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The Studio Homes of Daniel Chester French by Karen Zukowski
SPRING 2018 Volume 25, No. 1 NEWSLETTER City/Country: The Studio Homes of Daniel Chester French by karen zukowski hat can the studios of Daniel Chester French (1850–1931) tell us about the man who built them? He is often described as a Wsturdy American country boy, practically self-taught, who, due to his innate talent and sterling character, rose to create the most heroic of America’s heroic sculptures. French sculpted the seated figure in Washington, D.C.’s Lincoln Memorial, which is, according to a recent report, the most popular statue in the United States.1 Of course, the real story is more complex, and examination of French’s studios both compli- cates and expands our understanding of him. For most of his life, French kept a studio home in New York City and another in Massachusetts. This city/country dynamic was essential to his creative process. BECOMING AN ARTIST French came of age as America recovered from the trauma of the Civil War and slowly prepared to become a world power. He was born in 1850 to an established New England family of gentleman farmers who also worked as lawyers and judges and held other leadership positions in civic life. French’s father was a lawyer who eventually became assistant secretary of the U.S. Treasury under President Grant. Dan (as his family called him) came to his profession while they were living in Concord, Massachusetts. This was the town renowned for plain living and high thinking, the home of literary giants Amos Bronson Alcott, Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau at Walden Pond nearby. -
ARTIST PROSPECTUS 2013 TRASK Art Show & Sale
ARTIST PROSPECTUS 2013 TRASK Art Show & Sale To benefit The Spirit of Life & Spencer Trask Memorial Restoration Campaign I.ARTIST PROSPECTUS Saratoga Springs Preservation Foundation and invite artists 18 years of age and up to submit original artwork to the TRASK 2013 Art Show & Sale: Preserving Saratoga Springs Through Art, an innovative juried art show and fundraiser on Thursday, June 27, 2013. Proceeds from art sales and ticket sales will benefit the restoration of the Spirit of Life & Spencer Trask Memorial located in Congress Park. Works submitted to the exhibition should interpret the spirit of life in Saratoga Springs by addressing local history, architecture, landscapes, culture, preservation, concepts of philanthropy, and generally the spirit of Saratoga Springs. In addition, to celebrate and honor the 150 year anniversary of the Saratoga Race Track, works that highlight and commemorate the importance and influence of horse racing will be included. Interpretation can be broad or literal. Each artist may submit up to three works to TRASK. The Saratoga Springs Preservation Foundation, in partnership with the City of Saratoga Springs, is undertaking a thorough restoration of the Memorial. Following a successful TRASK fundraising campaign and event last June, the Foundation is continuing its four-year campaign in which approximately $250,000 need to be raised to preserve this landmark for future generations. Proceeds of the campaign will go to the conservation and restoration of the Memorial and toward developing a plan for future care and maintenance. 2 Saratoga Springs Preservation Foundation 112 Spring Street, Suite 203 / Saratoga Springs, NY 12866 (518) 587-5030 www.saratogapreservation.org A. -
Boston Symphony Orchestra Concert Programs, Summer, 1977
3*>N " * '•A *f*9&" TO s •* J\ '*#* I > m & "*\_ '' -^ irV *s* \. dW ... ^ «9 'jp^'V; K i VODKA. 80 PROOF. DISTILLED I SMIRNOFF® & 100 FROM GRAIN. STE. PI ERRE SM RNOFF FLS. (DIVISION OF H EUBLEIN, INCORPORATED ) HARTFORD. CONNECTICUT ^ Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety- Sixth Season 1976-1977 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, President Philip K. Allen, Vice President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Treasurer Vernon R. Alden Nelson J. Darling, Jr. Albert L. Nickerson Allen G. Barry Archie C. Epps III Mrs. James H. Perkins Dr. Leo L. Beranek E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Richard P. Chapman George Kidder David Rockefeller Jr. Dr. George Clowes Edward G. Murray Mrs. George Lee Sargent Abram T. Collier John Hoyt Stookey Trustees Emeriti Henry A. Laughlin Harold D. Hodgkinson John T. Noonan Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Walter Hill Dinah Daniels Director of Development Director of Business Affairs Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright ® 1977 Boston Symphony Orchestra Inc. Contents: page page Tanglewood 4 Programs 11-45 Seiji Ozawa 7 Berkshire Music Center 47 Map 8 Friends 49, 50 Information 9 The Board of Overseers of the Boston Symphony Orchestra Inc. -
Daniel Chester French: the Female Form Revealed,” on (1858–1933), 1913
Daniel Chester French The Female Form Revealed “The Spirit of Life, Maquette (Trask Memorial),” 1913. Plaster, 13-5/8 by 9-3/8 by 10 inches. French’s revised design for the Trask Memorial, evocative of By Jessica Skwire Routhier “benevolence, enthusiasm and joy,” found approval from its patron and was ultimately cast in bronze and installed as a fountain in Providence, R.I. BOSTON, MASS. — Scarcely an American today is unfamiliar with Daniel Chester French’s best-known work, the central sculpture of the Lincoln Memorial in Washington, D.C. About six million people visit it annually. Many billions more know it through movies like the Independence Day, Transformers and X-Men series, where it serves as an emblem, invariably threatened, for American integrity. And yet, of the many who imbue the statue with such significance, far fewer know the name of the gifted and prolific artist who created it. Even those who take the time to read the plaque about the sculptor will not, for the most part, recognize or appreciate the remarkable breadth of his career. That knowledge gap has begun to be addressed in recent years. Among “Daniel Chester French in His Chesterwood Studio” by Robert William Vonnoh such efforts is “Daniel Chester French: The Female Form Revealed,” on (1858–1933), 1913. Oil on canvas, 31 by 32 inches. Chesterwood. view at the Boston Athenaeum through February 19. The exhibition is, in some respects, a follow-up to 2013’s “From the Minute Man to the Lincoln Memorial,” presented at the Concord Museum in Massachusetts. (French’s almost-equally well-known sculpture, “The Minute Man,” is part of what is now Minuteman National Historic Park in Concord.) Like that show, this one is also co-organized by Chesterwood, French’s country home and studio in Stockbridge, Mass., which now operates as a National Trust Historic Site, and was co-curated by Chesterwood’s executive director, Donna Hassler. -
Daniel Chester French: the Female Form Revealed,” on View at the Boston Athenaeum Through February 19
ȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢȢ October 14, 2016 INDEXES ON Newsstand Rate $2.00 Published by The Bee Publishing Company, Newtown, Connecticut PAGES 36 & 37 DanielDaniel ChesterChester FrenchFrench The Female Form Revealed BOSTON ATHENAEUM “Daniel Chester French in His Chesterwood Studio” by Robert William Vonnoh (1858–1933), 1913. Oil on canvas, 31 by 32 inches. Chesterwood. BY JESSICA SKWIRE ROUTHIER BOSTON, MASS. — Scarcely an American today is unfamiliar with Daniel Chester French’s best-known work, the central sculpture of the Lincoln Memorial in Washington, D.C. About six million people visit it annually. Many billions more know it through movies like the Indepen- dence Day, Transformers and X-Men series, where it serves as an emblem, invari- ably threatened, for American integrity. And yet, of the many who imbue the statue with such significance, far fewer know the name of the gifted and prolific artist who created it. Even those who take the time to read the plaque about the sculptor will not, for the most part, recognize or appreciate the remarkable breadth of his career. That knowledge gap has begun to be addressed in recent years. Among such efforts is “Daniel Chester French: The Female Form Revealed,” on view at the Boston Athenaeum through February 19. The exhibition is, in some respects, a follow-up to 2013’s “From the Minute Man to the Lin- coln Memorial,” presented at the Concord Museum in Massachusetts. (French’s almost-equally well-known sculpture, “The Minute Man,” is part of what is now Minuteman National Historic Park in Concord.) Like that show, this one is also co-organized by Chesterwood, French’s country home and studio in Stockbridge, Mass., which now operates as a National Trust Historic Site, and was co-curated by Chesterwood’s executive director, Donna Hassler. -
Spirit of Life/Spencer Trask Memorial Design Report
Spirit of Life/Spencer Trask Memorial Design Report Saratoga Springs, New York Martha Lyon Landscape Architecture, LLC 313 Elm Street Northampton, MA 01060 413-586-4178 www.marthalyon.com September 2013 (page intentionally blank) Spirit of Life/Spencer Trask Memorial Restoration Project KEY HISTORICAL FIGURES Spencer Trask (1844 -1909) Spencer Trask was a successful New York-based banker and philanthropist who purchased land in Saratoga Springs, and built a 400-acre country estate, which became known as Yaddo. In the early 1900s, he became active in a movement to save the springs in Saratoga from depletion of carbonic gas, extracted by businesses for use in refrigeration and artificial water carbonation. He successfully lobbied the New York State legislature to establish a State Mineral Springs Reservation Commission, tasked with protecting the natural springs. He served as the first chairman, and was traveling in December 1909 to deliver the Commission’s report to the State legislature, when his train crashed, and Trask was killed. The Spirit of Life was erected in his memory. Katrina Trask (1853 -1922) A native of Brooklyn, New York, writer and peace activist Katrina (Nichols) Trask married Spencer Trask in 1874. The couple had four children, each of whom died in infancy. She published works of non-fiction as well as poetry and plays, including “In the Vanguard,” “Mors et Victoria,” “Night and Morning,” “King Alfred’s Jewels,” and nativity play, “The Little Town of Bethlehem.” Following her husband’s death in 1909, she remained a resident of Saratoga Springs, and in 1920 married her late husband’s former business partner, George Foster Peabody. -
Boston Symphony Orchestra Concert Programs, Summer, 2010
f^"^' 4iiKZ^ *i • , 1 • • 1 •A * "'^^fc-^w^ '1 !iC 2' i»f 1 { Li'^Va-i f^- --^ ^^ ' ,i.jba..j»ii^- - 1 . , ^1^ '^ -r L IpgC- . ;^ ' -^^isu^^i^^^^lHB^^ ^iv-i^ .^'^^^^*;.;'^--^si^^lS " ,. '^**r\jj 11^ -*ir ' -J " 5 - - '-^krm--.g-^ '^ ^^ l>.7 ^fc^ _^ ' -.JSidW" J^^^ '^ Ip^ -^'^r3m Bm^ ^ ^^^ 1 '2 '" ?* Tanglewood SUMMER 2010 Dale Chihuly ScHANTZ Galleries CONTEMPORARY GLASS 3 ELM STREET STOCKBRIDGE, MA 01262 413- 298 -3044 [email protected] Bright Green and Pink Seaform Set 8 x 15 x 9' photo: Scott Mitchell Leen NAGEMENT We/LL m^Jce^ it easy to m^t/e^yourpovtfoUo. © Copyngtit 2009 Ned Davis Research. Inc. Further distribution prohibited without prior permission All Rigtits Reserved. See NDR Disclaimer at www, ndr.com/copyright.html. For data vendor disclaimers refer to wv/w.ndr,com/vendorinfo/. May 11, 2001 (sell) May 10, 2002 (sell) November 15, 2007 (sell) "Don't get too scientific.just ask yourself; "If [the NASDAQ] pierces the 1600 level "The obvious answer is a temporary does it feel like a recession? We don't again, the prudent investor will not hold position in cash." think it feels as bad as 1990-1991, but it out for another relief rally...the NASDAQ The stock market fell 48.9% after is bad enougli." is setting up for a retest of the September that sell signal. [2007] lows of the 1400S." The stock market fell 16.5% until our next buy signal. June (sell) October 11, 2002 (buy) 9, 2008 September 28, 2001 (buy) "It will make sense to reduce equity "The VIX broke 50 [on October loth], "Equity valuations are better than they exposure." and that is my buy signal this time." have been in years." The stock market rose 80% until our March 6, 2009 (buy) The stock market rose 10.4% until our next sell signal. -
Ms0763 Draft 2
801 K Street NW Washington, D.C. 20001 www.DCHistory.org SPECIAL COLLECTIONS FINDING AID Title: MS 0763 Michael Richman Papers, 1965-2005 Processors: Sara Phan, Walter Albano Processed Date: 2008, 2010, 2015 [Finding Aid last updated March 2016] Michael Tingley Richman (b. 1943) attended St. Albans' School in Washington, D.C. He received his B.A. from Bowdoin College, Brunswick, Maine, in 1965; his M.A. in art history from George Washington University in 1970; and his Ph.D. in art history from the University of Delaware in 1974. He held a Samuel H. Kress fellowship at the National Gallery of Art in 1971-1972. He was hired by the National Trust for Historic Preservation while finishing his dissertation on Daniel Chester French. During his association with the National Trust for Historic Preservation, Richman edited the Daniel Chester French Papers, which are not included in the collections of the Historical Society of Washington, D.C. He directed a major retrospective of Daniel Chester French's sculpture, "Daniel Chester French: An American Sculptor," exhibited in 1976-1977. He also curated exhibitions of modern outdoor sculpture at Chesterwood, Daniel Chester French's home, in 1980, 1982, and 1985. Richman taught, lectured, and wrote extensively on public sculpture in Washington, D.C., at institutions such as American University, George Washington University, and George Mason University. Richman also chaired academic panels on American sculpture. Richman consulted and researched extensively on American public sculpture and monuments for government agencies. In 1973-1974 he completed an inventory of public sculpture in Washington, D.C., for the National Park Service (NPS).