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Boston Symphony Orchestra Concert Programs, Summer, 2010

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f^"^' 4iiKZ^ *i • , 1 • • 1 •A * "'^^fc-^w^ '1 !iC 2' i»f 1 { Li'^Va-i f^- --^ ^^ ' ,i.jba..j»ii^- - 1 . , ^1^ '^ -r L IpgC- . ;^ ' -^^isu^^i^^^^lHB^^ ^iv-i^ .^'^^^^*;.;'^--^si^^lS " ,. '^**r\jj 11^ -*ir ' -J " 5 - - '-^krm--.g-^ '^ ^^ l>.7 ^fc^ _^ ' -.JSidW" J^^^ '^ Ip^ -^'^r3m Bm^ ^ ^^^ 1 '2 '" ?* Tanglewood SUMMER 2010 Dale Chihuly ScHANTZ Galleries CONTEMPORARY GLASS 3 ELM STREET STOCKBRIDGE, MA 01262 413- 298 -3044 [email protected] Bright Green and Pink Seaform Set 8 x 15 x 9' photo: Scott Mitchell Leen NAGEMENT We/LL m^Jce^ it easy to m^t/e^yourpovtfoUo. © Copyngtit 2009 Ned Davis Research. Inc. Further distribution prohibited without prior permission All Rigtits Reserved. See NDR Disclaimer at www, ndr.com/copyright.html. For data vendor disclaimers refer to wv/w.ndr,com/vendorinfo/. May 11, 2001 (sell) May 10, 2002 (sell) November 15, 2007 (sell) "Don't get too scientific.just ask yourself; "If [the NASDAQ] pierces the 1600 level "The obvious answer is a temporary does it feel like a recession? We don't again, the prudent investor will not hold position in cash." think it feels as bad as 1990-1991, but it out for another relief rally...the NASDAQ The stock market fell 48.9% after is bad enougli." is setting up for a retest of the September that sell signal. [2007] lows of the 1400S." The stock market fell 16.5% until our next buy signal. June (sell) October 11, 2002 (buy) 9, 2008 September 28, 2001 (buy) "It will make sense to reduce equity "The VIX broke 50 [on October loth], "Equity valuations are better than they exposure." and that is my buy signal this time." have been in years." The stock market rose 80% until our March 6, 2009 (buy) The stock market rose 10.4% until our next sell signal. next sell signal. "Expect a bottom for the S&P 500 at 660 points." January 1, 2002 (sell) BERKSHIRE The stock market rose 63.2% from that buy signal to the of "I've had my three months of bullishness, end 2009. but now I must adhere, once again, to a more bearish sentiment." MONEY June 15, 2009 (buy) The stock market fell 30% until our next MANAGEMENT "The S&P 500 rose to 1100-1200 points buy signal. over the next eighteen months." The Knowledge & Experience to BuHd Your Wealth VISIT US AT WWW.BERKSHIREMM.COM OR CALL 888.232.6072 The S&P 500 Index (S&P) has been used as a comparative benchmark because the goal of the abovf strategy was to provide equity-like returns. The S&P is one of the world's most recognized indexes by investors the investment and industry for the eguity market. The S&R hov/eve , IS not a managed portfolio and Is not subject to advisory fees or trading costs, Investors cannot invest directly in the S&P 500 Index. The S&P returns also reflect the reinvestment of dividends. Berkshire Money Management is av/are of the benchmark comparison guidelines set forward in the SEC Clover No-Action Letter (1986) and compares clients' performance esults to a benchmark or a combination of benchmarks most closely resembling clients' actual portfolio holdings. Hov/ever. investors should be aware that the referenced benchmark fun Is may have a different composition, volatility, risk, investment philosophy, holding times, and/or other investment-related factors that may affect the benchmark funds' ultimate performa ice results. Therefore, an investor's individual results may vary significantly from the benchmark's performance. All indicated stock market calls and associated commentary are that of Al len Harris & Berkshire Money Management and have no relationship to NDR/MDR, KjfColelaaey iSc xyftoClellaml Precious Handmade & Estate Jewelry • Engagement Rings • Custom Design & Fabrication Appraisers and Buyers of Gold, Diamonds & Estate Jewelry "Jewlery designers Walter McTeigue and Tim McClellend are changing the look of high endjewelry" The San Francisco Chronicle 597 South Main Street. 608 Fifth Ave. Great Barrington, MA 01230 New York, NY 10020 Tuesday-Saturday 10am-5pm by appointment (Mfn) 800-956-2826 www.mc2jewels.com 1895 James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 129th season, 2009-2010 ^==^^ Trustees of the Boston Symphony Orchestra, Inc. Stephen B. Kay and Robert P. O'Block, Co-Chairmen • Edmund Kelly, Chairman-Elect • Diddy Cullinane, Vice-Chairman • Roger T. Servison, Vice-Chairman • Vincent M. O'Reilly, Treasurer George D. Behrakis • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D. Collins • Cynthia Curme • AlanJ. Dworsky • William R. Elfers • • Judy Moss Feingold, ex-offido • Nancy J. Fitzpatrick • Thelma E. Goldberg • Michael Gordon Brent L. Henry • Charles H. Jenkins, Jr. • John M. Loder • Carmine A. Martignetti • • R. • P. • • Robert J. Mayer, M.D. Nathan Miller Richard Morse Aaron J. Nurick, ex-offido Susan W. Paine • Carol Reich • Edward I. Rudman • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weber • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson David B. Arnold, Jr. • J.P Barger • Leo L. Beranek Deborah Davis Berman • Peter A. Brooke Helene R. Cahners • James F. Cleary • • John F. Cogan,Jr • Mrs. Edith L. Dabney Nelson J. Darling, Jr • Nina L. Doggett Mrs. John H. Fitzpatrick • Dean W. Freed Edna S. Kalman • George Krupp • • Mrs. August R. Meyer • Mrs. Robert B. Newman • William J. Poorvu • Irving W.Rabb Peter C. Read • Richard A. Smith • Ray Stata • John Hoyt Stookey • WilmerJ. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. May, ChiefFinandal Officer Suzanne Page, Clerk of the Board Board of Overseers of the Boston Synnphony Orchestra, Inc. Judy Moss Feingold, Chairman • William F. Achtmeyer • Noubar Afeyan • David Altshuler • Diane M. Austin • Judith W. Barr • Lucille M. Batal • Linda J. L. Becker • George W. Berry • Paul Berz • James L. Bildner • Mark G. Borden • Partha Bose • Anne F. Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne Burke • Ronald G. Casty • Carol Feinberg Cohen • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Charles L. Cooney Ranny Cooper • James C. Curvey • Gene D. Dahmen • Mrs. Miguel de Bragan^a • Paul F. Deninger • Ronald F. Dixon • Ronald M. Druker • Alan Dynner • Ursula Ehret-Dichter • John P. Eustis II • Joseph F. Fallon • Thomas E. Faust, Jr. • Steven S. Fischman • John F. Fish • Myrna H. Freedman • Carol Fulp • Robert Gallery • Robert P. Gittens • Carol Henderson • Susan Hockfield • Roger Hunt • William W. Hunt • • • • • Valerie Hyman Ernest Jacquet Everett L. Jassy Stephen J. Jerome Darlene Luccio Jordan, Esq. • Paul L. Joskow • Stephen R. Karp • Douglas A. Kingsley • Robert Kleinberg • Farla H. Krentzman • Peter E. Lacaillade • Charles Larkin • Robert J. Lepofsky • Christopher J. Lindop • Nancy K Lubin • Jay Marks • Jeffrey E. Marshall • Joseph B. Martin, M.D. • C. Ann Merrifield • Dr. Martin C. Mihm, Jr. • Programs copyright ©2010 Boston Symphony Orchestra Cover photo by Michael J. Lutch Maureen Miskovic • Robert Mnookin • Paul M. Montrone • Sandra O. Moose • • T. O'Connell • Peter Palandjian • Vincent Panetta, • Robert J. Morrissey Robert Jr. Diane Patrick • Joseph Patton • Ann M. Philbin • May H. Pierce • Claudio Pincus • Joyce L. Plotkin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • WiUiam F. Pounds • Dr. Tina Young Poussaint • Claire Pryor • Patrick J. Purcell • John Reed • Dr. Carmichael Roberts • Susan Rothenberg • Alan Rottenberg • Joseph D. Roxe • Kenan Sahin • Gilda Slifka • Christopher Smallhorn • Margery Steinberg • Theresa Stone • Patricia L. Tambone • Jean Tempel • Douglas Thomas • Mark D. Thompson • Albert Togut • Diana Osgood Tottenham • Joseph M. Tucci • Robert A. Vogt • David C. Weinstein • Christoph Westphal • James Westra • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug Overseers Emeriti Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • William T. Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Mrs. James C. Collias • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Disque Deane • Betsy P. Demirjian • JoAnne Walton Dickinson • Phyllis Dohanian • Goetz B. Eaton • Harriett Eckstein • • • George Elvin • Pamela D. Everhart J. Richard Fennell • Lawrence K. Fish Peter H.B. Frelinghuysen • Mrs. Thomas Galligan, Jr. • Mrs. James Garivaltis • Dr. Arthur Gelb Jordan Golding • Mark R. Goldweitz • Michael Halperson • John Hamill • Deborah M. Hauser • Mrs. Richard D. Hill • Marilyn Brachman Hoffman • Lolajaffe • Michael Joyce • Martin S. Kaplan • Mrs. S. Charles Kasdon • Mrs. Gordon F. Kingsley • Da\id L Kosowsky • Robert K Kraft • Benjamin H. Lacy • Mrs. William D. Larkin • Edwin N. London • Frederick H. Lovejoy, Jr. • Diane H. Lupean • Mrs. Charles P. Lyman • Mrs. Harry L. Marks • Joseph C. McNay • Albert Merck • John A. Perkins • Daphne Brooks Prout • Robert E. Remis • John Ex Rodgers • Roger A. Saunders • Lynda Anne Schubert • Mrs. Carl Shapiro • L. Scott Singleton • Charles A. Stakely • Patricia Hansen Strang • Samuel Thorne • Paul M. Verrochi • Robert A. Wells • • Mrs. Joan D. Wheeler • Margaret Williams-DeCelles • Mrs. John J. Wilson Richard Wurtman, M.D. Established 1974 Berkshire Record Outlet classical CD Deletions & Overruns: Top quality CDs, videos, musical scores, books, cassettes and LPs. Prices starting at ^1.99. Over 1 3,000 classical music titles at a fraction of their original retail cost. We also offer dozens of photographic reproductions of BSO tour posters and historic musicians at work and i -H^K^ play, all of which are on display
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  • La Traviata Al Liceu

    La Traviata Al Liceu

    1 LA TRAVIATA AL LICEU Estrena absoluta: 6 març 1853 al teatre de La Fenice de Venècia. Estrena de la segona versió, definitiva: 6 maig 1854 al teatre San Benedetto de Venècia. Estrena al Gran Teatre del Liceu: 25 octubre 1855. Darrera representació al Liceu: 18 juliol 2015. Total de representacions: 251 TEMPORADA 1855-1856 25-X-1855 LA TRAVIATA Nombre de representacions: 10 És estrena al Liceu. Número al Liceu: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. Dates: 25, 26, 28, 31 octubre; 1, 14, 18 novembre; 21, 26 desembre 1855; 6 gener 1856. Violetta Valéry: Eugénie Julienne-Dejean Flora Bervoix: Caterina Mas-Porcell Annina: Balbina Alabau Alfredo Germont: Giovanni De Vecchi Giorgio Germont: Gaetano Fiori Gastone: Josep Santés Barone Douphol: Josep Obiols Marchese d'Obigny: Francesc Sánchez Dottore Grenvil: José Aznar Giuseppe: Josep Gómez Director: Marià Obiols TEMPORADA 1859-1860 12-IV-1860 LA TRAVIATA Nombre de representacions: 8 Número històric al Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Dates: 12, 15 abril; 1, 2, 6, 15, 17, 30 maig 1860. Nota: Se suprimeix la cabaletta de l'ària del tenor al segon acte. Número històric al Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Última "Traviata" al Liceu: 6 gener 1856. Violetta Valéry: Carlotta Carozzi-Zucchi Flora Bervoix: Caterina Mas-Porcell 2 Annina: Isolina Porcell Alfredo Germont: Emilio Pancani Giorgio Germont: Leone Giraldoni Gastone: Gaetano Aducci Barone Douphol: Josep Obiols Marchese d'Obigny: Josep Coll Dottore Grenvil: Leopoldo Jover Giuseppe: Ignasi Costa Domestico di Flora: Francisco Sánchez Director: Marià Obiols TEMPORADA 1860-1861 1-XII-1860 LA TRAVIATA Nombre de representacions: 14 Número històric al Liceu: 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32.
  • Norman Bolter

    Norman Bolter

    Norman Bolter Born in Minneapolis, Minnesota, Norman Bolter was first inspired to play the trombone when, at age four, he saw the Captain Kangaroo television show character, "Mr. Greenjeans," play the same instrument. Mr. Bolter began his formal trombone studies at age nine with Ed VonHoff of the St. Paul Public School System. Later, he studied with Ronald Rickets and Steven Zellmer of the Minnesota Orchestra and with John Swallow at the New England Conservatory. Mr. Bolter is very thankful to these teachers and to former BSO principal bassoonist, Sherman Walt, not only for their technical and musical assistance but also for their encouragement and nurturance of his love of music and trombone playing. A Tanglewood Fellow and C. D. Jackson Award winner, Mr. Bolter joined the Boston Symphony Orchestra in 1975 at age 20, becoming the youngest member of the orchestra at that time. As well, he is principal trombonist of the Boston Pops Orchestra and was a founding member of the Empire Brass Quintet, which won the prestigious Walter H. Naumberg Award in Chamber Music, the first brass ensemble ever to win this award. Mr. Bolter has appeared, as a member of the Boston Pops Orchestra, on the televised PBS favorite "Evening at Pops" with Arthur Fiedler, John Williams and Keith Lockhart as conductors. He has toured extensively in the U.S., Europe, Asia and South America with the BSO, the Pops and the Empire Brass and has made many recordings with them. He also appears as principal trombonist on recordings with Orchestre National Bordeaux Aquitaine. Furthermore, Mr.