, Deeply, Beautifully Blue Jane Callender explains the history behind the indigodyeing and shibori techniques which she uses to create fabulous fabrics. The Magic of Indigo dilemma, as a means of safe disposal Both natural and manufactured Know to man in ancient times, had yet to be found. It was coal tar. indigo are available to us today and indigo was harvested from plants In 1830, Berlin chemist Ferdinand astonishingly the process of dyeing flourishing in the hot climates of Runge sought recycling possibilities with either has remained the same. Africa, China, Japan, India and the from this substance and by 1834 had Unique and seemingly magical, it is Americas. We can only speculate as isolated the compound aniline oil. It very different to other methods of to how the blue dye yielded by many was known that natural indigo dyeing cloth and the key word in different species, a prolific genus contained aniline through the work understanding the process is oxygen. being Indigofera, was first revealed of Adolf von Bayer. Even though The prepared fabric is dipped, for a to man. Indigo was extracted from Runge made positive advancements minute or two, in the indigo vat, a the plant thorough fermentation, and into the world of synthetic dye stuffs golden/green colour, and then because it was able to be stored, it he was prevented from further allowed to hang in the air. With the was able to be sold. In the 13t h research – his amazing discovery was introduction of oxygen, absent in the century Marco Polo tells us that suppressed by management. -
Reviewanthraquinones, the Dr Jekyll and Mr Hyde of the Food Pigment
Food Research International 65 (2014) 132–136 Contents lists available at ScienceDirect Food Research International journal homepage: www.elsevier.com/locate/foodres Review Anthraquinones, the Dr Jekyll and Mr Hyde of the food pigment family Laurent Dufossé ⁎ Laboratoire de Chimie des Substances Naturelles et des Sciences des Aliments, Université de La Réunion, ESIROI Agroalimentaire, Parc Technologique, 2 rue Joseph Wetzell, F-97490 Sainte-Clotilde, Ile de La Réunion, France article info abstract Article history: Anthraquinones constitute the largest group of quinoid pigments with about 700 compounds described. Their Received 28 January 2014 role as food colorants is strongly discussed in the industry and among scientists, due to the 9,10-anthracenedione Received in revised form 9 September 2014 structure, which is a good candidate for DNA interaction, with subsequent positive and/or negative effect(s). Accepted 18 September 2014 Benefits (Dr Jekyll) and inconveniences (Mr Hyde) of three anthraquinones from a plant (madder color), an Available online 28 September 2014 insect (cochineal extract) and filamentous fungi (Arpink Red) are presented in this review. For example excellent Keywords: stability in food formulation and variety of hues are opposed to allergenicity and carcinogenicity. All the anthra- Anthraquinone quinone molecules are not biologically active and research effort is requested for this strange group of food Color pigments. Pigment © 2014 Elsevier Ltd. All rights reserved. Madder Carmine Filamentous fungi Contents 1. Introduction............................................................. -
Effect of Indigo Dye Effluent on the Growth, Biomass Production and Phenotypic Plasticity of Scenedesmus Quadricauda (Chlorococcales)
Anais da Academia Brasileira de Ciências (2014) 86(1): 419-428 (Annals of the Brazilian Academy of Sciences) Printed version ISSN 0001-3765 / Online version ISSN 1678-2690 http://dx.doi.org/10.1590/0001-3765201420130225 www.scielo.br/aabc Effect of indigo dye effluent on the growth, biomass production and phenotypic plasticity of Scenedesmus quadricauda (Chlorococcales) MATHIAS A. CHIA1 and RILWAN I. MUSA2 1Laboratório de Cianobactérias, Escola Superior de Agricultura Luiz de Queiroz, Universidade de São Paulo, Av. Pádua Dias, 11, 13418-900 Piracicaba, SP, Brasil 2Department of Biological Sciences, Ahmadu Bello University, Zaria, Postal Code 810001, Nigeria Manuscript received on June 26, 2013; accepted for publication on October 14, 2013 ABSTRACT The effect of indigo dye effluent on the freshwater microalga Scenedesmus quadricauda ABU12 was investigated under controlled laboratory conditions. The microalga was exposed to different concentrations of the effluent obtained by diluting the dye effluent from 100 to 175 times in bold basal medium (BBM). The growth rate of the microalga decreased as indigo dye effluent concentration increased (p <0.05). The EC50 was found to be 166 dilution factor of the effluent. Chlorophyll a, cell density and dry weight production as biomarkers were negatively affected by high indigo dye effluent concentration, their levels were higher at low effluent concentrations (p <0.05). Changes in coenobia size significantly correlated with the dye effluent concentration. A shift from large to small coenobia with increasing indigo dye effluent concentration was obtained. We conclude that even at low concentrations; effluents from textile industrial processes that use indigo dye are capable of significantly reducing the growth and biomass production, in addition to altering the morphological characteristics of the freshwater microalga S. -
Isatis Tinctoria L. (Woad): a Review of Its Botany, Ethnobotanical Uses, Phytochemistry, Biological Activities, and Biotechnological Studies
plants Review Isatis tinctoria L. (Woad): A Review of Its Botany, Ethnobotanical Uses, Phytochemistry, Biological Activities, and Biotechnological Studies Jasmine Speranza 1,2, Natalizia Miceli 2,*, Maria Fernanda Taviano 2 , Salvatore Ragusa 3 , Inga Kwiecie ´n 4, Agnieszka Szopa 4 and Halina Ekiert 4 1 Foundation “Prof. Antonio Imbesi”, University of Messina, Piazza Pugliatti 1, 98122 Messina, Italy; [email protected] 2 Department of Chemical, Biological, Pharmaceutical and Environmental Sciences, University of Messina, Viale Palatucci, 98168 Messina, Italy; [email protected] 3 Department of Health Sciences, University ‘Magna Graecia’ of Catanzaro, V. Europa, IT-88100 Catanzaro, Italy; [email protected] 4 Chair and Department of Pharmaceutical Botany, Jagiellonian University, Medical College, Medyczna 9, 30-688 Kraków, Poland; [email protected] (I.K.); [email protected] (A.S.); [email protected] (H.E.) * Correspondence: [email protected] Received: 10 February 2020; Accepted: 25 February 2020; Published: 1 March 2020 Abstract: Isatis tinctoria L. (Brassicaceae), which is commonly known as woad, is a species with an ancient and well-documented history as an indigo dye and medicinal plant. Currently, I. tinctoria is utilized more often as medicinal remedy and also as a cosmetic ingredient. In 2011, I. tinctoria root was accepted in the official European phytotherapy by introducing its monograph in the European Pharmacopoeia. The biological properties of raw material have been known from Traditional Chinese Medicine (TCM). Over recent decades, I. tinctoria has been investigated both from a phytochemical and a biological point of view. The modern in vitro and in vivo scientific studies proved anti-inflammatory, anti-tumour, antimicrobial, antiviral, analgesic, and antioxidant activities.