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Biographical Description for the Historymakers® Video Oral History with James Avery
Biographical Description for The HistoryMakers® Video Oral History with James Avery PERSON Avery, James, 1948- Alternative Names: James Avery; Life Dates: November 27, 1948-December 31, 2013 Place of Birth: Atlantic City, New Jersey, USA Residence: Los Angeles, CA Occupations: Television Actor Biographical Note Born on November 27, 1948, in Atlantic City, New Jersey, James Avery left his hometown after high school to serve in the U.S. Navy in Vietnam from 1968 to 1969. Avery then settled in San Diego, where he wrote poetry and television scripts, winning an Emmy Award for his production of Ameda Speaks: Poet James Avery. Avery also received a scholarship from the University of California at San Diego, where he obtained his B.A. degree in drama and literature in 1978. Avery was awarded an honorary doctorate from 1978. Avery was awarded an honorary doctorate from Virginia State University in 1996. Throughout his career, spanning over thirty years, as a writer working with a collective group in San Diego, Avery also worked as an actor in television, film, and theater productions. Avery's first acting part came in the role of God in the play JB in 1971 at San Diego Community College. After performing in his first acting role, Avery went on to star in the UPN comedy series Sparks from 1996 to 1998; and had recurring roles on The Legend of Tarzan, Showtime's Soul Food, and The Division on the Lifetime Network. Avery was best known for his role as the uncle of Will Smith's character on the popular sitcom, The Fresh Prince of Bel Air. -
2020 Christmas Resources
Christmas resourCes from the Resource Center September 2020 CHILDREN A CHARLIE BROWN CHRISTMAS (DVD2118CC) 1. (2008) A Charlie Brown Christmas (Deluxe Edition) - Christmastime is here. Christmas lights may be twinkling red and green, but Charlie Brown has the Yuletide blues. To get in the holiday spirit, he takes Lucy’s advice and directs the Christmas play. And what’s a Christmas play without a Christmas tree? But everyone makes fun of the short, spindly nevergreen Charlie Brown brings back – until the real meaning of Christmas works its magic. (25:00) 2. (1991) It's Christmastime Again, Charlie Brown – Holiday preparations include Charlie Brown selling wreaths door-to-door to make extra money. Peppermint Patty sweating out an important book report and the entire crew appearing in a Christmas pageant. (22:57) 3. A Christmas Miracle: The Making of a Charlie Brown Christmas - includes interviews of Lee Mendelson, Bill Melendez, Jeannie Schulz, and others discussing the creation of the special, the adoption of Vince Guaraldi's music, the use of children's voices, and the network's negative reaction to the show. (15:58) dvd/3 programs, 16-25 min./children/home use only A FRUITCAKE CHRISTMAS (DVD76CC) It's Christmastime and Hermie and his friends are preparing for the big day. Suddenly, Christmas is hijacked when Iggy and Ziggy Cockroach—the greediest bugs in the garden—steal Grannypillar's fruitcake. Hailey and Bailey, together remind the garden that the celebration of Christmas is nothing about fruitcake, but about God's gift to us. dvd/60 min./children A STAR FOR JEREMY (VHS343CC) Jeremy’s Christmas Eve dream shows God assigning places in the sky for the stars, all except for Stan, the tiniest star who is unaware of God’s plan for that most special night—the night Jesus is to be born. -
Aesthetics After Finitude Anamnesis Anamnesis Means Remembrance Or Reminiscence, the Collection and Re- Collection of What Has Been Lost, Forgotten, Or Effaced
Aesthetics After Finitude Anamnesis Anamnesis means remembrance or reminiscence, the collection and re- collection of what has been lost, forgotten, or effaced. It is therefore a matter of the very old, of what has made us who we are. But anamnesis is also a work that transforms its subject, always producing something new. To recollect the old, to produce the new: that is the task of Anamnesis. a re.press series Aesthetics After Finitude Baylee Brits, Prudence Gibson and Amy Ireland, editors re.press Melbourne 2016 re.press PO Box 40, Prahran, 3181, Melbourne, Australia http://www.re-press.org © the individual contributors and re.press 2016 This work is ‘Open Access’, published under a creative commons license which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the authors, that you do not use this work for any commercial gain in any form whatso- ever and that you in no way alter, transform or build on the work outside of its use in normal aca- demic scholarship without express permission of the author (or their executors) and the publisher of this volume. For any reuse or distribution, you must make clear to others the license terms of this work. For more information see the details of the creative commons licence at this website: http://creativecommons.org/licenses/by-nc-nd/2.5/ National Library of Australia Cataloguing-in-Publication Data Title: Aesthetics after finitude / Baylee Brits, Prudence Gibson and Amy Ireland, editors. ISBN: 9780980819793 (paperback) Series: Anamnesis Subjects: Aesthetics. -
A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION .............................................................................................. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Ten Premiere Plays from Walterdale Playhouse
Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Edited with a critical introduction by Robin C. Whittaker GEREHMERTPE]WWIVMIW ©2008 Robin C. Whittaker for the introduction and commentaries Published by AU Press, Athabasca University 1200, 10011 – 109 Street Edmonton, AB T5J 3S8 Library and Archives Canada Cataloguing in Publication Hot thespian action! : ten premiere plays from Walterdale Playhouse / edited by Robin C. Whittaker. (Canadian plays) Includes bibliographical references. Also available in electronic format. ISBN 978-1-897425-26-8 1. Canadian drama (English)– 21st century. I. Whittaker, Robin, 1976– II. Series: Canadian plays (Edmonton, Alta.) PS8315.1.H68 2008 C812’.608 C2008-905017-7 This book is part of Canadian Plays series, edited by Anne Nothof of Athabasca University. ISSN 1917-5086 Canadian plays series (Print) ISSN 1917-5094 Canadian plays series (Online) This publication is licensed under a Creative Commons License, see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author(s). Please contact AU Press, Athabasca University at [email protected] for permission beyond the usage outlined in the Creative Commons license. Printed and bound by AGMV Marquis Cover and book design by Plumbheavy Design Inc. To Walterdale’s tireless volunteer artists, technicians, builders and administrators throughout the decades. May this anthology stand as a document of their -
Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic. -
1St Time Charm! Master’S Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano
Fall 2008 1st Time Charm! Master’s Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano Exciting Acquisition— a First for the College of Music rriving in spring 2007 from the McNulty workshop in the Czech Republic, this gorgeous fortepiano, an 1805 Walter und Sohn copy, Ahas already become an important educational and performance tool within the College of Music. Many, many thanks are due to Professor Emeritus Michael Collins, philanthropist Paul Voertman and the National Endowment for the Arts for their generosity that enabled us to purchase this instrument. One of its most interesting uses has been the recording project planned in conjunction with an upcoming book by UNT musicology alumnus James “Chip” Parsons, Professor of Music at Missouri State University and a former student of Professor Collins. A-R Editions will publish Dr. Parsons’ book on early alternate settings of Schiller’s poem “An die Freude” (heard in the famous last movement of Beethoven’s 9th Symphony). The accompanying CD, coordinated by UNT faculty Elvia Puccinelli, will include selections based on the facsimile scores included in the book. (For more about the fortepiano and its impact, go to page 17.) Contents Dean’s Message ......................................................4 William W. “Bill” Winspear Transitions ................................................................6 1933-2007 Welcome to New Faculty ..........................................8 International Relationships .......................................11 illiam W. “Bill” -
City City Member Name Member Name
Member Name City Member Name City Ms. Linda L. Aaker Austin Mr. Gerald W. Adair Austin Mr. and Mrs. Paul R. Aaron New York, NY Mr. and Mrs. Gregory C. Adair Dallas Mr. and Mrs. Steven L. Aaron Dallas Mr. and Mrs. Jimmy C. Adair Sinton Mr. and Mrs. Todd S. Aaron Dallas Dr. Maureen L. Adair and Mr. John B. Hertenberger Austin Mr. and Mrs. Lee R. Aaronson Austin Mr. Robert L. Adair III Dallas Ms. Patricia C. Abbamonte Austin Dr. Jennifer K. Adair and Mr. Samuel Adair Austin Mr. and Mrs. Christopher R. Abbott Dallas Ms. Susan Adair Austin The Honorable and Mrs. Gregory W. Abbott Austin Mr. and Mrs. Roy E. Adamcik Sugar Land Mr. Sorush S. Abboud Austin Dr. David O. Adame Edinburg Mr. Ahmad K. Abdelrazaq Chicago, IL Mr. and Mrs. Derek A. Adame Highland Village Mr. Azmi Abdul-Hadi Saudi Arabia Ms. Dianna D. Adame McAllen Mr. and Mrs. Joseph C. Abel Lampasas Dr. and Mrs. J. Michael Adame McAllen Mrs. Kate Turner-Abel and Mr. Scott R. Abel Austin Mr. and Mrs. Paul M. Adamo Pittsburgh, PA Mr. Stephen J. Abel Aberdeen, WA Mr. Bradley D. Adams Frisco Mr. and Mrs. G. Hughes Abell Austin Mr. and Mrs. Bryan Adams The Hills Mr. Carlos A. Abello Sugar Land Dr. and Mrs. Carl E. Adams, Jr. Nashville, TN Mrs. Nancy Abendshein Houston Mr. and Mrs. Craig W. Adams Fort Worth Mr. and Mrs. Charles T. Abercrombie Bertram Mr. David I. Adams Conroe Dr. and Mrs. Brett B. Abernathy Denver, CO Ms. Deborah G. Adams Houston Mr. -
The Parasite MICHEL SERRES Is Professor of the History of Science at Paris I Sorbonne
The Parasite MICHEL SERRES is professor of the history of science at Paris I Sorbonne. He is the author of Hermes: Literature, Science, Philosophy, also from Johns Hopkins. LA WRENCE R. SCHEHR teaches French at the University of South Alabama. I If Michel Serres Translated, with notes, by Lawrence R. Schehr THE JOHNS HOPKINS UNIVERSITY PRESS Baltimore and London Copyright © 1982 by The Johns Hopkins University Press All rights reserved Printed in the United States of America The Johns Hopkins University Press, Baltimore, Maryland 21218 The Johns Hopkins Press Ltd., London Library of Congress Cataloging in Publication Data Serres, Michel. The parasite. Translation of: Le parasite. I. Schehr, Lawrence R. II. Title PQ2679.E679P313 7848'.91407 81-19277 ISBN 0-8018-2456-7 AACR2 2'13 .Qft/f)1 S48S ? ').)3 '18.1. Contents Translator's Preface vii Translator's Introduction ix I. Interrupted Meals Logics Rats' Meals Cascades 3 Satyrs' Meals Host/Guest 15 Diminishing Returns The Obscure and the Confused 17 Decisions, Incisions The Excluded Third, Included 22 The Lion's Share The Simple Arrow 26 Athlete's Meals Difference and the Construction of the Real 28 Picaresques and Cybernetics The New Balance 34 Pentecost 40 II. More Interrupted Meals Technique, Work Rats' Dinner Diode, Triode 51 Logic of the Fuzzy 56 The Master and the Counter-Master 58 More Rats' Meals Machines and Engines 61 The Means, the Milieu 66 Spaces of Transformation 71 Lunar Meals 74 Meals of the Lord in Paradise 77 Work 86 Insects' Meals 91 Energy, Information 94 The Gods, the Perpetual Host 98 v VI Contents In te rlude Full-Length Portrait of the Parasi te Confessed Meals 103 J ean-Jacques, Lawmaker'sJu dge 116 Noises 121 Music 129 III. -
(Many Thanks to Marina for Sharing This Discussion) Sat Jan 30, 1993
Many years ago, in the beginning of Beauty and the Beast fandom, George Martin, one of the show’s producers and writers, was a member of an on-line BatB discussion group. He had a lot of very interesting info to share about his experiences behind the scenes - an explodes a lot of persistant fandom myths about the series. (Many thanks to Marina for sharing this discussion) These are comments by George RR Martin, in response to some fan questions which were part of a complex discussion among participants between January 30, 1993 and May 7, 1995. Questions can usually be inferred from the answers. Sat Jan 30, 1993 Certainly all of us on the show knew that Catherine’s death would be hard for many people to accept. We certainly never just shrugged and said, “Okay, she dies, we’ll get another one.” CBS might have liked us to, I will admit -- once it was clear that Linda was leaving, and we had made the decision not to recast, the network strongly urged us to “get it over with and move on.” Instead, we produced the arc. Say what you want about the arc, but it was in no sense a “getting it over with.” Catherine may have been dead, but her memory and her presence DRENCHED the third season, impacting on every character, shaping their dialogue, their actions, their very look on life. Never in the entire history of television has a dead character been mourned so long and so grievously by so many. Compare, if you will, REASONABLE DOUBTS. -
The Parasite MICHEL SERRES Is Professor of the History of Science at Paris I Sorbonne
The Parasite MICHEL SERRES is professor of the history of science at Paris I Sorbonne. He is the author of Hermes: Literature, Science, Philosophy, also from Johns Hopkins. LA WRENCE R. SCHEHR teaches French at the University of South Alabama. I If Michel Serres Translated, with notes, by Lawrence R. Schehr THE JOHNS HOPKINS UNIVERSITY PRESS Baltimore and London Copyright © 1982 by The Johns Hopkins University Press All rights reserved Printed in the United States of America The Johns Hopkins University Press, Baltimore, Maryland 21218 The Johns Hopkins Press Ltd., London Library of Congress Cataloging in Publication Data Serres, Michel. The parasite. Translation of: Le parasite. I. Schehr, Lawrence R. II. Title PQ2679.E679P313 7848'.91407 81-19277 ISBN 0-8018-2456-7 AACR2 2'13 .Qft/f)1 S48S ? ').)3 '18.1. Contents Translator's Preface vii Translator's Introduction ix I. Interrupted Meals Logics Rats' Meals Cascades 3 Satyrs' Meals Host/Guest 15 Diminishing Returns The Obscure and the Confused 17 Decisions, Incisions The Excluded Third, Included 22 The Lion's Share The Simple Arrow 26 Athlete's Meals Difference and the Construction of the Real 28 Picaresques and Cybernetics The New Balance 34 Pentecost 40 II. More Interrupted Meals Technique, Work Rats' Dinner Diode, Triode 51 Logic of the Fuzzy 56 The Master and the Counter-Master 58 More Rats' Meals Machines and Engines 61 The Means, the Milieu 66 Spaces of Transformation 71 Lunar Meals 74 Meals of the Lord in Paradise 77 Work 86 Insects' Meals 91 Energy, Information 94 The Gods, the Perpetual Host 98 v VI Contents In te rlude Full-Length Portrait of the Parasi te Confessed Meals 103 J ean-Jacques, Lawmaker'sJu dge 116 Noises 121 Music 129 III.