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Green Day Billy Joe Armstrong & Michael Mayer Billy Joe Armstrong

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Green Day Billy Joe Armstrong & Michael Mayer Billy Joe Armstrong MUSIK VON GESANGSTEXTE VON BUCH VON GREEN DAY BILLY JOE ARMSTRONG BILLY JOE ARMSTRONG & MICHAEL MAYER DEUTSCHE FASSUNG VON TITUS HOFFMANN GREEN DAY’S AMERICAN IDIOT MUSICAL MUSIK VON GREEN DAY GESANGSTEXTE VON BILLIE JOE ARMSTRONG BUCH VON BILLIE JOE ARMSTRONG UND MICHAEL MAYER DEUTSCHE FASSUNG VON TITUS HOFFMANN ORCHESTRIERUNG UND ARRANGEMENT VON TOM KITTDON’T PREMIERE ↓ MI 06.11.19 19:30 WANT A WEITERE VORSTELLUNGEN ↓ FR 08.11.19 19:30 SO 10.11.19 15:00 + 19:30 NATION MI 13.11.19 19:30 DO 14.11.19 19:30 PRINZREGENTENTHEATER DIE ORIGINAL BROADWAYPRODUKTION EINFÜHRUNG WURDE PRODUZIERT VON: ↓ TOM HULCE & UNDER IRA PITTELMAN, RUTH UND STEPHEN JEWEILS 45 MINUTEN VOR VORSTELLUNGSBEGINN HENDEL, VIVEK J. TIWARY AND GARY VORSTELLUNGEN INNSBRUCK: KAPLAN, AGED IN WOOD 12. / 13. / 19. / 20. 12.19 19:30 AND BURNT UMBER, SCOTT 31.01.20 19:30 M. DELMAN, LATITUDE LINK, 02.02.20 19:00 HOP THEATRICALS AND THE JEFFREY FINN, LARRY WELK, BENSINGER FILERMAN AND MOELLENBERG TAYLOR, THEATERAKADEMIE AUGUST EVERDING ALLAN S. GORDON AND UND HOCHSCHULE FÜR MUSIK UND THEATER MÜNCHEN ÉLAN V. MCALLISTER, MIT DEM STUDIENGANG MUSICAL BERKELEY REPERTORY (LEITUNG: PROF. MARIANNE LARSEN) THEATRE IN KOPRODUKTION MIT DER TIROLER LANDESTHEATER NEW IN ZUSAMMENARBEIT MIT UND ORCHESTER GMBH INNSBRUCK AWAKEN ENTERTAINMENT, JOHN PINCKARD AND JOHN DOMO ORIGINAL PRODUZIERT DURCH DAS BERKELEY REPERTORY THEATRE, BERKELEY, CA HINWEIS: MEDIA TONY TACCONE, ARTIST BITTE BEACHTEN SIE, DASS ES WÄHREND DER VORSTELLUNG DIRECTOR / SUSAN MEDAK, ZU EINEM STROBOSKOPEFFEKT AUF DER BÜHNE KOMMT. MANAGING DIRECTOR BESETZUNG MUSIKALISCHE LEITUNG GÜNTER WERNO LIVE-BAND INSZENIERUNG JOHANNES REITMEIER VANDEN PLAS CHOREOGRAPHIE STEFANIE ERB GÜNTER WERNO (KEYBOARD) BÜHNE UND KOSTÜME MICHAEL D. ZIMMERMANN STEPHAN LILL (GUITARS) DRAMATURGIE MARIE THIELE TORSTEN REICHERT (BASS GUITAR) ANDREAS LILL (DRUMS) VIDEO THOMAS ZENGERLE LICHT BENJAMIN SCHMIDT SOWIE TON GEORGIOS MARAGKOUDAKIS, ANTON ROTERS (VIOLINE) CHRISTIAN SPÄTH KATHERINE BARRITT (VIOLA) JACOB ROTERS (VIOLONCELLO) MASKENBILD LUNA KAISER, JULIA MELCHER, MARIA STRATHMANN** JOHNNY EDWARD R. SERBAN* TUNNY FLORIAN KOLLER* WILL ALEXANDER SICHEL* ST. JIMMY ANDY KUNTZ HEATHER AMBER-CHIARA EUL* WHATSHERNAME MARCELLA D’AGOSTINO* ABGEFAHR’NE FRAU FABIANA LOCKE* LIEBLINGSSOHN SIMON TOBIAS HAUSER* THEO NIKLAS SCHURZ* ALYSHA DELIA RACHEL BAUEN* MARY LARISSA HARTMANN* LIBBY VANESSA HEINZ* LESLIE SARAH SONNENSCHEIN* CHRISTINA JULIA TASCHLER* JOSIE KLAUDIA ZAJAC* REBECCA SOPHIE GISBERTZ BRIAN MARCO BECK* MIGUEL MANUEL GRABOWSKI* BEN JACOB HETZNER* CHASE FRANK KÜHFUSS* ANDREW DANIEL ADRIANSSON CHEERLEADER, SOLDATEN, KRANKENSCHWESTERN ENSEMBLE 5 KÜNSTLERISCHE PRODUKTIONSLEITUNG MATTHIAS GENTZEN MUSIKALISCHE EINSTUDIERUNG LIVIU PETCU VOCAL COACHING MARIANNE LARSEN DANCE CAPTAIN DELIA RACHEL BAUEN, NIKLAS SCHURZ UNTER ANLEITUNG VON STEFANIE ERB REGIEASSISTENZ UND ABENDSPIELLEITUNG LILI KÖNIG REGIEHOSPITANZ MARIETTA WITZIGMANN, SIMEON STEINER BÜHNENBILDASSISTENZ SILVIA MARADEA, CINDY EMONTS KOSTÜMASSISTENZ CHRISTINA VOGEL REQUISITE CORNELIA PETZ, JUDITH ROEDER INSPIZIENZ MARC BRINCKMANN BELEUCHTUNGSINSPIZIENZ LAURA IMSIROVIC TECHNISCHE PRODUKTIONSLEITUNG ROMAN FLIEGEL BÜHNENINSPEKTOR ROBERT KERSCHER BÜHNENMEISTER THOMAS GRAML, CHRISTIAN WANGE BELEUCHTUNGSMEISTER DAVID JÄKEL STELLWERK REMO CERMAK, MATTHIAS TIEFENMOSER MAKE-UP DESIGN JULIAN LOZANO DE LA NUEZ MITARBEIT MASKENBILD LAURA BRECKNER, SOFIA DÄUMLER, GUDRUN DONNER, ALINA KAPPELER, PIA LEINBERGER, SELINA SCHARDT, VALENTINA STOISITS** ANKLEIDERINNEN CLAUDIA ACHILLES, MARTINA KELLERMANN LEITUNG DER BELEUCHTUNGSABTEILUNG BENJAMIN SCHMIDT LEITUNG DER TONABTEILUNG MATTHIAS SCHAAFF LEITUNG DER VIDEOABTEILUNG THILO DAVID HEINS LEITUNG DER KOSTÜMABTEILUNG ELISABETH FUNK LEITUNG DER REQUISITE KRISTOF EGLE WERKSTÄTTEN WERKSTÄTTEN DER TIROLER LANDESTHEATER UND ORCHESTER GMBH INNSBRUCK VERLAG MUSIK UND BÜHNE VERLAGSGESELLSCHAFT MBH DAUER 1,5 STUNDEN OHNE PAUSE *STUDIERENDE DES BACHELOR- UND MASTER-STUDIENGANGS MUSICAL (LEITUNG: PROF. MARIANNE LARSEN) DER HOCHSCHULE FÜR MUSIK UND THEATER MÜNCHEN **STUDIERENDE DES BACHELOR-STUDIENGANGS MASKENBILD – THEATER UND FILM (LEITUNG: PROF. VERENA EFFENBERG) DER HOCHSCHULE FÜR MUSIK UND THEATER MÜNCHEN ALLE GENANNTEN STUDIENGÄNGE GEHÖREN ZUM KOOPERATIONSVERBUND DER THEATERAKADEMIE AUGUST EVERDING. 7 INHALT VORSTADT STADT PANORAMA VORSTADT STADT STADT 1 4 8 11 15 18 American Idiot Scherben meiner Gib mir mehr Morphin Zu Früh Zu Viel Wann darf ich dir gesteh’n Briefbombe Der Clique rund um Johnny, Träumerei’n Give Me Novacaine Too Much Too Soon When It’s Time Letterbomb Tunny und Will platzt der Kra- Boulevard of Broken Dreams Die Träume von Will und Tunny Beziehungsstress zwischen Während sie schläft, gesteht Johnny hat sich per Brief von gen. Die Jugendlichen wollen Johnny fühlt sich in der Ano- zerplatzen. Will fühlt sich Will und Heather. Johnny Whatshername seine Whatshername getrennt. Sie sich nicht weiter von den nymität der Großstadt einsam. gefangen in seiner Beziehung. Liebe. klagt ihn an und verlässt ihn. Medien manipulieren lassen Er begegnet einer jungen Frau, Tunny wird bei einem Einsatz LAZARETT und klagen ihr konservatives Whatshername. als Soldat verwundet. 16 Weißt du, wer die Feinde sind PANORAMA und reaktionäres Umfeld an. 12 5 Know Your Enemy Vor der Lobotomie 19 2 Lieblingssohn STADT St. Jimmy beendet die Zwei- Before the Lobotomy Weck mich auf, wenn der Jesus of Suburbia Favorite Son samkeit von Johnny und 9 Tunny erwacht im Lazarett. Herbst beginnt Die Vorstadt, das » verfluchte Der Inbegriff des amerikani- Whatshername. Es ist keine Die letzte der American Girls/ Wake Me Up When Kaff « bietet keine Perspekti- schen Helden taucht auf, Zeit für Gefühlsduselei. Der Die Rebellin 13 September Ends ven. Hier ist alles scheißegal. Lieblingssohn, vergötterter Kampf gegen das Establish- Last of the American Girls/ Abgefahr’ne Frau Johnny, Will und Tunny müs- Die einzige Möglichkeit, die Superstar und bewunderter ment muss weitergehen! She’s a Rebel Extraordinary Girl sen sich eingestehen, dass sie bleibt, ist die Flucht. Weg von Soldat. Tunny ist fasziniert. Johnny und seine Freundin Im Fiebertraum verwandelt nichts erreicht haben. hier, weg von allem! Nur Will sich die Krankenschwester für 6 Whatshername feiern mit St. PANORAMA bleibt zurück, weil ihm seine Tunny zur Abgefahr’nen Frau. 20 Warten wir nur Jimmy die Rebellion. Party für Freundin Heather mitteilt, dass 17 Homecoming Are We the Waiting alle. sie schwanger ist. 14 Kampf jeder Gewalt Johnny löst sich von St. Jimmy. Tunny beschließt, sich Lieb- 10 Vor der Lobotomie 21 Guns Er sucht einen anderen Weg. lingssohn anzuschließen. Er Letzte Nacht der Welt Before the Lobotomy Whatshername, die Abge- Will leidet darunter, dass UNTERWEGS wird Soldat. Last Night on Earth An den Soldaten soll die Ope- fahr’ne Frau und Heather Heather ihr Glück an der Seite ration Lobotomie durchge- 3 7 Eine Nacht im Rausch. St. fordern das Ende jeglicher ihres neuen coolen Freundes führt werden. Tunny wird im Wir machen blau St. Jimmy Jimmy spendiert Drogen für Gewalt, das Ende der gegen- genießt. Johnny und Tunny letzten Moment von der Holiday Johnny begegnet St. Jimmy, alle. Er begleitet Johnny und seitigen Verletzungen, Johnny, beschließen, nach Hause Abgefahr’nen Frau vor dem Johnny, Tunny und ihre dem » Schutzpatron der Ver- Whatshername in ihrer Liebes- Will und Tunny schließen zurückzukehren. Eingriff gerettet. Freunde brechen auf, raus in weigerung «, dem Helden des nacht. sich ihnen an. Ein Hymnus die Großstadt. Sie wollen ihr gegen Krieg und Gewalt. Untergrunds. St. Jimmy ver- VORSTADT Leben selbst in die Hand neh- sprüht den Geist der Rebellion, men. der Freiheit. 21 Whatshername Johnny erinnert sich an Whatshername. 22 Und Tschüss Time Of Your Life 9 10 WELCOME TO A NEW KIND OF TENSION Das Musical American Idiot in eine schöpferische Krise. Armstrongs Reaktion auf die- damit einer ganzen Genera- gemeinsam am Buch für das basiert auf dem gleichnamigen Die Uneinigkeiten zwischen sen gnadenlosen Rückschlag tion aus der Seele. Billie Joe Musical arbeiteten, verzichte- Konzeptalbum der Punkrock den Musikern führten fast zum war die Flucht, er nahm sich Armstrong sagt selbst, dass ten weitestgehend auf gespro- Band Green Day, das im Jahr Bruch. Sänger und Frontman eine Auszeit in New York, in das Album viele autobiogra- chene Texte und Dialoge. Die 2004 erschien. Billie Joe Armstrong, der bis der er » jede Menge Rotwein fische Züge enthält und zu Geschichte sollte sich allein Das Album entstand als dahin alle Songs geschrieben und Wodka-Tonics kippte – knapp 90 Prozent auf seinen über die Abfolge der Songs Reaktion auf die damaligen hatte, schlug vor, sich in regel- ich war irgendwie auf der eigenen Emotionen als erzählen, deren Texte sehr politischen Verhältnisse in den mäßigen Treffen der Krise zu Suche nach irgendwas. « Jugendlicher basiert. In Inter- poetisch und abstrakt sind. USA. George W. Bush hatte im stellen und über die gemein- Die gesellschafts- views bezeichnet er American Dadurch entsteht ein großer Jahr 2000 in einem der same Arbeit und die Kritik- politische Situation in den Idiot immer wieder als eines Freiraum bei der Interpreta- knappsten Ergebnisse der punkte zu sprechen. USA und die aus den Krisen der emotionalsten und per- tion, auch für die Zuschauer. amerikanischen Geschichte » Bevor wir mit der resultierende kritische Selbst- sönlichsten Werke, an denen Anders als das Album, die Präsidentschaftswahl Arbeit an der neuen Platte befragung der Musiker bilde- er im Lauf seiner Karriere das den Erlebnissen
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