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2019 ANNUAL REPORT 2 New Yorkers for Children / Annual Report 2019 TABLE of Contents
2019 ANNUAL REPORT 2 New Yorkers For Children / Annual Report 2019 TABLE OF Contents Executive Director’s Note ............................................ 2 Who We Are .................................................................. 4 What We Do .................................................................. 5 Signature Programming ............................................... 6 2019 Graduates ...........................................................10 Peer Mentoring Spotlight ........................................ 12 2019 Financials ............................................................14 Corporate Partner Spotlight ......................................15 Staff ..............................................................................15 2019 Donors ................................................................16 New Yorkers For Children / Annual Report 2019 1 EXECUTIVE DIRECTOR’S Note Dear NYFC Community, The child welfare landscape in New York City is changing. More and more, people are recognizing the importance of giving back to the approximately 8,000 youth currently in foster care, and the nearly 650 youth who age out each year. Since 1996, New Yorkers For Children (NYFC) has been at the forefront of this work; but it would not be possible without our partners in the field. Looking back on 2019, NYFC has truly been strengthened by the resiliency and hard work of the youth we serve, as well as by the dedication and generosity of our steadfast partners. This year’s theme – BETTER TOGETHER – describes what New Yorkers have always intrinsically known: that we are at our best when The Administration for we lift each other up – not only as individuals or as a community, but as a city Children’s Services (ACS) and a system. is deeply grateful to our partners at NYFC for NYFC has worked for nearly 25 years to enroll foster youth in college, support helping to administer them through graduation, and help them gain the skills needed to enter the critical programming for youth and families in the workforce. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Movie Museum FEBRUARY 2009 COMING ATTRACTIONS
Movie Museum FEBRUARY 2009 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY VICKY CRISTINA IN BRUGES BOTTLE SHOCK ARSENIC AND IN BRUGES BARCELONA (2008-UK/Belgium) (2008) OLD LACE (2008-UK/Belgium) (2008-Spain/US) in widescreen in widescreen in widescreen in Catalan/English/Spanish w/ (1944) with Chris Pine, Alan with Cary Grant, Josephine English subtitles in widescreen with Colin Farrell, Brendan with Colin Farrell, Brendan Hull, Jean Adair, Raymond with Rebecca Hall, Scarlett Gleeson, Ralph Fiennes, Rickman, Bill Pullman, Gleeson, Ralph Fiennes, Johansson, Javier Bardem, Clémence Poésy, Eric Godon, Rachael Taylor, Freddy Massey, Peter Lorre, Priscilla Clémence Poésy, Eric Godon, Penelopé Cruz, Chris Ciarán Hinds. Rodriguez, Dennis Farina. Lane, John Alexander, Jack Ciarán Hinds. Messina, Patricia Clarkson. Carson, John Ridgely. Written and Directed by Written and Directed by Directed and Co-written by Written and Directed by Woody Allen. Martin McDonagh. Randall Miller. Directed by Martin McDonagh. Frank Capra. 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & 8:30pm 5 & 8:30pm 6 & 8:30pm 7 12:30, 3, 5:30 & 8pm 8 & 8:30pm 9 Lincoln's 200th Birthday THE VISITOR Valentine's Day THE VISITOR Presidents' Day 2 for 1 YOUNG MR. LINCOLN (2007) OUT OF AFRICA (2007) THE TALL TARGET (1951) (1939) in widescreen (1985) in widescreen with Dick Powell, Paula Raymond, Adolphe Menjou. with Henry Fonda, Alice with Richard Jenkins, Haaz in widescreen with Richard Jenkins, Haaz Directed by Anthony Mann. -
Reflections 3 Reflections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS AUSGABE 2019/2020 AUSGABE | TAUSEND FENSTER Der tschechische Sänger Karel Gott („Und samkeit in der großen Stadt beim Eurovision diese Biene, die ich meine, die heißt Maja …“) Song Contest 1968 in der Royal Albert Hall wurde vor allem durch seine vom böhmischen mit nur 2 Punkten den bescheidenen drei- SONG CONTEST CLUBS Timbre gekennzeichneten, deutschsprachigen zehnten Platz, fi ndet aber bis heute großen Schlager in den 1970er und 1980er Jahren zum Anklang innerhalb der ESC-Fangemeinde. Liebling der Freunde eingängiger U-Musik. Neben der deutschen Version, nahm Karel Copyright: Martin Krachler Ganz zu Beginn seiner Karriere wurde er Gott noch eine tschechische Version und zwei ÖSTERREICHISCHEN vom Österreichischen Rundfunk eingela- englische Versionen auf. den, die Alpenrepublik mit der Udo Jürgens- Hier seht ihr die spanische Ausgabe von „Tau- DUNCAN LAURENCE Komposition „Tausend Fenster“ zu vertreten. send Fenster“, das dort auf Deutsch veröff ent- Zwar erreichte der Schlager über die Ein- licht wurde. MAGAZINDAS DES Der fünfte Sieg für die Niederlande DIE LETZTE SEITE | ections Refl AUSGABE 2019/2020 2 Refl ections 4 Refl ections 99 Refl ections 6 Refl ections IMPRESSUM MARKUS TRITREMMEL MICHAEL STANGL Clubleitung, Generalversammlung, Organisation Clubtreff en, Newsletter, Vorstandssitzung, Newsletter, Tickets Eurovision Song Contest Inlandskorrespondenz, Audioarchiv [email protected] Fichtestraße 77/18 | 8020 Graz MARTIN HUBER [email protected] -
Malinconico Ludwig Studiava Da Attore
MALINCONICO LUDWIG STUDIAVA DA ATTORE La prima tentazione è quella di definire Ludwig 1881, il film dei fratelli Donatello e Fosco Dubini presentato in concorso a Locarno, un omaggio a vent'anni di distanza al "classico" di Luchino Visconti. Se la si guarda meglio, però, questa piccola produzione svizzero-tedesca dai meriti superiori al budget (è uno tra i titoli migliori visti finora al festival) dispone di un'autonomia molto precisa dal suo - presunto - modello alto. In primo luogo nel modo con cui gli sceneggiatori hanno concepito il mitico re di Baviera; poi nel tono sommesso e intimo, là dove la versione viscontiana era fastosa e magniloquente; e ancora in una continua vena d'ironia, rappresentata da una coppia di valletti alla Rosencrantz e Guildenstern che commentano tutta l'azione. Ludwig 1881 racconta un episodio autentico della vita del re, testimoniato da un carteggio fra Ludwig e il suo amante, nonché attore alla corte di Monaco, Josef Kainz. Nell'estate dell'81 i due uomini viaggiano in incognito sul lago dei Quattro Cantoni, celati sotto pseudonimi presi a prestito da Victor Hugo. Il re vuole che l'attore gli reciti scene del Guglielmo Tell di Schiller sullo sfondo degli scenari naturali svizzeri e - per renderne più convincente l'immedesimazione, lo spinge a camminate fra le nevi perenni o a levatacce per vedere l'alba sul Rigi. Ma la quota di "Sturm und Drang" del giovanotto si rivelerà molto al di sotto delle regali aspettative. Eppure il film dei Dubini un elemento in comune con quello di Visconti lo ha, ed è la presenza di Helmut Berger: Ludwig per eccellenza (benché altri attori abbiano interpretato il ruolo del re di Baviera, nella versione di Sjberberg e altrove) tornato a vestire il personaggio con tratti rinnovati e maggiore sicurezza interpretativa. -
Helmut Berger
Helmut Berger www.official-helmut-berger.com Helmut Werner Management GmbH Helmut Werner Phone: +43 676 3814 054 Email: [email protected] Website: www.helmutwernermanagement.at Information Acting age 55 - 80 years Nationality Austrian Year of birth 1944 (77 years) Languages German: native-language Height (cm) 180 English: fluent Weight (in kg) 78 Spanish: medium Eye color blue green French: fluent Hair color Blond Italian: fluent Hair length Short Dialects Austrian Stature slim Profession Speaker, Actor Place of residence Salzburg Housing options Rom, Paris, Wien, Berlin, Köln, München, London, Madrid, Barcelona Film 2016 Timeless Director: Alexander Tuschinski 2014 Saint Laurent Director: Bertrand Bonelli 2013 Paganini - Der Teufelsgeiger Director: Bernhard Rose 2011 Mörderschwestern Director: Peter Kern 2009 Blutsfreundschaft / Imitation Director: Peter Kern 2008 Iron Cross Director: Joshua Newton 2005 Damals warst du still Director: Rainer Matsutani 2004 Honey Baby Director: Mika Kaurismäki 2002 Zapping Alien Director: Vitus Zeplichal 1999 Unter den Palmen Director: Miriam Kruishoop Vita Helmut Berger by www.castupload.com — As of: 2021-07- 21 Page 1 of 4 1997 Die 120 Tage von Bottrop - Der letzte neue deutsche Film Director: Christoph Schlingensief 1996 Teo Director: Cinzia TH Torlinie 1996 L'Ombre du pharaon Director: Ben Barka 1996 Last Cut Director: Marcello Avallone 1995 Die Affäre Dreyfus Director: Yves Bisset 1993 Boomtown Director: Christoph Schere 1993 Ludwig 1881 Director: Donatello & Fosco Dubini 1993 Van Loc: Un -
Vittorio De Sica, 1946, 1948, 1951, 1952, 1960, 1970)
1 Sciuscià, Ladri di Biciclette, Miracolo a Milano, Umberto D, La Ciociara, Il Giardino dei Finzi-Contini (Vittorio de Sica, 1946, 1948, 1951, 1952, 1960, 1970) I first saw Vittorio de Sica in the Rock Hudson / Jennifer Jones version of A Farewell to Arms . He was very moving, I thought, being shot by a firing squad. He turned up all the time playing smooth and charming middle-aged Italians. These days The Shoes of the Fishermen is on fortnightly on TCM, and there he is, a cardinal to the life. In filmed interviews he’s always smooth, charming, well-dressed – a kind of Italian Ronald Coleman, but with, you can sense, more latent gravity. He contrasts always with Cesare Zavattini, his long-time scriptwriter, who’s sandpaper-rough, grinning and monosyllabic. In other words, de Sica was a professional, keen on maintaining his image in a profession where image is all. But he made, when the professionals weren’t looking, some of the best and most influential films there are. —————————— An “early Italian neo-realist masterpiece”. Close inspection of Sciuscià reveals what we see in Rosselini’s Roma, Città Aperta , that other, even earlier “Italian neo-realist masterpiece”: excellent professional acting, polished photography, and half of the action – the juvenile prison sequences – done in a studio. One shot – where the prison van containing the two protagonists pulls away from the court where they’ve been sentenced, and we see, from their viewpoint, the little sister of one of them, running after the vehicle in tears – is very close to the shot in Roma … where Magnani runs after the Nazi van containing her husband. -
Flesh Wounds
Flesh Wounds Flesh Wounds The Culture of Cosmetic Surgery Virginia L. Blum UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2003 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Blum, Virginia L., 1956–. Flesh wounds: the culture of cosmetic surgery / Virginia L. Blum. p. cm. Includes bibliographical references and index. ISBN 0-520-90158-4 1. Surgery, Plastic—Social aspects. 2. Surgery, Plastic—Psychological aspects. I. Title. rd119 .b58 2003 617.9Ј5—dc21 2002154915 Manufactured in the United States of America 13 12 11 10 09 08 07 06 05 04 10 987654 321 The paper used in this publication is both acid-free and totally chlorine-free (TCF). It meets the minimum requirements of ANSI /NISO Z39.48–1992 (R 1997) (Permanence of Paper). To my father, David Blum and to my mother, Fern Walder CONTENTS Acknowledgments ix 1. The Patient’s Body 1 2. Untouchable Bodies 35 3. The Plastic Surgeon and the Patient: A Slow Dance 67 4. Frankenstein Gets a Face-Lift 103 5. As If Beauty 145 6. The Monster and the Movie Star 188 7. Being and Having: Celebrity Culture and the Wages of Love 220 viii / Contents 8. Addicted to Surgery 262 Notes 291 Works Cited 315 Index 341 ACKNOWLEDGMENTS Many people have contributed to this project, from reading chapters to helping me think through a range of ideas and possibilities, from pro- viding close editorial scrutiny to sharing enlightening telephone con- versations. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
The Feminist Origins of the Midlife Crisis*
The Historical Journal, , (), pp. – © Cambridge University Press . This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/./), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:./SX THE FEMINIST ORIGINS OF THE MIDLIFE CRISIS* SUSANNE SCHMIDT University of Cambridge ABSTRACT. This article tells the history of the midlife crisis, for the first time. Today, the idea of midlife crisis conjures up images of male indulgence and irresponsibility, but it was first successfully promoted as a feminist concept that applied to men and women equally and described the dissolution of gender roles at the onset of middle age. Although the term was coined by the psychologist Elliott Jaques in the s, it only came into general use two decades later with journalist Gail Sheehy’s bestselling Passages (), as a concept that relied on older understandings of middle age as a welcome ‘release’ from motherhood and domesticity. The feminist origins of the midlife crisis suggest, first, that journalistic publishing can be more significant for the history of an idea than spe- cialists’ theories, even if those precede it. Secondly and more importantly, it sheds new light on Susan Sontag’s classic analysis of the ‘double standard of aging’ by making visible how women used the notion of midlife change to undermine gender hierarchies. One might not have expected the history of the midlife crisis to begin with a shocking scene from a notorious massacre, still less that a woman would tell the tale. -
Program Guide Report
Schedule Program Guide For TCN/GO Sun Jun 27, 2010 06:00 CHOWDER Repeat G Gazpacho Stands Up/A Taste Of Marzipan When Chowder has trouble with his handwriting, he decides to train himself by writing Gazpacho's comedy routine for the evening. 06:30 THE MARVELOUS MISADVENTURES OF FLAPJACK Repeat G Something's A Miss / Gone Wishin' Everyone on Stormalong thinks Flapjack is a little girl. Flapjack decides to get dangerous surgery to change his voice. 07:00 KIDS WB SUNDAY WS G Hosted by Shura Taft and Heidi Valkenburg. 07:05 THUNDERBIRDS Captioned Repeat G Path Of Destruction Part 2 Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:30 CAMP LAZLO Repeat G Where's Clam / Bowling for Dinosaurs When Raj loses Clam in the forest, he covers up his mistake by convincing Lazlo that Clam has become invisible. 08:00 SHAGGY & SCOOBY-DOO GET A CLUE! Repeat WS G Party Arty Robi goes on the blink during the eve of an all-important mansion house-warming party, forcing Scooby and Shaggy to replace him wih a new robot butler. 08:30 TOM & JERRY TALES Repeat WS G Adventures In Penguin Sitting/ Cat Of Prey/ Jungle Love With Tom hot on his heels, Jerry struggles to protect a mischievous, yet adorable baby penguin whose set on devouring ice pops while transforming the house into his very own winter wonderland. 09:00 GRIM ADVENTURES OF BILLY AND MANDY Repeat G Nergal's Pizza / Hey Water You Doing Everyone loves pizza, even freakish shape shifting monsters from the centre of the Earth! 09:30 BEN 10 Repeat G Gwen 10 Gwen gets the Omnitrix and the power that comes with it. -
Uconn Professor Reveals 'How to Rob the Racetrack' Solidarity Urges Restraint
85: to c.l Connecticut latlrj (Hamnua Serving Storrs Since 1896 Vol. LXXXV No. 40 University of Connecticut Friday, October 23,1981 Federal Labor board orders PATCO's death WASHINGTON (AP)—The Federal Labor Relations Authority ordered the death of the Professional Air Traffic Controllers Organization on Thursday, declaring PATCO forfeited its right to exist by "willfully and intentionally " violating the law with a strike last August. But hours later, a federal appeals blocked the order. The 2-1 decision by the FLRA marked the first time the government has put a union out of business by stripping it of its bargaining authority. It came as a victory for the Reagan administration, which fired 11,500 striking con- trollers shortly after their Aug. 3 walkout. The dissenting FLRA member declared that he. too, would want the union dissolved if it did not agree to end the illegal strike within five days. Hours after the ruling, it was stayed by a U.S. Court of Appeals order sought by PATCO. Robert Bonner, deputy clerk of the appeals court, said Janet Ackerman (left) enjoys an ice cream cone with her friend Rose Tse Thursday after- the court issued "a temporary stay until it can get a respon- noon outside the Student Union snack bar (Evan Roklen photo). se from the government" which he said was due Monday. In their request for a stay. PATCO attorneys Russ Bailey and Neal Goldfarb told the appeals court in written papers UConn professor reveals that the decision of the authority would bring irreparable harm to PATCO because dues checkoff would be stopped Friday for 2,000 members who continue to work.