2019 ANNUAL REPORT 2 New Yorkers for Children / Annual Report 2019 TABLE of Contents
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The Feminist Origins of the Midlife Crisis*
The Historical Journal, , (), pp. – © Cambridge University Press . This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/./), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:./SX THE FEMINIST ORIGINS OF THE MIDLIFE CRISIS* SUSANNE SCHMIDT University of Cambridge ABSTRACT. This article tells the history of the midlife crisis, for the first time. Today, the idea of midlife crisis conjures up images of male indulgence and irresponsibility, but it was first successfully promoted as a feminist concept that applied to men and women equally and described the dissolution of gender roles at the onset of middle age. Although the term was coined by the psychologist Elliott Jaques in the s, it only came into general use two decades later with journalist Gail Sheehy’s bestselling Passages (), as a concept that relied on older understandings of middle age as a welcome ‘release’ from motherhood and domesticity. The feminist origins of the midlife crisis suggest, first, that journalistic publishing can be more significant for the history of an idea than spe- cialists’ theories, even if those precede it. Secondly and more importantly, it sheds new light on Susan Sontag’s classic analysis of the ‘double standard of aging’ by making visible how women used the notion of midlife change to undermine gender hierarchies. One might not have expected the history of the midlife crisis to begin with a shocking scene from a notorious massacre, still less that a woman would tell the tale. -
UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT of NEW YORK ------X : in Re : Chapter 11 : SOUND SHORE MEDICAL CENTER of : Case No
13-22840-rdd Doc 803 Filed 08/20/14 Entered 08/20/14 15:32:35 Main Document Pg 1 of 1040 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------x : In re : Chapter 11 : SOUND SHORE MEDICAL CENTER OF : Case No. 13-22840 (RDD) WESTCHESTER, et al.,1 : : Debtors. : (Jointly Administered) : ---------------------------------------------------------------x AFFIDAVIT OF SERVICE STATE OF ILLINOIS ) ) ss COUNTY OF COOK ) I, Heather L. Montgomery, being duly sworn, depose and state: 1. I am a Senior Project Manager with GCG, Inc., the claims and noticing agent for the debtors and debtors-in-possession (the “Debtors”) in the above-captioned proceeding. Our business address is 190 South LaSalle Street, Suite 1925, Chicago, Illinois 60603. 2. On August 18, 2014, at the direction of Garfunkel Wild, P.C. (“Garfunkel Wild”), Counsel for the Debtors, I caused true and correct copies of the following documents to be served by e-mail on the parties identified on Exhibit A annexed hereto (Master Service List Parties with e-mail addresses and General Service List Parties), and by first class mail on the parties identified on Exhibit B annexed hereto (Master Service List Parties): Disclosure Statement, Pursuant to Section 1125 of the Bankruptcy Code, for Plan of Liquidation under Chapter 11 of the Bankruptcy Code of Sound Shore Medical Center of Westchester, et al. (“Disclosure Statement re Plan of Liquidation”) [Docket No. 798]; 1 The Debtors in these chapter 11 cases, along with the last four digits of each Debtor’s federal tax identification number, include: Sound Shore Medical Center of Westchester (0117); Howe Avenue Nursing Home, d/b/a Michael Schaffer Extended Care Center (0781); New Rochelle Sound Shore Housing, LLC (0117); NRHMC Services Corporation (9137); The M.V.H. -
Powell's Books Wholesale Backlist Catalogue: May, 2012
POWELL'S BOOKS WHOLESALE BACKLIST CATALOGUE: MAY, 2012 POWELL'S BOOKS WHOLESALE Date: 3429 West 47th Street Cust #: Chicago, IL 60632 Phone: (773) 247-1111 Phone #: Fax: (773) 247-1114 [email protected] Cust P.O.: Email: Bill To: Ship To: Authorized By: Ship Instruct: Terms: First order pro forma; net 30 days for established accounts. For UPS, please specify ____ residential ____ commercial (Additional charges Minimum Order: $100.00 list filled order to qualify for 50% discount. for rerouting or residential delivery will be billed to customer). All Books Non-Returnable Shipping Methods: Powell’s will ship prepaid and invoice freight charges at cost via the cheapest method (UPS, FedEx, common carrier, etc.) unless otherwise instructed. We do not ship USPS. Canadian and overseas booksellers: contact us to arrange shipping. Some titles we are unable to export. Jacketless hardbound books are noted under "format" as NDJ. M = Marked (H) = HURT (10000-63553) Africa Book # Qty Title ISBN Cond/Format Author Publisher Year Pub $ List $ 19706 Women of Fire and Spirit: History, Faith, 0195097904 NDJ Cynthia Fatton Oxford University 1996 50.00 7.98 and Gender in Roho Religion in Western Press. Kenya (NoDJ). 45991 Transition 95: Lights! Jungle! Action! 1932360212 (H) PB Soft Skull. 2003 9.95 3.98 46579 Place in the Sun: Africa in Italian Colonial 0520232348 PB ed. Patrizia Palumbo California. 2003 25.95 4.98 Culture from Post-Unification to the Present. 47338 Hausaland Tales from the Nigerian 0208025235 HB Gavin McIntosh Linnet. 2002 22.50 4.98 Marketplace. 48119 Honour in African History. 0521546850 (M) PB John Iliffe Cambridge. -
ILA Spectator 12-02-02
Summer/Fall 2005 Volume Four, Number One ith the addition of four new changing. “It made me think more clearly members, the ILA Board is the All A-Board: and appreciate things much more.” Wbiggest it’s ever been. Exuding Meet the New ILA Blum is equally enthusiastic about energy and enthusiasm, our newest board Board Members his new role on the ILA Board. “I take this members, David Blum, Carlton Butler, position seriously. I’d love for us to Audrey Pearson, and Marsha Wilner, all made it clear that become bigger,” he relates. He considers ILA to be a “class they’re happy to be here. THE SPECTATOR met with them not operation” and hopes to explore non-governmental funding long after their appointments and learned some interesting sources and “what we can do to become more economically aspects about their lives and their visions as Board Members. self-sufficient.” David Blum remembers first being approached Family also means the world to Dave. “Most important in by former colleague and ILA Board Chair- my life are my wife, Barbara, and my daughter, Meredith.” In man Mike Kass in Spring 2003 at the retire- addition to spending time with friends and family, he also ment party of the late Board Chairman, enjoys movies, reading, coin collecting, and an occasional Judge Jay Tinter. “Mike started to pull me glass of red wine “for my heart,” he beams. in,” he recalls. “We talked on the phone a lot, Like the other new board members, Carlton and soon he started sneaking in the topic of Butler is a native New Yorker. -
Music in Our Dreams Dream Network Journal Exploring the Mystery of Dreams Since 1982
Winter 2011-2012 Vol. 30 No. 4 Music In Our Dreams Dream Network Journal Exploring the Mystery of Dreams Since 1982 The Gilgimesh Cantata Curtiss Hoff man When Choirs Dream Together Barbara Condron, D.M., D.D. DNJ/ Winter 2011-2012 Vol. 30 No. 4 1 The Healing Power of Music and the Dream Journey David Blum Cover Art ~ “GABRIELLES’ HORN” Artist “Indigene” Theresa Gaskin 2 DNJ/Winter 2011-2012 Vol. 30 No. 4 Dreaming Humanity’s Path The Trees are Singing! I awoke to this strange sound coming from outside my window. After a while, it occurred to me it was coming from the trees. They were creating music; they were singing! I was filled with inexplicable joy at the wonder of this. It all made sense somehow, like the ‘Pythagorean Music of the Spheres.’ How the Universe is alive and we are all making music! Dreamt and Artistically created by Linda Mastrangelo DNJ/ Winter 2011-2012 Vol. 30 No. 4 3 Mission Statement ©2011-2012 Evolving a Dream Cherishing Culture Dream Network Journal Since 1982 ISSN #1054-6707 Winter 2011-2012 Vol. 30 No. 4 Our purpose is to raise individual and cultural appreciation for the value of dreams. We will provide information that 1025 South Kane Creek Blvd. will assist and empower readers. PO Box 1026 We hope to aid in the personal development and healing of Moab, UT 84532-1026 our physical, emotional, psychological and spiritual re- sponsibility and well-being, with the help of dreams. Phone: 435/259-5936 We aspire to unite and serve people who respect dreams by [email protected] aiding the integration of dreamwork into the everyday life www.DreamNetwork.net of our culture, always mindful of the dreamerʼs integrity. -
Addiction, Culture, and Narrative During the War on Drugs
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 The Age of Intervention: Addiction, Culture, and Narrative During the War on Drugs Ashleigh M. Hardin University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.151 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hardin, Ashleigh M., "The Age of Intervention: Addiction, Culture, and Narrative During the War on Drugs" (2016). Theses and Dissertations--English. 34. https://uknowledge.uky.edu/english_etds/34 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Flesh Wounds
Flesh Wounds Flesh Wounds The Culture of Cosmetic Surgery Virginia L. Blum UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2003 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Blum, Virginia L., 1956 –. Flesh wounds: the culture of cosmetic surgery / Virginia L. Blum. p. cm. Includes bibliographical references and index. ISBN 0-520-21723-3 1. Surgery, Plastic—Social aspects. 2. Surgery, Plastic—Psychological aspects. I. Title. rd119 .b58 2003 617.9�5— dc21 2002154915 Manufactured in the United States of America 13 12 11 10 09 08 07 06 05 04 10 987654 321 The paper used in this publication is both acid-free and totally chlorine-free (TCF). It meets the minimum requirements of ANSI /NISO Z39.48–1992 (R 1997) (Permanence of Paper). To my father, David Blum and to my mother, Fern Walder CONTENTS Acknowledgments ix 1. The Patient’s Body 1 2. Untouchable Bodies 35 3. The Plastic Surgeon and the Patient: A Slow Dance 67 4. Frankenstein Gets a Face-Lift 103 5. As If Beauty 145 6. The Monster and the Movie Star 188 7. Being and Having: Celebrity Culture and the Wages of Love 220 viii / Contents 8. Addicted to Surgery 262 Notes 291 Works Cited 315 Index 341 ACKNOWLEDGMENTS Many people have contributed to this project, from reading chapters to helping me think through a range of ideas and possibilities, from pro- viding close editorial scrutiny to sharing enlightening telephone con- versations. -
Summer 2009 Three Rivers Press Catalog
you better believe it: true stories, truly great reads three rivers press summer 2009 ALL eBOOK PRICING MATCHES THE HARDCOVER/ PAPERBACK COUNTERPART ctaoblenotf ents FRONT LIST 4 AGENTS 70 FOREIGN REPS 71 AUTHOR/TITLE INDEX 72 ORDERING INFORMATION 74 “A deeply satisfying novel…Bohjalian spins a suspenseful tale in which the plot triumphs over any single sorrow.” —Washington Post Book World “Harrowing…ingenious…compelling. That Bohjalian can extract greater truths about faith, hope, and compassion from something as mundane as a diary is testament not only to his skill as a writer but also to the enduring abil - ity of well-written war fiction to stir our deepest emotions.” —los angeles times “[Bohjalian’s] sense of character and place, his skillful plotting, and his clear grasp of this confusing period of history make for a deeply satisfying novel.” —Boston gloBe “While creating suspense, Bohjalian agilely balances the moral ambiguities of war.” — Usa today “A bittersweet story of romance, war, and death, inspired in part by a real diary…Strongly dramatic and full of the heartbreaking horror of war, this novel is Bohjalian at his imaginative best.” —hartford CoUrant Skeletons at the Feast Chris Bohjalian THREE RIVERS PRESS • FEBRUARY A neW york times BESTSELLER A PUBlishers Weekly BESTSELLER A Booksense SELECTION FOREIGN RIGHTS SOLD ACROSS EUROPE AN NBC today SHOW TOP TEN SUMMER READ National Publicity Bestselling author Chris Bohjalian returns 21-City Author Tour with a tale of love and war that multiple Ann Arbor Milwaukee Austin Minneapolis critics have hailed as “harrowing,” “poignant,” Boston New Hampshire Boulder Portland, ME and “nail-biting”—and compared to both The Denver Raleigh Houston San Diego Kite Runner and The Diary of Anne Frank. -
Bestseller" Really Mean?
BOOK PUBLISHING What Does "Bestseller" Really Mean? By Peter Bowerman Book publishers rely on (or at least dream about) the economic boost of a title achieving popularity. However, the means by which books are declared successful can be anything but scientific. Author and self-publishing advocate Peter Bowerman explores the world of dubious bestseller lists, manufactured rankings and unreal reviews. riter David Blum was perplexed. It was intriguing "weighting" going on for a book with a the late 1980s and Blum was research- healthy share of its 10,000-unit first printing still en ing the inner workings of The New route to bookstores when the "bestseller" mande was York Times bestseller list. He took par- quietly dropped on its shoulders. ticular notice of Allan Bloom's 1988 Wbook, "The Closing of the American Mind," which had "List Inflation" just been positively reviewed in the Times. Although a Over the years, the number of "bestseller" lists has •large percentage of the modest first printing of 10,000 grown: USA Today, Amazon, Barnes & Noble, The copies hadn't even arrived in bookstores when the re- Washington Post, The Los Angeles Times, The' Wall Street view hit, the book suddenly showed up on The New York journal, Publishers Weekly, and plenty' of sub-lists within Times bestseller List. The only logical explanation Blum the Times' list itself. For authors, this proliferation of could find was that the book had done "incredibly well new lists has meant many more opportunities to earn at a few bookstores that The New York Times weights the coveted "bestseller" label. -
2009000515.Pdf
Universidade de Aveiro Departamento de Línguas e Culturas 2008 Sandra Cristina Reis Representações da Juventude Americana no Cinema Marques de Oliveira de Hollywood da Década de Oitenta Representations of American Youth in Hollywood Film in the 1980s Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas, variante de Estudos Ingleses, realizada sob a orientação científica do Prof. Dr. Anthony David Barker, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro. ii o júri Presidente Doutor Kenneth David Callahan Professor Associado da Universidade de Aveiro Vogais Doutor Anthony David Barker Professor Associado da Universidade de Aveiro (Orientador) Doutor Nelson Troca Zagalo Professor Auxiliar do Instituto de Ciências Sociais e Humanas da Universidade do Minho iii Acknowledgements I would like to express my sincere gratitude to Professor Anthony Barker for his support, precious corrections, patience and encouragement. This work would not have been possible without his diverse material sources and insightful discussions about film, television and the 1980s.I would also like to thank Professors Aline Ferreira, David Callahan and Gillian Moreira for their contribution to my formation in Literature and Cultural Studies. iv Palavras-chave adolescentes, América, década de 80, Hollywood, filme, estereótipos Resumo O presente trabalho propõe-se examinar diferentes representações da adolescência no cinema de Hollywood, particularmente na década de 80. Esta dissertação inicia a sua análise debruçando-se sobre as representações da adolescência no cinema de Hollywood, no período após a II Guerra Mundial, numa tentativa de determinar alguns acontecimento que afectaram a forma como essas representações evoluíram até ao final da década de 80. -
Engaging the Eighties: Ethics, Objects, Periods
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2007 Engaging the Eighties: Ethics, Objects, Periods Kevin L. Ferguson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1972 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ENGAGING THE EIGHTIES: ETHICS, OBJECTS, PERIODS by KEVIN L. FERGUSON A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2007 UMI Number: 3245072 Copyright 2007 by Ferguson, Kevin L. All rights reserved. UMI Microform 3245072 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii © 2007 KEVIN L. FERGUSON All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Nancy K. Miller 1/19/07 Date Chair of Examining Committee Steven Kruger 1/19/07 Date Executive Officer Nancy K. Miller Wayne Koestenbaum Gerhard Joseph Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract ENGAGING THE EIGHTIES: ETHICS, OBJECTS, PERIODS by Kevin L. -
Here's the Complete List of Summer Reads Recommended by ACMP
Here’s the complete list of summer reads recommended by ACMP members. Summer 2018 Most recommendations available where books are sold – check your library for out-of-print reads. Evenings with the Orchestra by Hector Berlioz, translated by Jacques Barzum (University of Chicago Press, 1999). A perennial favorite of mine is Evenings with the Orchestra by Hector Berlioz. Berlioz was a consummate music critic and teller of tales, and the translation into English by Jacques Barzun has great notes and introduction. It was published in 1956 by Alfred A. Knopf. Recommendation by Katy Morgan. The Piano Shop on the Left Bank: Discovering a Forgotten Passion in a Paris Atelier by Thaddeus Carhart (Random House Trade Paperbacks, 2002). Recommendation by Gail Greenspan. The Noise of Time by Julian Barnes (Vintage International, 2017). Recommendation by Gail Greenspan. Gregory Piatigorsky: The Life and Career of the Virtuoso Cellist by Terry King (McFarland, 2010). This definitive biography chronicles a musical legend’s tempestuous life and career. Piatigorsky began his career on second hand instruments, escaping the Russian Revolution to play with the Warsaw Philharmonic, eventually making his way to the United States during World War II. Recommendation by Susan B. Smith. The Complete Artist’s Way: Creativity as a Spiritual Practice by Julia Cameron (Tarcher/Penguin 2007). Cameron encourages the creativity in all of us and gives us concrete suggestions for developing our artistic selves, overcoming self-criticism to be “perfect” or “famous” as an artist or not try at all. She gives you the 12 steps to recovering the creative self, lost after childhood and a life filled with practical effort at work, family responsibility and repression of the artistic self.