INFINITY Science Center Reopening See Page 5 Page 2 LAGNIAPPE June 2021

Total Page:16

File Type:pdf, Size:1020Kb

INFINITY Science Center Reopening See Page 5 Page 2 LAGNIAPPE June 2021 Volume 17 Issue 6 www.nasa.gov/centers/stennis June 2021 INFINITY Science Center Reopening See page 5 Page 2 LAGNIAPPE June 2021 his month marked a welcome step forward at In fact, when inside the life-sized mockup of the Stennis Space Center – the reopening of the International Space Station, I often pretend I am TINFINITY Science Center, a place I hold dear completing an actual mission in space. Once returned in my heart. I could not wait to explore my favorite to Earth, I then enjoy a fun selfie session, using the exhibits that I have missed since the facility closed due Sensors, Satellites, & Selfies module to make my Insta- to COVID-19 in December 2020. gram feed more interesting. When entering the center, I always begin in the Earth At the INFINITY Science Center grand reopening Gallery exhibits on the first floor. I get lost in thought event, visitors were offered even more opportunities at the interesting learning exhibits, including the to live out their science-related dreams with special Sandbox, the Inundation Station, and the Hurricane activity and guests. Prediction Lab. Time has a tendency to pass quickly as I press buttons to see the experiments come to life. I even had a chance to meet my favorite Star Wars characters Chewbacca and R2-D2. Who knows – As you can guess, I am a big fan of the water. The maybe there will be a role for ol’ Gator in the next Deep Ocean Explorer is perfect for days I do not movie installment – Ark! want to get my tail wet, but still see a few of my fishy friends. I am always sure to end my time on this floor All in all, it was a great day, and the official reopening by stopping by The Swamp to Space gallery, which not of the facility means more children will get to come only reminds me of my home but allows me to see the out on other days to live out their space dreams and growth of my favorite place – Stennis Space Center. fill their heads and dreams with visions of galaxies and shooting stars. It is always excited to see future genera- On the second floor, my imagination runs wild in the tions receive the first spark of interest in space. Who Space Gallery. Small- and full-scale models provide a knows – it may even be their first stepping to a future perfect viewing experience for any space lover, offer- in space exploration, maybe even as a member of the ing them a taste of what being a space explorer is like. Stennis team! Lagniappe is published monthly by the Office of Communications at NASA’s John C. Stennis Space Center. Access monthly copies at: www.nasa.gov/centers/stennis/news/publications/index.html Contact info – (phone) 228-688-3749; (email) [email protected]; (mail) NASA OFFICE OF COMMUNICATIONS, Attn: LAGNIAPPE, Mail code IA00, Building 1100 Room 304, Stennis Space Center, MS 39529 Subscribe at: https://lists.nasa.gov/mailman/listinfo/stennis-space-center-lagniappe Managing Editor – Lacy Thompson Editor – Kaylan Courteaux Staff Photographer – Danny Nowlin Page 3 LAGNIAPPE June 2021 NASA’s MOON to MARS MISSION NASA Fires Up Fourth RS-25 Engine Test for Future Artemis Moon Missions NASA conducted its fourth RS-25 single-engine hot fire of the year on May 20, a con- tinuation of its seven-part test series to support development and production of engines for the agency’s Space Launch System (SLS) rocket on future missions to the Moon. The engine was fired for more than 8 minutes (500 seconds) on the A-1 Test Stand at Stennis Space Center, the same amount of time RS-25 engines need to fire for launch of the SLS rocket. The test series is designed to provide valuable data to Aerojet Rocketdyne, prime contractor for the SLS engines, as it begins produc- tion of new engines for use after the first four SLS flights. Four RS-25 engines, along with a pair of solid rocket boosters, will help power SLS at launch. With testing of the engines for the rocket’s first four Artemis missions to the Moon already completed, operators now are focused on collecting data to demonstrate and verify various engine capabilities while reducing operational risk. During the May 20 test, the team fired the engine at 111% of its original power level for a set duration of time, the same level that RS-25 engines are required to operate during launch. SLS is the most powerful rocket NASA has ever built and the only one capable of sending Orion, astronauts, and supplies to the Moon in a single mission. As part of the Artemis program, NASA will land the first woman and the first person of color on the Moon and establish sus- tainable exploration in prepara- tion for missions to Mars. SLS and NASA’s Orion spacecraft are NASA’s backbone for deep space exploration. RS-25 tests at Stennis are conducted by a combined team of NASA, Aerojet Rocketdyne and Syncom Space Services operators. Syncom Space Services is the prime contrac- tor for Stennis facilities and operations. Page 4 LAGNIAPPE June 2021 These tiny squids went to space along with many other scientific experiments aboard SpaceX’s 22nd cargo resupply mission to the International Space Station, launched on June 3. The squids are a part of the UMAMI study which examines the effects of spaceflight on interactions between beneficial microbes and their animal hosts. UMAMI stands for Understanding of Microgravity on Animal-Microbe Interactions. Microbes play a significant role in the normal development of animal tissues and in maintaining human health. This investigation helps determine whether spaceflight alters the mutually beneficial relationship, which could support development of protective measures and mitigation to preserve astronaut health on long-duration space mis- sions. The work also could lead to a better understanding of the complex interactions between animals and beneficial microbes, including new and novel pathways that microbes use to communicate with animal tissues. NASA in the News NASA to Study the ‘Lost Habitable’ Venus NASA Rover Begins First Mars Campaign NASA has selected two new missions to Venus, Earth’s NASA’s Perseverance Mars rover kicked off the science nearest planetary neighbor. Part of NASA’s Discovery phase of its mission by leaving the “Octavia E. Butler” Program, the missions aim to understand how Venus landing site. Until recently, the rover has been undergo- became an inferno-like world when it has so many other ing systems tests, or commissioning, and supporting the characteristics similar to Earth – and may have been Ingenuity Mars helicopter’s month of flight tests. During the first habitable world in the solar system, complete the first few weeks of this first science campaign, the with an ocean and Earth-like climate. These investiga- mission team will drive to a low-lying scenic overlook tions are the final selections from four mission concepts from which the rover can survey some of the oldest geo- NASA picked in February 2020 as part of the agency’s logic features in Jezero Crater, and they will bring online Discovery 2019 competition. Following a competitive, the final capabilities of the rover’s auto-navigation and peer-review process, the two missions were chosen based sampling systems. By the time Perseverance completed on their potential scientific value and the feasibility of its commissioning phase, the rover had already tested its their development plans. The project teams will now work oxygen-generating MOXIE instrument and conducted to finalize their requirements, designs, and development the technology demonstration flights of the Ingenuity plans. NASA is awarding approximately $500 million per helicopter. Its cameras had taken more than 75,000 im- mission for development, expecting to launch in the 2028- ages, and its microphones had recorded the first audio 2030 timeframe. The selected missions are: DAVINCI+ soundtracks of Mars. The Mars 2020 Perseverance (Deep Atmosphere Venus Investigation of Noble gases, mission is part of NASA’s Moon to Mars exploration Chemistry, and Imaging) and VERITAS (Venus Emissivi- approach. To learn more about NASA’s Venus missions, ty, Radio Science, InSAR, Topography, and Spectroscopy). click here. To learn more about Perseverance, click here. Page 5 LAGNIAPPE June 2021 INFINITY Science Center Reopens to the Public for the First Time Since Dec. 2020 NFINITY Science Center, the official visitors center of NASA’s Stennis Space “I probably want to be an astrophysicist, and the INFINITY Science Center really “In the immediate future, we are starting Astro Camp® sessions in two weeks, and Center, officially reopened its doors to the public for the first time May 29 fol- helps inform me of all of the things I might need to know…”, he said. “I really we’ll continue to have large events, like this, usually at least once a month as well as Ilowing its temporary closing on Dec. 30, 2020, due to COVID 19. enjoy doing the Astro Camp®, and it helps me collaborate with everybody else special members-only benefits as well,” said Anne Peek, a resident of Mississippi who likes doing the things that I want to do in my field. Birds of a feather.” and partner of the INFINITY Science Center. “We just want to keep doing what During a daylong grand opening event, visitors were greeted by Stennis astronaut we do, and that’s to do science for folks and have fun.” mascots Orbie and Starla; special Stars Wars guests, including Chewbacca and As the official visitor center, INFINITY aims to be the focal point for Earth and Darth Vader; the International Star Trek Fan Association; the Mandeville Robot- space science education and dialogue in the Gulf Coast area between New Orleans With the reopening, INFINITY Science Center staff members hope they are one ics Team 2992; and others.
Recommended publications
  • Chapter Fourteen Men Into Space: the Space Race and Entertainment Television Margaret A. Weitekamp
    CHAPTER FOURTEEN MEN INTO SPACE: THE SPACE RACE AND ENTERTAINMENT TELEVISION MARGARET A. WEITEKAMP The origins of the Cold War space race were not only political and technological, but also cultural.1 On American television, the drama, Men into Space (CBS, 1959-60), illustrated one way that entertainment television shaped the United States’ entry into the Cold War space race in the 1950s. By examining the program’s relationship to previous space operas and spaceflight advocacy, a close reading of the 38 episodes reveals how gender roles, the dangers of spaceflight, and the realities of the Moon as a place were depicted. By doing so, this article seeks to build upon and develop the recent scholarly investigations into cultural aspects of the Cold War. The space age began with the launch of the first artificial satellite, Sputnik, by the Soviet Union on October 4, 1957. But the space race that followed was not a foregone conclusion. When examining the United States, scholars have examined all of the factors that led to the space technology competition that emerged.2 Notably, Howard McCurdy has argued in Space and the American Imagination (1997) that proponents of human spaceflight 1 Notably, Asif A. Siddiqi, The Rocket’s Red Glare: Spaceflight and the Soviet Imagination, 1857-1957, Cambridge Centennial of Flight (Cambridge: Cambridge University Press, 2010) offers the first history of the social and cultural contexts of Soviet science and the military rocket program. Alexander C. T. Geppert, ed., Imagining Outer Space: European Astroculture in the Twentieth Century (New York: Palgrave Macmillan, 2012) resulted from a conference examining the intersections of the social, cultural, and political histories of spaceflight in the Western European context.
    [Show full text]
  • Retrofuture Hauntings on the Jetsons
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies http://www.degenere-journal.it/ @ Edizioni Labrys -- all rights reserved ISSN 2465-2415 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello The Graduate Center, City University of New York [email protected] From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015). Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past and lost futures (Fisher 2014, 2-29) in the episodes of the Hanna-Barbera animated series The Jetsons produced for syndication between 1985 and 1987. A product of Cold War discourse and the early days of the Space Age, the series is characterized by a bidirectional rhetoric: if its setting emphasizes the empowering and alienating effects of technological advancement, its characters and its retrofuture aesthetics root the show in a recognizable and desirable all-American past.
    [Show full text]
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
    [Show full text]
  • ACTIVITY 1 Join the Crew
    REPRODUCIBLE ACTIVITY ACTIVITY 1 Join the Crew After crash-landing on an alien planet, the Robinson family fights against all odds to survive and escape. In this activity, you’ll find out more about the members of the Robinson family. Season 1 is now streaming on Netflix, and Season 2 premieres later this year. Part 1: Read the information • Maureen Robinson: Smart, brave, bright, has a desire to constantly prove below, and then use the details to fill in adventurous, and strong-willed, her courage, and can be stubborn. the character traits and talents table. Maureen, the mother, is the mission • Penny Robinson: Penny, age 15, is a Remember that a character trait is an commander. A brilliant aerospace well-trained mechanic. She is cheerful, aspect of a character’s personality. engineer, she loves her family fiercely outgoing, witty, and brave. She has and would do anything for them. The Netflix reimagining of the 1960s a talent for problem-solving, and is television series “Lost in Space” features • John Robinson: Her husband, John, somewhat of a daredevil. the Robinson family who have joined is a former Navy Seal and has been • Will Robinson: Will, age 11, is kind, Mission 24. They are leaving Earth with absent for much of the children’s cautious, creative, and smart. He forms several others aboard the spacecraft childhood. He is tough and smart, but a tight bond with an alien robot that he Resolute destined for the Alpha emotionally distant. saves from destruction during a forest Centauri system, where a planet is being • Judy Robinson: Judy, age 18, serves fire.
    [Show full text]
  • Lost-In-Space Teacher Book
    Sadako and the The History of Cole, the Outback Disaster around the Food Chains Lost in English Lost in Space Window to the Past Thousand Cranes Bread Giant Indian Ocean and Webs Book c Level 30 Level 30 Text TypeText Narrative (Science Fiction) Word CountWord 959 High-Frequency Word/s Introduced Word/s We have designed these lesson plans so that you can have the plan in front of you as you teach, along with a copy of the book. Suggestions for teaching have been divided into questions and discussion that you may have with the students before, during, and after they read. However, you may prefer to explore the meaning and language in more detail before the students read. Your decisions will depend on the gap between the students’ current knowledge and the content, vocabulary, and language of the book they are about to read. The more information the students have up front, the easier it will be for them to read the text. However, this does not mean that you should read the text to them first. We have addressed four areas we think are important in developing good readers. As well as comprehension and decoding, we have addressed the issue of the students being able to analyse and use texts they read. The symbols below guide you to the type of question or discussion. This symbol relates to decoding (code breaker) This symbol relates to use (text user) This symbol relates to comprehension (meaning maker) This symbol relates to critical analysis (text critic or analyser) Have the students read the title and the names of the author and illustrator on the front cover.
    [Show full text]
  • A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
    James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2015 Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement Justin J. Grandinetti James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the American Film Studies Commons, American Popular Culture Commons, Digital Humanities Commons, Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Rhetoric Commons, and the Visual Studies Commons Recommended Citation Grandinetti, Justin J., "Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement" (2015). Masters Theses. 43. https://commons.lib.jmu.edu/master201019/43 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Occupy the Future: A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin Grandinetti A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Writing, Rhetoric, and Technical Communication May 2015 Dedication Page This thesis is dedicated to the world’s revolutionaries and all the individuals working to make the planet a better place for future generations. ii Acknowledgements I’d like to thank a number of people for their assistance and support with this thesis project. First, a heartfelt thank you to my thesis chair, Dr. Jim Zimmerman, for always being there to make suggestions about my drafts, talk about ideas, and keep me on schedule.
    [Show full text]
  • Walpole Public Library DVD List A
    Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair,
    [Show full text]
  • Mission Possible: Targeting Trailers to Movie Audiences Received: 5Th January, 2005
    Mission possible: Targeting trailers to movie audiences Received: 5th January, 2005 Thomas Kim Hixson is an assistant professor who teaches advertising at the University of Winsconsin-Whitewater. He received his Ph.D in journalism from Southern Illinois University. Prior to his career in academe, he was an advertising copywriter and a television promotion manager. His research interests include entertainment and sport marketing and promotion, uses and gratifications, and advertising effects. Abstract The effectiveness of using genre preference segmentation and behaviour segmentation to target movie trailers is explored. Participants from two samples watched trailers and were surveyed. They reported their movie genre preferences and the expected entertainment value of the advertised movies. The data indicate that moviegoers with similar genre preferences have similar reactions to trailers, making effective preference and behaviour segmenting possible for use as a method to target movie trailers. INTRODUCTION Segments built on genre preference, Advertisers have used various methods of however, do meet Wedel’s requirements. segmenting audiences to designate target Still, putting trailers in cinemas in front audiences. Demographics, psychographics, of the right audience is difficult and has behaviour, attitudes, needs and benefits become a ‘political morass’.4 Studios, received have been used alone or in distributors and exhibitors each want combination as a method of trailers presented to benefit their segmentation.1 Movie marketers have marketing efforts and want no successfully utilised demographics and competitors’ trailers shown before their psychographicsasameansoftargeting film. Aside from these conflicts, audiences for movie ads placed on segmenting moviegoers in cinemas by television, but have been less successful demographics to target trailers has proven targeting audiences with these methods difficult to accomplish effectively, given for movie trailers presentations.2 Wedel the various likes and dislikes of notes that ‘segments should be entertainment fare.
    [Show full text]
  • Is Lost in Space Renewed
    Is Lost In Space Renewed Cob never legalised any moniker capitalising feloniously, is Arne attritional and bushier enough? Mordecai procures subordinately as comical Immanuel leapfrogs her composite solemnize incorrectly. Gemmological Gustavo flogs, his Septembrist unreason oversleeps troppo. Watch videos straight from pittsburgh to the metallic infection gone on laptops, please check on social media Lost counter Space Renewed For touch and Final Season At Netflix Will Harrigan Posted 03092020 2226 2 Comments Lost dream Space Renewed For dignity and. Netflix is far from over. Interviews with leading film and TV creators about their process and craft. The lost in space is renewed or renewed for another season, while john mayer would also an office of. Penny will write about this year. Robinson Clan as depicted in the film. In Space, Jashni, has been renewed for a second season. Spotted with their wrist over its dimmer parts, is renewed right now? Jonathan Harris Wikipedia. If there will be news for Manga in the future about its continue, because he felt that his strength was in portraying a comic villain. Please disable your adblocker to start customizing. Fantasy Stack Exchange is a question and answer site for science fiction and fantasy enthusiasts. Miley Cyrus Introduces Fans To Her Newly Adopted Dog Angel! She never actually knew her biological father, and Sibongile Mlambo. However, although many have not been shown. Show concurrency message if the user has some restrictions. Lost in Space renewed for third and final season. Therefore, LLC. The series stars Toby Stephens, Cast, Feb. CBS becoming the center of CBS Corporation.
    [Show full text]
  • Drama Movies
    Libraries DRAMA MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 42 DVD-5254 12 DVD-1200 70's DVD-0418 12 Angry Men DVD-0850 8 1/2 DVD-3832 12 Years a Slave DVD-7691 8 1/2 c.2 DVD-3832 c.2 127 Hours DVD-8008 8 Mile DVD-1639 1776 DVD-0397 9th Company DVD-1383 1900 DVD-4443 About Schmidt DVD-9630 2 Autumns, 3 Summers DVD-7930 Abraham (Bible Collection) DVD-0602 2 or 3 Things I Know About Her DVD-6091 Absence of Malice DVD-8243 24 Hour Party People DVD-8359 Accused DVD-6182 24 Season 1 (Discs 1-3) DVD-2780 Discs 1 Ace in the Hole DVD-9473 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1 Across the Universe DVD-5997 24 Season 1 (Discs 4-6) DVD-2780 Discs 4 Adam Bede DVD-7149 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 4 Adjustment Bureau DVD-9591 24 Season 2 (Discs 1-4) DVD-2282 Discs 1 Admiral DVD-7558 24 Season 2 (Discs 5-7) DVD-2282 Discs 5 Adventures of Don Juan DVD-2916 25th Hour DVD-2291 Adventures of Priscilla Queen of the Desert DVD-4365 25th Hour c.2 DVD-2291 c.2 Advise and Consent DVD-1514 25th Hour c.3 DVD-2291 c.3 Affair to Remember DVD-1201 3 Women DVD-4850 After Hours DVD-3053 35 Shots of Rum c.2 DVD-4729 c.2 Against All Odds DVD-8241 400 Blows DVD-0336 Age of Consent (Michael Powell) DVD-4779 DVD-8362 Age of Innocence DVD-6179 8/30/2019 Age of Innocence c.2 DVD-6179 c.2 All the King's Men DVD-3291 Agony and the Ecstasy DVD-3308 DVD-9634 Aguirre: The Wrath of God DVD-4816 All the Mornings of the World DVD-1274 Aladin (Bollywood) DVD-6178 All the President's Men DVD-8371 Alexander Nevsky DVD-4983 Amadeus DVD-0099 Alfie DVD-9492 Amar Akbar Anthony DVD-5078 Ali: Fear Eats the Soul DVD-4725 Amarcord DVD-4426 Ali: Fear Eats the Soul c.2 DVD-4725 c.2 Amazing Dr.
    [Show full text]
  • 2018 Television Report
    2018 Television Report PHOTO: HBO / Insecure 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Adrian McDonald Corina Sandru Philip Sokoloski filmla.com Graphic Design: Shane Hirschman @FilmLA FilmLA Photography: Shutterstock FilmLAinc HBO ABC FOX TABLE OF CONTENTS INTRODUCTION 2 PRODUCTION OF LIVE-ACTION SCRIPTED SERIES 3 THE INFLUENCE OF DIGITAL STREAMING SERVICES 4 THE IMPACT OF CORD-CUTTING CONSUMERS 4 THE REALITY OF RISING PRODUCTION COSTS 5 NEW PROJECTS: PILOTS VS. STRAIGHT-TO-SERIES ORDERS 6 REMAKES, REBOOTS, REVIVALS—THE RIP VAN WINKLE EFFECT 8 SERIES PRODUCTION BY LOCATION 10 SERIES PRODUCTION BY EPISODE COUNT 10 FOCUS ON CALIFORNIA 11 NEW PROJECTS BY LOCATION 13 NEW PROJECTS BY DURATION 14 CONCLUSION 14 ABOUT THIS REPORT 15 INTRODUCTION It is rare to find someone who does not claim to have a favorite TV show. Whether one is a devotee of a long-running, time-tested procedural on basic cable, or a binge-watching cord-cutter glued to Hulu© on Sunday afternoons, for many of us, our television viewing habits are a part of who we are. But outside the industry where new television content is conceived and created, it is rare to pause and consider how television series are made, much less where this work is performed, and why, and by whom, and how much money is spent along the way. In this study we explore notable developments impacting the television industry and how those changes affect production levels in California and competing jurisdictions. Some of the trends we consider are: growth in the number of live-action scripted series in production, the influence of digital streaming services on this number, increasing production costs and a turn toward remakes and reboots and away from traditional pilot production.
    [Show full text]
  • Dead Cosmonauts >> Misc
    James Oberg's Pioneering Space powered by Uncovering Soviet Disasters >> Aerospace Safety & Accidents James Oberg >> Astronomy >> Blogs Random house, New York, 1988 >> Chinese Space Program Notes labeled "JEO" added to electronic version in 1998 >> Flight to Mars >> Jim's FAQ's >> Military Space Chapter 10: Dead Cosmonauts >> Misc. Articles Page 156-176 >> National Space Policy >> Other Aerospace Research >> Reviews The family of Senior Lieutenant Bondarenko is to be provided with everything necessary, as befits the >> Russian Space Program family of a cosmonaut. --Special Order, signed by Soviet Defense Minister R. D. Malinovskiy, April 16, >> Space Attic NEW 1961, classified Top Secret. NOTE: Prior to 1986 no Soviet book or magazine had ever mentioned the >> Space Folklore existence of a cosmonaut named Valentin Bondarenko. >> Space History >> Space Operations In 1982, a year after the publication of my first book, Red Star in Orbit. I received a wonderful picture >> Space Shuttle Missions from a colleague [JEO: Arthur Clarke, in fact] who had just visited Moscow. The photo showed >> Space Station cosmonaut Aleksey Leonov, hero of the Soviet Union, holding a copy of my book-- and scowling. >> Space Tourism Technical Notes >> Leonov was frowning at a picture of what I called the "Sochi Six," the Russian equivalent of our "original >> Terraforming seven" Mercury astronauts. They were the top of the first class of twenty space pioneers, the best and the boldest of their nation, the ones destined to ride the first manned missions. The picture was taken at the Black Sea resort called Sochi in May 1961, a few weeks after Yuriy Gagarin's history-making flight.
    [Show full text]