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How Geoffrey of Monmouth Influenced the Story of King Arthur
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 6-10-2019 The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur Marcos Morales II [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Cultural History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Morales II, Marcos, "The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur" (2019). Student Theses, Papers and Projects (History). 276. https://digitalcommons.wou.edu/his/276 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur. By: Marcos Morales II Senior Seminar: HST 499 Professor David Doellinger Western Oregon University June 05, 2019 Readers Professor Elizabeth Swedo Professor Bau Hwa Hsieh Copyright © Marcos Morales II Arthur, with a single division in which he had posted six thousand, six hundred, and sixty-six men, charged at the squadron where he knew Mordred was. They hacked a way through with their swords and Arthur continued to advance, inflicting terrible slaughter as he went. It was at this point that the accursed traitor was killed and many thousands of his men with him.1 With the inclusion of this feat between King Arthur and his enemies, Geoffrey of Monmouth shows Arthur as a mighty warrior, one who stops at nothing to defeat his foes. -
Religion and Religious Symbolism in the Tale of the Grail by Three Authors
Faculty of Arts English and German Philology and Translation & Interpretation COMPARATIVE LITERATURE: RELIGION AND RELIGIOUS SYMBOLISM IN THE TALE OF THE GRAIL BY THREE AUTHORS by ASIER LANCHO DIEGO DEGREE IN ENGLISH STUDIES TUTOR: CRISTINA JARILLOT RODAL JUNE 2017 ABSTRACT: The myth of the Grail has long been recognised as the cornerstone of Arthurian literature. Many studies have been conducted on the subject of Christian symbolism in the major Grail romances. However, the aim of the present paper is to prove that the 15th-century “Tale of the Sangrail”, found in Le Morte d’Arthur, by Thomas Malory, presents a greater degree of Christian coloration than 12th-century Chrétien de Troyes’ Perceval and Wolfram von Eschenbach’s Parzival. In order to evaluate this claim, the origin and function of the main elements at the Grail Ceremony were compared in the first place. Secondly, the main characters’ roles were examined to determine variations concerning religious beliefs and overall character development. The findings demonstrated that the main elements at the Grail Ceremony in Thomas Malory’s “The Tale of the Sangrail” are more closely linked to Christian motifs and that Perceval’s psychological development in the same work conflicts with that of a stereotypical Bildungsroman, in contrast with the previous 12th-century versions of the tale. Keywords: The Tale of the Grail, Grail Ceremony, Holy Grail, Christian symbolism INDEX 1. Introduction ....................................................................................................................................... -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
MANY MOTIVES: GEOFFREY of MONMOUTH and the REASONS for HIS FALSIFICATION of HISTORY John J. Berthold History 489 April 23, 2012
MANY MOTIVES: GEOFFREY OF MONMOUTH AND THE REASONS FOR HIS FALSIFICATION OF HISTORY John J. Berthold History 489 April 23, 2012 i ABSTRACT This paper examines The History of the Kings of Britain by Geoffrey of Monmouth, with the aim of understanding his motivations for writing a false history and presenting it as genuine. It includes a brief overview of the political context of the book at the time during which it was first introduced to the public, in order to help readers unfamiliar with the era to understand how the book fit into the world of twelfth century England, and why it had the impact that it did. Following that is a brief summary of the book itself, and finally a summary of the secondary literature as it pertains to Geoffrey’s motivations. It concludes with the claim that all proposed motives are plausible, and may all have been true at various points in Geoffrey’s career, as the changing times may have forced him to promote the book for different reasons, and under different circumstances than he may have originally intended. Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin Eau Claire with the consent of the author. ii CONTENTS INTRODUCTION 1 Who was Geoffrey of Monmouth? 3 Historical Context 4 The Book 6 Motivations 11 CONCLUSION 18 WORKS CITED 20 WORKS CONSULTED 22 1 Introduction Sometime between late 1135 and early 1139 Geoffrey of Monmouth released his greatest work, Historia Regum Britanniae (History of the Kings of Britain in modern English). -
Friday, 28-07-2017
Friday, 28.07.2017 09:00-10:30 Artusrezeption in Spätmittelalter und Früher Neuzeit Head: Mathias Herweg Room 2 Unsere Sektion zum Rahmenthema "Nachmittelalterlicher Artus: Druck und andere Medien" befasst sich mit dem Weiterleben des Artusstoffs und der Artusfiguren im Spätmittelalter und der Frühen Neuzeit. Das Spektrum reicht vom 13. bis zum 16. Jahrhundert (mit einem Schwerpunkt im 15./16. Jh.) und deckt die deutsche, französische, italienische und niederländische Literatur ab. Beleuchtet wird einerseits, wie Figuren der matière de Bretagne in verschiedenen Gattungen rezipiert werden (in längeren und kürzeren Erzähltexten, in verschiedenen lyrischen Gattungen und auf der Bühne), andererseits, welche Rolle dabei verschiedene Medienwechsel (Buchdruck, Text/Bild, Bühne) spielen. DIE FRÜHEN DRUCKE DER FRANZÖSISCHEN ARTUSROMANE Brigitte Burrichter Im ausgehenden 15. und frühen 16. Jahrhundert wurden mehrere französische Artusromane des 13. Jahrhunderts gedruckt. Gegenstand des Vortrags wird der Umgang der Drucker mit den mittelalterlichen Romanen sein (Modernisierung der Sprache, Vorworte). RÜCKBLICK AUF DES KÖNIG ARTUS ZEIT. ARTUS-ERWÄHNUNGEN IM HÖFISCH-GALANTEN ROMAN DES 15./16. JAHRHUNDERTS Cora Dietl In der höfisch-galanten Erzählliteratur des späteren 15. und 16. Jahrhunderts lässt sich zunehmend eine historische Distanz zur arthurischen Welt erkennen. Wenn ritterliche Romane dieser Zeit in England oder Frankreich spielen, dann ist es meist das nacharthurische Britannien, in dem sich zwar Konstellationen aus der Artusliteratur wiederholen, aber keine Artusritter mehr auftreten. Sie werden trotzdem als Exempel genannt – und das häufig zu Beginn der Handlung, um beim Rezipienten das entsprechende literarische Muster aufzurufen und die Rezipientenerwartung entsprechend zu lenken. Diesem Phänomen werde ich an verschiedenen Beispieltexten nachgehen (u.a. Pontus und Sidonia, Ritter Galmy, Amadis), um nach der Funktion des Arthurischen im nichtarthurischen höfisch-galanten Roman um 1500 generell zu fragen. -
“Celtic” Revival
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-12-2013 The nflueI nce of the “Celtic” Revival: Quest for Paradise in Chwedl Iarlles y Ffynnon, Le Chevalier au Lion, and Frances Hodgson Burnett’s The ecrS et Garden Grace Vasington University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the English Language and Literature Commons, and the Medieval Studies Commons Recommended Citation Vasington, Grace, "The nflueI nce of the “Celtic” Revival: Quest for Paradise in Chwedl Iarlles y Ffynnon, Le Chevalier au Lion, and Frances Hodgson Burnett’s The eS cret Garden" (2013). Honors Scholar Theses. 307. https://opencommons.uconn.edu/srhonors_theses/307 1 Influence of the “Celtic” Revival in The Secret Garden The Influence of the “Celtic” Revival: Quest for Paradise in Chwedl Iarlles y Ffynnon, Le Chevalier au Lion, and Frances Hodgson Burnett’s The Secret Garden UNIVERSITY SCHOLAR PROJECT Spring 2012 – Spring 2013 By Grace Vasington Advising Committee: Thomas Recchio, Anne Berthelot, and Tamarah Kohanski ! 2 Grace Vasington ! Table of Contents 1. Introduction 2. Part I: Laying the Groundwork a. The History and Legacy of the Quest for Paradise b. Historical Context: The Medieval Revival and the Utopian Ideal 3. Part II: Burnett, The Secret Garden, and the Influence of the Celtic Narrative a. Burnett in her Historical Context b. Review of Literature 4. Part III: Reading The Secret Garden a. The Secret Garden and the Veneer of Mythic and Medievalist Influences b. Quest Structure and the Otherworld in Owain, Le Chevalier au Lion, and The Secret Garden c. -
We Are America's Travel Industry, A
The Honorable Mitch McConnell The Honorable Nancy Pelosi Majority Leader Speaker of the House of Representatives United States Senate United States House of Representatives Washington, DC 20510 Washington, DC 20510 The Honorable Charles Schumer The Honorable Kevin McCarthy Minority Leader Minority Leader United States Senate United States House of Representatives Washington, DC 20510 Washington, DC 20510 March 20, 2020 Dear Leader McConnell, Leader Schumer, Speaker Pelosi, and Leader McCarthy: We are America’s travel industry, an economic sector that directly employs 9 million American workers and supports a total of 15.8 million jobs. The travel and tourism industry—including but not limited to transportation, lodging, recreation and entertainment, food and beverage, meetings, conferences and business events, travel advisors, destination marketers—is comprised of businesses of all sizes, but the vast majority, 83%, are small businesses. Together we are grappling with the immediate and devastating impact of the current health crisis. Furloughs of American travel workers are happening right now. Travel to and within the United States has essentially ground to a stop due to the actions needed to halt the spread of coronavirus. Aggressive financial relief is needed immediately. Taking care of our employees will always be our top priority, but the hard fact is we cannot continue supporting them through this disaster without relief. To that end, we greatly appreciate and strongly support provisions in the ‘‘Coronavirus Aid, Relief, and Economic Security Act’’ that provide: • $300 billion for enhanced Small Business Administration (SBA) loans distributed through an expedited process and can be partially forgiven for employee retention; and • Tax relief to mitigate economic losses, including deferral of tax liability, extension of the Net Operating Loss deduction, and delay of estimated tax payments. -
Armstrong, Dor Ch 1-2 P 1-109
Introduction o This book examines the function of gender in Sir Thomas Malory’s Morte d’Arthur, arguing that an understanding of the particular construction of gender in Malory’s text is critical to any attempt to engage with its narra- tive project. Like many other medieval romance texts, the Morte d’Arthur focuses on the masculine activity of chivalry—fighting, questing, ruling— while simultaneously revealing the chivalric enterprise as impossible without the presence of the feminine in a subjugated position. However, Malory’s text differs from other Arthurian and medieval romance litera- ture in the explicit legislation (as opposed to implicit coding) of chivalric values, most notably in the swearing of the Pentecostal Oath, an event unique to Malory’s text. This study examines how the institution of the Oath defines and sharpens specific ideals of masculine and feminine gen- der identities in the Arthurian community, arguing that a compulsion to fulfill these ideals drives the narrative of the Morte d’Arthur forward to its inevitable ending. While I generally agree with scholars who see the Morte d’Arthur as, at least in part, a comment on the strife and instability of fifteenth-century England, I feel also that the Morte is a text that does much more than simply reflect and engage the anxieties of the author’s time by turning nostalgically to a long-distant past for guidance and reas- surance. Malory’s text examines the very idea of chivalry by setting into motion the knightly enterprise and following it through to its ultimate conclusion. A sustained, book-length treatment of gender in the Morte d’Arthur is long overdue; while the works of other medieval authors—most notably Chaucer—have in recent years been subjected to rigorous and fruitful scrutiny by scholars with an interest in gender and feminist studies,1 the Morte d’Arthur has received comparatively cursory attention in this area. -
The Round Table 91
the round table 91 The Round Table N E W S from the North American Branch NAB Officers 2001 (for full addresses see Bibliographical Bulletin of the International Arthurian Society [bbias]) President: Alan Lupack (U of Rochester) Immediate Past President: Donald L. Hoffman (Northeastern Illinois U) Vice-President: Susann Samples (Mount St. Mary’s College) Secretary-Treasurer: Jean Blacker (Kenyon College) Bibliographers: Rosemary Deist (U of San Francisco) Alan Lupack (U of Rochester) Paul V. Rockwell (Amherst C) Advisory Committee: James Carley (York U) Carol Dover (Georgetown U) Elissa R. Henken (U of Georgia) Elizabeth Sklar (Wayne State U) Stephanie Cain Van d’Elden (U of Minnesota) Kevin J. Harty (LaSalle U) Bonnie Wheeler, Arthuriana Editor (Southern Methodist U, ex officio) IAS Officers 2001 (for full addresses see bbias) President: Jane H. M. Taylor (St. Hilda’s College, Oxford U) Honorary Presidents (Past Presidents): Philippe Ménard (U of Paris-Sorbonne), Armel Diverres (U College of Swansea), Anna Maria Finoli (U degli Studi di Milano), Elspeth Kennedy (Oxford U), Norris J. Lacy (Washington U), RitaLejeune (U de Liège) First Vice-President: Bart Besamusca (U of Utrecht) Second Vice-President and Organizing Sec’y: P. J. C. Field (U of Wales-Bangor) Secretary and bbias Editor: Keith Busby (U of Oklahoma) Treasurer: Hans R. Runte (Dalhousie U) Back Issues of bbias and Arthuriana: For back issues of bbias (through v. 46/1994), contact Hans R. Runte, Dept. of French, Dalhousie U, Halifax, N.S., B3H 3J5, Canada ([email protected]). For back issues starting with v. 47/1995, contact Joan Grimbert, Dept. -
Then Arthur Fought the MATTER of BRITAIN 378 – 634 A.D
Then Arthur Fought THE MATTER OF BRITAIN 378 – 634 A.D. Howard M. Wiseman Then Arthur Fought is a possible history centred on a possi- bly historical figure: Arthur, battle-leader of the dark-age (5th- 6th century) Britons against the invading Anglo-Saxons. Writ- ten in the style of a medieval chronicle, its events span more than 250 years, and most of Western Europe, all the while re- specting known history. Drawing upon hundreds of ancient and medieval texts, Howard Wiseman mixes in his own inventions to forge a unique conception of Arthur and his times. Care- fully annotated, Then Arthur Fought will appeal to anyone in- terested in dark-age history and legends, or in new frameworks for Arthurian fiction. Its 430 pages include Dramatis Personae, genealogies, notes, bibliography, and 20 maps. —— Then Arthur Fought is an extraordinary achievement. ... An absorbing introduction to the history and legends of the period [and] ... a fascinating synthesis. — from the Foreword by Patrick McCormack, author of the Albion trilogy. —— A long and lavishly detailed fictional fantasia on the kind of primary source we will never have for the Age of Arthur. ... soaringly intelligent and, most unlikely of all, hugely entertaining. It is a stunning achievement, enthusiastically recommended. — Editor’s Choice review by Steve Donoghue, Indie Reviews Editor, Historical Novel Society. Contents List of Figures x Foreword, by Patrick McCormack xi Preface, by the author xv Introduction: history, literature, and this book xix Dramatis Personae xxxi Genealogies xxxix -
“Strange Woman Lying in a Pond”: the Lady of the Lake's A
The Honors College at the University of Missouri-Kansas City A “Strange Woman Lying in a Pond”: The Lady of the Lake’s Authority over the Male Arthurian World in the Prose Lancelot Annie Spencer May 19, 2020 Written under the direction of Dr. Virginia Blanton Department of English, College of Arts and Sciences A thesis submitted in partial fulfillment of the requirements to graduate as an Honors Scholar from the University of Missouri-Kansas City. 1 Abstract: This study examines the character of the Lady of the Lake in the Old French Prose Lancelot and argues that the Lady of the Lake gains power and authority through the use of her knowledge (both traditional learning and the knowledge of enchantments) to exert influence that directly affects the male Arthurian world. Her occupation of a liminal space—the lake outside of Camelot—allows the Lady of the Lake to perceive the challenges and shortcomings of the male chivalric world. Significantly, she establishes herself as an authorial voice; a voice that uses her foreknowledge in order to rewrite social codes to establish a better framework for the men who occupy this martial space. Her dissemination of knowledge and the effective use of her powers not only teach knights proper conduct, but they also encourage knights to rely on her authority. In this liminal position, therefore, the Lady of the Lake exerts considerable influence that benefits others but her efforts are not entirely altruistic, for they benefit the Lady as well giving her status and unquestioned authority. She becomes an archetype of the Wise (Wo)Man, seizing the mantle from Merlin after she figuratively and literally disposes of him at the beginning of the Prose Lancelot.