DOCSLIB.ORG

Cambridge University Press, 1980

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cambridge University Press, 1980 BIBLIOGRAPHY Primary sources Lawrence, D.H., Apocalypse and the Writings on Revelation, ed. Mara Kalnins, Cambridge: Cambridge University Press, 1980. —, “Fenimore Cooper's Leatherstocking Novels”. Studies in Classic American Literature, eds. Ezra Greenspan, Lindeth Vasey and John Worthen. Cambridge: Cambridge University Press, 2002. 52-65. —, Introductions and Reviews, eds. N.H. Reeve and J. Worthen, London: Cambridge University Press, 2005. —, “Odour of Chrysanthemums July 1914 Ending”, in The Vicar’s Garden and Other Stories, Cambridge: Cambridge University Press, 2009, 213- 16. —, “Odour of Chrysanthemums”, in The Prussian Officer and Other Stories, ed. John Worthen, Cambridge: Cambridge University Press, 1983, 181-99. —, “Odour of Chrysanthemums”, The English Review, VIII/3 (June 1911), 415-33. —, “St Mawr”. St Mawr and Other Stories, ed. Brian Finney. Cambridge: Cambridge University Press, 1987, 19-156. —, “The Horse-Dealer's Daughter”. England, My England. New York: Thomas Seltzer, 1922, 225-49. —, The Letters of D.H. Lawrence, Vol. I, ed. James T. Boulton, Cambridge: Cambridge University Press, 1979. —, The Letters of D.H. Lawrence, Vol. II, ed. James T. Boulton, Cambridge: Cambridge University Press, 1981. —, The Letters of D.H. Lawrence, Vol. III, eds. James T. Boulton and Andrew Robertson, Cambridge: Cambridge University Press, 2000. —, The Letters of D.H. Lawrence, Vol. V, ed. James. T. Boulton and Lindeth Vasey, Cambridge: Cambridge University Press, 1989. —, “The Novel and the Feelings” in Study of Thomas Hardy and Other Essays, ed. Bruce Steele, Cambridge: Cambridge University Press, 1985, 201-05. 242 Film Adaptations of D.H. Lawrence’s Short Stories —, The Poems. Ed. Christopher Pollnitz, Vol. 1, Cambridge: Cambridge University Press, 2013. —, “The Rocking-Horse Winner”, in The Woman Who Rode Away and Other Stories, ed. Dieter Mehl and Christa Jansohn, Cambridge: Cambridge University Press, 1995, 230-43. —, The Vicar’s Garden and Other Stories, ed. N. H. Reeve, Cambridge: Cambridge University Press, 2009. Secondary sources Abbott, Stacey, Celluloid Vampires: Life after Death in the Modern World, Austin: University of Texas Press, 2007. Adler, Kenneth P., “Art Films and Eggheads”, Studies in Public Communication, II (Summer 1959), 7-15. Almereyda, Michael, “Film; a Live Wire to the Brain: Hooking up Hamlet”, New York Times, (7 May 2000) <www.nytimes.com/. 2000/05/07/movies/film-a-live-wire-to-the-brain-hooking-up- hamlet.html?pagewanted=all&src=pm> [accessed 24 April 2014]. Almereyda, Michael, “Vampire Girl: David Lynch Backs an Art Film Roger Corman Style”, interview by Lawrence French, Cinefantastique XXVII/2 (November 1995), 44-5. Andrew, Dudley, “Adaptation”, in Film and Literature: An Introduction and Reader, Upper Saddle River, NJ: Prentice-Hall, 1999, 262-71. Atkinson, Terry, “Vangelis Interview with American Film Magazine” September 1982) <http://www.elsew.com/data/amerfilm.htm> [accessed 24 April 2014]. Baimbridge, Richard, “Festivals: Savannah, a Feast of a Fest in the Garden of Good and Evil” (n. d.) <http://www.indiewire.com/ article/festivals_savannah_a_feast_of_a_fest_in_the_garden_of_good_and_ evil> [accessed 24 April 2014]. Balbert, Peter, "Gripped by the Ultimate Master: Mining, Manhood and Morbitity in D.H. Lawrence's 'Odour of Chrysanthemums'." Caverns of Night: Coal Mines in Art, Literature and Film. Ed. William B. Thesing, Columbia, SC: University of South Carolina Press, 2000. 89-103. Baldeshwiler, Eileen, “The Lyric Short Story”, in New Short Story Theories, ed. Charles E. May, Athens, OH: Ohio University Press, 1994, 231-44. .
Load more

Recommended publications
  • Regional Modernism in Kangaroo–A Foreground To
    J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Essay: SHIFTING THE AXIS: REGIONAL MODERNISM IN KANGAROO – A FOREGROUND TO AUSTRALIAN LITERARY MODERNISM Author: David Game Source: Journal of the D. H. Lawrence Society, vol. 5.1 (2018) Pages: 83‒104 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain 84 JDHLS 5.1 (2018) SHIFTING THE AXIS: REGIONAL MODERNISM IN KANGAROO – A FOREGROUND TO AUSTRALIAN LITERARY MODERNISM DAVID GAME As the welcome and monumental The Cambridge History of Modernism (2016) shows, the parameters of modernism have been further shaped and defined, and Lawrence’s modernist credentials continue to be illuminated by scholars on both sides of the Atlantic.1 Although not one of “‘The Men of 1914’ – Pound, Eliot, Joyce, and Wyndham Lewis”, he is usually included among key modernist figures, such as Mansfield, Yeats and Woolf.2 Pericles Lewis, in his Preface to The Cambridge Introduction to Modernism (2007), sees Lawrence as one of the “major figures in English-language modernism”.3 In this essay I examine Kangaroo (1923) as a modernist novel through the lens of “regional modernism”, broadening and extending our understanding of Lawrence’s engagement with the local, and providing a new basis for evaluating the novel as a major modernist work.
    [Show full text]
  • A Language of the Body
    A LANGUAGE OF THE BODY: IMAGES OF DISABILITY IN THE WORKS OF D.H. LAWRENCE By PAMELA WRIGHT A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of English DECEMBER 2006 © Copyright by Pamela Kaye Wright, 2006 All Rights Reserved © Copyright by Pamela Kaye Wright, 2006 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of PAMELA WRIGHT find it satisfactory and recommend that it be accepted. _________________________ Chair _________________________ _________________________ ii ACKNOWLEDGEMENTS To Dr. Virginia Hyde, Chairwoman of my committee, I express sincere gratitude and appreciation for all the hard work put into this dissertation as well as all the hard work put into my education at Washington State University. On a personal level, you have been a wonderful mentor and friend. I take away some of the grace, ease and knowledge that you exhibit in the classroom. To Dr. Carol Siegel, I am proud to have been a student in your classroom. You too have been an amazing teacher and counselor. You have had a profound effect on my education and my understanding of Lawrence. To Dr. Jon Hegglund, thank you for your time and effort while serving on this committee. Finally, but certainly not in the least, to my husband, William, thank you for never letting me give up my dream. It has arrived at last. iii A Language of the Body: Images of Disability in the Works of D.H. Lawrence Abstract by Pamela Kaye Wright Washington State University December 2006 Chair: Virginia Hyde It should not be surprising (though it may seem so at first) that D.H.
    [Show full text]
  • Unit 6: Dh Lawrence: “Snake”
    Unit 6 D. H. Lawrence : “Snake” UNIT 6: D.H. LAWRENCE: “SNAKE” UNIT STRUCTURE 6.1 Learning Objectives 6.2 Introduction 6.3 D.H. Lawrence: The Poet 6.3.1 His Life 6.3.2 His Works 6.4 The Text of the Poem 6.4.1 The Explanation of the Poem 6.5 Major Themes 6.6 Style and Language 6.7 Let us Sum up 6.8 Further Reading 6.9 Answers to Check Your Progress 6.10 Model Questions 6.1 LEARNING OBJECTIVES After going through this unit you will be able to: • gain an insight into the life and works of the English poet D.H. Lawrence • explain both the content and context of the poem “Snake” • explore the relevant themes pertaining to the poem • grasp the style and language employed in the text of the poem 6.2 INTRODUCTION The present unit introduces the learner to the remarkable 20th century English novelist and poet D. H. Lawrence and presents a detailed study of one of his widely anthologised poems titled “Snake”. The range of his literary work includes novels, novellas, short-stories, essays, poems, plays, and travel narratives as well. Despite the widespread literary criticism and political controversies that Lawrence had confronted during his writing career, eventually his literary worth and credibility had received its due share of 72 General English (Block 1) D. H. Lawrence : “Snake” Unit 6 recognition, as also highly noted by writers like E.M. Forster and F.R. Leavis. Lawrence was better known as an English novelist although he excelled in all forms of writings as is also visible from the range of his works.
    [Show full text]
  • A Critical Study of Short Stories by D. H Lawrence
    A Critical Study of Short Stories by D. H Lawrence Dr. Khushboo Assistant Professor Department of English Magadh Mahila College D.H Lawrence All I want is to answer my blood , direct , without fibbing intervention of mind , or moral , or what – not . -D. H Lawrence Born in September 1885 , David Herbert Lawrence was one of the most influential writers of the twentieth century . Son of John Lawrence and Lydia , he spent his essential years in a coal mining town of Eastwood , Nottinghamshire . He belongs to an age which was almost overshadowed by the two world wars . There is an attempt to find new values , politics and psychology are indeed essential clues for the interpretation of life . Lawrence was concerned to find ways of describing the deepest experiences of his characters . He often drew his inspiration for his characters and stories from his working class and stories from his working class background and the tensions between his parents instilled in him , the emotional reserve providing him the raw material for his work . He was called ‘Messiah of sex’ . In 1929 , Lawrence became seriously ill and died of tuberculosis on 2nd March 1930. Lawrence’s work is among those in which the men and women of then time have found their own restlessness most accurately mirrored. -Legouis and Cazamian Lawrence is a writer of great imaginative force , whose best works has a spontaneous vitality . Much of Lawrence’s writings unfurl his deep sense of English provincial life . He wrote in numerous genres – fiction , poetry , story , travelogue , criticism and psychology . He was concerned with the basic problems of human existence , man’s relationships with his fellows and with the universe beyond himself .
    [Show full text]
  • How Lawrence Launched His Career in London
    Loyola University Chicago Loyola eCommons Faculty Publications and Other Works by English: Faculty Publications and Other Works Department 2019 How Lawrence Launched His Career in London Joyce Wexler Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/english_facpubs Part of the English Language and Literature Commons Recommended Citation Wexler, Joyce. How Lawrence Launched His Career in London. Journal of D.H. Lawrence Studies, 5, 2: 61‒81, 2019. Retrieved from Loyola eCommons, English: Faculty Publications and Other Works, This Article is brought to you for free and open access by the Faculty Publications and Other Works by Department at Loyola eCommons. It has been accepted for inclusion in English: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Share Alike 3.0 License. © Wexler, 2019. J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Title: ‘HOW LAWRENCE LAUNCHED HIS CAREER IN LONDON’ Author: JOYCE WEXLER Source: Journal of the D. H. Lawrence Society, vol. 5.2 (2019) Pages: 61‒81 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain JDHLS 5.2 (2019) 61 HOW LAWRENCE LAUNCHED HIS CAREER IN LONDON JOYCE WEXLER D.
    [Show full text]
  • D. H. Lawrence D
    D. H. Lawrence D. H. Lawrence A Literary Life John Worthen Palgrave Macmillan ISBN 978-0-333-43353-9 ISBN 978-1-349-20219-5 (eBook) DOI 10.1007/978-1-349-20219-5 © John Worthen 1989, 1993 All rights reserved. For information write: Scholarly and Reference Division, St. Martin's Press, Inc., 175 Fifth Avenue, New York, N.Y. 10010 First published in the United States of America in 1989 Library of Congress Cataloging-in-Publication Data Worthen, John. D.H. Lawrence: a literary life / John Worthen. p. cm. - (Literary lives) Bibliography: p. Includes index. ISBN 978-0-312-03524-2 (hc) ISBN 978-0-312-08752-4 (pbk.) 1. Lawrence, D.H. (David Herbert), 1885-1930. 2. Authors, English-20th century-Biography. I Title. II. Series: Literary lives (New York, N.Y.) PR6023.A93Z955 1993 823'.912-dc20 92-41758 IB] CIP First Paperback Edition: March 1993 10 9 8 7 6 5 4 3 2 1 ToConni 1 hope to God 1 shall be able to make a living - but there, one must. (Lawrence to Edward Garnett, 18 February 1913) 1 am reading the Life. It is interesting, but also false: far too jammy. Voltaire had made, acquired for himself, by the time he was my age, an income of £3,000 - equivalent at least to an income of twelve thousand pounds, today. How had he done it? - it means a capital of two hundred thousand pounds. Where had it come from? (Lawrence to Dorothy Brett, 24 November 1926) We talked my poverty - it has got on my nerves lately.
    [Show full text]
  • D. H. Lawrence
    D. H. Lawrence: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Lawrence, D. H. (David Herbert), 1885-1930 Title: D. H. Lawrence Collection 1904-1981 (bulk 1904-1935) Dates: 1904-1981 Extent: 55 boxes (21.6 linear feet), 4 oversize boxes (osb), 10 galley folders (gf), 4 oversize folders (osf), and 12 bound volumes (bv). Abstract: The collection include drafts of several major works, including Lady Chatterly's Lover, Women in Love, Sons and Lovers, and Aaron's Rod. The collection also contains numerous letters from Lawrence to various correspondents, particularly the literary agency Curtis Brown, Ltd. Other materials include transcripts of obscenity trials concerning Lady Chatterly's Lover and critical studies of Lawrence's work. Language: English Access: Open for research. Due to the fragile condition of the originals, photocopies of the holograph notebooks of Women in Love must be used, unless permission to use the originals is obtained from the Research Librarian. Copies of original manuscripts owned by other institutions are provided for reference and comparison purposes only and cannot be further duplicated. Administrative Information Acquisition: Purchases and gifts, 1958-1998 Provenance: A large portion of the Ransom Center's D. H. Lawrence Collection was included in the 1958 purchase of part of T. E. Hanley's collection of modern art and literature. Hanley's collection of important Lawrence manuscripts, along with other Hanley material, forms one of the cornerstones of the Ransom Center holdings. Hanley acquired many of his Lawrence manuscripts from Frieda Lawrence. Processed by: Chelsea S. Jones, 1998 Repository: University of Texas at Austin, Harry Ransom Center Lawrence, D.
    [Show full text]
  • Odour of Chrysanthemums
    Dr. Vibhas Ranjan Assistant professor, Department of English Patna College, Patna University Contact details: +91- 7319932414 [email protected] For B.A English Hons. Part-2; Paper-4 Odour of Chrysanthemums D.H Lawrence is one the most disputed literary geniuses of the twentieth century . He was a prolific writer, who during the twenty years of his literary career tried his hand at different genres of literature. During this creative period, not a year passed without the publication of something important from his pen. He was a versatile genius who could excel in many fields. His novels and short stories are his most important and interesting work. He was a good poet and a gifted writer of descriptive and expositary essays. Lawrence was one of the greatest English letter writers and his letters rank with those of John Keats and Gerald Manly Hopkins. Many of his contemporaries like Bennett, Wells, Galsworthy, Kipling were as celebrated as Lawrence, yet none of them had the impact on their age and ours that Lawrence had and yet continues to weild. He was also blessed with a prophetic vision which he incorporated in all his writings. He did not hesitate to express his own ideas on a variety of topics such as politics, psychology, education, religion and many other spheres. His thinking was original and uninhibited as only of the greatest prophets, and he defied all current practices of fiction writing. His writings are highly original and thought-provoking. Like Bernard Shaw, he was an iconoclast, who throughout his 2 literary career waged a war against the conventional values and ideas.
    [Show full text]
  • A Study of D. H. Lawrence's Treatment of Women in the Short Story
    A STUDY OF D. H. LAWRENCE'S TREATMENT OF WOMEN IN THE SHORT STORY A STUDY OF D. H. LAWRENCE'S TREATMENT OF WOMEN IN THE SHORT STORY BY ANNE MCKAY, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University October 1984 MASTER OF ARTS (1984) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: A·Study of D. H. Lawrence's Treatment of Women in the Short Story AUTHOR: Anne McKay, B.A. (McMaster University) SUPERVISOR: Professor Ne Shrive NUMBER OF PAGES: vi, 95 ii Abstract This thesis examines, through a study of theme, characterization and plot, D. H. Lawrence's portrayal of women in his short stories. The study concentrates on a selection of stories that reflect particular patterns and trends of the female character. In general, there are three patterns that are easily identifiable. The first pattern depicts the trapped woman g who always remains trapped in an unhappy situation. The second pattern involves the woman who tries to escape an unhappy situation but is destroyed because of her attempt to abandon a dissatisfying life. The third pattern presents the seemingly "successful" couple, and yet, the only reason for their successful relationship is ,that the woman is . subordinate to the power of the man. We find in these patterns evidence that indicates that Lawrence repeatedly uses the female to secure the authority of the male. The fact that the subordination of the female characters in Lawrence's short stories is neither explored nor explained within the fiction, ultimately detracts from the success of the works.
    [Show full text]
  • THE SPIRIT of D. H. LAWRENCE the Spirit of D
    THE SPIRIT OF D. H. LAWRENCE The Spirit of D. H. La-wrence Centenary Studies Edited by Gamini Salgado sometime Professor of English University of Exeter and G. K. Das Professor of English University of Delhi Foreword by Raymond Williams M MACMILLAN PRESS ©the Estate of Gamini Salgado and G. K. Das 1988 Foreword© Raymond Williams 1988 Softcover reprint of the hardcover 1st edition 1988 978-0-333-34159-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended). Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1988 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world Typeset by Wessex Typesetters (Division of The Eastern Press Ltd) Frome, Somerset British Library Cataloguing in Publication Data The spirit of D. H. Lawrence: centenary studies. 1. Lawrence, D. H.- Criticism and interpretation I. Salgado, Gamini II. Das, G. K. 823'.912 PR6023.A93Z/ ISBN 978-1-349-06512-7 ISBN 978-1-349-06510-3 (eBook) DOI 10.1007/978-1-349-06510-3 Contents Foreword Raymond Williams vii Preface G. K. Das xiii Acknowledgements xv Notes on the Contributors xvii 1 Lawrence's Autobiographies John Worthen 1 2 'The country of my heart': D. H. Lawrence and the East Midlands Landscape J.
    [Show full text]
  • DH Lawrence As a Modernist Didactic Definer of ―The Natural
    Rubbens 1 Ghent University Faculty of Arts and Philosophy 2008-2009 D. H. Lawrence as a Modernist Didactic Definer of ―the Natural Man‖: a Confrontation of The White Peacock, Lady Chatterley's Lover, and His Later Short Stories with His Nonfictional Writings. Supervisor: Paper submitted in partial fulfilment Prof. Dr. Marysa Demoor of the requirements for the degree of ―Master in de Taal- en Letterkunde: Engels-Nederlands‖ by Sarah Rubbens Rubbens 2 LIST OF CONTENTS 0. Introduction ............................................................................................................... 5 1. D. H. Lawrence's Life in His Fiction ........................................................................ 8 1.1 A Brief Overview of D. H. Lawrence's Life ............................................. 8 1.2 Some Random Autobiographic Elements in His Fiction ........................ 13 2. D. H. Lawrence as a Modernist ............................................................................... 17 2.1 A Short Definition of Modernism in England and the General Context of the Beginning of the 20th Century ................................................................. 17 2.2 Modernism in Lawrence's Nonfiction ..................................................... 21 2.3 Modernism in Lawrence's Fiction ........................................................... 33 2.3.1 Modernism in The White Peacock? .................................. 34 2.3.2 Lady Chatterley's Lover as a Modernist Novel ................ 38 2.3.3 His Short Stories as Examples
    [Show full text]
  • “Otherness” in DH Lawrence's Work
    Isabel Fernandes Universidade de Lisboa “To be, or not to be, is still the question”: Identity and “Otherness” in D. H. Lawrence’s Work Introduction When I first saw the theme for this conference,1 the blend of literary (and, in par- ticular, English) elements with some central philosophical and psychological issues was too appealing to me to be resisted. Moreover, the Shakespearian quotation immedia- tely evoked a latter-day writer who, in his work, set out to explore exactly the same type of questions though in a different vein. He addressed them in the name of his commitment to his fellowmen and to life (something that may sound outmoded these days...). That writer is D. H. Lawrence (born in England in 1885 and deceased in 1930) whom most of you may know as a novelist (author of Sons and Lovers, Women in Love, and of such polemical works as The Plumed Serpent and Lady Chatterley’s Lover), but who actually was much more than that: he was a poet too, a playwright, an essayist, a critic, a translator, a travel-writer, a painter, and, I will argue, also a thinker. In his work, taken as a whole, you might say that his main concern is a concern with the fulfilment of the individual self: how to be oneself? How to achieve manhood/ womanhood? How to fulfil one’s deep desires? Throughout his life he tried to answer these basic but momentous questions by means of art: his novels and poems, that he says “come unwatched out of one’s pen”,2 try to answer fictionally to these central questions.
    [Show full text]