L-G-0007634423-0013485298.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

L-G-0007634423-0013485298.Pdf The Life of D. H. Lawrence BlacKWELL CRITIcal BIOGRAPHIES General Editor: Claude Rawson This acclaimed series offers informative and durable biographies of important authors, British, European and North American, which will include substantial critical discussion of their works. An underlying objective is to re‐establish the notion that books are written by people who lived in particular times and places. This objective is pursued not by programmatic assertions or strenuous point‐making, but through the practical persuasion of volumes which offer intelligent criticism within a well‐researched biographical context. Also in this series The Life of Walter Scott The Life of Evelyn Waugh John Sutherland Douglas Lane Patey The Life of William Faulkner The Life of Goethe Richard Gray John R. Williams The Life of Thomas Hardy The Life of W. B. Yeats Paul Turner Terence Brown The Life of Celine The Life of John Milton Nicholas Hewitt Barbara Lewalski The Life of Henry Fielding The Life of Samuel Johnson Ronald Paulson Robert DeMaria, Jr The Life of Robert Browning The Life of Ann Brontë Clyde De L. Ryals Edward Chitham The Life of Geoffrey Chaucer The Life of William Shakespeare Derek Pearsall Lois Potter The Life of Daniel Defoe The Life of William Wordsworth John Richetti John Worthen The Life of George Eliot The Life of D. H. Lawrence Nancy Henry Andrew Harrison The Life of Samuel Taylor Coleridge Rosemary Ashton The Life of D. H. Lawrence A Critical Biography Andrew Harrison This edition first published 2016 © 2016 John Wiley & Sons, Ltd Registered Office John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148‐5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley‐blackwell. The right of Andrew Harrison to be identified as the author of this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought. Library of Congress Cataloging‐in‐Publication Data Names: Harrison, Andrew, 1973– author. Title: The life of D. H. Lawrence / Andrew Harrison. Description: 1 | Chichester, Sussex : Wiley-Blackwell, 2016. | Series: Wiley blackwell critical biographies | Includes index. | Includes bibliographical references and index. Identifiers: LCCN 2015044565 (print) | LCCN 2016001782 (ebook) | ISBN 9780470654781 (hardback) | ISBN 9781119072683 (ePub) | ISBN 9781119101291 (Adobe PDF) Subjects: LCSH: Lawrence, D. H. (David Herbert), 1885-1930. | Authors, English–20th century–Biography. | BISAC: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. Classification: LCC PR6023.A93 Z63125 2016 (print) | LCC PR6023.A93 (ebook) | DDC 823/.912–dc23 LC record available at http://lccn.loc.gov/2015044565 A catalogue record for this book is available from the British Library. Cover image: D. H. Lawrence in the cloisters of the cathedral at Cuernavaca, Mexico, c.5 April 1923. (Manuscripts and Special Collections, The University of Nottingham, La WB 1/13.) Set in 10/12pt Bembo by SPi Global, Pondicherry, India 1 2016 Contents List of Illustrations vii Acknowledgements ix Abbreviations xi Preface xvi Part I Literary Formation, 1885–1912 1 1 Early Voices, September 1885–October 1908 3 2 Literary London, October 1908–April 1910 31 3 ‘A Small but Individual Name’, April 1910–May 1912 49 Part II UnEnglished, 1912–1914 79 4 ‘Coming Out Wholesome and Myself’, May 1912–May 1913 81 5 Forging a Career, June 1913–August 1914 106 Part III The Bitterness of the War and its Aftermath, 1914–1919 125 6 ‘The Real Fighting Line’, August 1914–December 1915 127 7 Outlaw, December 1915–April 1918 150 8 ‘Laid Up’, May 1918–November 1919 177 Part IV Europe Again, 1919–1922 197 9 Italy and Sicily, November 1919–December 1920 199 10 End of the Line, January 1921–February 1922 218 v Contents Part V New Worlds and Old Worlds, 1922–1925 235 11 Ceylon and Australia, February–August 1922 237 12 On to America, August 1922–November 1923 247 13 Broken Bonds, December 1923–July 1924 270 14 Writing for the Race, August 1924 –September 1925 283 Part VI Returning, 1925–1927 303 15 Understanding, September 1925–April 1926 305 16 Writing and Painting, April 1926–March 1927 319 Part VII ‘Unfailing Courage’, 1927–1930 339 17 Friendship and Isolation, March 1927 –May 1928 341 18 ‘Dropping a Little Bomb in the World’s Crinoline of Hypocrisy’, May 1928–August 1929 363 19 ‘Living on his Spirit’, August 1929 –March 1930 394 Afterword 406 Bibliography 411 Index 420 vi List of Illustrations 1 The Lawrence family, c.1895. Back row: Emily, George, Ernest. Front row: Ada, Lydia, Bert (D. H. Lawrence), Arthur. (Manuscripts and Special Collections, The University of Nottingham, La R 8.) 6 2 The Chambers family outside Haggs Farm, c.1899: May, Bernard, Mollie, Edmund, Ann, David, Jessie, Hubert, Alan. (Manuscripts and Special Collections, The University of Nottingham, La Ch 60.) 9 3 D. H. Lawrence, March 1905. Photograph by George Holderness. (Manuscripts and Special Collections, The University of Nottingham, La R 8.) 14 4 The copy of Maurice Greiffenhagen’s painting ‘An Idyll’ made by Lawrence for his sister Ada and begun on the day of his mother’s death, 9 December 1910. (Manuscripts and Special Collections, The University of Nottingham, La Pc 2/7.) 55 5 Frieda Weekley with two of her children, Monty and Barbara, Nottingham, c.1905. (Manuscripts and Special Collections, The University of Nottingham, La We 6/2.) 73 6 Frieda Weekley and D. H. Lawrence, Bavaria, late April or May 1913. (Photography Collection, D. H. Lawrence Literary File P–59, Harry Ransom Center, The University of Texas at Austin.) 103 7 D. H. Lawrence, London, late summer 1915. (© National Portrait Gallery, London.) 141 8 D. H. Lawrence and his nephew, Jack Clarke, Mountain Cottage, Middleton‐by‐Wirksworth, Derbyshire, c.18–20 May 1918. (Manuscripts and Special Collections, The University of Nottingham, La Z 8/1/1/7.) 178 9 D. H. Lawrence and Kai Gøtzsche working at the Del Monte Ranch, New Mexico, December 1922. (Courtesy of Steffen Lange.) 253 10 Pencil drawing by Kai Gøtzsche of D. H. Lawrence, Knud Merrild and Gøtzsche on horseback in New Mexico, c.January 1923. vii List of Illustrations (The D. H. Lawrence Papers, Collection No. 1976.013. Department of Special Collections and University Archives, McFarlin Library, The University of Tulsa. Tulsa, Oklahoma.) 254 11 D. H. Lawrence in the cloisters of the cathedral at Cuernavaca, Mexico, c.5 April 1923. (Manuscripts and Special Collections, The University of Nottingham, La WB 1/13.) 258 12 D. H. Lawrence milking Susan, his cow. (Photography Collection, D. H. Lawrence Literary File P‐292N, Harry Ransom Center, The University of Texas at Austin.) 296 13 Back row: Harwood Brewster, Earl Brewster. Front row: Dorothy Brett, Achsah Brewster and D. H. Lawrence. Capri, 27 February–c.10 March 1926. (Press Photograph. Source – Eve: The Lady’s Pictorial, 31 March 1926, p. 625.) 313 14 Lawrence and Frieda posing by the well at the Villa Mirenda, San Polo Mosciano, Florence. (Manuscripts and Special Collections, The University of Nottingham, La Phot 1/27.) 321 15 A family photograph taken outside St Peter’s Church, Markby, Lincolnshire, week of 22–26 August 1926. Back row: D. H. Lawrence, Emily King, Maude Beardsall, Ada Clarke, Gertie Cooper. Front row: Joan King, Jack Clarke, Bert Clarke. (Manuscripts and Special Collections, The University of Nottingham, La Pc 2/8/26.) 325 16 D. H. Lawrence, self‐portrait in red crayon, June 1929. First published as the frontispiece to the unexpurgated edition of Pansies. 385 17 Lawrence’s paintings hanging in the Warren Gallery, London. (Photography Collection, D. H. Lawrence Literary File P‐591, Harry Ransom Center, The University of Texas at Austin.) 386 viii Acknowledgements I am grateful to Pollinger Limited, acting on behalf of the Estate of Frieda Lawrence Ravagli, for permission to quote from the letters and works of D. H. Lawrence. The following kindly provided assistance with acquiring illustrations for the book and granted permission to reproduce them: Harry Ransom Center, The University of Texas at Austin; Manuscripts and Special Collections, University of Nottingham; McFarlin Library, University of Tulsa; National Portrait Gallery, London; Steffen Lange; Deborah and Neil Matthews.
Recommended publications
  • From Christian Concerns to Sexuality in Action : a Study of D.H
    81blroth&~uenationale CANADIAN THES'ES ?)/~sESCANADIENNES d Canada ON MICROFICHE SUR MICROFICHE hAVE 6~ALITHW NOM DE L'AUTEUR TITLE OF THESIS TITRE DE LA TH~SE . L-7 Perm~ssron IS heray grmted to the NATIONAL LIBRARY OF L'autorlsar~onest, par la prdsente, accordge B /a BIBLIOTHS. CANADA to mtcrof~lrn th~sthes~s and to lend or sell copies QUE NATlONALE DU CANADA de m~crof~lme~certe these et of the film, de prgter ou de vendre des exemplaires du film. Th'e auth~rreservss othef publication rights, and neither the L'auteur se rbserve Ies aulres droits de publication. ?I la t'lesls nw extensive extracts from it may be printed or other- th$seni,de longs extraits de celle-CI nedoivent drre itnprirnt!~ wlse reproduced without the author's written perrniss~on. ov autrement reprcrduits sani l'autorisatian Pcrite de /'auteur. C DATED DAT~ Natlonal L~braryof Canada Bibl1oth6quenationale du Canada Collect~onsDevelopment Branch Direction du developpement des collections , Canad~anTheses on Service des thBses canadiennes '- Microfiche Service sur microfiche The quality of this microfiche is heavily dependent La qualite de cette microfiche depend grandement de upon the quality of the original thesis submitted for la qualite de la these soumise au microfilmage. Nous microfilming. Every , effort has been made to ensure 'avons tout fait pour assurer une qualite supkrieure the highest quality of reproduction possible. de reproduction. If pages are missing, contact the university which S'il manque des pages, veuillez communiquer granted the degree. avec I'universite qui a confer@le grade.
    [Show full text]
  • Willa Cather and American Arts Communities
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J.
    [Show full text]
  • ATINER's Conference Paper Proceedings Series LIT2016-0009 Athens, 23 February 2017 the Lawrentian Truth: Selfhood and The
    ATINER CONFERENCE PRESENTATION SERIES No: LIT2016-0009 ATINER’s Conference Paper Proceedings Series LIT2016-0009 Athens, 23 February 2017 The Lawrentian Truth: Selfhood and the Primal Consciousness Neena Gandhi Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10683 Athens, Greece ATINER’s conference paper proceedings series are circulated to promote dialogue among academic scholars. All papers of this series have been blind reviewed and accepted for presentation at one of ATINER’s annual conferences according to its acceptance policies (http://www.atiner.gr/acceptance). © All rights reserved by authors. 1 ATINER CONFERENCE PRESENTATION SERIES No: LIT2016-0009 ATINER’s Conference Paper Proceedings Series LIT2016-0009 Athens, 23 February 2017 ISSN: 2529-167X Neena Gandhi Assistant Professor, American University of Sharjah, United Arab Emirates The Lawrentian Truth: Selfhood and the Primal Consciousness ABSTRACT “If I am to become an Angel,” ” says Tom Brangwen in The Rainbow, “it’ll be my married soul and not my single. It’ll not be the soul of me when I was a lad for I hadn’t a soul as would make me an angel then”, voicing an important Lawrentian truth. For Lawrence, “the great relationship” is the relationship between man and woman and the ultimate aspiration of life is to perfect one’s essential being which can only be achieved when an individual is able to polarize his or her primal consciousness with that of another. This paper traces the trajectory of Lawrence’s concept of love and selfhood through his novels. In his early novels such as The White Peacock (1911), Sons and Lovers (1913) and The Rainbow (1915), Lawrence displays a lot of faith in individual relationships which, in fact, become the medium for the self to realize itself.
    [Show full text]
  • D. H. Lawrence and the Idea of the Novel D
    D. H. LAWRENCE AND THE IDEA OF THE NOVEL D. H. LAWRENCE AND THE IDEA OF THE NOVEL John Worthen M MACMILLAN ~) John Worthen 1979 Softcover reprint of the hardcover 1st edition 1979 978-0-333-21706-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended). Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1979 Reprinted 1985 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke. Hampshir!' RG21 2XS and London Companies and representativ!'s throughout the world British Library Cataloguing in Publication Data Worthl'n, John D. H. Lawrence and the Idea of the Novel I. Lawrence. David Herbert Criticism and interpretation I. Title 823' .9'I2 PR6023.A93Z/ ISBN 978-1-349-03324-9 ISBN 978-1-349-03322-5 (eBook) DOI 10.1007/978-1-349-03322-5 Contents Preface Vll Acknowledgements IX Abbreviations XI Note on the Text Xlll I The White Peacock I 2 The Trespasser 15 3 Sons and Lovers 26 4 The Rainbow 45 5 Women in Love 83 6 The Lost Girl 105 7 Aaron's Rod 118 8 Kangaroo 136 9 The Plumed Serpent 152 10 Lady Chatterley's Lover 168 II Lawrence, England and the Novel 183 Notes 185 Index 193 Preface This is not a book of novel theory.
    [Show full text]
  • D. H. Lawrence and the Harlem Renaissance
    ‘You are white – yet a part of me’: D. H. Lawrence and the Harlem Renaissance A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Laura E. Ryan School of Arts, Languages and Cultures 2 Contents Abstract ...................................................................................................................... 3 Declaration ................................................................................................................. 4 Copyright statement ................................................................................................... 5 Acknowledgements .................................................................................................... 6 Introduction ................................................................................................................ 7 Chapter 1: ‘[G]roping for a way out’: Claude McKay ................................................ 55 Chapter 2: Chaos in Short Fiction: Langston Hughes ............................................ 116 Chapter 3: The Broken Circle: Jean Toomer .......................................................... 171 Chapter 4: ‘Becoming [the superwoman] you are’: Zora Neale Hurston................. 223 Conclusion ............................................................................................................. 267 Bibliography ........................................................................................................... 271 Word Count: 79940 3
    [Show full text]
  • A Study of the Captain's Doll
    A Study of The Captain’s Doll 論 文 A Study of The Captain’s Doll: A Life of “a Hard Destiny” YAMADA Akiko 要 旨 英語題名を和訳すると,「『大尉の人形』研究──「厳しい宿命」の人 生──」になる。1923年に出版された『大尉の人形』は『恋する女たち』, 『狐』及び『アルヴァイナの堕落』等の小説や中編小説と同じ頃に執筆さ れた D. H. ロレンスの中編小説である。これらの作品群は多かれ少なかれ 類似したテーマを持っている。 時代背景は第一次世界大戦直後であり,作品の前半の場所はイギリス軍 占領下のドイツである。主人公であるヘプバーン大尉はイギリス軍に所属 しておりドイツに来たが,そこでハンネレという女性と恋愛関係になる。し かし彼にはイギリスに妻子がいて,二人の情事を噂で聞きつけた妻は,ドイ ツへやってきて二人の仲を阻止しようとする。妻は,生計を立てるために人 形を作って売っていたハンネレが,愛する大尉をモデルにして作った人形 を見て,それを購入したいと言うのだが,彼女の手に渡ることはなかった。 妻は事故で死に,ヘプバーンは新しい人生をハンネレと始めようと思う が,それはこれまでの愛し愛される関係ではなくて,女性に自分を敬愛し 従うことを求める関係である。筆者は,本論において,この関係を男性優 位の関係と捉えるのではなくて,ロレンスが「星の均衡」の関係を求めて いることを論じる。 キーワード:人形的人間,月と星々,敬愛と従順,魔力,太陽と氷河 1 愛知大学 言語と文化 No. 38 Introduction The Captain’s Doll by D. H. Lawrence was published in 1923, and The Fox (1922) and The Ladybird (1923) were published almost at the same time. A few years before Women in Love (1920) and The Lost Girl (1921) had been published, too. These novellas and novels have more or less a common theme which is the new relationship between man and woman. The doll is modeled on a captain in the British army occupying Germany after World War I. The maker of the doll is a refugee aristocrat named Countess Johanna zu Rassentlow, also called Hannele, a single woman. She is Captain Hepburn’s mistress. His wife and children live in England. Hannele and Mitchka who is Hannele’s friend and roommate, make and sell dolls and other beautiful things for a living. Mitchka has a working house. But the captain’s doll was not made to sell but because of Hannele’s love for him. The doll has a symbolic meaning in that he is a puppet of both women, his wife and his mistress.
    [Show full text]
  • FRIEDA LAWRENCE and HER CIRCLE Also by Harry T
    FRIEDA LAWRENCE AND HER CIRCLE Also by Harry T. Moore THE PRIEST OF LOVE: A LIFE OF D. H. LAWRENCE THE COLLECTED LETTERS OF D. H. LAWRENCE (editor) HENRY JAMES AND HIS WORLD (with F. W. Roberts) E. M. FORSTER THE WORLD OF LAWRENCE DURRELL (editor) SELECTED LETTERS OF RAINER MARIA RILKE (editor) Frieda Lawrence, by the late Charles McKinley FRIEDA LAWRENCE AND HER CIRCLE Letters from, to and about Frieda Lawrence edited by Harry T. Moore and Dale B. Montague ©Harry T. Moore and Dale B. Montague 1981 Softcover reprint of the hardcover 1st edition 1981 978·0·333·27600·6 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1981 fly THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-05036-9 ISBN 978-1-349-05034-5 (eBook) DOI 10.1007/978-1-349-05034-5 Contents Frieda Lawrence frontispiec~ Acknowledgements VI Introduction Vll 1. Letters between Frieda Lawrence and Edward W. Titus 1 2. Letters between Frieda Lawrence and Caresse Crosby 38 3. Letters from Frieda Lawrence and Ada Lawrence Clarke to Martha Gordon Crotch 42 4. Letters from Angelo Ravagli to Martha Gordon Crotch 71 5. Letters between Frieda Lawrence and Richard Aldington 73 Epilogue 138 Index 140 v Acknowledgements Our first acknowledgement must go to Mr Gerald Pollinger, Director of Laurence Pollinger Ltd, which deals with matters concerned with the Lawrence Estate. When Mr Pollinger iearned of the existence of the letters included in this volume, he suggested that they be prepared for publication.
    [Show full text]
  • JDHLS Online
    J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Article: ‘“Ausdruckstanz” and “Ars Amatoria”: D. H. Lawrence and the interrelated arts of dance and love Author: Earl G. Ingersoll Source: Journal of D. H. Lawrence Studies, Vol. 4, No. 2 (2016) Pages: 73‒97 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain JDHLS 2016, vol. 4, no. 2 73 “AUSDRUCKSTANZ” AND “ARS AMATORIA”: D. H. LAWRENCE AND THE INTERRELATED ARTS OF DANCE AND LOVE EARL G. INGERSOLL As Marina Ragachewskaya has recently indicated in this journal, Lawrence’s interest in the art of dance has received renewed attention in the 2010s.1 The subject has been thought to have opened with two notable investigations:2 ‘D. H. Lawrence and the Dance’ (1992) by Mark Kinkead-Weekes and then ‘Music and Dance in D. H. Lawrence’ (1997) by Elgin W. Mellown, who apparently was unaware that Kinkead-Weekes had blazed the trail before him, since his article contains no mention of this earlier work.3 Another writer who missed Kinkead-Weekes’s article, with its endnote citations from Martin Green’s Mountain of Truth: The Counterculture Begins, Ascona, 1900‒1920, was Terri Ann Mester, whose interpretations of dance scenes in Lawrence’s fiction could have benefited from even a cursory reading of Green’s 1986 study.4 Mester cites Deborah Jowitt’s Time and the Dancing Image, but she does not explore Jowitt’s very brief commentary upon Rudolf Laban and Mary Wigman, which might have provided her with yet another avenue of access to Green’s Mountain of Truth.5 To close this circle, Kinkead-Weekes then responded to Mester’s monograph in his keynote address at the 2003 International D.
    [Show full text]
  • Regional Modernism in Kangaroo–A Foreground To
    J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Essay: SHIFTING THE AXIS: REGIONAL MODERNISM IN KANGAROO – A FOREGROUND TO AUSTRALIAN LITERARY MODERNISM Author: David Game Source: Journal of the D. H. Lawrence Society, vol. 5.1 (2018) Pages: 83‒104 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain 84 JDHLS 5.1 (2018) SHIFTING THE AXIS: REGIONAL MODERNISM IN KANGAROO – A FOREGROUND TO AUSTRALIAN LITERARY MODERNISM DAVID GAME As the welcome and monumental The Cambridge History of Modernism (2016) shows, the parameters of modernism have been further shaped and defined, and Lawrence’s modernist credentials continue to be illuminated by scholars on both sides of the Atlantic.1 Although not one of “‘The Men of 1914’ – Pound, Eliot, Joyce, and Wyndham Lewis”, he is usually included among key modernist figures, such as Mansfield, Yeats and Woolf.2 Pericles Lewis, in his Preface to The Cambridge Introduction to Modernism (2007), sees Lawrence as one of the “major figures in English-language modernism”.3 In this essay I examine Kangaroo (1923) as a modernist novel through the lens of “regional modernism”, broadening and extending our understanding of Lawrence’s engagement with the local, and providing a new basis for evaluating the novel as a major modernist work.
    [Show full text]
  • The Rainbow: a Miscellany’
    J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Article: ‘THE RAINBOW: A MISCELLANY’ Author: Jonathan Long Source: Journal of D. H. Studies, vol. 4.1 (2015) Pages: 14‒18 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain 14 Jonathan Long, ‘The Rainbow: A Miscellany’ Figure 2: D. H. Lawrence’s inscription on the title page of a first edition copy of The Rainbow (1915). Journal of D. H. Studies, vol. 4.1 (2015) 15 THE RAINBOW: A MISCELLANY JONATHAN LONG In the year that Lawrentians are celebrating the centenary of the publication of The Rainbow, it is timely to be able to publish for the first time a facsimile of the manuscript of a limerick that Lawrence composed on the title page of a copy of the first edition of that book (see Figure 2 opposite). Before I comment on the limerick, it is an opportune moment to say something about the publication history of the book. The Rainbow was published by Methuen on 30 September 1915 and was to be the only book by or about Lawrence that he published during Lawrence’s lifetime. In line with the publication figures for Lawrence’s earlier novels, it was a modest project. There appear to have been only 2,527 sets of sheets printed by Hazell, Watson and Viney, including eleven destined to be travellers’ copies.
    [Show full text]
  • DHLSNA Newsletter November 2011
    The Newsletter of the D. H. Lawrence Society of North America Fall 2011, Vol. 41 Letter from DHLSNA President Welcome to the A bright winter noonday sun in Thirroul, a brisk wind, cold salt waves on a wide beach online Newsletter! below the bluff on which Wyewurk still stands—swimming in the same sea Lawrence We hope you enjoy this Fall 2011 and Frieda swam in—how can this already be four months ago? issue. --Julianne Newmark It is, though—and as you can see in this issue from Nancy Paxton’s report on the DHLSNA Newsletter Editor 12th International D. H. Lawrence Conference, the gathering in Sydney of Lawrence scholars from eleven countries (England, Wales, Korea, Japan, India, the United States, Canada, Indonesia, Sweden, South Africa, and Australia) was a resounding success. Take a look at the conference program online if you have any doubts. Log-in information This Fall 2011 newsletter is testimony to the thriving interest in and study of Lawrence for DHLSNA that persists all over the world, in conferences past and future (from Louisville to Paris to Taos to Seattle, from Sydney to Gargnano), carried on by an international website community of extraordinary liveliness, generosity, and kindness. Is it possible that an Login for 2011: interest in Lawrence shapes personalities? Maybe privately we’re all prone to the Username = dhlsna occasional Lawrentian outburst, but I find that hard to believe--I’m more willing to Password = porcupine believe that Lawrence’s challenges to traditional epistemologies, to the ruse of http://dhlsna.com/Directory.htm “objectivity” in academia, attracts scholars whose modesty, whose awareness of their bodily limitations and their situatedness in time and space, makes them particularly supportive of younger scholars, of those whose work will one day surpass their own.
    [Show full text]
  • Warren Roberts
    Warren Roberts: A Container List of His Papers at the Harry Ransom Center Descriptive Summary Creator: Roberts, Warren, 1916-1998 Title: Warren Roberts Papers Dates: 1903-1985 Extent: 33 record storage cartons, 1 oversize box (35 linear feet) Abstract: The Warren Roberts Papers contain materials primarily concerning his research and writing on D. H. Lawrence, including correspondence, research materials on Lawrence consisting of many photocopied letters and Lawrence works, Ransom Center related materials, and academic materials. Call Number: Manuscript Collection MS-03557 Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Part or all of this collection is housed off-site and may require up to three business days’ notice for access in the Ransom Center’s Reading and Viewing Room. Please contact the Center before requesting this material: [email protected] Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher.
    [Show full text]