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HEOP Assistant Director Dies of Cancer Complete USG Election
• •'> • . ."'News ' ' • Features Arts ^ Papal Document Targeting Making Out at the Met Americanos; New Exhibit Explores Catholic Colleges and Universities Revised Page 10 Latino life Page 3 Page 15 The bserver November 3, 1999 THE STUDENT VOICE OF FORDHAM COLLEGE AT LINCOLN CENTER VOLUME XVIII, issue 4 US Department Education HEOP Assistant Director Dies of Cancer FAFSA Forms By Brian Cuthbert and wouldn't turn anyone away." HEOP officials declined further com- By David Cauldwell Eric Johnson, Assistant Director of ment on the outcome of this charge. HEOP (Higher Education "Eric made it a point not to burden The United States Department of Opportunity Program), died October people with his illness. He would come Education is recalling this year's Free 10 of cancer. He was 53 years old. to work and do his job, and wouldn't let Application for Federal Student Aid Johnson, FCLC '82, worked for the any personal problems affect his (FAFSA) forms already sent to col- last 17 years at HEOP. He was diag- work," said HEOP counselor, Maria leges because of errors found on the nosed with cancer in 1996, according Aponte. "He was a very quiet and dig- applications, according to Karen to HEOP student worker,, Samantha nified person who played a big role in Freeman, Communications Director Gonsalves, FCLC '01. "Eric had a many students' lives. Eric,, was always for the Student Financial Assistance great relationship with the students," very concerned about them." Program for the Department of said Gonsalves. "He was like a friend Eric was a student in the HEOP pro- Education with a great sense of humor, even a gram at FCLC and became a coun- Eric Johnson, Assistant Director of hEOP father figure at times, keeping the stu- selor in his senior year. -
Fordham Honors Nobel Peace Prize Recipient
Very Bad Thing's h Starr ' i Can AFG be CHristian Slater ;. is the Best!! the beasts of The Observer interview the NFL? page 14 page 5 page 19 November 25, 1998 THE STUDENT VOICE OF FORDHAM COLLEGE AT LINCOLN CENTER VOLUME xvii. issue e $80,000 Up for Fordham Honors Nobel Grabs in Student Activities Budget Peace Prize Recipient By Ron Zapata 23, Hume received a Doctor of Laws, Process honoris causa, from Fordham By Jane McGonigal As a Catholic ten-year-old boy living University for his efforts in Northern under the religious strife in Northern Ireland. Held at the McNally With student club budget proposals Ireland in 1947, John Hume experi- Amphitheater, Hume graced the stage due November 30, and the Student enced his first political lesson at a donned in Fofdham's traditional con- Activities Budget Committee (SABC) nationalist meeting with his father. vocation attire of flowing, maroon slated to meet on December 4 to allo- The meeting, dominated by enthusias- gowns ; Described by Father Joseph cate funds close to $80,000, according tic, flag-waving Catholics, called for a A. Q'Hare, president of the University, to Student Activities Office (SAO) bud- united Ireland, separate from the as a "warrior of peace," Hume may get records, club members are anx- Protestant rule of Great Britain. finally be seeing the fruition of his iously waiting to see if their requests for "I was^ getting very emotional," work. John Hume, Nobel Peace Prize Recipient financial support for programs, l#c- Hume recalled, "Then my father put In 1970, Hume became one of the tures; and publications will be accepted his hand on my shoulder and said founders of the Social Democratic apd Republican Army (IRA). -
Horror, Sexo E Explora~Ao No Cinema I Lucio De Franciscis Dos Reis Piedade
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado em Multimeios A CULTURA DO LIXO HORROR, SEXO E EXPLORA<;AO NO CINEMA LUCIO DE FRANCISCIS DOS REIS PIEDADE exemplar e a reda<;ao da dissertayao defendida pelo Sr/Lucio De Franciscis ~os Reis PiecJade . ' '~ova<\_a pela Disserta9ao apresentada ao Curso de Mestrado Com1ss.ral(i.·'!. <;~o·· .. file · /ll'/2002. em Multimeios do lnstituto de Artes da UN ICAMP i \! . i l: "\b'\ i \\ ' -------------t----\\Tf\- '!-1:; -*:.--------------- como requisito parcial para a obten9ao do grau 1 ,_ \~~ de Mestre em Multimeios sob a orienta9ao do ~~~~~.,;\~\ ~~~~~~----' Prof. Dr. Marcius Cesar Soares Freire. CAMPINAS- 2002 V EX ..,.,"'n"n"" TOMBO SCI 5 3:I16 PROC.c] A;;;_, l.f /0o[ll C PAE!;O $'"" -1,-'!P DATAs/nY roa: N'CPD_ 1. CM001821 i ~ .. FICHA CAT ALOGRAFICA ELABORADA PELA BffiLIOTECA DO IA. - UNICAMP Piedade, Lucio De F ranciscis dos Reis. P595c A cultura do lixo: horror, sexo e explora~ao no cinema I Lucio De Franciscis dos Reis Piedade. - Campinas,SP: [s.n.], 2002. Orientador: Marcius Cesar Soares Freire. Disserta~ao ( mestrado) - Universidade Estadi.Jal de Campinas, Institute de Artes. I . Cinema- hist6ria. 2. Sexo no cinema. 3. Filmes de horror. L Freire, Marcius Cesar Soares. II. Universidade Estadual de Campinas.Instituto de Artes. Ill. Titulo. Para Lucia, minha mulher, pelo apoio e pela paciencia. 3 Agradeqo a CAPES pelo apoio, atraves de balsa concedida entre os meses de novembro de 2001 e outubro de 2002. 4 Resumo: 0 presente trabalho e uma investigayao das relayoes entre o cinema de horror eo que se convencionou chamarfilmes exploitation- filao vasto e prolffico que se desenvolveu a mar gem da industria principaL Atraves de uma retrospectiva hist6rica, pretendemos estabelecer os pontes em que se cruzam essas tendencias, na explora9ao do horror explfcito - o assim chamado "sangue-e tripas" -, do sexo e da violencia. -
Bright Lights, Small University
Influenced By The Nostalgia1 Page 14 The bserver April 14, 1999 THE STUDENT VOICE OF FORDHAM COLLEGE AT LINCOLN CENTER VOLUME XVII. Fordham Giant Rat Calls Attention To Curriculum Fordham's First Union Dispute Goes High-Tech By Mary Anne Feeney Not only was there a large, J blown-up rodent, laborers from.| First Ever Internet-based On Wednesday, April 7th, a rat, local #78 also handed out flyersj Class Offered at Lincoln approximately 25 feet high, was calling Fordham to "BEWARE.".;; placed in front of the Lowenstein The flyer claimed that if? Center this Fall Building at Lincoln Center Campus Fordham does decide to hire.8 for the third time in the last month. It Fiber Control Inc. to remove"^ was set up by the Laborers' Local #78 asbestos, they might possibly in protest to Fordham's favoring of have a health risk on their hands. Fiber Control Inc. to do an asbestos The flyer asserts -that Fiber removal job in order to build two new Control Inc. has been fined "thou- classrooms on the six floor later this sands of dollars by the month, according to union members. Department of Environmental "The Rat is meant to grab atten- Protection for failure to follow tion," said Sal Speziale, president of proper safety precautions." The Rat visits Fordham By Gina Salamone the Laborers' Local #78. We're airing "When I was handed that flyer, I work. Also, notices, by law, are posted Fordham's dirty laundry." thought about my health. I mean real- informing the public that asbestos Fordham's Lincoln Center campus Grab attention it did, though many ly. -
Lives Stolen for Luxury
Lives Stolen Devine Movie Review: for Luxury Gifts for Rushmore Under $10 page 8 page page 14 The bserver February 10, 1999 THE STUDENT VOICE OF FORDHAM COLLEGE AT LINCOLN CENTER VOLUME xvn, 1..0. s USG Fights Fire in McMahon Hall Leaves Several For Reading Apartments Damaged, Nobody Injured photo by Katerina Venetis Days at FCLC By Jane McGonigal they had seen the burn- photo bv Saunter Tsai ing mattress and,bed- Wednesday, February 3 -A fire was dis- spread thrown from a covered at 7:40 a.m. in apartment 6B1 window in 6B, appar- of McMahon Hall, apparently a result ently by firefighters, of a unextinguished cigarette that and the Observer con- jgnited a bedspread and mattress in firmed that the remains one student's bedroom, according to of these objects were director of security John Carroll. still present on a grassj There were'no injuries, officials stated, area above the roclt but significant water damage occurred garden later that morn By Gina Salamone in five apartments as a result of fire- ing. They were cleanec fighters' efforts to put out the fire. up by mid-afternoon. United Student Government (USG) is Sprinklers were automatically acti- At the time of print- currently trying to incorporate read- vated When they sensed the extreme ing, 6B residents were The fire department in fromt of McMahon Hall ing days into the Fordham College at temperatures of the fire, according to busy salvaging their the morning of the fire Lincoln Center (FCLC) schedule for security supervisor Mike Swikata, and belongings from the apartment and that besides the carpet damage, their the upcoming academic year. -
Soft in the Middle Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Ii Andrews Fm 3Rd.Qxd 7/24/2006 12:20 PM Page Iii
Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page i Soft in the Middle Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page ii Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iii Soft in the Middle The Contemporary Softcore Feature in Its Contexts DAVID ANDREWS The Ohio State University Press Columbus Andrews_fm_3rd.qxd 7/24/2006 12:20 PM Page iv Copyright © 2006 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Andrews, David, 1970– Soft in the middle: the contemporary softcore feature in its contexts / David Andrews. p. cm. Includes bibliographic references and index. ISBN 0-8142-1022-8 (cloth: alk. paper)—ISBN 0-8142-9106 (cd-rom) 1. Erotic films— United States—History and criticism. I. Title. PN1995.9.S45A53 2006 791.43’65380973—dc22 2006011785 The third section of chapter 2 appeared in a modified form as an independent essay, “The Distinction ‘In’ Soft Focus,” in Hunger 12 (Fall 2004): 71–77. Chapter 5 appeared in a modified form as an independent article, “Class, Gender, and Genre in Zalman King’s ‘Real High Erotica’: The Conflicting Mandates of Female Fantasy,” in Post Script 25.1 (Fall 2005): 49–73. Chapter 6 is reprinted in a modified form from “Sex Is Dangerous, So Satisfy Your Wife: The Softcore Thriller in Its Contexts,” by David Andrews, in Cinema Journal 45.3 (Spring 2006), pp. 59–89. Copyright © 2006 by the University of Texas Press. All rights reserved. Cover design by Dan O’Dair. Text design and typesetting by Jennifer Shoffey Forsythe. -
The Beast of Yucca Flats
Apocalypse Later Books by Hal C F Astell Cinematic Hell Huh? An A-Z of Why Classic American Bad Movies Were Made Filmography Series Velvet Glove Cast in Iron: The Films of Tura Satana Festival Series The International Horror & Sci-Fi Film Festival 2012 Apocalypse Later Cinematic Hell Huh? An A-Z of Why Classic American Bad Movies Were Made Apocalypse Later Press Phoenix, AZ Apocalypse Later Cinematic Hell Series Huh? An A-Z of Why Classic American Bad Movies Were Made ISBN-10: 0989461300 ISBN-13: 978-0-9894613-0-6 Apocalypse Later Press catalogue number: ALP001 Reviews by Hal C F Astell These reviews originally appeared, albeit in evolutionary form, at Apocalypse Later http://www.apocalypselaterfilm.com They evolved out of a series of reviews I wrote for Cinema Head Cheese http://cinemaheadcheese.blogspot.com Front cover art by Eric Schock http://www.evilrobo.com All posters and videocassette covers reproduced here are believed to be owned by the studios, producers or distributors of their associated films, or the graphic artists or photographers who originally created them. They are used here in reduced, black and white form in accordance with fair use or dealing laws. Published through CreateSpace https://www.createspace.com Typeset in Gentium http://scripts.sil.org/FontDownloadsGentium Licensed through Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0) http://creativecommons.org/licenses/by-nc-sa/3.0/ Dedication This book is dedicated to three ladies and three gentlemen, all of whom had a hand in its evolution, however inadvertently. Pam Astell, you’ve put up with me longer than anyone else and, in doing so, taught me to read, to write and to think. -
Doris Wishman
Doris Wishman Indie Filmmaker, 1912-2002 by David Rosen Doris Wishman once said, “After I die I host of pseudonyms like Louis will be making movies in Hell!” And Silverman, Dawn Whitman, Doris she probable is. Chasnik, Dee Ess, Luigi Manicottale, O. O. Miller, Lazarus Volkyl and Doris Wishman is the mother of modern Wisher. filmed pornography. Born on July 23, 1912, in Manhattan, she died on The Queen of Sexploitation grew-up in August 10, 2002, in Miami, living a Forest Hills, Queens, attended Hunter most adventurous life. She was a self- College, studying acting. She hoped taught independent filmmaker who to become an actress and, in time, wrote, produced (and found the found roles in her own movies. Later money!), directed, cast, edited and in life, she reflected: “I’m a frustrated acted in nearly all of her 30 actress — very frustrated. I films. went to dramatic school with Shelley Winters, and I was Her films ranged from far better than she. I know "nudies" to "roughies" to that doesn’t sound right, but "chesties" and, finally, to it’s so.” Through her cousin, "slashers," her works who was a partner with the expressing the movie producer, Joseph E. underground, cult porn Levine, she got her first job scene of the ’60 and ‘70s. in the “business,” a A film critic once opined, secretary in a film “Doris Wishman is not distribution company. She merely the Grand Dame of married Jack Abrahms, an bargain basement advertising industry sexploitation films, she is executive, and moved to the Godard of low-budget genre films.” Florida. -
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50. -
Foam Rainbow: Where Humour, Disgust and Failure Mingle in Contemporary
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Foam Rainbow Where humour, disgust and failure mingle in contemporary art by Jane Polkinghorne A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Sydney College of the Arts, University of Sydney. 2016 ii Acknowledgements The biggest thank you to my supervisor Jacqueline Millner for her sage words and excellent advice as well as support and friendship and many other things too numerous to list here. -
Jennifer Chambers Lynch Céline Gobert
Document generated on 10/01/2021 8 p.m. 24 images Jennifer Chambers Lynch Céline Gobert Le cinéma de genre au féminin Number 179, October–November 2016 URI: https://id.erudit.org/iderudit/83640ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Gobert, C. (2016). Jennifer Chambers Lynch. 24 images, (179), 27–27. Tous droits réservés © 24/30 I/S, 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER — Le cinéma de genre au féminin JENNIFER CHAMBERS LYNCH vec quatre ®ilms au compteur, la ®ilmographie de la ®ille de David dont elle signe également le scénario. Charcuté par les producteurs, Lynch a fait couler autant d’encre que si elle en comptait une ce troisième ®ilm ne ressemble en rien à ce que Lynch avait en tête : dizaine.A Tout commence en 1993 avec le très controversé Boxing elle reniera le résultat fermement, ce qui rappelle les mésaventures Helena, dont la cinéaste indique avoir écrit le scénario à l’âge de 19 qu’avait connues son père David avec Dune, quelque vingt ans plus tôt. -
6810 Kozma & Freibert.Indd
ReFocus: The Films of Doris Wishman 66810_Kozma810_Kozma & Freibert.inddFreibert.indd i 006/04/216/04/21 3:063:06 ppmm R eFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once- famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D. Rhodes and Robert Singer ReFocus: The Films of Kelly Reichardt E. Dawn Hall ReFocus: The Films of William Castle Edited by Murray Leeder ReFocus: The Films of Barbara Kopple Edited by Jeff Jaeckle and Susan Ryan ReFocus: The Films of Elaine May Edited by Alexandra Heller-Nicholas and Dean Brandum ReFocus: The Films of Spike Jonze Edited by Kim Wilkins and Wyatt Moss-Wellington ReFocus: The Films of Paul Schrader Edited by Michelle E. Moore and Brian Brems ReFocus: The Films of Doris Wishman Edited by Alicia Kozma and Finley Freibert edinburghuniversitypress.com/series/refoc 66810_Kozma810_Kozma & Freibert.inddFreibert.indd iiii 006/04/216/04/21 3:063:06 ppmm ReFocus: The Films of Doris Wishman Edited by Alicia Kozma and Finley Freibert 66810_Kozma810_Kozma & Freibert.inddFreibert.indd iiiiii 006/04/216/04/21 3:063:06 ppmm Edinburgh University Press is one of the leading university presses in the UK.