Utah State University Commencement, 1960 – Main Campus

Total Page:16

File Type:pdf, Size:1020Kb

Utah State University Commencement, 1960 – Main Campus Utah State University DigitalCommons@USU Commencement Programs Students 6-3-1960 Utah State University Commencement, 1960 – Main Campus Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/commencement Recommended Citation Utah State University, "Utah State University Commencement, 1960 – Main Campus" (1960). Commencement Programs. 2. https://digitalcommons.usu.edu/commencement/2 This Commencement Program - Main Campus is brought to you for free and open access by the Students at DigitalCommons@USU. It has been accepted for inclusion in Commencement Programs by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. /3. 2) 1'1 &o 6 17U7'-i4'-L<...--nut-,..::1 ..___ fro 9 r(L.,.-y.._ Annual Commencement Logan GEORGE NELSON FIELDHOUSE FRIDAY, J.UNE THIRD SATURDAY, JuNE FouRTH NINETEEN HUNDRED SIXTY THE ACADEMIC PROCESSION President and Board of Trustees 0 fficial Guests University Administrative Officers Faculties of the Various Colleges Candidates for Graduate Degrees Candidates for Baccalaureate Degrees DRESS The wearing of academic costume by faculty arc of a circle near the bottom. The arm extends and student participants at the time of Commence­ through the slit, giving the appearance of short ment Exercises has become traditional among sleeves. The hood consists of material similar universities. The color and pageantry of these to the gown and lined with the official academic occasions are designed to indicate the degree of color of the institution conferring the degree. I£ academic achievement of those who actively par­ the institution has more than one color, the chev­ ticipate in such exercises. In order for the ron is used to display the second color. The audience to better appreciate and understand the DOCTOR'S gown has full, round and open significance attached to these ceremonial aspects sleeves with three bars of velvet on each sleeve. of the program, the following information is pre­ The velvet facing of the bars may be black or' sented. the color indicative of the degree. The hood con­ sists of a larger and longer assemblage of insti­ The significance of the costume is determined tutional color draped over the recipient's should­ principally by the cut of the gown, the size and ers and falling well down the back. shape of the hood, and the color of the tassels on the cap. The BACHELOR'S gown is character­ The colors worn on the tassels signify the ized by the long pointed sleeves. The gown worn various colleges of the University from which a by a MASTER has closed sleeves with the candidate is being graduated. AGRICULTURE ---------------------------------------------------------------------------------------------------------- Maise BUSINESS AND SOCIAL SCIENCES -------·--------------------------------·--------------------------- Drab EDUCATION -----------------------------------------------·---------------------------------------------------------- Light Blue ENGINEERING ----------------------------------- --- ------------------------------------------------------------------ Orange FOREST, RANGE AND WILDLIFE MANAGEMENT -------------------------------- Russet FAMILY LIFE ----- --------------------------------------------------------------------------------------------- Gold-Yellow HUMANITIES AND SCIENCES (University College) ------------------------Dark Crimson SCHOOL OF GRADUATE STUDIES (Ed. D., Ph. D.) ------------------------------------ Gold / j THE BOARD OF TRUSTEES The Board of Trustees is composed of twelve citizens of the State appointed by the Governor for a term of four years and two ex~officio members, the Secretary of State and the President of the Utah State University Alumni Association. Alma Sonne, Chairman ------------------------------------------------------------------------------ Logan Fern B. Ercanbrack, Vice Chairman -------------------------------------------------------- Provo Newell V. Sanders ------------------------------------------------------------------- -- -------- ----- Kaysville R. J. Potter ------------------------------------------------------------------------------------------------ Garland / Eve S. Ashton ---- ------------------------------------------------------------------------- --------------- Vernal Henry R. Hurren -- ----- --------- --------- ----------- --- -------------- ------------- ------------------------ Logan Ralph S. Blackham ---- -------------------------------------------------------------------------------- Moroni David W. Evans -------------------------------------------------------------------------- Salt Lake City Joseph Rosenblatt -------------------------------------- --- -------------------- ------------- Salt Lake City Phillip A. Bullen --------------------------------------------------------------- ------------- Salt Lake City Reed W. Farnsworth ------------ ------- ------------------------------------------------------- Cedar City 0 . C. Hammond ----------------------------------------------- -- ---------------------- ------------------ - Ogden Lamont F. Toronto, Secretary of State (ex-officio) ---------------- Salt Lake City Joseph F. Cowley, President, Alumni Association ( ex~officio) ____ Salt Lake City L. Mark Neuberger Secretary to the Board of Trustees Logan BACCALUREATE SERVICES Friday evening, June 3 7:30p.m. PRESIDENT DARYL CHASE, Conducting PROCESSIONAL Overture to Die Meistersingers .................................................... Wagner University~Community Symphony Orchestra - Andrew Galos, Director INVOCATION Mr. Keith Nielsen WELCOME AND INTRODUCTIONS Daryl Chase, President "OURSELVES WE DEDICATE" - A presentation in choral speaking and music. MUSICAL SELECTIONS Overture to Egmont ·················································-- ---- --- --- -- ----- Beethoven University~Community Symphony Orchestra - Andrew Galos, Director I Parts 1,2,3 from The Creation -------------------------------------------------------- Haydn 5 Thou Life of Life -- --- -------------------·······-······································ Tchesnokov Parts 3 and 4 from Elijah ·····--··---··········-·······-···-······-····-··--· Mendelssohn University Choir, A. L. Dittmer, Director BENEDICTION Mr. Reed Bullen President, University Stake RECESSIONAL Grand March from Aida ············---·-------·-·-·-------·---·-·-·---·-·-······---·--····· Verdi University~Community Symphony Orchestra - Andrew Galas, Director GRADUATION EXERCISES Saturday morning, June 4 9:30 a.m. PRESIDENT DARYL CHASE, Conducting PROCESSIONAL Coronation March ----------------------------------------------------------------------- Meyerbeer "Tannhauser" March ---··:···---------------------------- .. ·-------------------------------- Wagner University Concert Band, Max Dalby, Director INVOCATION John A. Strom, Pastor, First Baptist Church Logan, Utah REPORT OF PRES I DENT ------------------------------------------------------------------------------ Daryl Chase MUSICAL SELECTION Finale to "Death and Transfiguration" --------- ---------------------- Richard Strauss University Concert Band, Max Dalby, Director ADDRESS TO GRADUATES Mr. Delbert F. Wright, Vice President and Controller General Mills, Inc. CONFERRING OF DEGREES Daryl Chase President, Utah State University WELCOME TO THE ALUMNI ASSOCIATION Mr. Joseph F. Cowley President, USU Alumni Association MUSICAL SELECTION Alma Mater Hymn -------------------------------------------------- Theodore M. Burton Sung by ,Graduates, Max Dalby, Director BENEDICTION Mr. Clifton G. M. Kerr RECESSIONAL Regal Procession --------------------------------------------------------------- Clifton Williams University Concert Band, Max Dalby, Director v COLLEGE OF AGRICULTURE WILLIAM H. BENNETT, DEAN BACHELOR OF SCIENCE DEGREE Baird, Dan Whitney Goodell, Robert Archie Mitts Isaac Odell Sudweeks, Earl Max Balls, Lew Dell Harward, Gaylord K. Mojtehedi, Yahya Swain, Vard Gerber Billy, Bahe Hatch, Harold Carl *Nielsen, Darwin Blaine Thomley, James Bruce Brog, Roy Henrie, Earl Carvel *Nielson, Bruce E. Tillett, James Leon Brown, Melvin Jonathan Huber, Don Alma Olmstead, William R. Tom, James Carlile, Don F. Hullinger, Arvin Don Olson, Richard Ray Walker, Gene Glen Chappell, Rulon Alvin Hunter, Dan Harry Petersen, Dee Len Wallentine, Clarence Booth Christiansen, Arden T. Hyer, Charles Saul Phillips, Clynn Wheeler, Earl J. *Christiansen, William C. Jones, Kenneth G. Robbins. Burtis F. Jr. *Wiedemann, Alfred Max Crandall, Dan Leon Kaschke, Orville Allen Roper, Orson B. Wilde Jerry Donald Crockett, Armond Lee Kerr, William Rolfe Schafer, Allan James Wilson, Gordon Paul Davis, Gary Dennis Kjar, Richard Charles Smith, Carlos Dean Woodward, Melvin J. Doney, Devon Lyle Komeilyzadeh, Masud Smith, Roger Allen Worrell, Paola Prose Jr. Eby, Jon Nelvice Lamsam, Yutti *Spencer, Elvon Howard *Firth, Ronald D. Lepper, Lewis Fred Stephens, Earl Reed COLLEGE OF BUSINESS AND SOCIAL SCIENCES RoBERT P. CoLLIER, DEAN BACHELOR OF SCIENCE DEGREE Alexander, Thomas Glen Edwards, Thomas Morgan Lelanuja, Thawat Ririe, John Harold *Allen, Dorothy Empey, Garth M. Lindquist, Kenneth Reid Robb, Donald Frank Allen, Merle Jean Erickson, Michael Duane Little, Mark Clarence Rowsell, Farrell Dean Anderson, John Jay Evans, James Gary Loosle, Marlin Keith *Sanders, Marie Norman Anderson, Albert Omar Everts, Robert Milton Mangum Melba May Sarajoti, Sukhon Aoki, Toshiuki Flamm, James Russel McBride, Helen Janet Sarasin Supat Archibald, Lee Thatcher Gam, Oleen Clive McCulloch, Charles Sargent, Jack Carlin Barrett,
Recommended publications
  • ELECTION PREVIEW 2006 1 Introduction/ Executive Summary 55783 Tabs 10/10/06 8:52 PM Page 1 Page PM 8:52 10/10/06 55783 Tabs 55783 Textx2 10/19/06 11:00 PM Page 3
    55783_Covers 10/10/06 9:22 PM Page 2 ElectionElection previewpreview What’sWhat’s Changed,Changed, 20062006WhatWhat Hasn’tHasn’t andand WhyWhy 55783_Covers 10/10/06 9:22 PM Page 3 55783_TextX 10/19/06 5:56 AM Page 1 TABLE OF CONTENTS contents of Table Director’s Message . 3 Executive Summary . 5 TableStates to Watch. of. 7 Voting Systems: Widespread Changes, Problems . 12 Voting System Usage by State . 15 contentsVoter ID: Activity in the States and on the Hill . 19 Voter Verification Requirements by State . 22 Voter Registration Databases: A New Election Stumbling Block?. 23 Status of Statewide Voter Registration Databases. 28 Absentee Voting, Pre-election Voting and Provisional Voting Rules in the States. 30 State by State. 33 Methodology/Endnotes . 63 ELECTION PREVIEW 2006 1 Introduction/ Executive Summary 55783_Tabs 10/10/06 8:52 PM Page 1 55783_TextX2 10/19/06 11:00 PM Page 3 his was the year that election reform was finally supposed The election process changed more in 2006 than in any year message from the director Tto come together. since the disputed 2000 Presidential election. Consequently, on the eve of a national election in which control of Congress This was the year that the various deadlines embodied in the is in play — and two years from an open seat election for Help America Vote Act of 2002 (HAVA) took effect: the White House — it is vitally important to understand What’s computerized statewide voter lists, new voting technology, Changed, What Hasn’t and Why. improved accessibility for voters with disabilities and a host Messageof other procedural and legal requirements mandated as part As always, we have enjoyed preparing this report.
    [Show full text]
  • 5315 Annualreport2007.Pdf
    ~~ ?/(J Dillon Swenson Kabree Briggs Abigail Roberts Cecelia Roden Ahearn Rianne Rylie Cerino Tara Dailey Cole Woodley Andrew Fellows Tao Henning Matthew Guess Emily Corral Valencia Audrey Coffey Payton Sauer Jeremy Rowe Markie Montes Brent Russell Olivia Swank Marisa Carreno Matthew Crockett Baby Black Kylynn Fitzgerald Gavin Bailey Caylor Bird Ian Pearson Michael "Travis" Ewell PJoah Wyman , Baby Newman ~ustin Morgan r;, CU4 ~~ cT ~~ 1Ic~ ~o/~ ?~~ My family and I recently had an opportunity to share a little bit of the burden of these families with very prepare and serve dinner to the families staying at sick children so that they can focus their time, attention the Ronald McDonald House here in Salt Lake City. and energy on helping their children get well. It's important It was a Sunday evening, and after the initial scurrying work, and it's work the Ronald McDonald House of the about to get organized and set the food out, we Intermountain Area does very well. had a chance to interact with some of the families. There was the woman from Montana with her two In 2007, our Ronald McDonald House provided a "home daughters, ages two and four. The two-year-old is away from home" for approximately 1,728 families, who receiving treatment for a congenital heart defect, came to us from Montana, Idaho, Wyoming, Nevada, and the four-year-old was concerned that her sister and Utah. These families stayed with us for an average might not be drinking enough milk. There was the of seven days and, thanks to our board and hundreds of single mother from Nevada, whose premature baby volunteers, meals were waiting for them each evening.
    [Show full text]
  • Gene Pitney, 1940-2006
    10 Grapevine GRAPELEAVES Gene Pitney, 1940-2006 Singer/songwriter and News & notes: The James Gang rides Yoakam and others... There are two new Rock And Roll Hall Of again! For the first time in 35 years James titles in Music Video Distributors’ Under Fame member (2002), Gang members Joe Walsh, Jim Fox, and Review series, Velvet Underground, Gene Francis Allan Dale Peters will tour together. The first Under Review and Captain Beefheart, Pitney, age 66, died show kicks off Aug. 9 at Colorado’s Red Under Review. Each DVD features rare unexpectedly of natural Rocks Amphitheatre. Complete tour date performances and interviews along with causes in his Hilton info is available at jamesgang commentary and criticism from band Hotel room April 5, ridesagain.com... This spring will find members and music writers... Other 2006, in Cardiff, Wales. another band on the road for the first time recent DVD releases include Judas He was midway through in many years. Seattle’s Alice In Chains Priest, Live Vengeance ’82. This 17-song www.goldminemag.com GOLDMINE #673 May 12, 2006 • GOLDMINE #673 May www.goldminemag.com a 23-city United members Jerry Cantrell, Mike Inez, and set features the band’s 1982 Memphis, Kingdom tour; he had Sean Kinney haven’t toured together as a Tenn., show ripping out fan faves such just played Cardiff’s St. band since 1996. A re-linked Chains will as “The Hellion/Electric Eye,” “Heading David’s Hall and was hit the stage May 26 at Lisbon, Portugal’s Out To The Highway” and “Hell Bent scheduled to perform Super Bock Festival.
    [Show full text]
  • SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE
    SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE CONCURRENT RESOLUTION NO. 132 BY SENATOR PEACOCK COMMENDATIONS. Commends music legend James Burton of Shreveport, on the occasion of his eightieth birthday. 1 A CONCURRENT RESOLUTION 2 To commend James Burton for an outstanding career of over sixty years as a performer, 3 musician, and a Louisiana music legend and to congratulate him on the occasion of 4 his eightieth birthday. 5 WHEREAS, born in Dubberly, Louisiana, on August 21, 1939, James Edward Burton 6 grew up in Shreveport; he received his first guitar as a youngster and was playing 7 professionally by the age of fourteen; he was a self-taught musical phenomenon; and 8 WHEREAS, as he listened to KWKH radio, he was influenced by popular guitarists 9 of the day, such as Chet Atkins, Chuck Berry, Bo Diddley, Elmore James, Lightnin' Hopkins 10 and many others whose genres covered Rock and Roll, Delta Blues, and Country music; and 11 WHEREAS, James was required to obtain a special permit to play in nightclubs due 12 to his age, however, his guitar playing showed such promise that he was asked to join the 13 "staff band" of the legendary radio show, the Louisiana Hayride, and he played backup for 14 the likes of George Jones, Billy Walker, and Johnny Horton and within a few years, James 15 would be a headliner at the show; and 16 WHEREAS, he honed his craft on a variety of guitar types that included acoustic, 17 steel guitar, slide dobro, and electric styles like Fender Telecasters; no matter who played 18 lead guitar, James Burton had the guitar "licks" to complement the lead note for note; and Page 1 of 3 SLS 19RS-33 ORIGINAL SCR NO.
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • Leon Russell – Primary Wave Music
    ARTIST:TITLE:ALBUM:LABEL:CREDIT:YEAR:LeonThisCarneyTheW,P1972TightOutCarpentersAA&MWNow1973IfStopP1974LadyWill1975 SongI Were InRightO' Masquerade &AllBlueRussellRope The Thenfor Thata Stuff CarpenterYouWoodsWisp Jazz LEON RUSSELL facebook.com/LeonRussellMusic twitter.com/LeonRussell Imageyoutube.com/channel/UCb3- not found or type unknown mdatSwcnVkRAr3w9VBA leonrussell.com en.wikipedia.org/wiki/Leon_Russell open.spotify.com/artist/6r1Xmz7YUD4z0VRUoGm8XN The ultimate rock & roll session man, Leon Russell’s long and storied career included collaborations with a virtual who’s who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues, and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, Oklahoma, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector’s renowned studio group, Russell played on many of the finest pop singles of the ’60s, also arranging classics like Ike & Tina Turner’s monumental “River Deep, Mountain High”; other hits bearing his input include the Byrds’ “Mr. Tambourine Man,” Gary Lewis & the Playboys’ “This Diamond Ring,” and Herb Alpert’s “A Taste of Honey.” In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP.
    [Show full text]
  • Resolution No
    RESOLUTION NO. 156 OF 2014 A RESOLUTION AUTHORIZING THE MAYOR TO DEDICATE MILAM STREET BETWEEN COMMON STREET AND AUSTIN PLACE IN HONOR OF JAMES BURTON ON HIS 75 TH BIRTHDAY AND TO OTHERWISE PROVIDE WITH RESPECT THERETO. BY: COUNCILMAN JEFF EVERSON WHEREAS , Councilman Jeff Everson has requested that Milam Street between Common Street and Austin Place be dedicated in honor of James Burton on his 75 th birthday; and WHEREAS, James Burton was born on August 21, 1939; and WHEREAS, James Burton began playing the guitar at the age of 13 , and developed a style all of his own to become “the guitar players guitar player”; and WHEREAS, James Burton w ork as a session guitarist lead him to work with some the most famous musicians in the world; and WHEREAS, after being in the Ricky Nelson’s Ban d , James Burton became the lead guitarist for Elvis Presley from 1969 until Elvis’ untimely passing in 1977; and WHEREAS , James Burton career has taken him to many countries where he has performed shows keeping Elvis music alive; and WHEREAS, over the years James has performed with John Denver, Emmy Lou Harris, Jerry Lee Lewis, Keith Richards, Eric Clampton, Brad Paisley, Gram Parson s and many others; and WHEREAS, James Burton is a multiple Grammy winner , and he is in the Rock N’ Roll Hall of fame. NOW, THEREFORE BE IT RESOLVED by the City Council of the City of Shreveport in due, legal and regular session convened, that the Mayor on behalf of the City is authorized to dedicate Milam Street between Common Street and Austin Place in honor of James Burton, during his 75th birthday celebration.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Research Report Report Number 704, November 2011 Nominating Candidates the Politics and Process of Utah’S Unique Convention and Primary System
    Research Report Report Number 704, November 2011 Nominating Candidates The Politics and Process of Utah’s Unique Convention and Primary System HIGHLIGHTS For most of its history, Utah has used a convention- g Utah is one of only seven states that still uses a primary system to nominate candidates for elected office. convention, and the only one that allows political parties to preclude a primary election for major In the spring of election years, citizens in small caucus offices if candidates receive enough delegate votes. g Utah adopted a direct primary in 1937, a system meetings held throughout the state elect delegates to which lasted 10 years. represent them at county and state conventions. County g In 1947, the Legislature re-established a caucus- convention system. If a candidate obtained 70% or conventions nominate candidates for races solely within more of the delegates’ votes in the convention, he or she was declared the nominee without a primary. the county boundaries, while the state convention is used g In the 1990s, the Legislature granted more power to the parties to manage their conventions. In 1996, to nominate candidates for statewide offices or those the 70% threshold to avoid a primary was lowered to 60% by the Democratic Party. The Republican that serve districts that span multiple counties. At these Party made the same change in 1999. conventions, delegates nominate candidates to compete g Utah’s historically high voter turnout rates have consistently declined in recent decades. In 1960, for their party’s nomination in the primary election, or, 78.3% of the voting age population voted in the general election.
    [Show full text]
  • Sunday Edition
    day three edition | map and exhibitor listings begin on page 20 day3 From the editors of Pro Sound News & Pro Audio Review sunday edition the AES SERVING THE 131STDA AES CONVENTION • october 20-23, I 2011 jacob k. LY javits convention center new york, ny Analog AES State Tools Still Of Mind By Clive Young While the AES Convention has always attracted audio professionals from Rule On around the country—and increasingly, the world—when the show lands in New York City, it naturally draws more visi- The Floor tors from the East Coast. That, in turn, By Strother Bullins is a benefit for both exhibitors looking Though “in the box” (ITB), fully to reach specific markets that call the digital audio production is increas- Big Apple home, and regional audio ingly the rule rather than the excep- pros who want to take advantage of the tion, the creative professionals show’s proximity. The end result is a attending the Convention are clearly win-win situation for everyone involved. seeking out analog hardware, built Back by popular demand, yesterday the P&E Wing presented a “AES is a good way for us to meet to (and, in many cases, beyond) the second iteration of “Sonic Imprints: Songs That Changed My Life” different types of dealers and custom- now-classic standards of the 1960s, that explored the sounds that have inspired and shaped careers of ers that we don’t normally meet, as we ‘70s and ‘80s, as these types of prod- influencers in the field. The event featured a diverse, New York- have five different product lines and ucts largely populate our exhibition centric, group of panelists including producers/engineers (from left): five different customer groups, so it’s a floor.
    [Show full text]
  • Participation
    PARTICIPATION A LOOK BACK AT 2007 Hinckley Institute Holds 2000th Hinckley Forum “OUR YOUNG, BEST MINDS MUST BE ENCOURAGED TO ENTER POLITICS.” Robert H. Hinckley 2 In This Issue Dr. J.D. Williams Page 3 Hinckley News Page 4 Internship Programs Page 8 Outstanding Interns Page 16 Scholarships Page 18 PARTICIPATION Hinckley Forums Page 20 Alumni Spotlights Page 25 Hinckley Staff Page 26 Donors Page 28 Hinckley Institute Holds 2000th Hinckley Forum Since 1965, the Hinckley Institute has held more than 2,000 Hinckley Forums (previously known as “Coffee & Politics”) featuring local, national, and international political leaders. Hinckley Forums provide University of Utah students and the surrounding community intimate access to and interaction with our nation’s leaders. Under the direction of Hinck- ley Institute assistant director Jayne Nelson, the Hinckley Institute hosts 65-75 forums each year in the newly renovated Hinckley Caucus Room. Partnerships with supporting Univer- sity of Utah colleges and departments, local radio and news stations, our generous donors, and the Sam Rich Program in International Politics ensure the continued success of the Hinckley Forums program. University of Utah students can now receive credit for attend- ing Hinckley Forums by enrolling in the Political Forum Series course (Political Science 3910). All Hinckley Forums are free and open to the public. For a detailed listing of 2007 Hinckley Forums, refer to pages 20 – 24. Past Hinckley Forum Guests Prince Turki Al-Faisal Archibald Cox Edward Kennedy Frank Moss Karl Rove Al Saud Russ Feingold William Lawrence Ralph Nader Larry Sabato Norman Bangerter Gerald Ford Michael Leavitt Richard Neustadt Brian Schweitzer Robert Bennett Jake Garn Richard Lugar Dallin H.
    [Show full text]
  • Celebrating Duke Ellington
    Thursday–Saturday Evening, April 25 –27, 2013, at 8:00 Saturday Afternoon, April 27, 2013, at 2:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. CELEBRATING DUKE ELLINGTON JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto Saxophone, Clarinet TED NASH, Alto Saxophone, Clarinet VICTOR GOINES, Tenor Saxophone, Clarinet WALTER BLANDING, Tenor Saxophone, Clarinet JOE TEMPERLEY, Baritone Saxophone, Bass Clarinet JAMES CHIRILLO, Guitar and Banjo DAN NIMMER, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Selections will be announced from the stage. There will be a 20-minute intermission for the evening performances. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard ® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz.
    [Show full text]