Geographical List of Public Sculpture-1
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The Ball State Experience Pen Point Ball State ALUMNUS Executive Publisher: Edwin D
cover layout:Layout 1 2/19/08 8:58 PM Page 1 Inside This Issue A Ball State University Alumni Association Publication March 2008 Vol. 65 No.5 Beyond the Classroom 10 Sidelines 28 40 under 40 33 Linda Huge fulfills a mission of keeping Hoosier history alive through her role as self-appointed school marm of a one-room schoolhouse in Fort Wayne. See the story on page 4. Ball State University NON-PROFIT ORG. Alumni Association U.S. POSTAGE Muncie, IN 47306-1099 PAID Huntington, IN Permit No. 832 CHANGE SERVICE REQUESTED The Ball State experience pen point Ball State ALUMNUS Executive Publisher: Edwin D. Shipley Editor: Charlotte Shepperd Communications Assistant: Julie Johnson f you don’t pass history on, it’s gone," according to 1959 Ball State graduate Linda Alumnus Assistants: Denise Greer, Jessica Riedel Huge. She has made it her full-time mission to educate Hoosiers on the history of Graduate Communications Assistants: their state as curator of a one-room schoolhouse in Fort Wayne. Huge’s story, on Danya Pysh, Katherine Tryon "I Undergraduate Communications Assistant: pages 4-5, describes how the self-appointed schoolmarm takes her personal passion for Sarah Davison history and instills listeners, both young and old, with knowledge. Contributing Writers: Th omas L. Farris Photographers: Sarah Davison, Steve Fulton, Ball State’s history as a public institution dates to 1918 when the Ball Brothers, after they Mike Hickey, John Huff er, Robin Jerstad had purchased it in 1917, gave 64-plus acres and two buildings to the state. Thereafter, we (Indianapolis Business Journal), Ernie Krug, Don Rogers became the Eastern Division of the Indiana State Normal School in Terre Haute. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D. -
The Arch and Colonnade of the Manhattan Bridge Approach and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission November 25, 1975, Number 3 LP-0899 THE ARCH AND COLONNAD E OF THE MANHATTAN BRIDGE APPROACH, Manhattan Bridge Plaza at Canal Street, Borough of Manhattan. Built 1912-15; architects Carr~re & Hastings. Landmark Site: Borough o£Manhattan Tax Map Block 290, Lot 1 in part consisting of the land on which the described improvement is situated. On September 23, 1975, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Arch and Colonnade of the Manhattan Bridge Approach and the proposed designation of the related Landmark Site (Item No . 3). The hearing had been duly ad vertised in accordance with . the provisions of law. Two witnesses spoke in favor of designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Manhattan Bridge Approach, a monumental gateway to the bridge, occupies a gently sloping elliptical plaza bounded by Canal, Forsyth and Bayard Streets and the Bowery. Originally designed to accommodate the flow of traffic, it employed traditional forms of arch and colonnade in a monument al Beaux-Arts style gateway. The triumphal arch was modeled after the 17th-century Porte St. Denis in Paris and the colonnade was inspired by Bernini's monumental colonnade enframing St. Peter's Square in Rome. Carr~re &Hastings, whose designs for monumental civic architecture include the New York Public Library and Grand Army Plaza, in Manhattan, were the architects of the approaches to the Manhattan Bridge and designed both its Brooklyn and Manhattan approaches. The design of the Manhattan Bridge , the the third bridge to cross the East River, aroused a good deal of controversy. -
Daniel Chester French Trail
Follow us on Facebook, Twitter, and Instagram and Twitter, Facebook, on us Follow www.concordmuseum.org • 978.369.9763 • www.concordmuseum.org www.chesterwood.org • 413.298.3579 • www.chesterwood.org gardens of Daniel Chester French. Chester Daniel of gardens Chesterwood is the country home, studio, and and studio, home, country the is Chesterwood where he lived and worked. and lived he where Located in Stockbridge, Massachusetts, Massachusetts, Stockbridge, in Located French. Photo by Sara Lundberg. Sara by Photo French. about the artist and the town town the and artist the about Minute Man by Daniel Chester Chester Daniel by Man Minute sites in Concord to learn more more learn to Concord in sites in twenty-one states. Visit the the Visit states. twenty-one in on exhibition in public places places public in exhibition on French’s major works remain remain works major French’s to the renowned sculptor. sculptor. renowned the to in collaboration with collaboration in resources in Concord related related Concord in resources in historic Concord, Massachusetts Concord, historic in the various historic sites and and sites historic various the on exhibit at the Concord Museum Museum Concord the at exhibit on helpful gateway for exploring exploring for gateway helpful Concord Museum, provides a a provides Museum, Concord French Trail, created by the the by created Trail, French - March 23, 2014 23, March - 2013 11, October Concord’s Daniel Chester Chester Daniel Concord’s F C D TRAIL H C REN HESTER ANIEL CONCORD’S #1 Concord Museum • 53 Cambridge Turnpike #2 Ralph Waldo Emerson House The Concord Museum is a gateway to 28 Cambridge Turnpike historic Concord’s revolutionary and In 1879, the young sculptor Daniel Chester French literary past. -
Bostonians and Their Neighbors As Pack Rats
Bostonians and Their Neighbors as Pack Rats Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/24/2/141/2744123/aarc_24_2_t041107403161g77.pdf by guest on 27 September 2021 By L. H. BUTTERFIELD* Massachusetts Historical Society HE two-legged pack rat has been a common species in Boston and its neighborhood since the seventeenth century. Thanks Tto his activity the archival and manuscript resources concen- trated in the Boston area, if we extend it slightly north to include Salem and slightly west to include Worcester, are so rich and diverse as to be almost beyond the dreams of avarice. Not quite, of course, because Boston institutions and the super—pack rats who direct them are still eager to add to their resources of this kind, and constantly do. The admirable and long-awaited Guide to Archives and Manu- scripts in the United States, compiled by the National Historical Publications Commission and now in press, contains entries for be- tween 50 and 60 institutions holding archival and manuscript ma- terials in the Greater Boston area, with the immense complex of the Harvard University libraries in Cambridge counting only as one.1 The merest skimming of these entries indicates that all the activities of man may be studied from abundant accumulations of written records held by these institutions, some of them vast, some small, some general in their scope, others highly specialized. Among the fields in which there are distinguished holdings—one may say that specialists will neglect them only at their peril—are, first of all, American history and American literature, most of the sciences and the history of science, law and medicine, theology and church his- tory, the fine arts, finance and industry, maritime life, education, and reform. -
Francis Davis Millet Letters to Miss Ward and Ticknor
Francis Davis Millet letters to Miss Ward and Ticknor Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Francis Davis Millet letters to Miss Ward and Ticknor AAA.millfrad Collection Overview Repository: Archives of American Art Title: Francis Davis Millet letters to Miss Ward and Ticknor Identifier: AAA.millfrad Date: [undated] Creator: Millet, Francis Davis, 1846-1912 Extent: 5 Items ((partially microfilmed on 1 reel)) Language: English . Administrative Information Acquisition Information Purchased 1956 with funds provided by Alfred Brayer. Available Formats 35mm microfilm reel D9 (fr. 724-732) available for use at Archives of American Art offices and through interlibrary -
Boston Common and the Public Garden
WalkBoston and the Public Realm N 3 minute walk T MBTA Station As Massachusetts’ leading advocate for safe and 9 enjoyable walking environments, WalkBoston works w with local and state agencies to accommodate walkers | in all parts of the public realm: sidewalks, streets, bridges, shopping areas, plazas, trails and parks. By B a o working to make an increasingly safe and more s attractive pedestrian network, WalkBoston creates t l o more transportation choices and healthier, greener, n k more vibrant communities. Please volunteer and/or C join online at www.walkboston.org. o B The center of Boston’s public realm is Boston m Common and the Public Garden, where the pedestrian m o network is easily accessible on foot for more than o 300,000 Downtown, Beacon Hill and Back Bay workers, n & shoppers, visitors and residents. These walkways s are used by commuters, tourists, readers, thinkers, t h talkers, strollers and others during lunch, commutes, t e and on weekends. They are wonderful places to walk o P — you can find a new route every day. Sample walks: u b Boston Common Loops n l i • Perimeter/25 minute walk – Park St., Beacon St., c MacArthur, Boylston St. and Lafayette Malls. G • Central/15 minute walk – Lafayette, Railroad, a MacArthur Malls and Mayor’s Walk. r d • Bandstand/15 minute walk – Parade Ground Path, e Beacon St. Mall and Long Path. n Public Garden Loops • Perimeter/15 minute walk – Boylston, Charles, Beacon and Arlington Paths. • Swans and Ducklings/8 minute walk – Lagoon Paths. Public Garden & Boston Common • Mid-park/10 minute walk – Mayor’s, Haffenreffer Walks. -
Off the High Horse: Human-Animal Relations on Public Monuments
Off the High Horse: Human-Animal Relations on Public Monuments This month, the suit concerning the removal of the equestrian statue of Robert E. Lee in Richmond, VA will proceed to trial. A different way to deal with a troubling monument is to place another one nearby to convey an opposing message, and several such corrective statues have appeared near Monument Avenue over the past twenty-five years. In this paper I explore two of these, focusing on the role of the horse. Although the spirited stallion in Kehinde Wiley’s “Rumors of War” (2019) stands in marked contrast to the emaciated beast of burden in Tessa Pullan’s “War Horse” (1997), I argue that both depictions have their roots in antiquity: the former in monumental art, the latter in literature. Thus Wiley’s sculpture adapts the tradition of the equestrian statue, popular in both Greece and Rome, using the animal to showcase the power and superiority of the human rider, while Pullan’s invites viewers to reach beyond the social constructs of friend and foe as well as boundaries of species between human and animal in a manner reminiscent of Homer. In an equestrian statue the horse serves multiple functions; from a practical perspective, it elevates the honoree to a point of greater visibility, while on a more symbolic level it can illustrate characteristics of the rider. In the statue of Marcus Aurelius from the Capitoline Hill, for example, both horse and rider assume a calm and balanced posture, while Wiley’s ensemble exaggerates the impetuous movement of his model, Moynihan’s equestrian statue of Stuart (1907), but also evokes more distant predecessors, from Mills’ groundbreaking depiction of Andrew Jackson (1853) all the way to the Alexander Mosaic and the cavalcade on the Parthenon freeze. -
Roarin' Business Conference
PARTY OF THE CENTURY RBC ROARIN’ BUSINESS CONFERENCE BALL STATE UNIVERSTIY March, 16th 2019 Michigan Tech University Great Lakes Affliate of Colleges and University Residence Halls – Regional Business Conference Table of Contents Letter from the Chair ………………… 3 The Theme ………………………………. 4 Meet the Party Hosts …………………. 5-10 Ball State Universtiy ………………….. 11-12 Conference Summary ………………… 13 Conference Schedule …………………. 14 Housing ………………………………….. 15 Registration …………………………….. 16 Dining …………………………………….. 17 Facilities …………………………………. 18 Ceremonies ..……………………………. 19 Philanthropy ..………………………….. 20 Transportation …………………………. 21-24 Volunteers ………………………………. 25 Budget ……………………………………. 26-27 Sponsorship …………………………….. 28 Sustainability …………………………… 29 Technology ……………………………… 30 Security ………………………………….. 31 Letter of Support……………………….. 32 Letter of Support ………………………. 33 Host Acknowledgement Form ………. 34-36 Registration Form……………………… 37-38 Alcohol and Drug Abuse Policy 39 Form ………………………………………. Sources …………………………………… 40 2 Letter from the Chair 3 Theme It is our hope, as the conference staff, to host a roarin’ good conference, based upon the theme of the 1920’s. The conference will be a celebration of the new century with a nod to the old. We, as the conference staff, would like to incorporate this theme throughout our conference. Our theme will allow us to continue an age old tradition of hosting a conference and celebrating a century of change. We invite you to ‘ankle’ over to the Roarin’ 2020 GLACURH Regional Business Conference. After Ball State’s own centennial, it would be a wonderful way to continue by hosting this conference. We wish to lead this conference in high spirits, and make this the Bee’s Knees of the year. Our theme will incorporate the 20’s highlife with the extravagant feel of a party. 4 Meet the Party Hosts Allison Norman - Conference Chair • Favorite thing about Ball State: The strong community that has been built on a medium-sized campus. -
1848 George A
Methuen Jan. 4 1848 George A. Waldo Selectmen Joseph How } of Moses L. Atkinson Methuen A true copy Attest Josiah Dearborn Town Clerk. 1848 March 6, 1848 – Annual Meeting Annual meeting of the inhabitants of the Town of Methuen qualified by law to vote in Town Affairs held on Monday March the sixth 1848, agreeable to Warrant 62 File 6th Opened said meeting at ten O’clock A.M. Article 1st Chose George A. Waldo Moderator Prayer by Reverend Joseph M. Graves. Article 2nd Chose Josiah Dearborn Town Clerk. Sworn Voted that the number of Selectmen for the year ensuing, shall consist of three. Whole number of ballots for Selectmen was 290 – Necessary for choice 146 George A. Waldo had 174 votes and was chosen (sworn) Frederick Kimball had 157 votes and was chosen (sworn) No other person had a sufficient number of ballots to elect him, therefore it was Voted to adjourn for one hour. 2d Ballot for Selectmen – Whole number of ballots was 239 – Necessary for choice 120. John W. Hall had 150 and was elected/Sworn School Committee Report was read, accepted and the usual number was Voted to be printed under the direction of the School Committee. Voted that the number of the School Committee shall consist of three School Committee - Stephen Huse, Daniel Merrill 2d & O. H. Tillotson were elected. Constables. Voted that the number consist of two. John Low and Charles E. Goss were elected & sworn. Treasurer. Josiah Dearborn was elected. Collector. Josiah Dearborn was elected. Fire Wardens chosen. John Low, Kimball C. Gleason, Charles Ingalls, Daniel Merrill 3d, Frederick George. -
The Story of Wellesley
Wellesley College Wellesley College Digital Scholarship and Archive Wellesley Histories Archives 1915 The tS ory of Wellesley Florence Converse Follow this and additional works at: http://repository.wellesley.edu/wellesleyhistories Recommended Citation Converse, Florence, "The tS ory of Wellesley" (1915). Wellesley Histories. 2. http://repository.wellesley.edu/wellesleyhistories/2 This Book is brought to you for free and open access by the Archives at Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Wellesley Histories by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. <^l P^'#J ^Y/^J^. r Kl! llfrlWiJtit 1 .vU «iv^ui^. THE STORY OF WELLESLEY \ 11 FLORENCE CONVERSE % C^VW^J LIBRARY OF WELLESLEY COLLEGE GIFT OF ANONYMOUS M:c^<^.M^ THE STORY OF WELLESLEY m ^assTfi*?! SSW!* The Chapel Doorway THE STORY OF WELLESLEY BY FLORENCE CONVERSE WITH ILLUSTRATIONS BY NORMAN IRVING BLACK IKI oM-REFERtl ^WVAD'QgS BOSTON LITTLE, BROWN, AND COMPANY 1915 WELLESUET College Archives" Copyright, 1915, By Little, Brown, and Company. All rights reserved Published, October, 1915 Pritttera S. J. Paekhill <fc Co., Boston, U.SJ ; ALMA MATER To Alma Mater, Wellesley's daughters. All together join and sing. Thro' all her wealth of woods and waters Let your happy voices ring ; In every changing mood we love her. Love her towers and woods and lake ; Oh, changeful sky, bend blue above her. Wake, ye birds, your chorus wake ! We'll sing her praises now and ever. Blessed fount of truth and love. Our heart's devotion, may it never Faithless or unworthy prove. -
RMS Titanic - Wikipedia
RMS Titanic - Wikipedia http://it.wikipedia.org/wiki/RMS_Titanic RMS Titanic Da Wikipedia, l'enciclopedia libera. « Nemmeno Dio potrebbe fare affondare questa RMS Titanic nave. » (Il marinaio A.Bardetta del Titanic alla signora Caldwell, il 10 aprile 1912.) Il RMS Titanic era una nave passeggeri britannica della Olympic Class , divenuta famosa per la collisione con un iceberg nella notte tra il 14 e il 15 aprile 1912, e il conseguente drammatico affondamento avvenuto nelle prime ore del giorno successivo. Secondo di un trio di transatlantici, il Titanic , con le sue Descrizione generale due navi gemelle Olympic e Britannic , era stato progettato per offrire un collegamento settimanale con l'America, e Tipo Transatlantico garantire il dominio delle rotte oceaniche alla White Star Classe Olympic Line. Costruttori Harland and Wolff Cantiere Belfast, Irlanda del Nord. Costruito presso i cantieri Harland and Wolff di Belfast, il Titanic rappresentava la massima espressione della Impostazione 31 marzo 1909 tecnologia navale, ed era il più grande, veloce e lussuoso Completamento 31 marzo 1912 Entrata in transatlantico del mondo. Durante il suo viaggio inaugurale 10 aprile 1912 (da Southampton a New York, via Cherbourg e servizio Queenstown), entrò in collisione con un iceberg alle 23:40 Proprietario White Star Line, (ora della nave) di domenica 14 aprile 1912. L’impatto Amministratore Delegato: (Joseph Bruce Ismay) provocò l'apertura di alcune falle lungo la fiancata destra Destino finale Naufragato il 15 aprile 1912. del transatlantico, che affondò due ore e 40 minuti più tardi (alle 2:20 del 15 aprile) spezzandosi in due tronconi. Caratteristiche generali Dislocamento 52.310 t Nella sciagura, una delle più grandi tragedie nella storia Stazza lorda 46.328 t della navigazione civile, persero la vita 1517 dei 2227 Lunghezza 269 m passeggeri imbarcati.