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For Immediate Release
FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AND REHAB ENTERTAINMENT PARTNER WITH AUTHOR/ILLUSTRATOR KAREN KATZ ON LENA!, A NEW ANIMATED PRESCHOOL SERIES Original Series Inspired by Katz’s Award-Winning Title “The Colors of Us” and the Upcoming “My America” Hollywood, CA (July 28, 2020) Rehab Entertainment and The Jim Henson Company are partnering with award- winning author and illustrator Karen Katz to develop Lena!, an original 2D animated preschool series inspired by Katz’s acclaimed picture book The Colors of Us and her upcoming release My America, a new book from MacMillan Publishers (spring, 2021) that celebrates the experiences and stories of U.S. immigrants. Created by Katz and Sidney Clifton, Lena! follows a 7-year-old Guatemalan girl who uses her unique and imaginative way of thinking to explore her culturally diverse neighborhood, identifying ways to help her friends and neighbors along the way. There’s no problem too big or too unusual for Lena's whimsical approach to creative problem-solving in this series all about connection, and she draws from the rich diversity in her community for the resources, support, and inspiration she needs to succeed. For more than twenty years, prolific author and illustrator Karen Katz has released over 85 picture books and board books for children that have been recognized and embraced by critics and parents. Her award-winning titles, including the number-one best-selling Where is Baby’s Bellybutton? and Counting Kisses, have sold 16 million copies worldwide, in over a dozen countries. Katz and Clifton will executive produce Lena! along with John W. -
Download a PDF Version of the Official
“To Open Minds, To Educate Intelligence, To Inform Decisions” The International Academic Forum provides new perspectives to the thought-leaders and decision-makers of today and tomorrow by offering constructive environments for dialogue and interchange at the intersections of nation, culture, and discipline. Headquartered in Nagoya, Japan, and registered as a Non-Profit Organization 一般社( 団法人) , IAFOR is an independent think tank committed to the deeper understanding of contemporary geo-political transformation, particularly in the Asia Pacific Region. INTERNATIONAL INTERCULTURAL INTERDISCIPLINARY iafor The Executive Council of the International Advisory Board Mr Mitsumasa Aoyama Professor June Henton Professor Baden Offord Director, The Yufuku Gallery, Tokyo, Japan Dean, College of Human Sciences, Auburn University, Professor of Cultural Studies and Human Rights & Co- USA Director of the Centre for Peace and Social Justice Southern Cross University, Australia Lord Charles Bruce Professor Michael Hudson Lord Lieutenant of Fife President of The Institute for the Study of Long-Term Professor Frank S. Ravitch Chairman of the Patrons of the National Galleries of Economic Trends (ISLET) Professor of Law & Walter H. Stowers Chair in Law Scotland Distinguished Research Professor of Economics, The and Religion, Michigan State University College of Law Trustee of the Historic Scotland Foundation, UK University of Missouri, Kansas City Professor Richard Roth Professor Donald E. Hall Professor Koichi Iwabuchi Senior Associate Dean, Medill School of Journalism, Herbert J. and Ann L. Siegel Dean Professor of Media and Cultural Studies & Director of Northwestern University, Qatar Lehigh University, USA the Monash Asia Institute, Monash University, Australia Former Jackson Distinguished Professor of English Professor Monty P. -
'Memory,' 'Serpent,' 'Truman,' 'Magallanes'
‘Memory,’ ‘Serpent,’ ‘Truman,’ ‘Magallanes’ Vie For Platino Glory Emilio Mayorga COURTESY: LLEIDA LATIN AMERICAN FILM FESTIVAL APRIL 14, 2016 | 11:44AM PT Latin Platino Awards reveals shorter longlist in Santo Domingo SANTO DOMINGO– Matías Bize’s “The Memory of Water,” Salvador del Solar’s “Magallanes,” Ciro Guerra’s “Embrace of the Serpent” and Cesc Gay’s “Truman” figure among 20 Platino Award best pic nomination candidates announced Thursday at a press-conference in Santo Domingo. Pablo Trapero’s “The Clan,” Pablo Larrain’s “The Club,” Federico Veiroj’s “The Apostate” and Paula Ortiz’s “The Bride” also made the best pic cut for the third Platino kudofest, awards aimed at highlighting talent and movies from Latin America, Spain and Portugal. Starring Elena Anaya and Benjamín Vicuña as a couple battling to overcome the loss of their small son, “Memory” competed at 2015’s Venice Days and took the Silver Colon at Spain’s Huelva Fest. Sold by Germany’s Global Screen, it most recently received plaudits from critics and audiences at this week’s Latin American Fest in Lleida, Spain. Handled by Filmax Intl., melancholy friendship dramedy “Truman” has swept awards at multiple events this season. Produced by Spain’s Impossible Films, the seventh feature of Cesc Gay is co-produced out of Argentina by K & S and Telefonica Studios/Telefe, two shingles behind Damian Szifron’s “Wild Tales” — which swept the 2nd Platino Awards — and “The Clan” — also in the running this year. Produced by Peru’s Pendulo Films and Tondero Films, Argentina’s Cepa Audiovisual and Colombia’s Cinerama and Proyectil, “Magallanes,” which is the directorial debut of Peruvian thesp Salvador del Solar (“Pantaleon y las Visitadores”), is one of the highest- profile titles from a national cinema, Peru, which, like Brazil, Spain, Argentina, Venezuela and this year Chile, has seen local movies fire up appreciable market share at their domestic box office. -
Mark Kermode's Best Films of 2019
Mark Kermode’s best films of 2019 @KermodeMovie - The Guardian Sun 29 Dec 2019 06.00 GMTLast modified on Tue 31 Dec 2019 15.51 GMT 2019 was the year that Netflix movies came of age, and ageing actors were made young again. At the 91st Oscars in February, the bland Green Book beat the superior BlackKklansman to the best picture award, although Spike Leewon his first competitive Oscar in the adapted screenplay category. Rami Malik scooped best actor for his portrayal of Freddie Mercury in Bohemian Rhapsody, but best actress Olivia Colman (The Favourite) stole the evening with one of the funniest and most self- deprecating acceptance speeches ever (complete with raspberry-blowing). More significantly, Alfonso Cuarón’s Roma won for cinematography, direction and best foreign language film, despite naysayers’ complaints that Netflix-backed movies were essentially made-for-TV films. That attitude is now history: in the forthcoming awards season, the platform has several contenders, including Noah Baumbach’s Marriage Story and Martin Scorsese’s The Irishman. The Irishman marked a watershed moment for “digital de-ageing”, with innovative technology allowing Robert De Niro, Al Pacino and Joe Pesci to play characters much younger than themselves. We’ve seen de-aging elsewhere (from Captain Marvel to Gemini Man), but never this unobtrusively. Alongside the release of its first original animated feature, Sergio Pablos’s Klaus, Netflix also picked up distribution rights for I Lost My Body, which made history when it took the top prize in the Critics’ Week section at Cannes in May. More family-friendly releases – Frozen II, Toy Story 4 and a weirdly photorealist rehash of The Lion King – may have dominated the box office in 2019, but I Lost My Body was my favourite animated film of the year. -
The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema
The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema Maria Luna and Philippe Meers Abstract: This article proposes to use the concept of “cosmopolitan cinematic margins” to analyse the paradoxical meeting of the cosmopolitan meaning and discourses of Ciro Guerra’s Colombian films and the spatial restrictions and immobility of the rural and remote places in which they are set. Such areas as seen on screen are usually interpreted by urban audiences as exotic locations, independently of their actual distance from cities. The article explores how films that, at first sight, show images of marginal and remote places like the Colombian Amazonian Jungle, when inserted into a global context—such as the hierarchical system of international film festivals—become symbols of cosmopolitan cinematic margins, and represent a country in the global spaces that legitimise the importance of that country’s film production. The cosmopolitan cinematic margins in the films of Guerra are then strategically situated in environments of global mobility and international prestige. Introduction The three feature films directed thus far by Colombian filmmaker Ciro Guerra— Wandering Shadows (La sombra del caminante, 2004), The Wind Journeys (Los viajes del viento, 2009) and Embrace of the Serpent (El abrazo de la serpiente, 2015)— were all produced by the independent production house Ciudad Lunar. They show the dynamics and tensions in the making of a cosmopolitan cinematic space within a peripheral cinema or “small cinema”, expressions that will be used in this article to remark the particular position of the cinemas of the “remaining countries” beyond the dominant production of Argentina, Mexico and Brazil—also known as “the big three” (Falicov and Middents 115). -
INTERNATIONAL CONFERENCE on PHILOSOPHY and FILM Thinking Reality and Time Through Film
INTERNATIONAL CONFERENCE ON PHILOSOPHY AND FILM Thinking Reality and Time through Film ………………………………………………………………………….………….. …………………………………………………………………………….………….. 1 INTERNATIONAL CONFERENCE ON PHILOSOPHY AND FILM Thinking Reality and Time through Film ………………………………………………………………………….………….. Thinking Reality and Time through Film Proceedings of the International Lisbon Conference on Philosophy and Film: PROGRAMME OVERVIEWS ABSTRACTS CV’S CONTACTS Edited by Susana Viegas …………………………………………………………………………….………….. 2 INTERNATIONAL CONFERENCE ON PHILOSOPHY AND FILM Thinking Reality and Time through Film ………………………………………………………………………….………….. Thinking Reality and Time through Film Proceedings of the International Lisbon Conference on Philosophy and Film - 6-10 May of 2014 Conference Directors Christine Reeh José Manuel Martins Pedro Calafate Scientific Committee Christine Reeh Claudio Rozzoni José Manuel Martins Maria Teresa Teixeira Susana Viegas Toni Hildebrandt Organizing Comittee Ângela Marques Carla Simões Filipa Afonso Filipa Seabra Filipe Pinto Isabel Machado Joana Ferreira Held at the Faculty of Letters of the University of Lisbon, National Library, Portuguese Film Museum and the Goethe-Institut Lissabon. Organized by the Centro de Filosofia da Universidade de Lisboa in collaboration with C.R.I.M. Productions, and the Goethe Institut Lissabon. Sponsored by Fundação para a Ciência e a Tecnologia. …………………………………………………………………………….………….. 3 INTERNATIONAL CONFERENCE ON PHILOSOPHY AND FILM Thinking Reality and Time through Film ………………………………………………………………………….…………. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Movieguide.Pdf
Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr. -
Falling Into the Embrace of the Serpent by Deborah Shaw
Falling into the Embrace of the Serpent by Deborah Shaw Mediático is delighted to present a consideration of the much heralded Colombian film Embrace of the Serpent by Deborah Shaw, Reader in Film Studies at the University of Portsmouth. Her research interests include transnational film theory, and Latin American cinema, and she has published widely in these areas. She is the founding co-editor of the Routledge journal Transnational Cinemas, and her books include Contemporary Latin American Cinema: Ten Key Films (Continuum Publishers, 2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (Manchester University Press, 2013), The Transnational Fantasies of Guillermo del Toro, co-edited with Ann Davies and Dolores Tierney (Palgrave Macmillan, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics, co-edited with Deborah Martin for the World Cinema Series (forthcoming at I.B.Tauris). Every so often a special film comes along and slaps us in the face and demands our attention. A film that reminds us why we became and remain academics, critics and teachers. We take on these roles because we love films that teach us about the world we live in, and because we want to share our enthusiasm and that knowledge. Learning and sharing knowledge is one of the central themes of Embrace of the Serpent. It is an award-winning film, securing Colombia’s first Oscar nomination, for director Ciro Guerra previously known for two films that were well received on the festival circuit: Wandering Shadows (2004) and The Wind Journeys (2009). Like Guerra’s previous films Embrace of the Serpent has been exhibited on the festival circuit, but it has also found its way on to global screens small and large. -
Heading 'Into the Badlands'
CELEBRITY SPOTLIGHTS FRED SAVAGE LUCY LAWLESS SHARON STONE PHILIP WINCHESTER GRAHAM ELLIOT THE STORY! Heading ‘Into the Badlands’ WHAT'S FOR Daniel Wu stars in “Into DINNER the Badlands,” premiering Featuring: Sunday on AMC. “Kelsey’s Essentials” FEATURED STORIES “CHICAGO MED” “TURKEY HOLLOW” EXCLUSIVE! “HUNTING HITLER” PROFILED ATHLETE MOVIES TO MATT WATCH JOHNSON And so much more! Connect to these shows within this magazine! FOLIO Courtesy of Gracenote November 15 - 21, 2015 C What’s HOT this Week! Click to jump to these contents featured sections! YOURTVLINK CELEBRITY “CHICAGO MED” 4 FRED SAVAGE “The Producer Dick Wolf makes Wonder Years” alum likes his Windy City triple play laying down the law in “The Grinder” 5 LUCY LAWLESS On ditching another deal to be on “Ash vs Evil Dead” 6 SHARON STONE “Agent X” star appreciates leading man who’s “not a jerk” 8 PHILIP WINCHESTER “The Player” star doesn’t play around when it comes “TURKEY HOLLOW” to stunts Mary Steenburgen talks about being “a huge Jim 9 GRAHAM ELLIOT Henson fan.” A restaurateur and celebrity chef “THE ART OF MORE” Kate Bosworth’s character has FOOD to “prove herself far more than 7 “KELSEY’S ESSENTIALS” anybody else.” 17 for great dinner table experiences SPORTS THE STORY! 18-19 MATT JOHNSON “INTO THE BADLANDS” future NFL quarterback? Past meets future in martial- See for yourself Tuesday arts-driven action series on ESPN2 REALITY MOVIES IN EVERY ISSUE 16 “HUNTING HITLER” 20-21 Featuring: Theatrical 22-23 Featuring: Our top Does history stand true or Review, Our top DVD pick, suggested programs to watch did he really get away? and Coming Soon on DVD. -
AMC River East 21 312-332-FILM
© Poster Design: Kuo-Crary Tsung-Hui 322 E. Illinois St. AMC River East 21 312-332-FILM Cinema/CHicago Presents 51st Chicago International Oct. 15-29, 2015 Fim Festival FESTIVAL AT A GLANCE chicagofilmfestival.com Clever - p. 17 The 33 - p. 12 Funny Girl - p. 20 Brooklyn - p. 15 A Perfect Day - p. 29 Carol - p. 16 Stinking Heaven - p. 31 Dheepan - p. 18 The Thin Yellow Line - p. 32 dAm I Am Michael - p. 23 Very Semi-Serious - p. 34 I Smile Back - p. 23 Walking Distance - p. 35 James White - p. 24 cMeY We Are Francesco - p. 35 Macbeth - p. 26 Bite - p. 15 All About Them - p. 13 Ludo - p. 26 Big Father, Small Father and Other Stories - p. 14 Other Madnesses - p. 29 Cuckold - p. 18 The Red Spider - p. 30 Neon Bull - p. 28 Tag - p. 32 tRiLe Orphans of Eldorado - p. 28 They Look Like People - p. 32 Tough Love - p. 33 Three Days in September - p. 32 XConfessions: A Conversation With Erika Lust - p. 36 sXy Why Me? - p. 35 CONTENTS 5 Welcome! 42 Travel Guide 7 Tickets & Passes 43 Hot Spots The Birth of Saké - p. 14 10 Opening Night 44 Education Program Breakfast at Ina’s - p. 15 11 Film Program Guide 45 Membership For Grace - p. 20 12-36 Film Guide: A to Z 45 Merchandise Open Tables - p. 28 Sweet Bean - p. 31 36 Closing Night 46-52 Daily Film Schedule 38 Industry Days 53 Film Index by Country fOd 39 Spotlight: Architecture 53 Film Index by Category 39 Panels & Tast of Cinema 54 Film Index by Theme 40 Short Films 55 Festival Partners BecaUse everYboDY loves movies! For over half a century, the Chicago International Film Festival has done our part to expand your cinematic horizons with entertaining, provocative, and illuminating selections from around the globe. -
Portabledoor Project
Synopsis Paul Carpenter is a new intern at the mysterious London firm J.W. Wells & Co. Sure, Paul is grateful to have a stable job at a respectable and worldwide company, however, he and Sophie, Paul’s hate-at-first-sight love interest, become steadily aware that their employers are anything but conventional. Initially they notice just little peculiarities, like the extremely peculiar receptionist, a long stapler moving on its own, or those bizarre artifacts in the company’s basement (such as several contracts for people’s souls and a Portable Door!) But when goblins take over at the office after-hours, it’s pretty much confirmed that J.W. Wells & Co. is into a bit more magic than mediation. Harry Potter meets The Office. Genre: Comedy/Fantasy/Adventure Live Action Feature Film Anticipated Rating: PG Tagline: Paul Carpenter, an intern at the mysterious London firm J.W. Wells & Co., learns that his employer deals in magical transactions. Director’s Statement “The story explores what it is to be in your 20’s, searching for your place, discovering who you are as an adult, coming up against a world that is challenging you constantly. And a reminder that we all seek the pure joy of elevating the mundane to the magical. For this film, I’m looking to Kaufman pictures -Being John Malkovich and Eternal Sunshine of the Spotless Mind-films that fuse emotional impact and humour with a heightened world of fantasy and imagination. A certain carelessness with the camera that makes the wildness of what you’re seeing, more surprising.