I'll— Free, All Ages Get Your Goriest, Most Decrepit Look Together for the Annual Zombie Walk
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Download Curriculum Vitae
C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
Feb 2019 Cocktail Draft 1.28
T a b l e o f C o n t e n t s PG 2 ..... Brickyard Happy Hour PG 3 ..... NOW! That's What I Call Cocktails Intro PG 4 ..... 80s PG 5 ..... 80s PG 6 ..... 90s PG 7 ..... 90s PG 8 ..... 2000s PG 9 ..... 2000s PG 10 .... The Classics PG 11 .... The Classics Cont. PG 12 .... Shots PG 13 .... Reserves PG 14 ..... Beer PG 15 ..... Spirits: Vodka | Gin | Mezcal | Tequila | Rum PG 16 ..... Spirits: Rye / American | Bourbon PG 17 ..... Spirits: Japanese Whisky | Irish | Scotch PG 18 ..... Spirits: Canadian | Cognac / Pisco | Amaro Digestivo / Vermouth / Aperitif | Cordials / Liqueurs PG 19 ..... The Cast & Credits Share your experience: @BrickyardDwtn We would love to hear what you thought & see pictures you took at the table (food or people). Ask for a manager or share with us online for a chance to be featured. * C o n s u m i n g r a w o r u n d e r c o o k e d m e a t s , p o u l t r y , s e a f o o d , s h e l l f i s h , e g g s o r u n p a s t e u r i z e d m i l k m a y i n c r e a s e y o u r r i s k o f f o o d b o r n i l l n e s s . HHaappppyy HHoouurr 3-6pm $1 OFF | BEER & HOUSE LIQUOR C O C K T A I L S Bee's Knees .... -
Metro Atlanta Cultural Assessment FINAL REPORT
metro atlanta cultural assessment FINAL REPORT table of contents acknowledgements. .3 executive summary. .4 cultural inventory cultural inventory summary. .8 creative industries revenue & compensation. 10 creative industries businesses & employment. 12 nonprofit cultural organizations. 27 cultural facilities. .40 where audiences originate. 53 cultural plans, programs, policies & ordinances cultural plans, programs & policies overview. 58 cultural affairs departments, plans, ordinances & policies. .59 regional planning agencies with cultural components. 63 regional cultural agencies. .65 examples of cultural plans. .67 cultural planning funding sources. .70 cultural forums cultural forums overview. 72 key findings, issues & opportunities. 73 all findings. 87 minutes Cherokee. 84 Clayton. 87 Cobb. 93 DeKalb. .98 Douglas. 105 North Fulton. 112 South Fulton. 120 Gwinnett. .127 Henry. .135 Rockdale. .142 City of Atlanta. 148 external appendices appendix A: cultural industries revenue and compensation technical codes appendix B: cultural industries employment and businesses technical codes appendix C: nonprofit cultural organizations technical codes appendix D: list of nonprofit cultural organizations by county appendix E: list of cultural facilities by county 2 | METRO ATLANTA CULTURAL ASSESSMENT FINAL REPORT acknowledgements This report would not have been possible without the strong support of the Boards of Directors of both the Atlanta Regional Commission and the Metro Atlanta Arts and Culture Coalition. Atlanta Regional Commission Board Members Tad Leithead (ARC Chair), Buzz Ahrens, W. Kerry Armstrong, Julie K. Arnold, Eldrin Bell, Kip Berry, C. J. Bland, Mike Bodker, Dennis W. Burnette, John Eaves, Burrell Ellis, Todd E. Ernst, Bill Floyd, Herbert Frady, Rob Garcia, Gene Hatfield, Bucky Johnson, Doris Ann Jones, Tim Lee, Liane Levetan, Lorene Lindsey, Mark Mathews, Elizabeth “BJ” Mathis, Randy Mills, Eddie L. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Davido-Bio-November-2019.Pdf
DAVIDO Nearing the close of 2019, it’s hard for many to say they haven’t heard the name Davido, born David Adedeji Adeleke. The year marks another fete of huge achievements, from opening the year with a sold out date at London’s O2 Arena – making him the first solo African artist to do this – to creating mass hysteria across America with his 2018 single “Fall” which has gone on to have the longest run of an Afrobeats single on the Billboard charts, and saw it peak across Shazam as one of the most searched songs in the United States, and now gears up to release his second album A Good Time, all before a circuit of Christmas shows across Africa. If anything has framed where Davido currently is, it would his “childhood.” The youngest of five, growing up with his parents in Lagos, Nigeria, he was “exposed” to the world. Across summer breaks he would travel to visit his siblings in London and Atlanta, the latter being home to some of the artists that he today he can call his good friends – YoungThug, Gunna, Lil Baby – and the home to some of his favorite rappers growing up – Ludacris, Nelly – the sounds of noughties Hip Hop that he “loved.” It was most likely these trips that would drive a love for music that reflected global ambition. This exposure to the world, would in turn give Davido the opportunity to share with his University of Alabama friends music from Nigeria, that he knew if “given a chance” would go global. -
2011 Atlanta Beltline, Inc. Annual Report
ATLANTA BELTLINEINC. ANNUAL REPORT Grand Openings, Green Foundations 2011 Sweeping stone tunnels in the south and southwest of Atlanta dot the 100+ year-old rail corridor. ≥ THE ORGANIZATION » Atlanta BeltLine, Inc. Organizational Chart 2 » Atlanta BeltLine, Inc. Board of Directors 3 » Atlanta BeltLine, Inc. Team 3 » Letter from the Mayor 4 » Letter from the Chair of the Board of Directors 5 » Letter from the President and Chief Executive Officer 6 ≥ THE PROJECT » Introduction 7 » Project Overview 8 » Parks and Greenspace 10 » D.H. Stanton Park 12 » Historic Fourth Ward Park 14 » Historic Fourth Ward Skatepark 16 » Boulevard Crossing Park 18 » Trails 20 » Transit and Transportation 22 » Affordable Housing 26 Table OF » Master Planning and Design 28 » Art 30 » Community Engagement 34 contentS ≥ THE NUMBERS » Auditor’s Report 37 N TI R MA . T » Financial Statements 38 R E H TOP S I HR C Y B OTO PH ATLANTA BELTLINE, INC. BOARD BOARD OF DIRECTORS OF ORGANIZATIONAL DIRECTORS CHART PATRISE PERKINS-HOOKER General Counsel & Vice President BRIAN LeaRY Nicole President & Chief weSLEY-SmitH Executive Officer Executive Assistant EliZabetH B. CHANdleR THE HONORable ClaRA AXam LACHANDRA ButleR BURKS Chair of the Board, KaSim Reed Vice Chair of the Board, Treasurer, Atlanta BeltLine, Inc. BETH MCMILLAN Atlanta BeltLine, Inc. Mayor, City of Atlanta Atlanta BeltLine, Inc. Atlanta Board of Education, Director of District 5 Community Engagement BetH PATRISE McmillaN ETHAN DavidSON RuKIYA EaddY LISA GORdoN RicHARD LutcH Chief Operating PERKINS-HooKER Director of Director of External Affairs Director of Finance Officer & Assistant General Counsel Community Communications Manager & Administration Secretary & Vice-President Engagement JOSepH A. -
Fulton County Cultural Summary
Fulton County cultural summary Regional Arts and Culture Forums Research Initiative The development of ARC’s Fifty Forward Plan and Plan 2040 places emphasis on the value of arts & culture to the region. It includes a call for “systematic annual data collection and analysis regarding the development of the creative economy in Georgia” and the development of a The Creative Industries in 2011 regional cultural master plan. Fulton County, GA Fulton County Summary This Creative Industries report offers a research-based approach to understanding the scope and economic importance of the arts in Fulton County, GA. The creative industries are composed of arts Few precedents exist of comprehensivebusinesses regional that range cooperationfrom non-profit museums, to symphonies,foster arts and theaters and to culture. for-profit film, Toarchitecture, that and advertising companies. Arts businesses and the creative people they employ stimulate innovation in end, the Atlanta Regional Commissiontodays contracted global marketplace. with the Metro Atlanta Arts & Culture Coalition from July to December of 2011 to conductNationally, the there areresearch 756,007 businesses contained in the U.S. in involved this in thedocument. creation or distribution The of following the arts. They employ 2.99 million people, representing 4.14 percent of all businesses and 2.17 percent of all information is a summary of the data employees,collected respectively. on Fulton The source County. for these data is Dun & Bradstreet, the most comprehensive and trusted source for business information in the U.S. For additional information on Fulton AsCounty of January and 2011, Fultonthe restCounty, of GA the is home 10 to Metro 4,965 arts-related Atlanta businesses counties that employ see the 29,817 people. -
Poets, Artists & Madmen
POETS, ARTISTS & MADMEN tlanta’s art scene is on the verge of something significant — teetering between mak- ing it and breaking it. Long Aregarded as a creative hodgepodge, the city’s poets, artists and madmen have worked tirelessly in the last year to help redefine the city’s artistic identity. They attracted international attention with the colossal grassroots street art conference Living Walls, improved our public art profile with gloATL and Art on the Belt- line, and cultivated the kind of TV- and filmmaking-friendly environment that’s allowed for the conversion of Lakewood Fairgrounds into a Hollywood-worthy soundstage, and the local filming of AMC’s “The Walking Dead.” So what does the future hold for the arts in Atlanta? Can we build on the mo- mentum we’ve recently gained? Judging tara from the last year’s creative outpouring, -LY the scales are tipped in the right direction. NNE — Debbie MichauD PI XL E Y GLOATL: Critics Pick for Best Dance Company POETS, ARTISTS & MADMEN MIKE GERMON BEST TREND IN THE ARTS BEST NEIGHBORHOOD BEST EMERGING VISUAL ARTIST Atlanta’s art scene has experienced a changing of the FOR ARTISTS LUCHA RODRIGUEZ’s examination of the body as a guard over the past couple of years: The collective has be- There’s a fairly reliable life cycle applicable to art- web of thoughts and organs manifests itself in the ethereal come king. And while the twenty- and thirtysomethings ists’ neighborhoods: In the beginning, no one gives a delicacy of her voluminous hand-cut paper installations behind the city’s nascent art co-ops, galleries and organi- shit about them, not even the artists. -
Gunna Season 3 Free Download Gunna Season 3 Free Download
gunna season 3 free download Gunna season 3 free download. 1) Select a file to send by clicking the "Browse" button. You can then select photos, audio, video, documents or anything else you want to send. The maximum file size is 500 MB. 2) Click the "Start Upload" button to start uploading the file. You will see the progress of the file transfer. Please don't close your browser window while uploading or it will cancel the upload. 3) After a succesfull upload you'll receive a unique link to the download site, which you can place anywhere: on your homepage, blog, forum or send it via IM or e-mail to your friends. MP3: Gunna – Sanctuary. Sergio Giavanni Kitchens (born June 14, 1993), better known by his stage name Gunna, is an American rapper from College Park, Georgia. Known for his melodic flows, he was introduced to Young Thug through friend and mentor Keith Troup and subsequently signed to Thug’s record label, Young Stoner Life Records. DOWNLOAD ZIP/MP3. Gunna dropped his debut mixtape Drip Season in October of 2016. He released Drip Season 2 the following year and in 2018 ended the trilogy on a high-note with Drip Season 3, which peaked at #55 on the Billboard 200. In October of 2018, Gunna released Drip Harder, a collaborative mixtape with Lil Baby. The two continue to work together frequently and have showcased their chemistry on tracks such as Gunna’s “Sold Out Dates“ and “Oh Okay.“ Drip Harder’s hit track and lead single, “Drip Too Hard,“ peaked at #4 on the Billboard Hot 100. -
Peragine CV 2020
263 WALKER STREET ATLANTA, GEORGIA 30313 404.827.0030 MARCIAWOODGALLERY.COM Joseph Peragine b. 1961 New Jersey Education 1995 MFA, Georgia State University, Atlanta, GA 1983 BFA, University of Georgia, Athens, GA 1982 University of Georgia Studies Abroad Program, Cortona, Italy Selected Solo Exhibitions 2018 After The Hunt, Marcia Wood Gallery, Atlanta, GA 2015 Love Me Till My Heart Stops, Marcia Wood Gallery, Atlanta, GA Kingdom Under Glass, Moon Gallery, Berry College, Rome GA 2014 Kingdom Under Glass, Betty Foy Sanders School of Art, Georgia Southern University, Statesboro, GA 2013 Grappling Mandalas, Marcia Wood Gallery, Atlanta, GA Ant Linkage, Welch Gallery, Georgia State University, Atlanta, GA 2010 Nature Porn, Etc… Solomon Projects, Atlanta, GA 2009 Site Spe cific 09’, Islip Museum of Art, Carriage House Gallery, West Islip, NY 2007 Correspondence: In Relation To Goya, The UA Museum of Art, Kress Gallery, Tucson, AZ Forever, Solomon Projects, Atlanta, GA 2006 Pass the Ammunition, Get This Gallery, Atlanta, GA 2005 Hell On Wheels: Paintings, Drawings and Animation by Joseph Peragine, Cheekwood Museum of Art, Nashville, TN Hell On Wheels, Solomon Projects, Atlanta, GA 2004 Three Small Deaths, New Media Lounge, Palm Beach ICA, FL 2002 Small Deaths, Solomon Projects, Atlanta, GA 1999 Bedtime Stories, Solomon Projects, Atlanta, GA 1998 Brute Neighbors, Gallery at Green Street, Boston, MA 1996 My Big Back Yard, Nancy Solomon Gallery, Atlanta, GA Flea Bitten, Georgia State University Gallery, Atlanta, GA Selected Public Art Projects and -
CURRICULUM VITAE KIERAN BARNETT MOORE Lecturer, Art History Department 448 Sydney Street SE 700 Peavine Creek Drive Atlanta
CURRICULUM VITAE KIERAN BARNETT MOORE Lecturer, Art History Department 448 Sydney Street S.E 700 Peavine Creek Drive Atlanta, Georgia 30312 Emory University 404.658.9852 Atlanta, Georgia 30322 404.727.1118/[email protected] EDUCATION M.F.A. Sculpture, University of Arizona, Tucson, Arizona, 1988 B.F.A. Sculpture, College of the Dayton Art Institute, Dayton, Ohio, 1974 EMPLOYMENT Lecturer, Art History Department Emory University, Atlanta, Georgia, 2014- Teach Foundations in Arts Practices I & II, Sculpture I & II, Introductory Painting Lecturer and Health and Safety Director, Department of Visual Arts Emory University, Atlanta, Georgia, 2007- Teach Sculpture I & II, Drawing & Painting I, II & III Conduct Safety Demonstrations, Oversee Health and Safety Issues Temporary Full-time Instructor, Visual Arts Program Emory University, Atlanta, Georgia, 2006-2007 Taught Sculpture II, Drawing & Painting I Part-time Instructor, Visual Arts Program Emory University, Atlanta, Georgia, 2002-2006 Taught Sculpture II, Drawing & Painting I, Drawing I Part-time Instructor The Atlanta College of Art, Atlanta, Georgia, 1999-2000 Taught Visual Studies 101, Introductory Sculpture Part-time Instructor Georgia State University, Atlanta, Georgia, 1989-1997 Taught Beginning Sculpture, Figure modeling, 3- Dimensional Design, Drawing I and II, Images and Issues in Visual Art Technical Staff Assistant School of Art and Design, Georgia State University, Atlanta, Georgia, 1990-1992 SELECTED EXHIBITIONS Cross Reference, Visual Arts Gallery, Emory University, Atlanta, -
OCA Annual Report 10-13A.Indd
CONTENTS 3. VISION – MISSION – GOALS 4. MAYOR’S LETTER 5. COMMISSIONER’S LETTER 6. DIRECTOR’S LETTER 7. EXECUTIVE SUMMARY 8. PUBLIC ART 10. ATLANTA JAZZ FESTIVAL 12. CONTRACTS FOR ARTS SERVICES OFFICE OF CULTURAL AFFAIRS 16. ARTSCooL 2008 - 2009 Annual Report 17. ATLANTA READS 18. THE CULTURAL EXPERIENCE PROJECT 20. CHASTAIN ARTS CENTER 21. SOUTH BEND CENTER FOR ARTS AND CULTURE 22. ATLANTA CYCLORAMA 23. BUDGET GOALS • Maintain highest quality services. • Gain international recognition of programs. • Unify Atlanta's cultural community through programs. • Educate Atlanta on cultural development. • Create cultural experiences that can serve as international model. VISION • Use cultural experiences to enhance quality of life. To enhance the quality of life through • Provide arts and cultural programs to all citizens & visitors. cultural experiences that will expand • Promote a rich and diverse cultural experience in the City of Atlanta. Atlanta’s international reputation. • Nurture artists and arts organizations. • Educate and inform citizens and visitors of the city's cultural offerings. MISSION • Support the community of arts and culture in Atlanta. To promote rich and diverse cultural • Strengthen our impact through partnerships with other organizations. experiences in the city of Atlanta while • Build bridges into new communities and develop new audiences. preserving and protecting the city’s cultural heritage. • Preserve and protect the existing cultural heritage of the City of Atlanta. CITY OF ATLANTA 55 TRINITY Ave, S.W ATLANTA, GEORGIA 30335-0300 TEL (404) 330-6100 Greetings: The City of Atlanta’s Offi ce of Cultural Affairs is a valuable asset and a steadfast resource for Atlantans and visitors alike.