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PLUNGE #305 - William K
20--MANCHESTER HERALD, Friday, Oct. 1.^, 1989 READ YOUR AD: ClassiFed odvertlsoments a r t I qi^ cars I CARS [g^CARS I CARS W E D ELIVER taken by telephone os o conyenlence. The FOR SALE FOR SALE FOR SALE Manchester Herald Is responsible For only one FOR SALE For Horr>© Del: 'sry. Call Incorrect Insertion and then only tor the size oF 6 4 7 - 9 9 4 6 the original Insertion. E . rorswhichdonot lessen the yolue oF the advertisement will not be 1984 HONDA Civic Wagon CHEVROLET 1980 Ma O L D S M O B IL E 1981 R e CHEVROLET 1985 Celeb Monday to Friday. 9 to 6 - 646-0767 or 649-4554, libu - 4 door, good gency - Loaded, must rity wagon. Excellent corrected by on additional Insertion._____________ J o c k . ________ condition. $1,250. 643- sell. 643-1364.___________ condition. V-6 auto 1986 JEEP Wogoneer Li 5484. 1984 CELEBRITY-4door, matic, power steerlng- /brakes, air, cruise. CARS mited - Excellent con CHEVROLET 1974 Co Fully equipped, excel CARS CARS dition, 43,000 miles, moro - New point, new lent condition. $3,500. $4,500 or best otter. IQI i FOR SALE 647-8894. FOR SALE automatic, olr condl- vinvl top, 6 cylinder 1987 MUSTANG LX - 4 I^^H foR sale FOR SALE tlonlng, om/tm automatic, $1,750. Ne cylinder, hatchback, 5 cassette, leather Inte- gotiable. 649-8944, speed, $6,500. 646-2392. rlor. $10,900, 643-2938. leave message. TRUCKS/VANS 1984 FORD Escort Wagon C O R V E T T E 1971 S tlno STEAL It. -
Download a PDF Version of the Official
“To Open Minds, To Educate Intelligence, To Inform Decisions” The International Academic Forum provides new perspectives to the thought-leaders and decision-makers of today and tomorrow by offering constructive environments for dialogue and interchange at the intersections of nation, culture, and discipline. Headquartered in Nagoya, Japan, and registered as a Non-Profit Organization 一般社( 団法人) , IAFOR is an independent think tank committed to the deeper understanding of contemporary geo-political transformation, particularly in the Asia Pacific Region. INTERNATIONAL INTERCULTURAL INTERDISCIPLINARY iafor The Executive Council of the International Advisory Board Mr Mitsumasa Aoyama Professor June Henton Professor Baden Offord Director, The Yufuku Gallery, Tokyo, Japan Dean, College of Human Sciences, Auburn University, Professor of Cultural Studies and Human Rights & Co- USA Director of the Centre for Peace and Social Justice Southern Cross University, Australia Lord Charles Bruce Professor Michael Hudson Lord Lieutenant of Fife President of The Institute for the Study of Long-Term Professor Frank S. Ravitch Chairman of the Patrons of the National Galleries of Economic Trends (ISLET) Professor of Law & Walter H. Stowers Chair in Law Scotland Distinguished Research Professor of Economics, The and Religion, Michigan State University College of Law Trustee of the Historic Scotland Foundation, UK University of Missouri, Kansas City Professor Richard Roth Professor Donald E. Hall Professor Koichi Iwabuchi Senior Associate Dean, Medill School of Journalism, Herbert J. and Ann L. Siegel Dean Professor of Media and Cultural Studies & Director of Northwestern University, Qatar Lehigh University, USA the Monash Asia Institute, Monash University, Australia Former Jackson Distinguished Professor of English Professor Monty P. -
'Memory,' 'Serpent,' 'Truman,' 'Magallanes'
‘Memory,’ ‘Serpent,’ ‘Truman,’ ‘Magallanes’ Vie For Platino Glory Emilio Mayorga COURTESY: LLEIDA LATIN AMERICAN FILM FESTIVAL APRIL 14, 2016 | 11:44AM PT Latin Platino Awards reveals shorter longlist in Santo Domingo SANTO DOMINGO– Matías Bize’s “The Memory of Water,” Salvador del Solar’s “Magallanes,” Ciro Guerra’s “Embrace of the Serpent” and Cesc Gay’s “Truman” figure among 20 Platino Award best pic nomination candidates announced Thursday at a press-conference in Santo Domingo. Pablo Trapero’s “The Clan,” Pablo Larrain’s “The Club,” Federico Veiroj’s “The Apostate” and Paula Ortiz’s “The Bride” also made the best pic cut for the third Platino kudofest, awards aimed at highlighting talent and movies from Latin America, Spain and Portugal. Starring Elena Anaya and Benjamín Vicuña as a couple battling to overcome the loss of their small son, “Memory” competed at 2015’s Venice Days and took the Silver Colon at Spain’s Huelva Fest. Sold by Germany’s Global Screen, it most recently received plaudits from critics and audiences at this week’s Latin American Fest in Lleida, Spain. Handled by Filmax Intl., melancholy friendship dramedy “Truman” has swept awards at multiple events this season. Produced by Spain’s Impossible Films, the seventh feature of Cesc Gay is co-produced out of Argentina by K & S and Telefonica Studios/Telefe, two shingles behind Damian Szifron’s “Wild Tales” — which swept the 2nd Platino Awards — and “The Clan” — also in the running this year. Produced by Peru’s Pendulo Films and Tondero Films, Argentina’s Cepa Audiovisual and Colombia’s Cinerama and Proyectil, “Magallanes,” which is the directorial debut of Peruvian thesp Salvador del Solar (“Pantaleon y las Visitadores”), is one of the highest- profile titles from a national cinema, Peru, which, like Brazil, Spain, Argentina, Venezuela and this year Chile, has seen local movies fire up appreciable market share at their domestic box office. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
The Collaboration of Mileva Marić and Albert Einstein
Asian Journal of Physics Vol 24, No 4 (2015) March The collaboration of Mileva Marić and Albert Einstein Estelle Asmodelle University of Central Lancashire School of Computing, Engineering and Physical Sciences, Preston, Lancashire, UK PR1 2HE. e-mail: [email protected]; Phone: +61 418 676 586. _____________________________________________________________________________________ This is a contemporary review of the involvement of Mileva Marić, Albert Einstein’s first wife, in his theoretical work between the period of 1900 to 1905. Separate biographies are outlined for both Mileva and Einstein, prior to their attendance at the Swiss Federal Polytechnic in Zürich in 1896. Then, a combined journal is described, detailing significant events. In additional to a biographical sketch, comments by various authors are compared and contrasted concerning two narratives: firstly, the sequence of events that happened and the couple’s relationship at particular times. Secondly, the contents of letters from both Einstein and Mileva. Some interpretations of the usage of pronouns in those letters during 1899 and 1905 are re-examined, and a different hypothesis regarding the usage of those pronouns is introduced. Various papers are examined and the content of each subsequent paper is compared to the work that Mileva was performing. With a different take, this treatment further suggests that the couple continued to work together much longer than other authors have indicated. We also evaluate critics and supporters of the hypothesis that Mileva was involved in Einstein’s work, and refocus this within a historical context, in terms of women in science in the late 19th century. Finally, the definition of, collaboration (co-authorship, specifically) is outlined. -
Mark Kermode's Best Films of 2019
Mark Kermode’s best films of 2019 @KermodeMovie - The Guardian Sun 29 Dec 2019 06.00 GMTLast modified on Tue 31 Dec 2019 15.51 GMT 2019 was the year that Netflix movies came of age, and ageing actors were made young again. At the 91st Oscars in February, the bland Green Book beat the superior BlackKklansman to the best picture award, although Spike Leewon his first competitive Oscar in the adapted screenplay category. Rami Malik scooped best actor for his portrayal of Freddie Mercury in Bohemian Rhapsody, but best actress Olivia Colman (The Favourite) stole the evening with one of the funniest and most self- deprecating acceptance speeches ever (complete with raspberry-blowing). More significantly, Alfonso Cuarón’s Roma won for cinematography, direction and best foreign language film, despite naysayers’ complaints that Netflix-backed movies were essentially made-for-TV films. That attitude is now history: in the forthcoming awards season, the platform has several contenders, including Noah Baumbach’s Marriage Story and Martin Scorsese’s The Irishman. The Irishman marked a watershed moment for “digital de-ageing”, with innovative technology allowing Robert De Niro, Al Pacino and Joe Pesci to play characters much younger than themselves. We’ve seen de-aging elsewhere (from Captain Marvel to Gemini Man), but never this unobtrusively. Alongside the release of its first original animated feature, Sergio Pablos’s Klaus, Netflix also picked up distribution rights for I Lost My Body, which made history when it took the top prize in the Critics’ Week section at Cannes in May. More family-friendly releases – Frozen II, Toy Story 4 and a weirdly photorealist rehash of The Lion King – may have dominated the box office in 2019, but I Lost My Body was my favourite animated film of the year. -
Exporting Truth from Aboriginal Australia
TOBY MIu.ER EXPORTING TRUTH FROM ABORIGINAL AUSTRAUA IPORTIONS OF OUR PAST BECOME PRESENT AGAIN, WHERE ONLY THE MELANCHOLY LIGHT OF ORIGIN SHINES' J don't think there can be any doubt that unnecessarily. Of course, we could look for Aborigines have been the most important the global trace of contemporary Australia Australian exporters of social theory and by a form of desperate content analysis. cultural production to the northern Adding up references to it in the Manhanan hemisphere over the past century. How fiction of Jay Mcinerney, for example: eight could one come to such a conclusion? in Bright Lights, Big City (986) if you count When Jock Given approached me to write the 1984 New York Post, none if you don't; this paper, he referred to a recent essay of four in Ransom (] 987); ten in Story ofMy Life mine. It began like this: 'When Australia (989) if you count each mention of Nell's, became modem, it ceased to be interesting'. three if you don't; and none in Brightness I ran the argument there that Aboriginal Falls (992). Or we could turn to the 1995 Australia had provided Europe with a 'Down Under' episode of The Stmpsons, in 'photographic negative' of itself. The which a State Department representative essence of the north, s~creted by the briefs the family on bilateral relations: 'As blllowtng engines and disputatious I'm sure you remember, in the late 1980s the parliaments of the modern, could be US experienced a short-lived infatuation secreted by examining 'the prediarnarue with Australian culture (this is accompanied realities of the Antipodean primordial' by a cartoon-slide of Paul Hogan as (Miller T 1994. -
The Spiral Dynamics of Cinema Studies Provisionally Drafted by Alex Burns ([email protected])
1 The Spiral Dynamics of Cinema Studies Provisionally Drafted by Alex Burns ([email protected]). Version 0.1 (December 1998) Comment (8th November 2007) I wrote this as a course proposal outline whilst in the Cinema Studies undergraduate program at Australia’s La Trobe University in 1998. I had been studying the Spiral Dynamics® psychological model of levels of human existence for about 18 months, and had also been corresponding with Howard Bloom and Richard Metzger. This represented a first attempt to codify the SD model using film content as examples of the models and dynamics. The artefact is from my ‘early stage’ exploration of the SD model, written with good intent but a novice’s understanding. This document has several limitations. It relied on the SD colour scheme, and prioritised breadth and span over situated depth. The selected films and sequences reflected several personal theories about media analysis and the scientific debate on memetics and were heavily influenced by the pre-millennial sub-currents of the mid- to-late 1990s. I hadn’t taken the SD practitioner training I and II at the time. My knowledge of Cinema Studies frameworks and models also varied. Thus, today I wouldn’t necessarily endorse the films or their SD codification now as correct or representative of the Beck & Cowan model or Clare W. Graves’ original research. This is provided for historical interest and self-research purposes only. I subsequently developed a more precise methodology in 2003 whilst in the Strategic Foresight masters program at Swinburne University. I trialled it in workshops at SD practitioner training and the Australian festival This Is Not Art in 2003 and 2004. -
The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema
The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema Maria Luna and Philippe Meers Abstract: This article proposes to use the concept of “cosmopolitan cinematic margins” to analyse the paradoxical meeting of the cosmopolitan meaning and discourses of Ciro Guerra’s Colombian films and the spatial restrictions and immobility of the rural and remote places in which they are set. Such areas as seen on screen are usually interpreted by urban audiences as exotic locations, independently of their actual distance from cities. The article explores how films that, at first sight, show images of marginal and remote places like the Colombian Amazonian Jungle, when inserted into a global context—such as the hierarchical system of international film festivals—become symbols of cosmopolitan cinematic margins, and represent a country in the global spaces that legitimise the importance of that country’s film production. The cosmopolitan cinematic margins in the films of Guerra are then strategically situated in environments of global mobility and international prestige. Introduction The three feature films directed thus far by Colombian filmmaker Ciro Guerra— Wandering Shadows (La sombra del caminante, 2004), The Wind Journeys (Los viajes del viento, 2009) and Embrace of the Serpent (El abrazo de la serpiente, 2015)— were all produced by the independent production house Ciudad Lunar. They show the dynamics and tensions in the making of a cosmopolitan cinematic space within a peripheral cinema or “small cinema”, expressions that will be used in this article to remark the particular position of the cinemas of the “remaining countries” beyond the dominant production of Argentina, Mexico and Brazil—also known as “the big three” (Falicov and Middents 115). -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Young Einstein Tail Credits
(There are a number of corrections and variations between the VHS and DVD tail credits - a few are noted below). Closing titles: The End This film is dedicated to a genius, a rebel, a pacifist, an eccentric with a clowning sense of humour who once remarked about his own theories "... I never thought that others would take them so much more seriously than I did ..." Albert Einstein 1879-1955 CAST Albert Einstein Yahoo Serious Marie Curie Odile Le Clezio Preston Preston John Howard Mr. Einstein Peewee Wilson Mrs. Einstein Su Cruickshank LONELY ST. HOTEL The Blonde Lulu Pinkus The Brunette Kaarin Fairfax Manager Michael Lake BAVARIAN BREWERY Wolfgang Bavarian Jonathan Coleman Rudy Bavarian Johnny McCall PATENT OFFICE Desk Clerk Michael Blaxland Bright Clerk Ray Fogo Inventor Couple Terry & Alice Pead Nihilist Frank McDonald SYDNEY UNIVERSITY Bursar Tony Harvey Lecturer Tim Elliot Droving Student Ray Winslade Randy Student Ian 'Danno' Rogerson Prudish Student Wendy de Waal Chinese Student P. J. Voeten THE KIDS Peter Zakrzewski Sally Zakrzewski Zanzi Mann Conky Heygate Shannen de Villermont Mark Bell Dogs Albert Heygate Wombat LUNATIC ASYLUM Lunatic Professor Warren Coleman Ernest Rutherford Glenn Butcher Brian Asprin Steve Abbott Nurse Russell Cheek Gate Guard Warwick Irwin Scientists Guard Keith Heygate Cat Pie Cook Roger Ward Asylum Guard Ted Reid Crazed Lunatic Martin Raphael Dangerous Lunatics The Film Crew CURIE ESTATE Mr. Curie Max Meldrum Mrs. Curie Rose Jackson SCIENCE ACADEMY AWARDS Charles Darwin Basil Clarke Marconi Adam Bowen Wilbur -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First