Andrea Walsh Britain B. 1974
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Curators' Colloquium on Knitted Textiles
Fleece to Fashion Economies and Cultures of Knitting in Modern Scotland Curators’ Colloquium on Knitted Textiles Friday 29 January 2021 1.30 - 4.00 pm on Zoom PROGRAMME 1.30 Welcome and Introduction (Lynn Abrams, Carol Christiansen) 1.40-2.30 Acquisition, Identity and Interpretation Chair: Roslyn Chapman The Challenges of a ‘Living’ Knitwear Collection (Carol Christiansen, Shetland Museum and Archives) Scottish and European Knitted Textiles at National Museums Scotland: collecting, interpretation and display' (Helen Wyld, National Museums of Scotland) 2.30-3.00 Care and Conservation Chair: Sally Tuckett The Care and conservation of Knit Collections (Frances Lennard, University of Glasgow) 3.00-3.05 Leg stretch 3.05-3.50 Interpretation and Display – Conventional and Digital Chair: Lin Gardner Colour Revolution: Bernat Klein and the post-war market for handknitting (Lisa Mason, National Museum of Scotland) Glorious Ganseys: a glance at the Scottish Fisheries Museum’s collection of fishermen’s jumpers with particular focus “Knitting the Herring” and the creation of a National Database (Jen Gordon and Federica Papiccio, Scottish Fisheries Museum) 3.50-4.00 Summing Up and Next Steps Chair: Marina Moskowitz Speaker Biographies Carol Christiansen is Curator and Community Museums Officer at Shetland Museum and Archives. As curator, her main responsibility is the Museum’s nationally recognised textiles collection, which has a large knitted textile component. She holds a PhD from the University of Manchester in Archaeology with a specialisation in Textiles and has worked and published in the specialism with colleagues in the UK and Nordic countries. She is the author of Taatit Rugs: the pile bedcovers of Shetland (2015) and numerous articles on Shetland’s textile heritage. -
Bronwen Sleigh
Last Updated: October 2015. Please contact CYDONIA for more information. ! BRONWEN SLEIGH Born in 1980 Birmingham, UK Lives and works in Glasgow, UK EDUCATION 2008 MA Fine Art Printmaking, Royal College of Art, London, UK 2002 BA Hons Design (Illustration), Glasgow School of Art, Glasgow, UK 1999 Diploma in Foundation Studies, Art and Design, University of Wales, Cardiff, UK AWARDS 2015 Creative Scotland ‘Professional Development’ Award, Edinburgh, UK The Bet Low Trust Funding Award, Quebec, Canada The Leif School of Art Prize, VAS Open Exhibition 2014 Professional Development, Creative Scotland, Edinburgh, UK The Bet Low Trust, Quebec, Canada 2013 Murray Beith Murray Prize, Murray Beith Murray, Edinburgh, UK 2010 Printmaking Today Award, Printmaking Today, Witney, UK School of Art Purchase Prize, Aberystwyth University, Wales, UK 2009 V&A Print Prize, Northern Print Biennale, Newcastle upon Tyne, UK 2008 Alf Dun Award, Royal College of Art, London, UK Davis Langdon Award, Royal College of Art, London, UK RCA Society/ Thames & Hudson Book Prize, London, UK 2007 Tim Mara Calgary Exchange, Royal College of Art, London, UK 2005 Strathclyde University Purchase Prize, Glasgow Print Studio, Glasgow, UK 2002 On Site Drawing Prize, Glasgow School of Art, Glasgow, UK SOLO EXHIBITIONS 2015 Northern Form, CYDONIA, Dallas, Texas, USA 2014 Re-Construct, & Collective, Bridge of Allan, UK Bronwen Sleigh, Glasgow Print Studio, Glasgow, UK 2013 Construct, Edinburgh Printmakers, Edinburgh, UK 2011 Bronwen Sleigh, Eye Two, Edinburgh, UK 2010 Bronwen Sleigh, -
Download Craft Scotland Celebrates... Wood PDF 6 Feb 2019
MEDIA RELEASE: Craft Scotland and VAS showcase material mastery in wood by Scotland based makers Three of Scotland's most exciting artists present their work in the third Craft Scotland celebrates... exhibition as part of ALIGHT at Royal Scottish Academy In the third of a planned series celebrating craft mediums Craft Scotland is delighted once again to be partnering with Visual Arts Scotland (VAS) to celebrate contemporary woodworking through a presentation of multidisciplinary works from gifted Scotland based makers. This year Craft Scotland has chosen to explore wood through the diverse work of three makers: Charlotte Barker, Beth Legg and Naomi Mcintosh. Their work is presented alongside hirta, a modular structure that acts as a focus for discussion around materiality, design and making. Challenging the common perceptions of wood, this year the Craft Scotland celebrates... wood showcase highlights the versatility of wood as a craft material, and the diversity of applications it can be adapted to. Selected by the VAS committee and representatives of Craft Scotland, the three invited artists will form the starting point for a wider celebration of the diverse discipline of contemporary woodworking throughout the ALIGHT exhibition. A sense of movement is offered by Charlotte Barker, the wood’s natural texture contrasting with the controlled markings of her ceramic vessels. Beth Legg’s objects and jewellery are rooted in the poetic nature of metal, wood and stone and her fascination with hinterlands while Naomi Mcintosh’s designs explore volume, pattern and movement. Speaking ahead of the exhibition opening Craft Scotland Director Irene Kernan said: “Our media-specific showcases were born out of Craft Scotland and Visual Arts Scotland's mutual ambition to exhibit high-quality craft, alongside works of fine art, in a venue fitting of its stature. -
Strickland, Fiona
TRICKLAND IONA 2008 S , F Flowers and Gardens, Annual Open Exhibition of the b. Edinburgh, Scotland Society of Botanical Artists, Lecture Hall, Central Hall Westminster, London, 2009 RESIDENCE: Scotland Judith Blacklock Flower Gallery, Knightsbridge, London, Email: [email protected] 2009 EDUCATION Autumn, Society of Botanical Artists, Palmengarten, Frankfurt, D.A. and Postgraduate Diploma, Drawing and Painting, 2010 Edinburgh College of Art, Edinburgh, 1974–1978, 1979 Botanical Paintings, Art Amatoria, Edinburgh, 2010 P.G.C.E., Secondary teaching qualification, Art and Design, Cumberland Lodge, Windsor Great Park, 2010 Moray House School of Education, Edinburgh, 1980 Gold Standard: An Exhibition of Botanical Art, Royal Horticultural Society and Fulham Palace, Fulham Palace, CAREER London, 2010 Art and Design Teacher, Bo’ness Academy, 1980–1991; Alloa Academy, 1991–1993; Art and Design Principal Teacher, HONOR(S)/AWARD(S) Bannockburn High School, Stirling, 1993–2006 Scholarship to Hospitalfield House, Edinburgh College of Botanical artist, 2008– Art, Arbroath, 1977 Traveling scholarship to Italy and France, Edinburgh College MEMBERSHIP of Art, 1978 Society of Botanical Artists Runner-Up, St. Cuthbert’s Mill Award, 2008; People’s Choice MEDIUM Award, 2008; Margaret Grainger Memorial Silver Bowl, Watercolor 2009; Certificate of Merit, Society of Botanical Artists, 2009 ONE-PERSON EXHIBITION(S) Dawn Jolliffe Botanical Art Bursary, 2008; Gold Medal, Royal Abstract Paintings, The Collective Gallery, Edinburgh, 1985 Horticultural Society, -
Latest CV Linda Green 2015
Linda Green MA (RCA) Education 2006 PG Certificate in Learning and Teaching. 1980 Royal College of Art, London M.A. Textiles 1978 Edinburgh College of Art. Post–Graduate Diploma with Distinction. Tapestry 1977 Edinburgh College of Art. D.A. Tapestry Awards and Sponsors 2015 Artists’ Bursary Creative Scotland 2014 Art Tapestry4 Award. Presented at opening in Rovaniemi 2013 Invited Artist, Visual Arts Scotland, RSA Galleries Edinburgh 2012 Inches Carr Trust Bursary Award 2010 Creative Scotland Award 2010 Theo Moorman Trust for Weavers Award 2003 The Scottish Arts Council Professional Development Award – SOFA Chicago 2002 The Scottish Arts Council Professional Development Award – Fresh Art London 1999 The Scottish Art Council. Visual Artists Award 1998 The Glasgow school of Art. Research Fellowship 1998 The Scottish Arts Council. Visual Artists Award 1997 The British Council, Scottish Courage, The Hope Scott Trust, The Great Britain Sasakawa Foundation 1996 Glasgow School of Art Research Award 1992 The British Council Travel Award 1985 Scottish Arts Council. Young Artists Award Solo Exhibitions 2013 ‘From Straw to Gold’ Thomson’s Tower, Dr Neils’ Garden, Edinburgh 2012 ‘From Straw to Gold’ The Herbarium, Royal Botanic Garden Edinburgh. 2011 ‘From Straw to Gold’ Weft, Pittenweem. Scotland 2005 Doors Open Day Exhibition. Innovative Crafts at 17 Royal Terrace Mews 2003 The Hub Edinburgh in association with The Scottish Gallery 2001 17 Royal Terrace Mews in association with Richard Murphy Architects 1998 17 Royal Terrace Mews in association with Richard Murphy Architects 1992 ‘Diary of a Journey’ Gallery Beni, Kyoto Japan 1992 The Scottish Gallery, Edinburgh 1985 The Northern Centre for Contemporary Art, Sunderland 1984 ‘Paper Constructions’ Artspace, Aberdeen Selected Exhibitions 2015 Invited Artist ‘Clothed by Plants’ Pittenweem Arts Festival. -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
Michael Craik
MICHAEL CRAIK EDUCATION 1999 - 2000 MA European Fine Art, Winchester School of Art, Barcelona / Winchester 1992 - 1996 BA (Hons) Fine Art, Gray’s School of Art, Aberdeen SOLO AND JOINT EXHIBITIONS 2020 Solo exhibition, Echo, &Gallery, Edinburgh 2018 Continuum, (with Gisela Hoffmann), Galerie Schmidt & Schütte, Cologne Solo exhibition at Zembla, Hawick Percezione, (with Sonia Costantini), THECA Gallery, Milan Two person exhibition (with Jeffrey Cortland Jones), &Gallery, Edinburgh 2017 The Relative Medium (with Eric Cruikshank), Galleri Konstepidemin, Gothenburg 2016 Intime, Galerie Weissraum, Kyoto 2015 Ways of Seeing (with Eric Cruikshank), Howden Park Centre, Livingston 2013 Build (with Merja Herzog-Hellsten), Galerie Salon 13, BOK, Offenbach Im Spiegel des anderen (with Eric Cruikshank), Galerie Albrecht, Berlin 2007 Razed To The Ground, Amber Roome Contemporary Art, Edinburgh 2006 Plate Tectonics, Galería Alonso Vidal, Barcelona Solo exhibition, An Tuireann Arts Centre, Portree, Isle of Skye 2005 Solo exhibition, The Hallion Club, Edinburgh Solo exhibition, Amber Roome Contemporary Art, Edinburgh 2004 Solo exhibition, Gracefield Arts Centre, Dumfries 2003 Members Lounge, Collective Gallery, Edinburgh Solo exhibition, Friction Gallery, Edinburgh 2002 Solo exhibition, Habitat, Edinburgh Solo exhibition, Deutsche Bank, Edinburgh 2000 Gap, Panorama Gallery, Barcelona ELECTED GROUP EXHIBITIONS & FAIRS 2021 Tiny yet Mighty, &Gallery, Edinburgh 2020 Art Matters, online exhibition at Galerie Biesenbach, Cologne Winter Exhibition, &Gallery, -
Lockdown Legacy Webinar: the Digital Future of the Art and Cultural Heritage World 7 November 2020, 10Am-1Pm Keynote Speaker: T
Lockdown Legacy Webinar: The Digital Future of the Art and Cultural Heritage World 7 November 2020, 10am-1pm Keynote speaker: Terence Gould, Technology Manager, Art UK SESSION 1 Chair: Alice Strang, Art Historian and Curator of Modern & Contemporary Art 10.00 - 10.10am Welcome 10.10 - 10.30am KEYNOTE SPEAKER: Terence Gould, Technology Manager, Art UK, ‘Curating by all & for all: Art UK as a digital exhibitions platform’ 10.30 - 10.40am Abi Webster, Programme Assistant, Edinburgh Art Festival, ‘Performance in the digital realm: potentials and challenges for new commissions’ 10.40 - 10.50am Margaret Sweetnam, Marketing & Communications Manager, Aberdeen Archives, Gallery & Museums, ‘How To be More Joe Wicks - Finding our Digital Mojo’ 10.50 - 11.00am Q&A FIRST BREAK - 11.00 - 11.10am Visual presentation # 1 Isabella Wagner, University of Glasgow / The Hunterian ‘The Hunterian’s Approach to Digital Engagement’ Visual presentation #2 Bianca Callegaro, University of Glasgow & Co-Founder, Art Gate Blog, ‘Online Engagement with Culture in the New Normal: The case of Art Gate Blog’ SESSION 2 Chair: Shona Elliott, Lead Curator (Collections Access), Aberdeen Archives, Gallery & Museums 11.10 - 11.20am Welcome 11.20 - 11.30am Norman McBeath, Printmaker and Photographer, ‘Perdendosi’ 11.30 - 11.40am Sandy Wood, Collections Curator, Royal Scottish Academy of Art & Architecture, ‘Pandemic: The Royal Scottish Academy during lockdown and beyond’ 11.40 - 11.50am Alice Strang, Art Historian & Curator of Modern & Contemporary Art, ‘A Curatorial History of Lockdown in 164 Posts’ 1 11.50 - 12noon Q&A SECOND BREAK - 12.00 - 12.10pm Visual presentation Martin Disley, Artist and Technology Researcher Cartographic Hallucination: Generative A.I. -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Biography Daniel F
Newsletter No 44 Winter 2013/14 From the Chair and archives in Glasgow and Edinburgh. This relates to her broader research on two other This year has been both varied and enjoyable illustrators from the Pre-Raphaelite circle, Arthur as my first and also final year as Chair. There has Hughes and Frederick Sandys, but also promises to been a lot to learn but the main focus throughout lead to a separate study on King. has been on keeping a continuity in what the In relation to art historical research, there is a society does. And the experience and tireless work report on the recent conference ‘Et in Archiva Ego: of our committee has been an invaluable factor in Artists in the Archives’, which some of our maintaining our range of activities, from this members had the chance to attend. This was a newsletter, our forthcoming journal through to the succinct but enlightening one-day event that tours that we have organised this year. explored different aspects of what is involved in As the final issue of the year, the pages of researching the life and work of artists as well as this newsletter recall some of these more recent the intriguing ways that artists use and respond to activities, including reviews of our two most recent the archive. And, finally, there is a feature article tours. Shannon Hunter Hurtado describes an by Fiona Pearson on the late Sir Eduardo Paolozzi, afternoon spent in early September at the newly in which she draws on her in-depth knowledge and renovated Black Watch Castle and Museum, Perth, acquaintance with the artist from her years and I report on our visit to the Dovecot Studios, working with his gift to the National Galleries of Edinburgh, where we had a practical Scotland. -
ANNUAL REVIEW April 2016 - March 2017
ANNUAL REVIEW April 2016 - March 2017 SUPPORTING MAKERS PROMOTING CRAFT 1 was delighted to become Chair of Craft Scotland last year, and I am grateful for the excellent work done by my predecessor Jacquie Edwards. In 2016/17 we delivered a series of successful exhibitions and events, gathered feedback from the sector, and assessed new opportunities and funding sources to create a dynamic strategic plan for the next three years. Driving this long term strategy is our mission to make Scotland a place where craft is valued as culturally significant, essential to our economy and meaningful to our communities. I would like to thank my fellow Board members for their invaluable insights and support, and particularly our Director Fiona Logue and her talented team. Their hard work, creativity and commitment has delivered so much in a busy year, and their imagination and ambition is shaping a progressive and exciting future. - Catherine Holden · Chair he talent, vitality and spirit of the Scottish craft sector never Tceases to amaze me. A priority for us during 2016, the Year of Innovation, Architecture and Design, was to focus on opening up the audience for craft. We did this through highlighting the innovation and design in makers’ practices. Our events have placed quality Scottish craft in front of enthusiastic retail consumers, trade buyers, design specialists and audiences who are new to craft. To celebrate our makers and advance Scottish craft, we enhanced last year’s programme with the addition of two high-profile exhibitions at London Design Fair and the American Craft Council’s prestigious Baltimore show. -
Craft Scotland Showcases World Class Glass Made in Scotland
MEDIA RELEASE: Craft Scotland showcases world class glass made in Scotland Three of Scotland's most exciting glass artists present their work as part of OPEN at Royal Scottish Academy In the second of a planned series celebrating craft mediums Craft Scotland is delighted once again to be partnering with Visual Arts Scotland to celebrate contemporary glass through a presentation of multidisciplinary works from gifted Scottish makers. This year they have chosen to present the work of three artists working in contemporary glass in very different ways: Alan Horsely, Carrie Fertig and Jeff Zimmer. Challenging the common perceptions of glass, the showcase highlights the diversity of glass techniques and styles in a dramatic presentation. Selected by the VAS committee and a representative of Craft Scotland, the three invited glass artists will form the starting point for a wider celebration of the diverse discipline of glass throughout the open exhibition. Alan Horsey's sculptural works in part take the form of fragmented artefacts, while Jeff Zimmer's haunting pieces using photography and mirroring explore ambiguity, morality and mortality in contemporary society and politics. Carrie Fertig's interdisciplinary practice includes The Great and The Good, both object and film and her spinning mirrored lamb shows a distorted view of the observer and their environment. Speaking ahead of the exhibition opening Craft Scotland Director Fiona Logue said: 'Our media-specific showcases were born out of Craft Scotland and Visual Arts Scotland's mutual ambition to exhibit high-quality craft alongside works of fine art in a venue fitting of its stature. I hope this celebration of contemporary glass, showing the myriad of ways glass can be used in a creative context, will captivate and grow appreciation of the beauty of the medium.' Making Connections, Creating Opportunities Craft Scotland, 15 Coburg Street, Leith, Edinburgh, EH6 6ET Craft Scotland is a company limited by guarantee registered in Scotland no.