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William Poole - the Real "Bill the Butcher"
William Poole - The Real "Bill The Butcher" William Poole was a Nativist enforcer of The Native American Party, also known as The Know Nothing Party, which was a faction of the American Republican Party. The Know Nothing was a movement created by Nativists whom believed that the overwhelming immigration of German and Irish Catholic immigrants were a threat to republican values and controlled by the Pope in Rome. They were dubbed the Know Nothings by outsiders of their semi-secret organization. This had nothing to do with them knowing anything. It had to do with their reply when asked of the organization's activities, often stating, "I know nothing." Bill the Butcher was a leader of The Bowery Boys and known for his skills as being a good bare knuckle boxer. Poole's trade was that of a butcher, and was infuriated when many butchering licenses were being handed out to Irish immigrants. William Poole was born in Sussex County, New Jersey to parents of English protestant descent. His family moved to New York City in 1832 to open a butcher shop in Washington Market, Manhattan. Bill Poole trained in his father's trade and eventually took over the family store. In the 1840s, he worked with the Howard (Red Rover) Volunteer Fire Engine Company #34, Hudson & Christopher Street. Uunlike in the movie, William "The Butcher" Poole was shot in real life. However, he was shot at Stanwix Hall, a bar on Broadway near Prince. William Poole did not die in a glorious street battle against his Irish enemies. Instead, he died from the gun wound at his home on Christopher Street. -
Youth Gangs: Legislative Issues in the 109Th Congress
Order Code RL33400 CRS Report for Congress Received through the CRS Web Youth Gangs: Legislative Issues in the 109th Congress April 21, 2006 Celinda Franco Specialist in Social Legislation Domestic Social Policy Division Congressional Research Service ˜ The Library of Congress Youth Gangs: Legislative Issues in the 109th Congress Summary Gang activity and related violence threaten public order in a diverse range of communities in the United States today. Congress has long recognized that this problem affects a number of issues of federal concern, and federal legislation has been introduced in the 109th Congress to address the subject. Youth gangs have been an endemic feature of American urban life. They are well attested as early as the 18th century and have been a recurrent subject of concern since then. Contemporary views of the problem have been formed against the background of a significant adverse secular trend in gang activity during the last four decades. In particular, the rapid growth of gang membership, geographical dispersion, and criminal involvement during the violent crime epidemic — associated with the emergence of the crack cocaine market during the mid-1980s to the early 1990s — have intensified current concerns. The experience of those years continues to mark both patterns of gang activity and public policy responses toward them. Reports about the increased activity and recent migration of a violent California- based gang, the Mara Salvatrucha (MS-13), have heightened concerns about gangs in certain areas of the country. Policy development and implementation in this area are bedeviled by discrepant uses of the term “gang” and the absence of uniform standards of statistical reporting. -
The New York City Draft Riots of 1863
University of Kentucky UKnowledge United States History History 1974 The Armies of the Streets: The New York City Draft Riots of 1863 Adrian Cook Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Cook, Adrian, "The Armies of the Streets: The New York City Draft Riots of 1863" (1974). United States History. 56. https://uknowledge.uky.edu/upk_united_states_history/56 THE ARMIES OF THE STREETS This page intentionally left blank THE ARMIES OF THE STREETS TheNew York City Draft Riots of 1863 ADRIAN COOK THE UNIVERSITY PRESS OF KENTUCKY ISBN: 978-0-8131-5182-3 Library of Congress Catalog Card Number: 73-80463 Copyright© 1974 by The University Press of Kentucky A statewide cooperative scholarly publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky State College, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506 To My Mother This page intentionally left blank Contents Acknowledgments ix -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Eau Brummels of Gangland and the Killing They Did in Feuds Ho" It
1 9 -- THE SUN; SUNDAY, AtlGtlSTriSWi 1! eau Brummels of Gangland and the Killing They Did in Feuds ho" it v" A!. W4x 1WJ HERMAN ROSEHTHAL WHOSE K.1LLINQ- - POLICE COMMISSIOKER. EH RIGHT WHO IS IN $ MARKED T?e expressed great indignation that a KEEPING TJe GANGS SUBdECTIOK. BEGINNING-O- F crime had been committed. Ploggl .TAe stayed in. hiding for a few days whllo tho politicians who controlled the elec END FOR. tion services of the Five Points ar- ranged certain matters, and then ho Slaying of Rosenthal Marked the Be surrendered. Of courso ho pleaded e. ginning of the End for Gangs Whose "Biff" Ellison, who was sent to Sing Sing for his part In the killing of by Bill Harrington in Paul Kelly's New Grimes Had Been Covered a Brighton dive, came to the Bowery from Maryland when he was in his Crooked Politicians Some of WHERE early twenties. Ho got a Job' as ARTHUR. WOOD5P WHO PUT T5e GANGS bouncer in Pat Flynn's saloon in 34 Reformed THEY ObLUncr. Bond street, and advanced rapidly in Old Leaders Who tho estimation of gangland, because he was young and husky when he and zenship back Tanner Smith becamo as approaching tho end of his activities. hit a man that man went down and r 0 as anybody. Ho got Besides these there were numerous stayed down. That was how he got decent a citizen Murders Resulting From Rivalry Among Gangsters Were a Job as beef handler on the docks, other fights. bis nickname ho used to be always stevedore, and threatening to someone. -
Trackmaster Pps Available Here
TRACKMASTER PLATINUM PAST PERFORMANCES MEADOWLANDS www.trackmaster.com 800-334-3800 SATURDAY, JULY 17, 2021 ALPHABETICAL HORSE LISTING POST POSITION STATISTICS NAME RACE # NAME RACE # 1 2 3 4 5 6 7 8 9 10 A FANCY FACE 5 7 JK FIRST LADY 6 6 FAST TRACK AB'SATTITUDEXPRESS 8 6 KEEP ROCKIN A 6 8 WIN% INDEX -11 -12 1 -3 34 37 -3 -6 -33 -19 ABUCKABETT HANOVER 9 8 KENZIESKY HANOVER 5 9 ROI% INDEX -8 -16 3 -10 8 20 2 -2 -18 -9 ALLYWAG HANOVER 7 6 LADY CHAOS 3 4 ALTAR 1 4 LAWLESS SHADOW 9 5 STARTS 1111 1109 1100 1097 1090 1083 1052 971 818 508 AMERICAN COURAGE 9 10 LEONIDAS A 10 2 OFF TRACK AMERICAN HISTORY 12 5 LOU'S PEARLMAN 14 6 ANA AFREET N 7 1 LOVE THE BLUES N 13 7 WIN% INDEX -50 -17 -9 26 40 66 0 -38 -8 -18 ANA MALAK N 13 1 LYONS SENTINEL 6 10 ROI% INDEX -54 -9 54 -28 54 28 71 -43 88 45 ANGERS BAYAMA 7 5 LYONS STEEL 12 6 STARTS 153 153 152 151 147 146 145 136 114 61 ATLANTA Þ 5 5 MACKIE HANOVER 4 10 BACKSTREET SHADOW 7 4 MAJOR OCCASION A 6 7 LAST 30 DAYS BEADS 8 10 MANCHEGO 5 3 WIN% INDEX -42 -35 0 14 64 35 27 -32 -37 -61 BEAUMOND HANOVER 10 6 MAY KARP 1 3 ROI% INDEX -27 -38 -21 1 34 40 104 -30 -43 -64 BELTASSIMA 1 5 MAZZARATI 3 1 BEST IN SHOW 14 9 MORAIRTIME 5 10 STARTS 111 111 111 111 106 105 100 80 60 26 BETTER TAKE IT 14 3 NEXT LEVEL STUFF 8 1 BETTOR OF THE WEST 14 2 NO MAS DRAMA 5 6 TOP 20 DRIVERS - LAST 12 MONTHS AT TRACK BILLY CLYDE 14 4 NOTORIOUS PINK 4 7 NAME UDR STARTS WIN% PLACE% SHOW% ITM% ROI% BLANK STARE 12 8 OFF THE RECORD 4 3 BLLACK HOLE 10 3 ON A STREAK 11 4 DUNN, DEXTER .296 910 18 13 13 44 -23 BLUE DIAMOND EYES 4 1 ONE -
Repertoire List
REPERTOIRE LIST Adele - Rolling in the Deep James Brown - Get Up Oa That Thing Patrice Ruschen - Forget Me Nots 90’S MEDLEY Alabama Shakes - Hold on James and Bobby Purify - Shake A Tail Feather Percy Sledge - You Really Got a Hold On Me TLC Alicia Keys - Empire State of Mind James Blake - Limit To Your Love Pharrell – Happy Usher Al Green - Let’s Stay Together Jamie XX - Good Times Prince – I Wanna Be Your Lover Montell Jordan Al Green - Take Me to the River Janelle Monae - Tightrope Prince - Kiss Mark Morrison Amy Whinehouse - Valerie Jerry Lee Lewis - Great Balls of Fire R Kelly - Remix to Ignition Next Beck – Where It’s At Justin Timberlake - Rock Your Body Sade - Sweetest Taboo RIHANNA MEDLEY Blondie – Rapture King Harvest - Dancing in the Moonlight Sam Cooke - Wonderful World What’s My Name Beyonce – Crazy In Love Kendrick Lamar – If These Walls Could Talk Sam Cooke - Cupid We Found Love Beyonce - Love on Top Leon Bridges - Coming Home Sam Cooke - Twistin’ Work Beyonce - Party Little Richard - Good Golly Miss Molly Sam Cooke – You Send Me MOTOWN MEDLEY Blood Orange - You’re Not Good Enough Madonna - Everybody Scissor Sisters - I Don’t Feel Like Dancing Your Love Keeps Lifting Me Higher and Higher Bruno Mars - Treasure Mariah Carey - Fantasy Shuggie Otis - Strawberry Letter 23 You Really Got a Hold On Me Chaka Kahn - Ain’t Nobody Mark Ronson – Stop Me Spice Girls - Say You’ll Be There Signed Sealed Delivered Ciara - One Two Step Mark Ronson - Oh My God Stevie Wonder – All I Do PRINCE MEDLEY D’angelo - Sugah Daddy Martha Reeves - -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
90'S Medley Rihanna Medley Motown Medley Prince
Adele - Rolling in the Deep Jackson 5 - ABC Outkast - Miss Jackson 90’S MEDLEY Alabama Shakes - Hold on James Brown - Get Up Oa That Thing Outkast - Rosa Parks TLC Alicia Keys - Empire State of Mind James and Bobby Purify - Shake A Tail Feather Patrice Ruschen - Forget Me Nots Usher Alicia Keys - If I Ain’t Got You James Blake - Limit To Your Love Percy Sledge - You Really Got a Hold On Me Montell Jordan Al Green - Let’s Stay Together Jamie XX - Good Times Pharrell – Happy Mark Morrison Al Green - Take Me to the River Janelle Monae - Tightrope Prince – I Wanna Be Your Lover Next Amy Whinehouse - Valerie Jerry Lee Lewis - Great Balls of Fire Prince - Kiss Beck – Where It’s At Justin Timberlake - Can’t Stop The Feeling Ray Charles - Georgia Beyonce – Crazy In Love Justin Timberlake - Rock Your Body R Kelly - Remix to Ignition RIHANNA MEDLEY Beyonce - Love on Top King Harvest - Dancing in the Moonlight Sade - By Your Side What’s My Name Beyonce - Party Kendrick Lamar – If These Walls Could Talk Sade - Smooth Operator We Found Love Bill Withers - Ain’t No Sunshine Leon Bridges - Coming Home Sade - Sweetest Taboo Work Blondie – Rapture Lil Nas X - Old Town Road Sam Cooke - Wonderful World Blood Orange - You’re Not Good Enough Sam Cooke - Cupid Lionel Richie - All Night Long MOTOWN MEDLEY Bob Carlisle/Je Carson - Butterfly Kisses Little Richard - Good Golly Miss Molly Sam Cooke - Twistin’ Your Love Keeps Lifting Me Higher and Higher Bruno Mars - 24k Magic Lizzo - Juice Sam Cooke – You Send Me You Really Got a Hold On Me Bruno Mars - Treasure -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Community and Politics in Antebellum New York City Irish Gang Subculture James
The Communal Legitimacy of Collective Violence: Community and Politics in Antebellum New York City Irish Gang Subculture by James Peter Phelan A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Department of History and Classics University of Alberta ©James Phelan, 2014 ii Abstract This thesis examines the influences that New York City‘s Irish-Americans had on the violence, politics, and underground subcultures of the antebellum era. During the Great Famine era of the Irish Diaspora, Irish-Americans in Five Points, New York City, formed strong community bonds, traditions, and a spirit of resistance as an amalgamation of rural Irish and urban American influences. By the middle of the nineteenth century, Irish immigrants and their descendants combined community traditions with concepts of American individualism and upward mobility to become an important part of the antebellum era‘s ―Shirtless Democracy‖ movement. The proto-gang political clubs formed during this era became so powerful that by the late 1850s, clashes with Know Nothing and Republican forces, particularly over New York‘s Police force, resulted in extreme outbursts of violence in June and July, 1857. By tracking the Five Points Irish from famine to riot, this thesis as whole illuminates how communal violence and the riots of 1857 may be understood, moralised, and even legitimised given the community and culture unique to Five Points in the antebellum era. iii Table of Contents Introduction ...................................................................................................................................