SPRING 2016 Heart-Rending Depiction of Colonialism Amazon During the Last Century

Total Page:16

File Type:pdf, Size:1020Kb

SPRING 2016 Heart-Rending Depiction of Colonialism Amazon During the Last Century Wednesday, May 11th, 7:00pm KELOWNA THE Mountains May Depart SHOWTIME 7:00 PM RATED KELOWNA FILM SOCIETY China/France/Japan March 30th 2016 Born To Be Blue (SUBTITLES: CHINESE/ENGLISH) 131 min PG13 April 6th 2016 Les etres chers (Our loved ones) PRESENTS Mountains May Depart is a timely China’s fuerdai (rich kids) generation April 13th 2016 My Internship in Canada film about the elephant currently which discovers that material th taking up a lot of space in the world’s success doesn’t make up for the loss April 20 2016 Meru living room. It tells the story of Tao of language, culture and family. April 27th 2016 Youth (superbly played by Shen Tao) as th Whether you’ve never set foot in May 4 2016 Standing Tall China transits the tricky development China or read a single page of its th phase during which, as Dung May 11 2016 Mountains May Depart history, you will be gripped by the Xiaoping warned, some would get th film’s narrative. And though the third May 18 2016 Embrace of the Serpent wealthy before others. segment of the movie, mainly set Theatre: Tickets: By turns funny, grim, engaging, abroad in 2025, hangs together least Orchard Plaza 5 Cinema Single - $7.00 surreal and haunting, writer/director well, this reviewer doubts that many Zhangke Jia’s film follows the key in the audience will be unmoved by #160-1876 Cooper Road 5 film pass - $35.00 (avoid line-ups) characters as history and fate Tao’s final scene, resonant of winter, Tickets and passes at the door, no advance tickets. buffets them badly. Much different death and an unbreakable will, which Cash or Cheque Only • NO DEBIT ACCEPTED from the historical eras dominated encapsulates the story of Mountains by war, economic deprivation and May Depart. Kelowna Film Society will again be offering scholarships to students in political turmoil, we are introduced to SD 23 who are entering film studies. Details at www.kelownafilm.com. Applications close in mid-May, please spread the word to any students you th know. During this year we have awarded ten bursaries of $150 to attendees Wednesday, May 18 , 7:00pm at the Motion Picture Industry Orientation course. All awards are funded by money that is left after expenses – so thank you for attending our films. The AGM of the Kelowna Film Society will be held on Wednesday, June 8 at Embrace of the Serpent Parkinson Activity Centre at 7 pm. Please consider attending! Argentina, Venezuela, Columbia RATED For concerns about ratings, please consult: http://www.consumerprotectionbc.ca/consumers-film-and-video- (GERMAN, SPANISH, PORTUGUESE WITH ENGLISH SUBTITLES) 122 min 14A homepage/recent-films Embrace of the Serpent (nominated conducts his own search for the Kelowna Film Society www.kelownafilm.com in the best foreign film category at this elusive flower, with the same, now PO Box 22132 Capri Centre, Kelowna, BC V1Y 9H9 year’s Academy Awards) tracks two aged shaman, in a landscape parallel odysseys through the brutalized by the rubber trade. Amazon, three decades apart. This THE visionary adventure epic, from The film was inspired by the real life director Ciro Guerra, offers a journals of explorers of the Columbian SPRING 2016 heart-rending depiction of colonialism Amazon during the last century. The laying waste to indigenous culture. black and white photography used enhances the film’s sorrowful ode to a In 1909, an ailing German explorer world devastated. However, the Cinema Guide enlists the help of a young shaman in ceaseless teeming life of the his search for the yakruna plant’s rare soundtrack transports the audience APRIL TO MAY flower – that he believes could cure into the middle of the rainforest and him of his fatal illness. Their journey an array of breathtaking locations. KELOWNA, BC • SHOWTIME 7:00 PM takes them through rivers and jungles The serpent is the Amazon river! SINGLE TICKETS & 5 FILM PASSES AVAILABLE AT THE DOOR ravaged by European interference climaxing at a Spanish mission. “This cinematic journey into an Amazonian heart of darkness is a In a parallel narrative, set in the same haunting and unforgettable Contemporary World Cinema region in 1940, an American explorer experience.” Frank Swietek This brochure designed and printed in Kelowna by One Guy’s Opinion Wednesday, March 30 th, 7:00pm Wednesday, April 6 th, 7:00pm Wednesday, April 13 th, 7:00pm Born To Be Blue Les etres chers (Our loved ones) My Internship in Canada Canada/United Kingdom RATED Canada RATED Canada RATED (ENGLISH) 97 min 14A (FRENCH WITH ENGLISH SUBTITLES) 102 min 14A (FRENCH, ENGLISH, CREOLE, WITH ENGLISH SUBTITLES) 108 min PG A career-defining performance, Dad by Canadian actor Stephen Anne Edmond’s film Our Loved However, throughout the film In this satirical look at Canadian war at home, Guibord is unable to an evocative look at the 50s and McHattie and as his girlfriend by Ones deals with a Quebecois family Edmond covertly plants portents, the politics, a Member of Parliament decide. As Guibord is beset on all 60s, a life of achievement and the brilliant Carmen Ejogo (Selma), forced to cope with the legacy of meaning of which become clear only finds himself thrust suddenly sides, salvation arrives in the form of turmoil, and some great jazz – not is often unrewarded. Interactions its patriarch. After the father kills much later, as we follow the lives of into the spotlight. It’s up to his Souverain, his new intern who is a bad for the price of a ticket! Ethan with greats Dizzy Gillespie and Miles himself, the truth is kept hidden David and his daughter, Laurence. young Haitian intern to help the young Haitian student and knows from his wife and children. Years hapless backbencher navigate considerably more about the ins and Hawke (Boyhood, Before Midnight) Davis showcase the rivalries within Our Loved Ones is a film of filial love, embodies Chet Baker, the legendary the jazz world. Baker’s recovery is later the oldest son, David (Maxim the complexities and pitfalls of outs of our parliamentary system Gaudette), is living what appears to family secrets, redemption and what Parliament Hill. than does his boss. trumpeter and vocalist who struggles authentically uneven and hard to is handed down. with addiction while producing watch but, more than a standard be a perfect life with his wife (Valerie Cadieux) and their two children in the A Conservative minority government, As Falardeau’s gently skewering unforgettable music. biopic, the film puts a clear price on “This film is a fascinating study of Bas-Saint-Laurent region. However, trying to pass a bill that will enable satire demonstrates, sometimes it the artistic life. Holocaust trauma rendered in them to go to war, suffers a setback takes a person from another country On the upswing of his career, Baker when David learns that his father intimate terms.” Eric Kohn, when one of the Tory MPs falls ill. to explain to us the workings — and suffers a brutal setback that requires Born To Be Blue “...explores the did not die of a heart attack as he Indiewire was led to believe, his idyllic calm is This leaves the key vote for the the value — of the unique system all his resources to survive as a musician’s life as though it were government in the hands of that makes our democracy spoiled and replaced by a deep- “Here the warped narrative functions person and performer. Hawke and merely a chord chart from which independent MP Steve Guibord (sometimes) function. seated melancholy. as an allegory for the stories that Canadian writer-director Robert to launch an improvised set of new (Patrick Huard, Starbuck), a former Budreau chart Baker’s return to the melodies.” The film spans a roughly three- people and nations recount to hockey player whose pro career “A genuine crowd-pleaser, no matter limelight and its temptations. Support Andrew Barker, decade period, affording many themselves in order to go on fizzled. Feverishly courted by the what colour that sign on your lawn from family and friends, including Variety glimpses of happy family gatherings surviving.” The Guardian Tories and subjected to a moral tug of might be.” Barry Hertz superb turns as Baker’s distant and day-to-day interactions. The Globe and Mail Wednesday, April 20 th, 7:00pm Wednesday, April 27 th, 7:00pm Wednesday, May 4 th, 7:00pm Meru Youth Standing Tall India/USA RATED Italy/France/UK/Switzerland RATED France RATED (ENGLISH) 90 min PG (ITALIAN/SPANISH/SWISS GERMAN WITH ENGLISH SUBTITLES) 124 min R (FRENCH WITH ENGLISH SUBTITLES) 120 min R In the high-stakes game of big-wall Heartbroken and defeated, they This comedy/drama is beautifully Mick (Harvey Keitel) is a film maker Chronicling the turbulent teenage for the humane concern she shows climbing, the Shark’s Fin on Mount returned to their everyday lives. But acted by a top drawer cast. It has a hoping to soon put together what he years of a French delinquent (whose the unhappy souls who slouch into Meru may be the ultimate prize. they faced sudden physical and sumptuous setting, a breathtaking hopes will be his final masterpiece. police record reads longer than the her office. Yann (Benoît Magimel) Sitting at the headwaters of the emotional challenges back home, score and is gorgeously filmed. While around them other hotel complete works of Marcel Proust). is the tough, compassionate youth sacred Ganges River in Northern only exacerbated by the siren song of Youth has something for everyone! guests come and go — a pop star, Director Emmanuelle Bercot’s counsellor who may have gone India, the Shark’s Fin has seen more Meru.
Recommended publications
  • Download a PDF Version of the Official
    “To Open Minds, To Educate Intelligence, To Inform Decisions” The International Academic Forum provides new perspectives to the thought-leaders and decision-makers of today and tomorrow by offering constructive environments for dialogue and interchange at the intersections of nation, culture, and discipline. Headquartered in Nagoya, Japan, and registered as a Non-Profit Organization 一般社( 団法人) , IAFOR is an independent think tank committed to the deeper understanding of contemporary geo-political transformation, particularly in the Asia Pacific Region. INTERNATIONAL INTERCULTURAL INTERDISCIPLINARY iafor The Executive Council of the International Advisory Board Mr Mitsumasa Aoyama Professor June Henton Professor Baden Offord Director, The Yufuku Gallery, Tokyo, Japan Dean, College of Human Sciences, Auburn University, Professor of Cultural Studies and Human Rights & Co- USA Director of the Centre for Peace and Social Justice Southern Cross University, Australia Lord Charles Bruce Professor Michael Hudson Lord Lieutenant of Fife President of The Institute for the Study of Long-Term Professor Frank S. Ravitch Chairman of the Patrons of the National Galleries of Economic Trends (ISLET) Professor of Law & Walter H. Stowers Chair in Law Scotland Distinguished Research Professor of Economics, The and Religion, Michigan State University College of Law Trustee of the Historic Scotland Foundation, UK University of Missouri, Kansas City Professor Richard Roth Professor Donald E. Hall Professor Koichi Iwabuchi Senior Associate Dean, Medill School of Journalism, Herbert J. and Ann L. Siegel Dean Professor of Media and Cultural Studies & Director of Northwestern University, Qatar Lehigh University, USA the Monash Asia Institute, Monash University, Australia Former Jackson Distinguished Professor of English Professor Monty P.
    [Show full text]
  • 'Memory,' 'Serpent,' 'Truman,' 'Magallanes'
    ‘Memory,’ ‘Serpent,’ ‘Truman,’ ‘Magallanes’ Vie For Platino Glory Emilio Mayorga COURTESY: LLEIDA LATIN AMERICAN FILM FESTIVAL APRIL 14, 2016 | 11:44AM PT Latin Platino Awards reveals shorter longlist in Santo Domingo SANTO DOMINGO– Matías Bize’s “The Memory of Water,” Salvador del Solar’s “Magallanes,” Ciro Guerra’s “Embrace of the Serpent” and Cesc Gay’s “Truman” figure among 20 Platino Award best pic nomination candidates announced Thursday at a press-conference in Santo Domingo. Pablo Trapero’s “The Clan,” Pablo Larrain’s “The Club,” Federico Veiroj’s “The Apostate” and Paula Ortiz’s “The Bride” also made the best pic cut for the third Platino kudofest, awards aimed at highlighting talent and movies from Latin America, Spain and Portugal. Starring Elena Anaya and Benjamín Vicuña as a couple battling to overcome the loss of their small son, “Memory” competed at 2015’s Venice Days and took the Silver Colon at Spain’s Huelva Fest. Sold by Germany’s Global Screen, it most recently received plaudits from critics and audiences at this week’s Latin American Fest in Lleida, Spain. Handled by Filmax Intl., melancholy friendship dramedy “Truman” has swept awards at multiple events this season. Produced by Spain’s Impossible Films, the seventh feature of Cesc Gay is co-produced out of Argentina by K & S and Telefonica Studios/Telefe, two shingles behind Damian Szifron’s “Wild Tales” — which swept the 2nd Platino Awards — and “The Clan” — also in the running this year. Produced by Peru’s Pendulo Films and Tondero Films, Argentina’s Cepa Audiovisual and Colombia’s Cinerama and Proyectil, “Magallanes,” which is the directorial debut of Peruvian thesp Salvador del Solar (“Pantaleon y las Visitadores”), is one of the highest- profile titles from a national cinema, Peru, which, like Brazil, Spain, Argentina, Venezuela and this year Chile, has seen local movies fire up appreciable market share at their domestic box office.
    [Show full text]
  • Mark Kermode's Best Films of 2019
    Mark Kermode’s best films of 2019 @KermodeMovie - The Guardian Sun 29 Dec 2019 06.00 GMTLast modified on Tue 31 Dec 2019 15.51 GMT 2019 was the year that Netflix movies came of age, and ageing actors were made young again. At the 91st Oscars in February, the bland Green Book beat the superior BlackKklansman to the best picture award, although Spike Leewon his first competitive Oscar in the adapted screenplay category. Rami Malik scooped best actor for his portrayal of Freddie Mercury in Bohemian Rhapsody, but best actress Olivia Colman (The Favourite) stole the evening with one of the funniest and most self- deprecating acceptance speeches ever (complete with raspberry-blowing). More significantly, Alfonso Cuarón’s Roma won for cinematography, direction and best foreign language film, despite naysayers’ complaints that Netflix-backed movies were essentially made-for-TV films. That attitude is now history: in the forthcoming awards season, the platform has several contenders, including Noah Baumbach’s Marriage Story and Martin Scorsese’s The Irishman. The Irishman marked a watershed moment for “digital de-ageing”, with innovative technology allowing Robert De Niro, Al Pacino and Joe Pesci to play characters much younger than themselves. We’ve seen de-aging elsewhere (from Captain Marvel to Gemini Man), but never this unobtrusively. Alongside the release of its first original animated feature, Sergio Pablos’s Klaus, Netflix also picked up distribution rights for I Lost My Body, which made history when it took the top prize in the Critics’ Week section at Cannes in May. More family-friendly releases – Frozen II, Toy Story 4 and a weirdly photorealist rehash of The Lion King – may have dominated the box office in 2019, but I Lost My Body was my favourite animated film of the year.
    [Show full text]
  • The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema
    The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema Maria Luna and Philippe Meers Abstract: This article proposes to use the concept of “cosmopolitan cinematic margins” to analyse the paradoxical meeting of the cosmopolitan meaning and discourses of Ciro Guerra’s Colombian films and the spatial restrictions and immobility of the rural and remote places in which they are set. Such areas as seen on screen are usually interpreted by urban audiences as exotic locations, independently of their actual distance from cities. The article explores how films that, at first sight, show images of marginal and remote places like the Colombian Amazonian Jungle, when inserted into a global context—such as the hierarchical system of international film festivals—become symbols of cosmopolitan cinematic margins, and represent a country in the global spaces that legitimise the importance of that country’s film production. The cosmopolitan cinematic margins in the films of Guerra are then strategically situated in environments of global mobility and international prestige. Introduction The three feature films directed thus far by Colombian filmmaker Ciro Guerra— Wandering Shadows (La sombra del caminante, 2004), The Wind Journeys (Los viajes del viento, 2009) and Embrace of the Serpent (El abrazo de la serpiente, 2015)— were all produced by the independent production house Ciudad Lunar. They show the dynamics and tensions in the making of a cosmopolitan cinematic space within a peripheral cinema or “small cinema”, expressions that will be used in this article to remark the particular position of the cinemas of the “remaining countries” beyond the dominant production of Argentina, Mexico and Brazil—also known as “the big three” (Falicov and Middents 115).
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • Movieguide.Pdf
    Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr.
    [Show full text]
  • Falling Into the Embrace of the Serpent by Deborah Shaw
    Falling into the Embrace of the Serpent by Deborah Shaw Mediático is delighted to present a consideration of the much heralded Colombian film Embrace of the Serpent by Deborah Shaw, Reader in Film Studies at the University of Portsmouth. Her research interests include transnational film theory, and Latin American cinema, and she has published widely in these areas. She is the founding co-editor of the Routledge journal Transnational Cinemas, and her books include Contemporary Latin American Cinema: Ten Key Films (Continuum Publishers, 2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (Manchester University Press, 2013), The Transnational Fantasies of Guillermo del Toro, co-edited with Ann Davies and Dolores Tierney (Palgrave Macmillan, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics, co-edited with Deborah Martin for the World Cinema Series (forthcoming at I.B.Tauris). Every so often a special film comes along and slaps us in the face and demands our attention. A film that reminds us why we became and remain academics, critics and teachers. We take on these roles because we love films that teach us about the world we live in, and because we want to share our enthusiasm and that knowledge. Learning and sharing knowledge is one of the central themes of Embrace of the Serpent. It is an award-winning film, securing Colombia’s first Oscar nomination, for director Ciro Guerra previously known for two films that were well received on the festival circuit: Wandering Shadows (2004) and The Wind Journeys (2009). Like Guerra’s previous films Embrace of the Serpent has been exhibited on the festival circuit, but it has also found its way on to global screens small and large.
    [Show full text]
  • AMC River East 21 312-332-FILM
    © Poster Design: Kuo-Crary Tsung-Hui 322 E. Illinois St. AMC River East 21 312-332-FILM Cinema/CHicago Presents 51st Chicago International Oct. 15-29, 2015 Fim Festival FESTIVAL AT A GLANCE chicagofilmfestival.com Clever - p. 17 The 33 - p. 12 Funny Girl - p. 20 Brooklyn - p. 15 A Perfect Day - p. 29 Carol - p. 16 Stinking Heaven - p. 31 Dheepan - p. 18 The Thin Yellow Line - p. 32 dAm I Am Michael - p. 23 Very Semi-Serious - p. 34 I Smile Back - p. 23 Walking Distance - p. 35 James White - p. 24 cMeY We Are Francesco - p. 35 Macbeth - p. 26 Bite - p. 15 All About Them - p. 13 Ludo - p. 26 Big Father, Small Father and Other Stories - p. 14 Other Madnesses - p. 29 Cuckold - p. 18 The Red Spider - p. 30 Neon Bull - p. 28 Tag - p. 32 tRiLe Orphans of Eldorado - p. 28 They Look Like People - p. 32 Tough Love - p. 33 Three Days in September - p. 32 XConfessions: A Conversation With Erika Lust - p. 36 sXy Why Me? - p. 35 CONTENTS 5 Welcome! 42 Travel Guide 7 Tickets & Passes 43 Hot Spots The Birth of Saké - p. 14 10 Opening Night 44 Education Program Breakfast at Ina’s - p. 15 11 Film Program Guide 45 Membership For Grace - p. 20 12-36 Film Guide: A to Z 45 Merchandise Open Tables - p. 28 Sweet Bean - p. 31 36 Closing Night 46-52 Daily Film Schedule 38 Industry Days 53 Film Index by Country fOd 39 Spotlight: Architecture 53 Film Index by Category 39 Panels & Tast of Cinema 54 Film Index by Theme 40 Short Films 55 Festival Partners BecaUse everYboDY loves movies! For over half a century, the Chicago International Film Festival has done our part to expand your cinematic horizons with entertaining, provocative, and illuminating selections from around the globe.
    [Show full text]
  • Sight & Sound Annual Index 2017
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 27 January to December 2017 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 6:52(r) Amour (2012) 5:17; 6:17 Armano Iannucci Shows, The 11:42 Ask the Dust 2:5 Bakewell, Sarah 9:32 Film review titles are also interview with Koreeda Amours de minuit, Les 9:14 Armisen, Fred 8:38 Asmara, Abigail 11:22 Balaban, Bob 5:54 included and are indicated by Hirokazu 7:8-9 Ampolsk, Alan G. 6:40 Armstrong, Jesse 11:41 Asquith, Anthony 2:9; 5:41, Balasz, Béla 8:40 (r) after the reference; age and cinema Amy 11:38 Army 2:24 46; 10:10, 18, 44 Balch, Antony 2:10 (b) after reference indicates Hotel Salvation 9:8-9, 66(r) An Seohyun 7:32 Army of Shadows, The Assange, Julian Balcon, Michael 2:10; 5:42 a book review Age of Innocence, The (1993) 2:18 Anchors Aweigh 1:25 key sequence showing Risk 8:50-1, 56(r) Balfour, Betty use of abstraction 2:34 Anderson, Adisa 6:42 Melville’s iconicism 9:32, 38 Assassin, The (1961) 3:58 survey of her career A Age of Shadows, The 4:72(r) Anderson, Gillian 3:15 Arnold, Andrea 1:42; 6:8; Assassin, The (2015) 1:44 and films 11:21 Abacus Small Enough to Jail 8:60(r) Agony of Love (1966) 11:19 Anderson, Joseph 11:46 7:51; 9:9; 11:11 Assassination (1964) 2:18 Balin, Mireille 4:52 Abandon Normal Devices Agosto (2014) 5:59 Anderson, Judith 3:35 Arnold, David 1:8 Assassination of the Duke Ball, Wes 3:19 Festival 2017, Castleton 9:7 Ahlberg, Marc 11:19 Anderson, Paul Thomas Aronofsky, Darren 4:57 of Guise, The 7:95 Ballad of Narayama, The Abdi, Barkhad 12:24 Ahmed, Riz 1:53 1:11; 2:30; 4:15 mother! 11:5, 14, 76(r) Assassination of Trotsky, The 1:39 (1958) 11:47 Abel, Tom 12:9 Ahwesh, Peggy 12:19 Anderson, Paul W.S.
    [Show full text]
  • Novi Filmovi
    Popis novih filmova na 01.08.2020. po datumu objave 1 Line of Duty - Na dužnosti17 July, 2020 2 7500 16 July, 2020 3 Relic15 July, 2020 4 Mr. Jones15 July, 2020 5 The Beach House14 July, 2020 6 Greyhound13 July, 2020 7 The Old Guard12 July, 2020 8 After Midnight12 July, 2020 9 Adú12 July, 2020 10 The Outpost10 July, 2020 11 Nobody Knows I'm Here9 July, 2020 12 Villain7 July, 2020 13 Wasp Network7 July, 2020 14 Alone7 July, 2020 15 Jexi5 July, 2020 16 Hamilton5 July, 2020 17 Breaking Surface5 July, 2020 18 Atlantics4 July, 2020 19 Ideš? Idem!2 July, 2020 20 The Clearing2 July, 2020 21 Frozen II - Snježno kraljevstvo 2 (Sinkronizirano)2 July, 2020 22 Outback30 June, 2020 23 Just a Gigolo - Ljubavnik na francuski način28 June, 2020 24 Domino28 June, 2020 25 Asimetrija27 June, 2020 26 Babyteeth26 June, 2020 27 Infamous24 June, 2020 28 Da 5 Bloods21 June, 2020 29 Lost Bullet - Balle perdue21 June, 2020 30 You Should Have Left20 June, 2020 31 Force of Nature - Sila prirode20 June, 2020 32 Exit Plan19 June, 2020 33 365 Days - 365 dni16 June, 2020 34 Human Capital16 June, 2020 35 Artemis Fowl15 June, 2020 36 Sniper: Assassin's End14 June, 2020 37 Body Cam13 June, 2020 38 Dark Encounter11 June, 2020 39 Becky11 June, 2020 40 The Traitor - Il traditore10 June, 2020 41 A Fall from Grace9 June, 2020 42 The Deeper You Dig8 June, 2020 43 Last Moment of Clarity7 June, 2020 44 Invasion Planet Earth3 June, 2020 45 Maleficent: Mistress of Evil - Gospodarica zla 2 (Sinkronizirano)3 June, 2020 46 VFW2 June, 2020 47 The Shiny Shrimps31 May, 2020 48 Grudi29
    [Show full text]
  • Special Events Sunday Fundraisers
    GENERAL INFORMATION LOCATION Deckchair Cinema screens films 7 nights a week from April Jervois Road, Darwin Waterfront until November. We are open nightly from 6pm, with films FREE parking at Deckchair and on starting promptly at the advertised time. the Esplanade. DINNER AND DRINKS Only a short walk from town, We have delicious meals available to buy every night from take the scenic Damoe Ra Park our caterers. You can bring your own food, but remember walkway to the cinema (just you cannot bring your own alcohol. We are a fully licensed before Parliament House). venue and our bar opens from 6pm nightly. Film InfoLine: Deckchair Get down early to enjoy dinner and a drink on our popular Cinema dining deck. Deckchair Cinema is an ideal location to catch (08) 8981 0700 the sea breeze while the sun sets on Darwin Harbour. TICKETS DECKCHAIR CATERING BY: Skip the queue – buy tickets online; we don’t charge you any online booking fees! Or buy tickets at our Box Office nightly Saturday & Monday from 6pm (sorry we cannot process in-person or telephone 0412 073 007 bookings outside of our Box Office hours). [email protected] deebeecatering.com.au Early session** Late session*** www.facebook.com/deebeecatering Adult $16 $10 Concession* $12 $5 Tuesday & Thursday SHORT FILM PROGRAM – 0401 755 471 DFS Member* $10 $5 [email protected] EVERY THURSDAY BEFORE THE FILM Children $8 $5 Have a short film you’d like shown on the big screen? Family (2 Adults, 2 Children) $35 $20 We love to support local filmmakers so it must be made here in the NT.
    [Show full text]
  • Post-Colonial Narrative and Language As Aesthetic Matter in Ciro Guerra’S Embrace of the Serpent
    POST-COLONIAL NARRATIVE AND LANGUAGE AS AESTHETIC MATTER IN CIRO GUERRA’S EMBRACE OF THE SERPENT David Hoyos García* DOI: https://doi.org/10.33571/revistaluciernaga.v11n21a3 Summary The text analyzes the characteristics of colonial structures: race, ethnicity and loss of innocence, in the film by the Colombian director Ciro Guerra, Embrace of the Serpent (2015). For this, a dialogue is created with theoretical ideas from Fanon, Quijano, Shohat and Stam. This film is considered a critical postcolonial film. Keywords: cine; Ciro Guerra; audiovisual; narrative; postcolonialism. Received. November 12, 2018 Accepted. February 4, 2019 *David Hoyos García. Candidato a doctor en Estudios Hispánicos por la Universidad McGill en Montreal, Canadá. Se especializa en el área de estudios culturales y de performance, cultura digital, y la relación entre música, literatura y cine latinoamericanos centrados en la narratología subalterna, la producción cultural de mujeres y minorías. Actualmente realiza una investigación sobre cumbia, literatura y fronteras con una beca del Consejo de Investigación de Ciencias Sociales y Humanidades del Gobierno Federal de Canadá. Orcid: https://orcid.org/0000-0001-6310-7567; e-mail: [email protected] A NARRATIVA PÓS-COLONIAL E LINGUAGEM COMO MATÉRIA ESTÉTICA EM O ABRAÇO DA SERPENTE DE CIRO GUERRA David Hoyos García* DOI: https://doi.org/10.33571/revistaluciernaga.v11n21a3 Resumo O texto analisa as características das estruturas coloniais: raça e etnia, perda de inocência, no filme O Abraço da Cobra (2015) do diretor colombiano Ciro Guerra. Para isso, um diálogo será criado com idéias teóricas de Fanon, Quijano, Shohat e Stam e isso nos permitirá considerar este filme como um filme pós-colonial crítico.
    [Show full text]