[58B4f81] PDF Winter Journal Paul Auster
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 289 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018) A Review of Paul Auster Studies* Long Shi Qingwei Zhu College of Foreign Language College of Foreign Language Pingdingshan University Pingdingshan University Pingdingshan, China Pingdingshan, China Abstract—Paul Benjamin Auster is a famous contemporary Médaille Grand Vermeil de la Ville de Paris in 2010, American writer. His works have won recognition from all IMPAC Award Longlist for Man in the Dark in 2010, over the world. So far, the Critical Community contributes IMPAC Award long list for Invisible in 2011, IMPAC different criticism to his works from varied perspectives in the Award long list for Sunset Park in 2012, NYC Literary West and China. This paper tries to make a review of Paul Honors for Fiction in 2012. Auster studies, pointing out the achievement which has been made and others need to be made. II. A REVIEW OF PAUL AUSTER‘S LITERARY CREATION Keywords—a review; Paul Auster; studies In 1982, Paul Auster published The Invention of Solitude which reflected a literary mind that was to be reckoned with. I. INTRODUCTION It consists of two sections. Portrait of an Invisible Man, the first part, is mainly about his childhood in which there is an Paul Benjamin Auster (born February 3, 1947) is a absence of fatherly love and care. His memory of his growth talented contemporary American writer with great is full of lack of fatherly attention: ―for the first years of my abundance of voluminous works. -
The Embodied Author: Problems of Authorship in the Work of Paul Auster
The Embodied Author: Problems of Authorship in the Work of Paul Auster 1 Larissa Schortinghuis 3602249 1 Drawing by M.C. Escher, Drawing Hands (1948). 1 Acknowledgments It took quite a lot of effort to work out the ideas for this thesis and I would like to credit the people who have helped me enormously while I was working on it. First I would like to thank my thesis supervisor, Susanne Knittel, for making this a fun experience and being just as excited about the ideas as I was. Secondly, I would like to thank Marloes Hoogendoorn for the idea of putting Escher’s drawing on my front page and general support. Thirdly, I want to thank Victor Louwerse heartily for putting up with all my ranting and excitement when I figured out all the arguments and for giving me the final criticism when I needed it. Lastly, I would like to thank Japke van Uffelen, Annemarie Sint Jago and Laura Kaai for being my personal cheerleaders when things didn’t go so well. 2 The Embodied Author: Problems of Authorship in the Work of Paul Auster In 1968 Roland Barthes declared that the Author was dead. No longer was there one overruling interpretation that critics could find by going on a scholarly treasure hunt (Barthes, The Death of the Author 1325). The figure called the Author, that was presented as the God of his work and whose intentions were the key to deciphering his text, had now lost his authority. The reader was empowered and the author’s reign was over. -
“Then Catastrophe Strikes:” Reading Disaster in Paul Auster's Novels and Autobiographies « Then Catastrophe Strikes
Université Paris-Est Northwestern University École doctorale CS – Cultures et Sociétés Weinberg College of Arts & Sciences Laboratoire d’accueil : IMAGER Institut des Comparative Literary Studies Mondes Anglophone, Germanique et Roman, EA 3958 “T HEN CATASTROPHE STRIKES :” READING DISASTER IN PAUL AUSTER ’S NOVELS AND AUTOBIOGRAPHIES « THEN CATASTROPHE STRIKES » : LIRE LE DÉSASTRE DANS L’ŒUVRE ROMANESQUE ET AUTOBIOGRAPHIQUE DE PAUL AUSTER Thèse en cotutelle présentée en vue de l’obtention du grade de Docteur de l’Université de Paris- Est, et de Doctor of Philosophy in Comparative Literature de Northwestern University, par Priyanka DESHMUKH Sous la direction de Mme le Professeur Isabelle ALFANDARY et de M. le Professeur Samuel WEBER Jury Mme Isabelle ALFANDARY , Professeur à l’Université Paris-3 Sorbonne Nouvelle (Directrice de thèse) Mme Sylvie BAUER , Professeur à l’Université Rennes-2 (Rapporteur) Mme Christine FROULA , Professeur à Northwestern University (Examinatrice) Mme Michal GINSBURG , Professeur à Northwestern University (Examinatrice) M. Jean-Paul ROCCHI , Professeur à l’Université Paris-Est (Examinateur) Mme Sophie VALLAS , Professeur à l’Université d’Aix-Marseille (Rapporteur) M. Samuel WEBER , Professeur à Northwestern University (Co-directeur de thèse) In memory of Matt Acknowledgements I wish I had a more gracious thank-you for: Mme Isabelle Alfandary , who, over the years has allowed me to experience untold academic privileges; whose constant and consistently nurturing presence, intellectual rigor, patience, enthusiasm and invaluable advice are the sine qua non of my growth and, as a consequence, of this work. M. Samuel Weber , whose intellectual generosity, patience and understanding are unparalleled, whose Paris Program in Critical Theory was critical in more ways than one, and without whose participation, the co-tutelle would have been impossible. -
Download the Story of My Typewriter, Paul Auster, Sam Messer, D.A.P
The story of my typewriter, Paul Auster, Sam Messer, D.A.P., 2002, 1891024329, 9781891024320, 63 pages. This is the story of Paul Auster's typewriter. The typewriter is a manual Olympia, more than 25 years old, and has been the agent of transmission for the novels, stories, collaborations, and other writings Auster has produced since the 1970s, a body of work that stands as one of the most varied, creative, and critcally acclaimed in recent American letters. It is also the story of a relationship. A relationship between Auster, his typewriter, and the artist Sam Messer, who, as Auster writes, "has turned an inanimate object into a being with a personality and a presence in the world." This is also a collaboration: Auster's story of his typewriter, and of Messer's welcome, though somewhat unsettling, intervention into that story, illustrated with Messer's muscular, obsessive drawings and paintings of both author and machine. This is, finally, a beautiful object; one that will be irresistible to lovers of Auster's writing, Messer's painting, and fine books in general.. DOWNLOAD http://bit.ly/1bs6nlL Hand to Mouth A Chronicle of Early Failure, Paul Auster, Aug 1, 2003, Biography & Autobiography, 169 pages. From the streets of Manhattan to Paris, a poignant memoir explains a series of ingenious and farfetched attempts to survive on next to no money, showing both the humor and .... Office Collectibles 100 Years of Business Technology, Thomas A. Russo, Jun 1, 2000, , 224 pages. This book presents the most comprehensive collection of antique and collectible office technology that has appeared to date. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Rise of the Curator: Archiving the Self in Contemporary American Fiction Robert Lederer PhD English Literature The University of Edinburgh 2014 ! ! 1 Declaration This is to certify that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Signed: ! ! 2 ! ! 3 Abstract / Lay Summary Concurrent with a bloom of interest in the archive within academic discourse, an intense cultural fascination with museums, archives, and memorials to the past has flourished within the United States. The ascendency of digital technologies has contributed to and magnified this “turn” by popularising and habituating the archive as a personal memory tool, a key mechanism through which the self is negotiated and fashioned. -
Writing the 9/11 Decade
1 Writing the 9/11 Decade Charlie Lee-Potter A dissertation submitted in partial fulfillment of the requirements of the degree of PhD ROYAL HOLLOWAY UNIVERSITY OF LONDON 2013 2 Declaration of Authorship I Charlie Lee-Potter hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 3 Charlie Lee-Potter, Writing the 9/11 Decade Novelists have struggled to find forms of expression that would allow them to register the post-9/11 landscape. This thesis examines their tentative and sometimes faltering attempts to establish a critical distance from and create a convincing narrative and metaphorical lexicon for the historical, political and psychological realities of the terrorist attacks. I suggest that they have, at times, been distracted by the populist rhetoric of journalistic expression, by a retreat to American exceptionalism and by the demand for an immediate response. The Bush administration’s statement that the state and politicians ‘create our own reality’ served to reinforce the difficulties that novelists faced in creating their own. Against the background of public commentary post-9/11, and the politics of the subsequent ‘War on Terror’, the thesis considers the work of Richard Ford, Paul Auster, Kamila Shamsie, Nadeem Aslam, Don DeLillo, Mohsin Hamid and Amy Waldman. Using my own extended interviews with Ford, Waldman and Shamsie, the artist Eric Fischl, the journalist Kevin Marsh, and with the former Archbishop of Canterbury Dr. Rowan Williams (who is also a 9/11 survivor), I consider the aims and praxis of novelists working within a variety of traditions, from Ford’s realism and Auster’s metafiction to the post- colonial perspectives of Hamid and Aslam, and, finally, the end-of-decade reflections of Waldman. -
The Physicality of Writing in Paul Auster's White Spaces and Winter Journal
Angles New Perspectives on the Anglophone World 2 | 2016 New Approaches to the Body The Physicality of Writing in Paul Auster’s White Spaces and Winter Journal François Hugonnier Electronic version URL: http://journals.openedition.org/angles/1801 DOI: 10.4000/angles.1801 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference François Hugonnier, « The Physicality of Writing in Paul Auster’s White Spaces and Winter Journal », Angles [Online], 2 | 2016, Online since 01 April 2016, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/1801 ; DOI : https://doi.org/10.4000/angles.1801 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. The Physicality of Writing in Paul Auster’s White Spaces and Winter Journal 1 The Physicality of Writing in Paul Auster’s White Spaces and Winter Journal François Hugonnier “If it really has to be said, it will create its own form.” Paul Auster (1995: 104) 1 White Spaces is a short matrix text written by the poet, novelist and film-maker Paul Auster in the winter of 1978-1979. This meditation on the body, on silence, language and narration is Auster’s immediate reaction to his “epiphanic moment of clarity” (2012: 220, original emphasis) which happened during a dance rehearsal in New York. Initially entitled “Happiness, or a Journey through Space” and “A Dance for Reading Aloud”,1 this hybrid piece of poetic prose was retrospectively considered as “the bridge between writing poetry and writing prose” (1995: 132), and “the bridge to everything you have written in the years since then” (2012: 224). -
François Hugonnier
Poetry in and out of The New York Trilogy François Hugonnier I don’t think of myself as having made a break from poetry. All my work is of a piece, and the move into prose was the last step in a slow and natural evolution. (Auster, The Red Notebook 104) The New York Trilogy set a precedent for the main themes and questions that have kept haunting Paul Auster throughout his career as a novelist. However, this paper stands to show how these early preoccupations had already started to take shape in his concise and intricate poetic work, revolving around the Jewish-American issues of identity, naming and the act of writing. Focusing on Auster’s poetics in and out of The New York Trilogy is useful in order to decipher his hermetic language of stone and his experimentations with desubjectification. The poet’s—and the novelist’s—avowed incapacity to translate his perception of the world into words demands a rereading of his fictional games inspired by post- structuralism, Transcendentalism and Kabbalah. Twenty five years after the publication of The New York Trilogy, Auster’s position as one of the most influential and ground-breaking radical secular Jewish-American writers seems established. Although Auster stopped publishing poetry in the late 1970s, he featured on Charles Bernstein’s panel Secular Jewish Culture/Radical Poetic Practice in 2004. Auster’s poem ‘White’, a midrash on Noah and the Flood written in memory of Paul Celan, concludes the book of essays with a similar title published by Miller and Morris in 2010. -
View: "Sunset Park"
Books Book Review: "Sunset Park" By Paul Auster '70CC (Henry Holt and Company). By Steven G. Kellman | Winter 2010-11 Paul Auster ’70CC is contemporary literature’s foremost connoisseur of missing persons. If this author, who titled his last novel Invisible (2009), were a biographer, he would be tracking the enigmatic exits of Jimmy Hoffa, Amelia Earhart, and the Roanoke colonists. In Auster’s The Book of Illusions (2002), a filmmaker named Hector Mann fakes his death and secludes himself for 60 years within a compound in the New Mexico desert. The narrator of The Locked Room (1986) seeks to learn why his best friend vanished, abandoning a wife and child. Anna Blume, the protagonist of In the Country of Last Things (1987), goes off in quest of her missing brother. In Ghosts (1986), a character named Black tells Blue the story of “Wakefield,” Nathaniel Hawthorne’s account of a man who walks away from his wife and his life and returns 20 years later. Auster’s latest runaway is 28-year-old Miles Heller. At the outset of Sunset Park, the author’s 16th novel, Miles has been living in self-imposed exile for more than seven years. He bears heavy guilt over the death of his stepbrother, whom he pushed into the path of a car when both were in their teens. That event caused Miles, a brilliant student and gifted athlete, to abjure everything he loved, including baseball. He eventually drops out of college and hits the road, wending his way to Florida, where he gets a gig making foreclosed houses habitable for new occupants. -
Spaces of Memory: Performing Identity In
FACULTADE DE FILOLOXÍA MÁSTER INTERUNIVERSITARIO EN ESTUDOS INGLESES AVANZADOS E AS SÚAS APLICACIÓNS Spaces of Memory: Performing Identity in Travels in the Scriptorium Student: Beatriz Solla Vilas Advisor: Eduardo Barros Grela TFM June 2019 V.º B.º Facultade de Filoloxía Máster en Estudos Ingleses Avanzados e as súas Aplicacións Beatriz Solla Vilas 2 Table of Contents Abstract ............................................................................................................................. 3 Keywords .......................................................................................................................... 3 1. Introduction ............................................................................................................. 4 2. Context .................................................................................................................... 9 3. Theoretical Framework ......................................................................................... 12 4. Deconstructing Identity through Spaces and Memory .......................................... 15 5. Memory ................................................................................................................. 18 5.1 Writing Identity through Memory ................................................................... 18 5.2 Mr. Blank and the Rhizome: Multiplicity and Decentering ............................ 22 5.3 Spaces of Empathy ........................................................................................... 27 -
Picador May 2019
PICADOR MAY 2019 PAPERBACK ORIGINAL Talking to Strangers Selected Essays, Prefaces, and Other Writings, 1967-2017 Paul Auster A freshly-curated collection of prose, spanning fifty years of work and including famous as well as never-before-published early writings, from 2018 Man Booker-finalist Paul Auster In this updated collection of literary essays, interviews, prefaces, personal notes, and occasional writings, including poignant and illuminating appreciations of other poets and novelists and of New York City life, Paul Auster offers not only samplings but insights into the first fifty years of his brilliant writing career. LITERARY COLLECTIONS / AMERICAN Through critical readings of literary greats such as Hawthorne, Poe, Beckett and Picador | 5/21/2019 9781250206299 | $20.00 / $26.00 Can. Kafka, as well as less well-appreciated poets from George Oppen to Laura Trade Paperback | 400 pages | Carton Qty: 20 Riding, Auster celebrates the achievements of his fellow authors while probing 8.3 in H | 5.4 in W the constraints of language and considering the relationships between writers and Includes 7 black-and-white photographs the works they create. In addition, through an offering of highly personal notes, throughout essays, and interviews dating back to his student days at Columbia in the 1960s, Subrights: UK, 1st ser., trans., dram.: Carol Auster turns the light on himself, exposing readers to the myriad of topics and Mann Agency; Audio: Holt/Picador inspirations that have shaped his work. From sitting in the bleachers at a Mets Other Available Formats: game to discussing the Dada art movement, from witnessing the death-defying Ebook ISBN: 9781250206305 performances of high-wire artist Philippe Petit to reflecting on the events of September 11th, Auster ushers readers into his thinking across fifty years and through a wide-reaching literary world. -
Brooklyn on My Mind the Novel About Art
Brooklyn College in cooperation with the English Department, the Office of the Dean of Humanities and Social Sciences, and the Ethyle R. Wolfe Institute for the Humanities, presents Brooklyn on My Mind The Novel about Art Paul Auster is the bestselling author of Travels in the Scriptorium (2007), The Brooklyn Follies (2009), Oracle Night (2011), and most recently, Winter Journal (2012). I Thought My Father was God, the NPR National Story Project anthology, which he edited, was also a national bestseller. He lives in Brooklyn, New York. Siri Hustvedt is the author of four novels, The Sorrows of an American (2009), What I Loved (2011), The Blindfold (2003), and The Enchantment of Lily Dahl (2004), as well as two collections of essays, A Plea for Eros (2005) and Mysteries of the Rectangle (2006). Living, Thinking, Looking: Essays (2012) is her most recent book. She lives in Brooklyn with her husband, Paul Auster. Ben Lerner’s first novel, Leaving the Atocha Station (Coffee House Press, 2011), was named one of the best books by The New Yorker, The Guardian, The New Statesmen, The Wall Street Journal, The Boston Globe, and New York Magazine, among other periodicals. It won the Believer Book Award and was a finalist for theLos Angeles Times book award for “first fiction” and the New York Public Library’s Young Lions Prize. He is also the author of three books of poetry: The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He was a Fulbright Scholar in Spain, the recipient of a 2010-2011 Howard Foundation Fellowship, and a finalist for the National Book Award and the Northern California Book Award.