Mcpherson County Obituaries on File Last Name First Name Maiden Or Other Newspaper Newspaper Date Abbot George B
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Football Team Went Down in Bitter Defeat at the Hands of the Strong New Haven Team
mm m 1' i>: i'S. 9 r '-V.'SS i i . ■ \ M ! i : • * . '•4$M m . tk rn t;> s I 9 WISTARIAN | ! I: ' 1 -* '■>. "• ' A • vV'-io'r s'.'"i'.^/'-^: ';>> TA V-' V'.: 'i*fvA 3$g mm«pi ■filllll®:-v ■>-. 'jS’V v' v -V •• 'f I i 1 Wistarian 1959 University of Bridgeport Bridgeport, Connecticut Staff r \ i! ; Editor Charles S. Huestis Assistant Editor John B. Stewart, III V;. :«***. ^ : Art Editor Robert Stumpek i. ! • Copy Editor Sally Ann Podufaly T, - & ■ i — . Advisor Victor Swain I *» Art Advisor Sybil Wilson > I- •t els \} M U»-T«ip»^9 I •t. •? = . ‘ V . • • .. • - - • t i t ■ 5 •, -----------I — v .... P L: r ■ «« m "" > N. / «' i ■. L 'KH A ,-iii 1 : V T vV i =U ■ ’ \ 5 tsrThe title of this article, slightly altered, I becomes the keyword of our generation. ' nForward. The word itself connotes the rest- 04 0 less undercurrent that has intensified man's recent advancement. We are now riding a crest of inventive achievement. New \rs ideas have spurred manufacture and trans portation. Very recently men have begun to muster their frail strength and utilize their intelligence to probe the mysteries of the universe. Gropingly, steadily, man continues to extend his mastery over the elements. The world we are about to enter is brilliant, tense, and challenging; it is a place where new achievements and new dangers are born simultaneously. During this time of explosive advances, we here at the University have lived exact- ly the same collegiate pattern which our predecessors lived years ago. We studied untii daybreak; then fortified with black coffcwe went doggedly to class to be tested: v/e shelved our books in favor of the bj.ketball games, "bull" sessions, or do* when the threat of mental combat was loss imminent; we spent countless hours discussing the administration, the world situation, the faculty, our classmates. -
Get This Week's Gazette
LIBRARY OF CONGRESS Volume 14, No. 30 A Weekly Newspaper for the Library Staff September 5, 2003 Librarian Names Louise Glück 12th Poet Laureate ouise Glück, an award-winning laureate’s offi ce during the next year.” author of nine books of poetry, is Glück succeeds Poets Laureate Billy Lthe 12th poet to be named to the Collins, Robert Pinsky, Robert Hass, Stan- Library’s offi ce of Poet Laureate Consul- ley Kunitz, Rita Dove, Mona Van Duyn, tant in Poetry. She will open the Library’s Joseph Brodsky, Mark Strand, Howard annual literary series on Tuesday, Oct. Nemerov, Richard Wilbur and Robert 21, with a reading of her work. Penn Warren. On Wednesday, Oct. 22, she will host Her nine books of poetry include a Favorite Poem reading with Frank “The Seven Ages” (Ecco Press, 2001); Bidart and former Poet Laureate Robert “Vita Nova” (1999), which was awarded Pinsky. In addition to programming a The New Yorker magazine’s Book Award new reading series for younger poets, in Poetry; “Meadowlands” (1996); “The Glück will participate in Library events Wild Iris” (1992), which received the in February and again in May. Pulitzer Prize and the Poetry Society Louise Glück In announcing the appointment, of America’s William Carlos Williams Librarian of Congress James H. Bill- Award; “Ararat” (1990), which received ington said, “Louise Glück will bring to series of book-length poetic cycles. Her the Library’s Rebekah Johnson Bobbitt the Library of Congress a strong, vivid, prize-winning poetry and her great inter- National Prize for Poetry; and “The Tri- deep poetic voice, accomplished in a est in young poets will enliven the poet GLÜCK, Continues on page 12 Surgeon General Opens Hispanic Month Events ice Admiral Richard H. -
Pilot Season
Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography. -
The Practical Use of Comics by TESOL Professionals By
Comics Aren’t Just For Fun Anymore: The Practical Use of Comics by TESOL Professionals by David Recine A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in TESOL _________________________________________ Adviser Date _________________________________________ Graduate Committee Member Date _________________________________________ Graduate Committee Member Date University of Wisconsin-River Falls 2013 Comics, in the form of comic strips, comic books, and single panel cartoons are ubiquitous in classroom materials for teaching English to speakers of other languages (TESOL). While comics material is widely accepted as a teaching aid in TESOL, there is relatively little research into why comics are popular as a teaching instrument and how the effectiveness of comics can be maximized in TESOL. This thesis is designed to bridge the gap between conventional wisdom on the use of comics in ESL/EFL instruction and research related to visual aids in learning and language acquisition. The hidden science behind comics use in TESOL is examined to reveal the nature of comics, the psychological impact of the medium on learners, the qualities that make some comics more educational than others, and the most empirically sound ways to use comics in education. The definition of the comics medium itself is explored; characterizations of comics created by TESOL professionals, comic scholars, and psychologists are indexed and analyzed. This definition is followed by a look at the current role of comics in society at large, the teaching community in general, and TESOL specifically. From there, this paper explores the psycholinguistic concepts of construction of meaning and the language faculty. -
UNSTOPPABLE in COMEDY and BEYOND Joan Rivers Never Shied from Taking Chances, and That’S No Laughing Matter
REMEMBERING JOAN RIVERS FRIDAY, SEPTEMBER 5, 2014 Bob Chamberlin/ Los Angeles Times JOAN RIVERS often bantered with the audience as a host on “Fashion Police.” UNSTOPPABLE IN COMEDY AND BEYOND Joan Rivers never shied from taking chances, and that’s no laughing matter By Mary McNamara TELEVISION CRITIC ust as we long suspected, the only thing rible, Rivers, who died at age 81 on Thursday, that could stop Joan Rivers was death. created a kind of in-your-face, self-depreca- Abrasive, raunchy, self-immolating tion that both exploited the tendency toward J and often unapologetically offensive, self-hatred in comedy, particularly women’s Rivers changed comedy, courted con - comedy, and satirized it. troversy, survived catastrophe and refused to If as she grew older Rivers developed a rep- give up or give in, even when either of those utation for being more mean than funny — in might have seemed the best option. recent months, she was criticized for, among Known best for her grating, New York-af- other things, her remarks regarding Adele’s flicted tones, penchant for plastic surgery and weight, Palestinians and the Holocaust — willingness to tell anyone that they looked ter- she remained true to the brassy image and Remembering Joan Rivers take-no-prisoners attitude that allowed her to was impossible not to admire the indefatiga- rise during a time when the term “female co- ble spirit, the refusal to let anything soften or median” was almost an oxymoron. sag, including her very sharp tongue. Rivers famously wrote for Ed Sullivan and I remember seeing Rivers at the 2007 Os- then Phyllis Diller, appeared on “The Tonight cars, dressing down an official who was at- Show” when it was still hosted by Jack Paar, tempting to turn her away from the red carpet then became one of Johnny Carson’s guest because she wasn’t wearing her credentials. -
Shawn Paper Ace Editor
SHAWN PAPER ACE EDITOR FEATURES THE BROKEN HEARTS GALLERY Natalie Krinsky Tri-Star Pictures / No Trace Camping THAT AWKWARD MOMENT Tom Gormican Focus Features SHOULD’VE BEEN ROMEO Marc Bennett Phillybrook Films WHAT IS IT? Crispin Glover Volcanic Eruptions TELEVISION IN FROM THE COLD Ami Canaan Mann, Netflix / Silver Lining Entertainment Paco Cabezas & Birgitte Staermose SWEET TOOTH Jim Mickle, Robyn Grace Team Downey / Warner Bros Television / Netflix & Toa Fraser WHAT WE DO IN THE SHADOWS Taika Waititi, Taika Waititi, Jemaine Clement, Paul Simms / FX Official Selection, SXSW Film Festival (2019) Jemaine Clement, Jason Woliner & Jackie Van Beck CRASHING (Seasons 2 & 3) Judd Apatow, Judd Apatow, Pete Holmes, Judah Miller / HBO Gillian Robespierre, Oren Brimer & Ryan McFaul VEEP (Season 5) Various David Mandel, Julia Louis-Dreyfus / HBO Nominated, Outstanding Single-Camera Picture Editing for a Comedy Series, Primetime Emmy Awards (2012) Nominated, Best Edited Half-Hour Series for Television, ACE Eddie Awards (2012) I FEEL BAD (Pilot) Julie Anne Robinson Amy Poehler / Paper Kite Productions / NBC MOZART IN THE JUNGLE (Season 2) Paul Weitz Paul Weitz, Jason Schwartzman, Roman Coppola / Amazon GIRLS (Seasons 1, 2, 3 & 4) Richard Shepard Lena Dunham, Judd Apatow, Jenni Konner / HBO Jamie Babbit FRIENDS FROM COLLEGE Nicholas Stoller Nicholas Stoller, Francesca Delbanco / Netflix SANTA CLARITA DIET Ruben Fleischer Victor Fresco, Tracy Katsky /Netflix MARRY ME (Pilot) Seth Gordon David Caspe, Jamie Tarses / NBC GAFFIGAN (Pilot) Seth Gordon Jim -
Symbol of Conquest, Alliance, and Hegemony
SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO by ZACHARY WINGERD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 Copyright © by Zachary Wingerd 2008 All Rights Reserved ACKNOWLEDGEMENTS I offer thanks to Dr. Dennis Reinhartz, Dr. Kenneth Philp, Dr. Richard Francaviglia, and Dr. Joseph Bastien who agreed to sit on my dissertation committee and guide my research and writing. Special thanks are given to Dr. Douglas Richmond who encouraged my topic from the very beginning and as the committee chair actively supported my endeavor. May 1, 2008 iii DEDICATED TO MY LOVING WIFE AND SONS Lindsey, Josh, and Jamie iv ABSTRACT SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO Zachary Wingerd, PhD. The University of Texas at Arlington, 2008 Supervising Professor: Douglas Richmond The universality of the cross image within the transatlantic confrontation meant not only a hegemony of culture, but of symbolism. The symbol of the cross existed in both European and American societies hundreds of years before Columbus. In both cultures, the cross was integral in religious ceremony, priestly decoration, and cosmic maps. As a symbol of life and death, of human and divine suffering, of religious and political acquiescence, no other image in transatlantic history has held such a perennial, powerful message as the cross. For colonial Mexico, which felt the brunt of Spanish initiative, the symbol of the cross penetrated the autochthonous culture out of which the independent nation and indigenous church were born. -
KATHRYN HIMOFF, ACE Editor
KATHRYN HIMOFF, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS PLAYERS Trish Sie CAMPFIRE / NETFLIX Feature Film Ross Dinerstein, Ross Girard, Marc Platt UNT. YANCE FORD DOC Yance Ford HARPO FILMS Documentary Keetin Mayakara LOVE, GUARANTEED Mark Steven NETFLIX Feature Film Johnson Stephanie Slack, Margret Huddleston LIMETOWN Rebecca Thomas ENDEAVOR CONTENT / FACEBOOK Pilot & Season 1 Andre Nemec, Josh Appelbaum FINDING STEVE MCQUEEN Mark Steven IDENTITY FILMS Johnson Anthony Mastromauro, Silvio Muraglia THE FINEST Regina King LINCOLN SQUARE / ABC SIGNATURE Pilot Raymond Quinlan, Linda Berman, Pam Veasey EVERY DAY Michael Sucsy MGM / Peter Cron, Paul Trijbits GUARDIANS OF THE GALAXY II James Gunn MARVEL / DISNEY Add’l Editor Louis D’Esposito, Kevin Feige Victoria Alonso, Jonathan Schwartz DICE Series Various Directors SHOWTIME / Furst Films, Richard Shepard THE MAN IN THE HIGH CASTLE David Semel SCOTT FREE PROD. / AMAZON Pilot David Zucker, Ridley Scott, Frank Spotnitz Mark Mitchell THE STRAIN Peter Weller FX Series Deran Sarafian Guillermo del Toro, Carlton Cuse TRUST ME Clark Gregg BRON STUDIOS / Keith Kjarval JOYFUL NOISE Todd Graff ALCON / WARNER BROS. / Andrew Kosove GEORGIA O’KEEFE Bob Balaban SONY MOW Josh Maurer, Alixandre Witlin, Tony Mark APPALOOSA Ed Harris GROUNDSWELL / NEW LINE CINEMA Michael London, Ed Harris, Robert Knott LICENSE TO WED Ken Kwapis WARNER BROS. Robert Simonds, Christine Sacani UGLY BETTY Richard Shepard ABC Pilot Ben Silverman, Teri Weinberg, Silvio Horta THE SISTERHOOD OF THE Ken Kwapis WARNER BROS / ALCON TRAVELING PANTS Andrew Kosove, Debra Martin Chase THE OFFICE Pilot Ken Kwapis NBC / Ken Kwapis, Greg Daniels HOUSE OF 1000 CORPSES Rob Zombie LIONSGATE / Andy Gould POLLOCK Ed Harris SONY CLASSICS / Fred Berner, Jon Kilik Nominated, Academy Award, Best Actor Peter Brant, Joseph Allen Won, Academy Award, Best Supporting Actress KILLING ZOE Roger Avary OCTOBER FILMS Quentin Tarantino, Samuel Hadida INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Jnt£Rnationa1 Journal of Comic Art
JNT£RNATIONA1 JOURNAL OF COMIC ART Vol. 14, No. 1 Spring2012 112 113 Graphic Tales of Cancer catharsis, testimonies, and education. Michael Rhode and JTH Connor1 Cartoons, Comics, Funnies, Comic Books "Cancer is not a single disease," said Robert A. Weinberg, a cancer While names work against it, and demagogues have railed against it, biologist at the Whitehead Institute and the Massachusetts Institute comic art has not necessarily been for children. 8 And cancer is not the only of Technology. "It's really dozens, arguably hundreds of diseases."' illness seen in comic art-- characters have died of AIDS in the "Doonesbury" comic strip and the Incredible Hulk comic book, and survived AIDS in Peeter's autobiographical Blue Pills; "Doonesbury"'s football-star-turned-coach B.D. Few people in North America are unaware of or unaffected by the popular suffered a traumatic amputation of his leg in Iraq; "Crankshaft" coped with and professional publicity related to the incidences of the various forms of Alzheimer's disease; Frenchman David B. cartooned a graphic novel on his cancer, the search for a "cure for cancer," the fund-raising runs and other brother's epilepsy; Haidee Merritt drew gag cartoons about her diabetes; similar campaigns in support of research into its causes and treatment, or the "Ziggy"'s Tom Wilson wrote a prose book on his depression, and Keiko To be pink-looped ribbon that is immediately identifiable as the "logo" for breast won awards for her 14-volume fictional manga about autism. 9 Editorial cancer awareness. Study of the history of cancer through professional medical cartoonists have long addressed the link between tobacco use and cancer, 10 and surgical literature is an obvious and traditional portal to understanding as did Garry Trudeau who has long opposed smoking as seen in his Mr. -
March 7, 2021 | Third Sunday of Lent Mass Schedule Monday, Tuesday, Wednesday, Friday 7 A.M.| Saturday 8 A.M
North American Martyrs Church March 7, 2021 | Third Sunday of Lent Mass Schedule Monday, Tuesday, Wednesday, Friday 7 a.m.| Saturday 8 a.m . and 4:30 p.m. (Vigil) | Sunday 8:30 a.m. and 10:30 a.m. PASTOR Rev. Frederick D. Fraini, III OFFICE STAFF Susan Zammarelli, Secretary Lisa Burkitt, Religious Ed. Director & Safety Environment Coordinator BAPTISMS: Contact the parish office to learn about our Call to Celebrate: Baptism Program. MARRIAGE: Contact the parish office at least 1 year in advance of the wedding date to make arrangements. ANOINTING OF THE SICK: If you have family members who are ill, anticipating surgery or weakened because of prolonged illness or advanced age, contact the parish office for assistance. CONFESSIONS: Saturday 3 - 3:45PM or by appointment in the parish hall. Please knock before entering the hall. Masks must be worn. During Lent, additional confessions will be held on Tuesday evenings from 7pm - 8pm. COMMUNION CALLS: Parishioners who are sick or disabled may call the parish office to arrange for the Holy Eucharist to be brought to them at home. COVID safety protocols are in place. RECTORY OFFICE HOURS Tuesday & Wednesday 12:30 p.m. -4:30 p.m. | Thursday 8 a.m. - 12 p.m. 8 Wyoma Dr. Auburn, MA 01501 | 508-798-8779 | www.namartyrsauburn.org Mass Intentions Stations of the Cross Saturday, March 6th The Stations of the Cross will be held Fridays 8:00a.m. William Kustra during Lent (with the exception of Good Friday) 4:30p.m. Gerald F. Falvey First Anniversary at 7pm in the church. -
Výroční Zpráva Ústavu Pro Studium Totalitních Režimů Za Rok 2017
Výroční zpráva 2017 Ústav pro studium totalitních režimů a Archiv bezpečnostních složek Rok 2017 v číslech 8 nových výstav 588 připravili zaměstnanci ÚSTR učitelů prošlo akcemi Oddělení vzdělávání ÚSTR 702 nových svědectví přibylo na portálu Paměť národa, celkem se zde nachází 4153 svědectví 8 aktuálně řešených grantových projektů přineslo ÚSTR cca 4,6 milionu Kč 106 zahraničních služebních cest uskutečnili zaměstnanci ÚSTR 270 962 návštěv zaznamenaly webové stránky ÚSTR a 129 971 návštěv webové stránky ABS 7 2908 nových grantových projektů odpovědí na badatelské a úřední bylo získáno v roce 2017 žádosti odeslali pracovníci ABS 12 žádostí podle zákona č. 106/1999 Sb., 9474 o svobodném přístupu k informacím, příznivců registruje ÚSTR přijaly ÚSTR a ABS na facebookových profilech 20 41 výstav uvedl ÚSTR projektů zahrnuje odbornou činnost ÚSTR v 50 reprízách v ČR i v zahraničí 69 odborných pracovníků a pracovnic pracuje na výzkumných projektech ÚSTR 27 publikací a 6 čísel časopisů vydal ÚSTR 2035 badatelů vykonalo v ABS 4370 badatelských návštěv 1059 registrovaných badatelů si v eBadatelně prohlédlo 17 426 inventárních jednotek 60 391 jednotek archiválií bylo předloženo badatelům 385 odborných stanovisek podle zákona č. 262/2011 Sb., o účastnících odboje a odporu proti komunismu, bylo zpracováno v ABS a ÚSTR 69 58 exkurzí navštívilo budovy konferencí, seminářů a workshopů ÚSTR ÚSTR nebo ABS pořádal nebo spolupořádal 3072 4 142 326 účastníků navštívilo odborné skenů bylo veřejnosti nově zpřístupněno a popularizační akce ÚSTR v eBadatelně Obsah Úvod 7 1.1 Rada Ústavu pro studium totalitních režimů 9 1 1.2 Vědecká rada 9 1.3 Personální zabezpečení 10 1.4 Poskytování informací podle zákona č. -
Assessing the Vulnerability of Watersheds to Climate Change: Results of National Forest Watershed Vulnerability Pilot Assessments
D E E P R A U R T LT MENT OF AGRICU United States Department of Agriculture Forest Service Pacific Northwest Research Station Assessing the Vulnerability General Technical Report PNW-GTR-884 of Watersheds to Climate July 2013 Change Results of National Forest Watershed Vulnerability Pilot Assessments The Forest Service of the U.S. Department of Agriculture is dedicated to the principle of multiple use management of the Nation’s forest resources for sustained yields of wood, water, forage, wildlife, and recreation. Through forestry research, cooperation with the States and private forest owners, and management of the national forests and national grasslands, it strives—as directed by Congress—to provide increasingly greater service to a growing Nation. The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, sex, religion, age, disability, sexual ori- entation, marital status, family status, status as a parent (in education and training programs and activities), because all or part of an individual’s income is derived from any public assis- tance program, or retaliation. (Not all prohibited bases apply to all programs or activities). If you require this information in alternative format (Braille, large print, audiotape, etc.), con- tact the USDA’s TARGET Center at (202) 720-2600 (Voice or TDD). If you require information about this program, activity, or facility in a language other than English, contact the agency office responsible for the program or activity, or any USDA office. To file a complaint alleging discrimination, write USDA, Director, Office of Civil Rights, 1400 Independence Avenue, S.W., Washington, D.C.