DOCSLIB.ORG

ARTIST PROSPECTUS 2013 TRASK Art Show & Sale

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ARTIST PROSPECTUS 2013 TRASK Art Show & Sale ARTIST PROSPECTUS 2013 TRASK Art Show & Sale To benefit The Spirit of Life & Spencer Trask Memorial Restoration Campaign I.ARTIST PROSPECTUS Saratoga Springs Preservation Foundation and invite artists 18 years of age and up to submit original artwork to the TRASK 2013 Art Show & Sale: Preserving Saratoga Springs Through Art, an innovative juried art show and fundraiser on Thursday, June 27, 2013. Proceeds from art sales and ticket sales will benefit the restoration of the Spirit of Life & Spencer Trask Memorial located in Congress Park. Works submitted to the exhibition should interpret the spirit of life in Saratoga Springs by addressing local history, architecture, landscapes, culture, preservation, concepts of philanthropy, and generally the spirit of Saratoga Springs. In addition, to celebrate and honor the 150 year anniversary of the Saratoga Race Track, works that highlight and commemorate the importance and influence of horse racing will be included. Interpretation can be broad or literal. Each artist may submit up to three works to TRASK. The Saratoga Springs Preservation Foundation, in partnership with the City of Saratoga Springs, is undertaking a thorough restoration of the Memorial. Following a successful TRASK fundraising campaign and event last June, the Foundation is continuing its four-year campaign in which approximately $250,000 need to be raised to preserve this landmark for future generations. Proceeds of the campaign will go to the conservation and restoration of the Memorial and toward developing a plan for future care and maintenance. 2 Saratoga Springs Preservation Foundation 112 Spring Street, Suite 203 / Saratoga Springs, NY 12866 (518) 587-5030 www.saratogapreservation.org A. IMPORTANT INFORMATION Entry Deadline Monday, June 10, 2013, 5:00PM Artists Notification of Selection Monday, June 17, 2013 Artists Deliver Accepted Works Wednesday, June 26, 2013 9:00 AM – 7:00 PM Canfield Casino Congress Park, Saratoga Springs Art Show Event Thursday, June 27, 2013, 6:30-9:30 PM Canfield Casino Congress Park, Saratoga Springs Contact Information Michele DeRossi, TRASK Event Coordinator Saratoga Springs Preservation Foundation (518)-587-5030 [email protected] www.saratogapreservation.org B. ORGANIZERS Founded in 1977, the Saratoga Springs Preservation Foundation has been the leading advocate for the preservation of Saratoga Springs’ unique architectural, cultural and landscaped heritage. The Foundation shines a spotlight on new opportunities for community growth and economic development through preservation. For more information about the Saratoga Springs Preservation Foundation, please visit www.saratogapreservation.org. 3 Saratoga Springs Preservation Foundation 112 Spring Street, Suite 203 / Saratoga Springs, NY 12866 (518) 587-5030 www.saratogapreservation.org C. ART SHOW EVENT TRASK: Preserving Saratoga Springs Through Art, is a one-night only event at the historic Canfield Casino in Saratoga Springs' Congress Park on Thursday, June 27, 2013 from 6:30- 9:30PM. Works will be displayed for the duration of the event only. All works submitted must be available to be sold as part of the silent auction that evening. Artists will receive 50% of proceeds from the sale of their works displayed and purchased at the event, with the other half directly benefitting the Restoration Campaign. Artists may also choose to donate 100% of the proceeds of the sale of artwork to the Restoration Campaign. Sale of the artwork will take place through silent auction bids during a benefit cocktail reception featuring live entertainment, hors d’oeuvres and the opportunity for guest to mingle with the artists. Accepted artists will receive one complimentary ticket and one discounted ticket and are encouraged to attend the event. During the evening, judges will announce awards, cash prizes, and honorable mentions. The show will be hung and supervised by Saratoga Springs Preservation Foundation volunteers and staff. 4 Saratoga Springs Preservation Foundation 112 Spring Street, Suite 203 / Saratoga Springs, NY 12866 (518) 587-5030 www.saratogapreservation.org D. JUDGES Anne Diggory is an artist living and working in Saratoga Springs, often painting the Adirondacks, Hudson River Valley, and various other scenic areas throughout the United States. After graduating from Yale, Anne received a Master of Fine Arts from Indiana University. Anne is currently represented in a solo show by the Blue Mountain Gallery in New York City and her work is also featured by Phoenix Home Life in Albany, Bessemer Trust in San Francisco, and AYCO in Saratoga Springs. Anne designed and completed “The Flume”, a 22x9-foot mural to commemorate 100 years of business at The Adirondack Trust Company in Saratoga Springs. Combining painting, drawing, photography, Photoshop and mixed media, Anne’s work focuses on subtle wonders in nature and life for various studies and series. In addition to various galleries, Anne’s work has been highlighted in prestigious publications such as American Artist, Adirondack Life, and The New York Times. http://www.diggory.com/ Erik Laffer originally hails from Smithtown, New York but ever since the age of three has been leading a nomadic lifestyle, moving from place to place cultivating his artistic style. Inspired by the travels of his young life, Erik’s current work uses cartography and maps as representational abstracts in his contemporary pieces. In 2008, Laffer was one of the top selling artists of the SOLO section at Artexpo New York and in 2011 Erik was featured as one of three artists chosen as "Up and Coming Artists to Watch" by the Paradise City Art Fair. In addition, Erik was invited to join Albanys’ exclusive art group Oakroom as their newest and youngest member. In 2012, Erik opened his own fine art gallery and custom frame shop in Schuylerville dedicated to contemporary art in a variety of mediums as well as hosting lectures and demonstrations to further educate on the importance and impact of art. http://eriklaffer.com/ and http://thelaffergallery.com E. AWARDS Best in Show Award with a cash award of $500, other awards and cash prizes, and honorable mentions will be given to top artists by the judges at the reception. Media exposure will highlight participants and winners, including print, TV, websites and social media. 5 Saratoga Springs Preservation Foundation 112 Spring Street, Suite 203 / Saratoga Springs, NY 12866 (518) 587-5030 www.saratogapreservation.org G. BACKGROUND In 1913, Katrina Trask, philanthropist, co-founder of Yaddo, and Saratoga Springs resident, along with George Foster Peabody, commissioned the Memorial to honor her late husband, Spencer Trask and his efforts to protect and preserve Saratoga’s natural springs while further beautifying Congress Park. The work for the Memorial was completed through the artistic collaboration of two significant Americans, sculptor Daniel Chester French and architect Henry Bacon. The Spencer Trask Memorial was a true partnership during the early career of these two friends, who also designed and executed the Lincoln Memorial in Washington, DC. French created the bronze sculpture, The Spirit of Life, while Bacon designed the architectural and landscaped surrounds. The Memorial was completed in 1915, the same year the City of Saratoga Springs was incorporated. The Spencer Trask Memorial serves as a constant reminder of our civic responsibility to preserve our nationally and locally significant resources, to give back to the community, to have pride in creative partnerships, and find comfort in respite and beauty. The Spencer Trask Memorial inscription reads, “His one object in life was to do right and to serve his fellow men,” a simple, powerful and enduring sentiment that is directly aligned with the philanthropic spirit of the Saratoga Springs community. As The Saratoga Sun published in June, 1915, “The sun shining upon it gave added beauty and effectiveness and the statue will always be, besides being a memorial to Mr. Trask, one of the beauties of the parks, which will attract the eye of all who come to this city.” The same holds true for today’s visitors since the Spirit of Life has become the symbol of the city, as the winged-figure returns the once endangered waters from her bowl to the springs of Saratoga. Yet contemporary residents and tourists will not have the opportunity to enjoy the meaning of the sculpture, the once beautiful surroundings, or appreciate its national significance if the Memorial is not fully restored to its former glory and maintained for years to come. The Saratoga Springs Preservation Foundation, in partnership with the City of Saratoga Springs, has been leading the charge in preserving and caring for the Memorial. In 2011, the Foundation kicked off a four-year campaign in which they will strive to raise approximately $250,000. The proceeds of this campaign will go towards the conservation and restoration of the Memorial as well as developing a plan for future maintenance. 6 Saratoga Springs Preservation Foundation 112 Spring Street, Suite 203 / Saratoga Springs, NY 12866 (518) 587-5030 www.saratogapreservation.org II. RULES A. ELIGIBILITY Artists of all abilities, ages 18 years or older, are eligible to enter. All entries must be original works for sale to be considered. Each artist may submit up to three (3) entries in accordance with the Entry Requirements outlined below. Artwork should interpret the spirit of life in Saratoga Springs, by addressing local history, architecture, landscapes, culture, preservation, concepts of philanthropy, and generally the spirit of Saratoga Springs. In addition, to celebrate and honor the 150 year anniversary of the Saratoga Race Course, works that highlight and commemorate the importance and influence of horse racing will be included. Interpretation of the theme may be broad or literal. Artwork in any media will be considered, however, due to the limitations of the venue, video and performance art cannot be accommodated. Please consider that while there is no maximum size for submitted entries, extremely large or heavy works may be difficult to accommodate and therefore may not be included in the show.
Load more

Recommended publications
  • Bowling Green Offices Building Designation Report
    Landmarks Preservation Commission September 19, 1995, Designation List 266 LP-1927 BOWLING GREEN OFFICES BUILDING, 5-11 Broadway (aka 5-11 Greenwich Street), Manhattan. Built 1895-98; W. & G. Audsley, architects. Landmark Site: Borough of Manhattan Tax Map Block 13, Lot 5. On May 16, 1995, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Bowling Green Offices Building and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Eleven witnesses spoke in favor of designation, including Councilwoman Kathryn Freed and representatives of State Senator Catherine Abate, the New York Chapter of the American Institute of Architects, the Municipal Art Society, the New York Landmarks Conservancy, the Fine Arts Federation, and the Seaport Task Force of Community Board 1. No one spoke in opposition to designation. A representative of the owners took no position regarding the proposed designation but stated that the owners wanted to cooperate with the Commission. The Commission has received several letters and other statements in support of designation including a resolution from Community Board 1. Summary An enormous and beautifully crafted presence at the base of Broadway, facing Bowling Green and extending through the block to Greenwich Street, the seventeen- story Bowling Green Offices Building was designed and built in 1895-98 to be at the forefront of New York commercial towers in terms of its size, architectural style, and amenities. The architects were Scottish-born brothers William James and George Ashdown Audsley, whose fame rests largely on the more than twenty-five books they wrote on craftsmanship, decorative art, and related topics.
    [Show full text]
  • Yaddo News Release
    Yaddo News Release Contact: Tristan Kirvin ▪ 518-584-0746 ▪ [email protected] YADDO RECEIVES $250,000 GIFT FROM HELEN FRANKENTHALER FOUNDATION FOR FUNDING OF NEW LIVE-WORK VISUAL ARTS STUDIO Saratoga Springs, NY, December 3, 2015 …Yaddo, one of the nation’s oldest artist communities, announced today that it has received a $250,000 gift from the Helen Frankenthaler Foundation to underwrite the cost of a new live-work studio for a visual artist. The studio is one of five currently under construction on the 400-acre estate, a National Historic Landmark that welcomes over 200 artists working in a variety of disciplines each year. The visual arts studio will be named in Frankenthaler’s honor. “This gift is deeply meaningful to us in a number of ways,” said Yaddo President Elaina Richardson. “It helps to underscore our rich legacy of hosting incredibly talented visual artists at various stages in their careers, from emerging artists to those who are world-renowned, such as Helen Frankenthaler. The gift also confirms a core fact—the artists who know us best have been remarkable supporters of Yaddo and are the reason we’re poised for a vibrant second century. We are grateful to the Frankenthaler Foundation’s Board and leadership for their generosity, and honored by the trust they have placed in us.” Helen Frankenthaler’s association with Yaddo extended over many years, and included serving on the community’s Board of Trustees from 1973 to 1978. In addition to providing generous financial support for Yaddo, she additionally served on visual arts admissions panels and was actively involved in the recruitment of artists.
    [Show full text]
  • Geographical List of Public Sculpture-1
    GEOGRAPHICAL LIST OF SELECTED PERMANENTLY DISPLAYED MAJOR WORKS BY DANIEL CHESTER FRENCH ♦ The following works have been included: Publicly accessible sculpture in parks, public gardens, squares, cemeteries Sculpture that is part of a building’s architecture, or is featured on the exterior of a building, or on the accessible grounds of a building State City Specific Location Title of Work Date CALIFORNIA San Francisco Golden Gate Park, Intersection of John F. THOMAS STARR KING, bronze statue 1888-92 Kennedy and Music Concourse Drives DC Washington Gallaudet College, Kendall Green THOMAS GALLAUDET MEMORIAL; bronze 1885-89 group DC Washington President’s Park, (“The Ellipse”), Executive *FRANCIS DAVIS MILLET AND MAJOR 1912-13 Avenue and Ellipse Drive, at northwest ARCHIBALD BUTT MEMORIAL, marble junction fountain reliefs DC Washington Dupont Circle *ADMIRAL SAMUEL FRANCIS DUPONT 1917-21 MEMORIAL (SEA, WIND and SKY), marble fountain reliefs DC Washington Lincoln Memorial, Lincoln Memorial Circle *ABRAHAM LINCOLN, marble statue 1911-22 NW DC Washington President’s Park South *FIRST DIVISION MEMORIAL (VICTORY), 1921-24 bronze statue GEORGIA Atlanta Norfolk Southern Corporation Plaza, 1200 *SAMUEL SPENCER, bronze statue 1909-10 Peachtree Street NE GEORGIA Savannah Chippewa Square GOVERNOR JAMES EDWARD 1907-10 OGLETHORPE, bronze statue ILLINOIS Chicago Garfield Park Conservatory INDIAN CORN (WOMAN AND BULL), bronze 1893? group !1 State City Specific Location Title of Work Date ILLINOIS Chicago Washington Park, 51st Street and Dr. GENERAL GEORGE WASHINGTON, bronze 1903-04 Martin Luther King Jr. Drive, equestrian replica ILLINOIS Chicago Jackson Park THE REPUBLIC, gilded bronze statue 1915-18 ILLINOIS Chicago East Erie Street Victory (First Division Memorial); bronze 1921-24 reproduction ILLINOIS Danville In front of Federal Courthouse on Vermilion DANVILLE, ILLINOIS FOUNTAIN, by Paul 1913-15 Street Manship designed by D.C.
    [Show full text]
  • The Studio Homes of Daniel Chester French by Karen Zukowski
    SPRING 2018 Volume 25, No. 1 NEWSLETTER City/Country: The Studio Homes of Daniel Chester French by karen zukowski hat can the studios of Daniel Chester French (1850–1931) tell us about the man who built them? He is often described as a Wsturdy American country boy, practically self-taught, who, due to his innate talent and sterling character, rose to create the most heroic of America’s heroic sculptures. French sculpted the seated figure in Washington, D.C.’s Lincoln Memorial, which is, according to a recent report, the most popular statue in the United States.1 Of course, the real story is more complex, and examination of French’s studios both compli- cates and expands our understanding of him. For most of his life, French kept a studio home in New York City and another in Massachusetts. This city/country dynamic was essential to his creative process. BECOMING AN ARTIST French came of age as America recovered from the trauma of the Civil War and slowly prepared to become a world power. He was born in 1850 to an established New England family of gentleman farmers who also worked as lawyers and judges and held other leadership positions in civic life. French’s father was a lawyer who eventually became assistant secretary of the U.S. Treasury under President Grant. Dan (as his family called him) came to his profession while they were living in Concord, Massachusetts. This was the town renowned for plain living and high thinking, the home of literary giants Amos Bronson Alcott, Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau at Walden Pond nearby.
    [Show full text]
  • Dr. Joseph Belmonte Renowned Investment Strategist and Market Thinker Author of Buffett and Beyond
    TM ©2019 All Rights Reserved Dr. Joseph Belmonte Renowned investment strategist and market thinker Author of Buffett and Beyond www.BuffettAndBeyond.com PB THE MEN WHO MOVED WALL STREET™ ©2019 1 THE MEN WHO MOVED WALL STREET DURING THE 2 THE MEN WHO MOVED WALL STREET™ ©2019 3 nchored by Wall Street, New York City has been tunities to swing the pendulum of control in their direction, called both, the most economically powerful city and through this, enabled the monetary system of America to and the leading financial center, being home to the lean in their direction, thus, obtaining methods for expansion, world’s two largest stock exchanges by total market momentum, and achievement of an empire so vast, it moved Acapitalization, the New York Stock Exchange and NASDAQ. Wall Street, and the world. Captains of finance and industry in the gilded age were Dow Jones, Barrons, Wall Street Journal, S&P 500, legendary icons enabling this country to become strong J.P.Morgan financial institutions, the largest insurance com- and independent. American industrialists and philanthro- panies in the world and the railroad reorganization meth- pists revolutionized industry and defined the structure of odology, all began with these men with tenacious business monetary gain. Many were deeply involved in developing dispositions and the wherewithal to connect the dots between and financing railroad empires by reorganizations and industry, human power, and money. consolidations, building a strong vision of an integrated They walked through the finest clubs in New York where transportation system. money was aged, and new money balanced on that noble Beginning in the 1870s, thanks to a modern corporate form money, became ripe.
    [Show full text]
  • Fall 2019 Newsletter
    NEWS | FALL 2019 YA lit from Yaddo authors, plus fiction, art books and more GUESS WHAT– WE’RE “AT THE NERVE CENTER OF THE ART WORLD” New Rules – a few things have changed since the early ’30s Pulitzers, Grammys, and then some! Shhhh… why silence truly matters Origins of Retreat Then vs. Now IN 1900, Yaddo began with a clear idea of why and for whom it mattered. The Trasks established a “permanent Home” for creatives engaged in a “brave fight to guard and augment the Sacred Fire within and meantime earn their bread by labors prosaic and oppressive,” they wrote. Some 120 years later, crucial resources like silence, time, nature, space and financial support are in even shorter supply. World population has soared, from 1.6 billion in 1900 to 7.7 billion today. We are bombarded with noise and are losing access to nature. Of protected lands in the U.S., 63% are inundated with sounds from cars, etc. One football field of forest is lost every second. Sound-related health threats impact heart disease, high blood pressure and cognitive issues that From monasticism to the military and the arts, Cathleen Medwick arise from being too distracted to focus. ruminates on silence, solitude, and the power of refuge Financial support for artists is dwindling: The median salary for full-time writers is $20,300, reflecting a 42 percent drop since 2009. For visual artists, the ot many warriors go to battle in gauzy white gowns. But Katrina cacaphony of early twentieth-century life. Like the bells that summoned “The Last Supper,” summer residents (from left) Christine Lavin, Faith Shearin, Miguel Calderón, Jason average salary is about $20 to $30 Trask did.
    [Show full text]
  • Everyday Enchantments a Collection of Artist Nell Blaine Introduction Jed Perl
    Everyday Enchantments A Collection of Artist Nell Blaine Introduction Jed Perl 790 Madison Ave., Suite 604 New York, NY 10065 By Appointment Only (212) 861–1055 [email protected] sanctuaryrarebooks.com Everyday Enchantments A Collection of Artist Nell Blaine Introduction Jed Perl All inquiries: Sanctuary Books (212) 861–1055 [email protected] Table of Contents Introduction by Jed Perl 4 Biographical Scrapbooks 12 Documents of a Professional Artist 20 Artist Sketchbooks & Artist Books 30 Graphic & Commercial Design 46 School Coursework & Assignments 58 Travel Scrapbooks 68 Collection Related to Howard Griffin 74 Nell Blaine’s Library 84 Books Inscribed to Nell Blaine 90 Printing, Typography & Design Ephemera 94 2 3 Everyday Enchantments Jed Perl Nell Blaine could easily be the name of a character in an old-fashioned novel. But the painter who bore this name was altogether modern. From the joyously incisive abstractions with which she first gained a following in the 1940s to the still lifes and landscapes that preoccupied her in later years, her work was exacting and voluptuous. Blaine, who was born in Richmond, Virginia in 1922 and died in New York City in 1996, was unconventional, spirited, and inspired. The material gathered here sheds new light on Blaine’s art and life, and in doing so deepens our understanding of the forces that shaped art in mid-twentieth-century America. The beautifully organized scrapbooks, notebooks, and sketchbooks that Blaine kept document everything from the writings and drawings she produced as a child in Virginia through the career she pursued as a graphic designer in her early years in New York and her ever-grow- ing success as a painter in the 1940s, ‘50s, and ‘60s.
    [Show full text]
  • Parish Profile
    Parish Profile St. Paul’s Episcopal Church Stockbridge, Massachusetts www.stpaulsstockbridge.org St. Paul’s Stockbridge Mission Statement We believe in regular worship, the sacraments, and teaching the Word of God through scripture, preaching, education and relationship. We encourage giving ourselves and our treasures as witness to God’s love. We welcome all people into our Christian family. 2 Table of Contents Mission Statement.....................................................................................2 About St. Paul’s.............................................................................................4 Our Worship Services ..................................................................................6 Our Involvement in the Community.........................................................7 St. Paul’s Children’s Center, Godly Play and VBS......................................8 Pastoral Care and Active Committees........................................................9 Pastors and Parishioners past and present...........................................10 A Brief History...........................................................................................11 Our Church Building and Garden..........................................................12 The Parish House......................................................................................14 The Rectory.................................................................................................15 Financials....................................................................................................16
    [Show full text]
  • BOWLING GREEN OFFICES BUILDING, 5-11 Broadway (Aka 5-11 Greenwich Street), Manhattan
    Landmarks Preservation Commission September 19, 1995, Designation List 266 LP-1927 BOWLING GREEN OFFICES BUILDING, 5-11 Broadway (aka 5-11 Greenwich Street), Manhattan. Built 1895-98; W. & G. Audsley, architects. Landmark Site: Borough of Manhattan Tax Map Block 13, Lot 5. On May 16, 1995, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Bowling Green Offices Building and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law . Eleven witnesses spoke in favor of designation, including Councilwoman Kathryn Freed and representatives of State Senator Catherine Abate, the New York Chapter of the American Institute of Architects, the Municipal Art Society, the New Yark Landmarks Conservancy, the Fine Arts Federation, and the Seaport Task Force of Community Board 1. No one spoke in opposition to designation. A representative of the owners took no position regarding the proposed designation but stated that the owners wanted to cooperate with the Commission. The Commission has received several letters and other statements in support of designation including a resolution from Community Board 1. Summary An enormous and beautifully crafted presence at the base of Broadway, facing Bowling Green and extending through the block to Greenwich Street, the seventeen­ story Bowling Green Offices Building was designed and built in 1895-98 to be at the forefront of New York commercial towers in terms of its size, architectural style, and amenities. The architects were Scottish-born brothers William James and George Ashdown Audsley, whose fame rests largely on the more than twenty-five books they wrote on craftsmanship, decorative art, and related topics.
    [Show full text]
  • City of Saratoga Springs COMM
    RFP #2015-16 Professional Conservation Services Spirit of Life By Daniel Chester French JOANNE YEPSEN MAYOR MICHELE CLARK -MADIGAN C . F OMM OF INANCE ANTHONY SCIROCCO COMM . OF PUBLIC WORKS CHRISTIAN MATHIESEN C . P S OMM OF UBLIC AFETY JOHN FRANCK City of Saratoga Springs COMM . OF ACCOUNTS Request for Proposal Professional Conservation Services Spirit of Life by Daniel Chester French Spencer Trask Memorial in Congress Park Saratoga Springs, New York PREPARED BY: Saratoga Springs Preservation Foundation 112 Spring Street, Suite 103 and Office of the City Engineer CITY HALL 474 BROADWAY , ROOM 10 SARATOGA SPRINGS , NEW YORK 12866 February, 2015 ALL RFPS SHALL BE ENCLOSED IN A SEALED ENVELOPE MARKED: RFP #: 2015-16 – PROFESSIONAL CONSERVATION SERVICES SPIRIT OF LIFE BY DANIEL CHESTER FRENCH Name of Bidder: ____________________________________ RFP Opening: THURSDAY, MARCH 26, 2015 AT 2:00 pm AND RETURN TO: City of Saratoga Springs Department of Accounts 474 Broadway Saratoga Springs, NY 12866 RFP #2015-16 Professional Conservation Services Spirit of Life By Daniel Chester French PLEASE NOTE YOUR RFP MUST BE RETURNED AS FOLLOWS: Step One : You MUST execute and include the following documents with your response: • Your response to the RFP in question 3 (three) bound copies • Waiver of Immunity and Non-Collusive Bidding Certification • Vendor Code of Conduct • Risk & Safety Agreement • Certificate of Insurance Step Two : Enclose your RFP in a sealed envelope marked: RFP #: 2015-16 - Professional Conservation Services Spirit of Life by Daniel Chester French Name of Bidder: ____________________________________ RFP Opening: THURSDAY, MARCH 26, 2015, 2015 at 2:00 p.m. Step Three : Please return your response to this RFP to the following address: City of Saratoga Springs Department of Accounts 474 Broadway Saratoga Springs, NY 12866 FAILURE TO SUBMIT RFP DOCUMENTS AS OUTLINED ABOVE WILL LEAD TO IMMEDIATE RFP DISQUALIFICATION.
    [Show full text]
  • The Leap: Ted Hughes, Sylvia Plath and a Mesmerizing Season
    FALL NEWS 2015 POET’S CORNER It is rare for arts awards to be announced without seeing the name of a Yaddo artist – or two. This year, however, four Yaddo poets were longlisted for the National Book Award for Poetry: Marilyn Hacker A Stranger’s Mirror: New and Selected Poems, 1994- 2014 (W.W. Norton & Company) Jane Hirshfield The Leap: Ted Hughes, Sylvia Plath The Beauty (Knopf) and a Mesmerizing Season Patrick Phillips Elegy for a Broken erhaps no two figures in twentieth- the young couple arrived at Yaddo (Plath Machine (Knopf) century Anglo-American poetry had been recommended by Alfred Kazin have given rise to more partisanship as “the best writer at Smith, and a very than Ted Hughes and Sylvia Plath. remarkable girl in every way”) it was the Lawrence Raab It’s a commonplace that interest first time in three years of marriage that Mistaking Each Pin the personal — their marriage, his they’d had separate, private workspaces. Other for Ghosts philandering, their separation, her suicide — Hughes worked on his second book of (Tupelo Press) has clouded interest in the purely literary. poetry, Lupercal, and an oratorio based Jonathan Bate’s new and well-received on the Tibetan Book of the Dead, while biography, Ted Hughes: An Unauthorized Plath dug in on a large number of new CONGRATULATIONS TO ALL! Life, takes the experiences of Hughes’s poems that were ultimately collected in life and shows how he fashioned them her first book,The Colossus and Other Plath had dreamed of gathering forces into his robust, earthy poetry.
    [Show full text]
  • Dear-Elizabeth-Study-Guide.Pdf
    ABOUT THE PLAYWRIGHT Originally from Chicago, Sarah Ruhl received her M.F.A. from Brown University where she studied with Paula Vogel. Her plays have been produced on Broadway at the Lyceum by Lincoln Center Theater, Off-Broadway at Playwrights’ Horizons, Second Stage, and at Lincoln Center’s Mitzi Newhouse Theater, and regionally all over the country, with premieres often at Yale Repertory Theater, the Goodman Theater, Berkeley Repertory Theater, and the Piven Theatre Workshop in Chicago. Her plays have also been produced internationally and have been translated into over twelve languages. An alum of 13P and New Dramatists, she won a MacArthur Fellowship in 2006 and the Steinberg Distinguished Playwright Award. She was the recipient of the PEN Center Award for a mid-career playwright, the Whiting Writers award, the Feminist Press’ Forty under Forty award, and a Lilly Award. She served on the executive council of the Dramatist’s Guild for three years and is currently on the faculty at Yale School of Drama. Her book of essays on the theater and motherhood, 100 Essays I Don’t ​ Have Time to Write, was a Times Notable Book of the Year. ​ MEET THE POETS ELIZABETH BISHOP Elizabeth Bishop was an American poet and short-story writer. Born in 1911 in Massachusetts, she was raised primarily there and in Nova Scotia. She was Consultant in Poetry to the Library of Congress from 1949 to 1950, the Pulitzer Prize-winner for Poetry in 1956, the National Book Award-winner in 1970, and the recipient of the Neustadt International Prize for Literature in 1976.
    [Show full text]