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Selected Bibliography of Educational Materials in Pakistan, Vol. 9, No. 3
DOCUMENT RESUME ED 135 689 95 SO 009 789 AUTHOR Saad, Geti, Ed. TITLE Selected Bibliography of Educational Materials in Pakistan, Vol.-9, No. 3, 1975, Period Covered July-September 1975. INSTITUTION National Science Foundation, Washington, D.C.; Office of Education (DHEW) Washington, D.C. REPORT NO TT-75-53354/03 PUB DATE 76 NOTE 51p.; Not available in hard copy due to poor legibility of original document; For a related document, see ED 129 700 EDRS PRICE 11F-$0.83 Plus Postage. MC Not Available from EDRS. DESCRIPTORS Adult Education; *Annotated Bibliographies; *Comparative Education;-Curriculum; *Educational Administration; *Educational Development; Educational Finance; Educational Objectives; Educational Philosophy; Elementary Secondary Education; *Foreign Countries; Higher Education; Instructional Materials; Language Instruction; Libraries; Medical Education; Psychology; Teachers; Teaching Methods; Textbooks; Womens Education IDENTIFIERS *Pakistan ABSTRACT This annotated bibliography lists 99 entries of selected educational materials published in Pakistan during the period July through September 1975. host of the.materials are taken from Pakistani journals, newspapers, and government publications. They are arranged alphabetically by aui-hor within 26 categories: administration, organizatiOn, and financing of education; adult education; childhood education; Curriculum; educational goals; educational planning; educational reforms; elementary and secondary education; examinations; bigher educatioa; history .of education; Islamic education; -
A Linguistic Critique of Pakistani-American Fiction
CULTURAL AND IDEOLOGICAL REPRESENTATIONS THROUGH PAKISTANIZATION OF ENGLISH: A LINGUISTIC CRITIQUE OF PAKISTANI-AMERICAN FICTION By Supervisor Muhammad Sheeraz Dr. Muhammad Safeer Awan 47-FLL/PHDENG/F10 Assistant Professor A thesis submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in English To DEPARTMENT OF ENGLISH FACULTY OF LANGUAGES AND LITERATURE INTERNATIONAL ISLAMIC UNIVERSITY ISLAMABAD April 2014 ii iii iv To my Ama & Abba (who dream and pray; I live) v ACKNOWLEDGEMENT I owe special gratitude to my teacher and research supervisor, Dr. Muhammad Safeer Awan. His spirit of adventure in research, the originality of his ideas in regard to analysis, and the substance of his intellect in teaching have guided, inspired and helped me throughout this project. Special thanks are due to Dr. Kira Hall for having mentored my research works since 2008, particularly for her guidance during my research at Colorado University at Boulder. I express my deepest appreciation to Mr. Raza Ali Hasan, the warmth of whose company made my stay in Boulder very productive and a memorable one. I would also like to thank Dr. Munawar Iqbal Ahmad Gondal, Chairman Department of English, and Dean FLL, IIUI, for his persistent support all these years. I am very grateful to my honorable teachers Dr. Raja Naseem Akhter and Dr. Ayaz Afsar, and colleague friends Mr. Shahbaz Malik, Mr. Muhammad Hussain, Mr. Muhammad Ali, and Mr. Rizwan Aftab. I am thankful to my friends Dr. Abdul Aziz Sahir, Dr. Abdullah Jan Abid, Mr. Muhammad Awais Bin Wasi, Mr. Muhammad Ilyas Chishti, Mr. Shahid Abbas and Mr. -
PRINT CULTURE and LEFT-WING RADICALISM in LAHORE, PAKISTAN, C.1947-1971
PRINT CULTURE AND LEFT-WING RADICALISM IN LAHORE, PAKISTAN, c.1947-1971 Irfan Waheed Usmani (M.Phil, History, University of Punjab, Lahore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTH ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2016 DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. _________________________________ Irfan Waheed Usmani 21 August 2015 ii ACKNOWLEDGEMENT First I would like to thank God Almighty for enabling me to pursue my higher education and enabling me to finish this project. At the very outset I would like to express deepest gratitude and thanks to my supervisor, Dr. Gyanesh Kudaisya, who provided constant support and guidance to this doctoral project. His depth of knowledge on history and related concepts guided me in appropriate direction. His interventions were both timely and meaningful, contributing towards my own understanding of interrelated issues and the subject on one hand, and on the other hand, injecting my doctoral journey with immense vigour and spirit. Without his valuable guidance, support, understanding approach, wisdom and encouragement this thesis would not have been possible. His role as a guide has brought real improvements in my approach as researcher and I cannot measure his contributions in words. I must acknowledge that I owe all the responsibility of gaps and mistakes in my work. I am thankful to his wife Prof. -
Great Game to 9/11
Air Force Engaging the World Great Game to 9/11 A Concise History of Afghanistan’s International Relations Michael R. Rouland COVER Aerial view of a village in Farah Province, Afghanistan. Photo (2009) by MSst. Tracy L. DeMarco, USAF. Department of Defense. Great Game to 9/11 A Concise History of Afghanistan’s International Relations Michael R. Rouland Washington, D.C. 2014 ENGAGING THE WORLD The ENGAGING THE WORLD series focuses on U.S. involvement around the globe, primarily in the post-Cold War period. It includes peacekeeping and humanitarian missions as well as Operation Enduring Freedom and Operation Iraqi Freedom—all missions in which the U.S. Air Force has been integrally involved. It will also document developments within the Air Force and the Department of Defense. GREAT GAME TO 9/11 GREAT GAME TO 9/11 was initially begun as an introduction for a larger work on U.S./coalition involvement in Afghanistan. It provides essential information for an understanding of how this isolated country has, over centuries, become a battleground for world powers. Although an overview, this study draws on primary- source material to present a detailed examination of U.S.-Afghan relations prior to Operation Enduring Freedom. Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of the U.S. Air Force, the Department of Defense, or the U.S. government. Cleared for public release. Contents INTRODUCTION The Razor’s Edge 1 ONE Origins of the Afghan State, the Great Game, and Afghan Nationalism 5 TWO Stasis and Modernization 15 THREE Early Relations with the United States 27 FOUR Afghanistan’s Soviet Shift and the U.S. -
Cinematic Contextual History of High Noon (1952, Dire Fred Zinnemann) J. M. CAPARROS-LERA SERGIO ALEGRE
Cinematic Contextual History of High Noon (1952, dire Fred Zinnemann) J. M. CAPARROS-LERA SERGIO ALEGRE Cinema must be seen as one of the ways of ideologies of our Century because it shows very well the mentality of men and women who make films. As well as painting, literature and arts, it helps us to understand our time. (Martin A. JACKSON) 0. T.: High Noon. Production: Stanley Kramer Productions, Inc./United Artists (USA,1952). Producers: Stanley Kramer & Carl Foreman. Director: Fred Zinnemann. Screenplay: Carl Foreman, from the story The Tin Star, by John W. Cunningham. Photography: Floyd Crosby. Music: Dimitri Tiomkin. Song: Do Not Forsake Me Oh My Darlin', by Dimitri Tiomkin and Ned Washington; singer: Tex Ritter. Art Director: Rudolph Sternad. Editor: Elmo Williams. Cast: Gary Cooper: (Will Kane), Thomas Mitchell (Jonas Henderson), Lloyd Bridges (Harvey Pell), Katy Jurado (Helen Ramirez), Grace Kelly (Amy Kane), Otto Kruge: (Percy Metrick), Lon Chaney, Jr. (Martin Howe), Henry Morgan (Sam Fuller), Ian MacDonald (Frank Miller), Eve McVeagh (Milfred Fuller) Harry Shannon (Cooper), Lee Van Cleef (Jack Colby), Bob Wilke (James Pierce), Sheb Wooley (Ben Miller), Tom London (Sam), Larry Blake (Gillis), Jeanne Blackford (Mrs: Henderson), Guy Beach (Fred), Virginia Christine (Mrs. Simpson), Jack Elam (Charlie), Virginia Farmer (Mrs. Fletcher), Morgan Farley (Priest),Paul Dubov (Scott), Harry Harvey (Coy), Tin Graham (Sawyer), Nolan Leary (Lewis), Tom Greenway (Ezra), Dick Elliot (Kibbee), John Doucete (Trumbull). B/W -85 min. Video distributor: Universal. The post-war American atmosphere and the never well-seen social problem cinema -especially thriller film noir- are the major reasons to understand why during the Forties Hollywood was purged by the self- called the most liberal and democratic government of the world.* Truman's executive order was published in May 12, 1947. -
Bound Volume)
Job: 538BV$ Take: SPN1 10-28-04 13:29:42 The dashed line indicates the top edge of the book. ----------------------------------------------------------------------------------------------------------------- UNITED STATES REPORTS 538 OCT. TERM 2002 --------------------------------------------------------------------------------------------------- The dashed line indicates the bottom edge of the book. This camera copy was created for books with spines up to 31⁄4Љ wide. For smaller books, it must be centered on the spine and trimmed left and right as needed. 538BV$TITL 11-01-04 14:51:00 UNITED STATES REPORTS VOLUME 538 CASES ADJUDGED IN THE SUPREME COURT AT OCTOBER TERM, 2002 March 5 Through May 27, 2003 Together With Opinion of Individual Justice in Chambers FRANK D. WAGNER reporter of decisions WASHINGTON : 2004 Printed on Uncoated Permanent Printing Paper For sale by the U. S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP, Washington, DC 20402-9328 538BV$ Unit: $UII [07-26-04 10:42:47] PGT: FRTBX Ⅵ Erratum 536 U. S. 39, line 19: “respodent’s” should be “respondent’s”. ii 538BV$ Unit: UIII [10-28-04 19:57:07] PGT: FRTBX Ⅵ JUSTICES of the SUPREME COURT during the time of these reports WILLIAM H. REHNQUIST, Chief Justice. JOHN PAUL STEVENS, Associate Justice. SANDRA DAY O’CONNOR, Associate Justice. ANTONIN SCALIA, Associate Justice. ANTHONY M. KENNEDY, Associate Justice. DAVID H. SOUTER, Associate Justice. CLARENCE THOMAS, Associate Justice. RUTH BADER GINSBURG, Associate Justice. STEPHEN BREYER, Associate Justice. officers of the court JOHN D. ASHCROFT, Attorney General. THEODORE B. OLSON, Solicitor General. WILLIAM K. SUTER, Clerk. FRANK D. WAGNER, Reporter of Decisions. PAMELA TALKIN, Marshal. SHELLEY L. DOWLING, Librarian.* *Ms. -
Date Sheet for the Intermediate Part-II / Languages Special
BOARD OF INTERMEDIATE & SECONDARY EDUCATION, LAHORE DATE SHEET FOR THE INTERMEDIATEPART II / LANGUAGES SPECIAL (COVID-19) EXAMINATION 2020 (1) The Intermediate Part II SPECIAL Exam. In the Subjects of (i) English (Compulsory), (ii) Urdu (Compulsory), (iii) Pakistan Studies (Compulsory) will be held in “TWO GROUPS i.e. MORNING GROUP & EVENING GROUP” In all other subjects the Examination will be taken at one & the same time by all the candidates according to the date sheet.. (2) The Group in which a candidate is to take the examination shall be mentioned on his/her Roll Number Slip. No candidate shall be allowed under any circumstances Whatsoever to take the examination in a group and the centerOf examination other than the one allotted to him/her. (3) Questions in lieu of Translation have been incorporated in English (Compulsory) paper (II) for those candidates who have especially been allowed to offer Alternative Easy Course of Urdu. There will be no separate Question Paper for such candidates.. (I) ANY GENERAL/LOCAL HOLIDAY DURING THE EXAMINATION WILL NOT EFFECT THE DATE SHEET. THE EXAMINATION WILL BE HELDACCORDING TO THE SCHEDULE. (II) ALL THE CANDIDATES ARE ADVISED TO STRICTLY FOLLOW WITH“SPECIAL INSTRUCTIONS” PRINTED ON THE BACK OF THE DATE SHEET. (III) THERE SHALL BE TWO SESSION ON FRIDAY ALSO. MORNING- SESSION 8: 30 A.M. to 11:30 A.M. EVENING SESSION 230P.M.: to 5:30 P.M. ALL CANDIDATES MUST REACH AND REPORT THE EXAMINATION CENTER HALF AN HOUR BEFORE THE COMMENCEMENT OF THE EXAMINATION INTERMEDIATE PART- II SPECIAL (COVID-19) EXAMINATION 2020(ACADEMIC SESSION(2016-2018 TO 2018-2020 ) October, 2020 MORNING SESSION (8:30 A.M. -
The Teachable Moment Issue
THE TEACHABLE MOMENT ISSUE STUDENT OF HISTORY 5 Minutes with Tom Hanks MARRIED TO THE MARM Secrets of a Two-Curriculum Home MARIEL HEMINGWAY October 29 Peace of Mind Event $3.95US 10 THE EDGE INTERVIEW Boris Kodjoe and Nicole Ari Parker Why Parents Sweat the Small Stuff 0 74470 25173 6 GREENBAUM INT BRIO RS LIVE WITH FINE DESIGN FINE FURNISHINGS, INTERIOR DESIGN, AND DECORATION SINCE 1952 1105 Mt. Kemble Ave, (Rt. 202) HQ 101 Washington St. 584 Rt. 17 North (@ Racetrack Rd.) Morristown, NJ Historic Paterson, NJ Ridgewood, NJ 973.425.5500 973.279.3000 201.857.3600 greenbauminteriors.com 2 The Teachable Moment Issue PUBLISHERS DOUG HARRIS, GRANT KNAGGS ASSOCIATE PUBLISHER JEFFREY SHANES EDITORIAL MANAGING EDITOR MARK STEWART EDITORS CHRISTINE GIBBS, DOUG HARRIS, YOLANDA NAVARRA FLEMING EDITOR AT LARGE ASHLEIGH OWENS FOOD EDITOR MIKE COHEN ASSIGNMENTS EDITOR ZACK BURGESS AUTOMOTIVE EDITOR SARAH LEE MARKS ARTS EDITOR TOVA NAVARRA ART DESIGN DIRECTOR JAMA BOWMAN SALES 908.994.5138 VP BUSINESS DEVELOPMENT JEFFREY SHANES SENIOR MEDIA MARKETING SPECIALIST CHRISTINE LAYNG WEB WEB DESIGN ANDREW J. TALCOTT / OK7, LLC ONLINE MANAGER JOHN MAZURKIEWICZ TRINITAS REGIONAL MEDICAL CENTER CHAIRPERSON SR. ROSEMARY MOYNIHAN, SC PRESIDENT & CEO GARY S. HORAN, FACHE LETTERS TO THE EDITOR EDGE c/o Trinitas Regional Medical Center Public Relations Department 225 Williamson Street | Elizabeth, New Jersey 07202 [email protected] VISIT US ON THE WEB www.edgemagonline.com This is Volume 11, Issue 4. EDGE Magazine is published 5 times a year in February, April, June, September and November. This material is designed for information purposes only. None of the information provided in Healthy Edge constitutes, directly or indirectly, the practice of medicine, the dispensing of medical services, a professional diagnosis or a treatment plan. -
Pdgrave Yy^Urt II Houti
THE STAR, Washington, D. c. ** EVENIT'O '» C-6 rtIBAT. JILT M. 10SS Life With Lewis and Clark THE PASSING SHOW One Cliche After Another I *jrf By HARRY lUeAKTHUR good thing "THX VAR HORIZONS "a Part- Medicine Is X-rayed It is. or wm, of R oount picture, produced by WUUsn H \ >int ud WtllUm C. TboißMi dlriettd ¦PF for Merriwether Lewi* and BUI ir Rodelpb Mote. icrecDplxr by Win*ton Siller cod Edmund Hr North, from the Clark that the movie* had not lord, "SocSovco of the Shothonec." il DcllA Oould Emmoni. At tbo CopltU In an Exciting Film yet become popular entertain- 1 Tho on that Cut By JAY CARMODY ment when they set out Ifcrrlwothcr Lowlx Vrtd MirMnmy expedition. they had, it BUI Clerk Charlton Heaton Stranger.” top If ioenjnvcn Donna Reed "Not As A which shot ta the of the best-seller would been a dull trip for Julia Hancock Barbara Hale a nagnMi t < have -WW7 list as a novel, should be equally popular as a film, despite the B flk Everything that occurred Sertaant Can William Demareit them. ebaiboneon . Aim Rood fact of sturdier competition. given them the feel- Cameahwalt Eduardo Norleca Thompson’s by would have Wild Bade Larry Pennell Morton work has been translated to the screen s #-¦¦-. ing that they had been here be- Le Borne Ralph Moody Producer-Director Stanley Kramer with not merely fidelity to its ¦ - ?a« -^:;> fore. Prealdent Jeffcraon Herbert Herea original tart flavor but with a- '~TOri. listen, » *-- can, you ;; 1 You if hear post. Despite them, high-powered cast. -
THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Superman and Perry Mason, Their Respective Owners Own the Copyrights and Such
A SUPERMAN & PERRY MASON ADVENTURE By Bruce Kanin Originally written October 2016 Revised July 2018 1 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin Disclaimer The original stories presented herein are Copyright © 2018 Bruce Kanin. All rights reserved. With regard to other aspects, such as those related to The Adventures of Superman and Perry Mason, their respective owners own the copyrights and such. These other aspects have merely borrowed here for the purposes of telling a story. 2 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin 3 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin 4 THE ADVENTURES OF SUPERMAN / PERRY MASON © 2018 Bruce Kanin INTRODUCTION BACK IN THE FIRST HALF OF THE 1950S, just before the television series The Adventures of Superman moved from black & white to color, CBS television produced what is termed a “backdoor pilot” for a new lawyer series called Perry Mason. The pilot occurred in two parts, with the first part being a special hour-long broadcast of The Adventures of Superman (normally presented as half-hour episodes) and the second being an hour-long pilot for Perry Mason. Unfortunately, the people behind Perry Mason decided to scrap their pilot after realizing that the intrepid lawyer and his stories should be wholly based on science, not science fiction and fantasy, which is what The Adventures of Superman involved. This also meant scrapping the backdoor pilot – the special hour-long episode of The Adventures of Superman. Of course, none of the above actually happened. No, it didn’t, but it is a “fun” way of imagining how these two beloved television series could be linked with one another.