Curriculum Vitae
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The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Surface Or Essence: Beyond the Coded Character Set Model
Surface or Essence: Beyond the Coded Character Set Model. Shigeki Moro1) Abstract For almost all users, the coded character set model is the only way to use characters with their computers. Although there have been frequent arguments about the many problems of coded character sets, until now, there was almost nothing on the philosophical consideration on a character in the field of Computer science. In this paper, the similarity between the coded character set model and Aristotle’s Essentialism and the consequent problems derived from it, is discussed. Then the importance of the surface of the character is pointed out using the ´ecrituretheory of Jacques Derrida. Lastly, the Chaon model of the CHISE project is introduced as one of the solutions to this problem. Keywords: Unicode, Aristotle’s Essentialism, Derrida’s Theory of ´ecriture,Chaon model “Depth must be hidden. Where? On the surface.” other local and super character code sets are still —Hugo von Hofmannsthal (1874-1929) being developed, and the repertoires of the existing character sets are increasing even now. What users 1 Introduction. can only do is to choose and follow these character sets. Writing, is not only considered as one of the most The main reason for this is that there are both fundamental mediums of intellectual activities, but sides: Writing is not only dependent on a context, also a frequently used one, which is not restricted but that it is transmitted exceeding the context (it to the use of computers alone. Needless to say that is contrastive with oral language being indivisible the coded character set model (abbreviation being from a context). -
In Memory of Bernard
How can I believe that Bernard has already left us? It is true that he has left, but I don’t believe it and I will not believe it. Since I woke up on August 7 and read about the death of Bernard Stiegler, I have listened to his voice on the radio and felt Bernard’s presence, his generosity, his warm greetings and smiles. I haven’t been able to 01/05 stop my tears. I was on the phone with Bernard just a week ago, talking about an event in Arles at the end of August and our future projects. Bernard’s voice was weaker than usual, but he was positive. He complained that his mobile didn’t work and his printer was broken, and he wasn’t able to buy new ones online because he needed a verification code sent to his mobile. Yet Yuk Hui he continued to write. On August 6, I felt unusually weak myself. My belly was aching. This happened to me two years ago when my friend In Memory of and copyeditor committed suicide. I dragged my body to the post office to send Bernard some Bernard Korean ginseng I had promised him a while ago, but the post office was closed due to COVID-19. When I got home, I thought to send him a message telling him that two special journal issues I edited, and that he took part in, were about to come out. I now regret that I didn’t manage to tell him, since I no longer have the chance to talk to him anymore. -
Animate Biology: Data, Visualization, and Life's Moving Image Adam J. Nocek a Dissertation Submitted in Partial Fulfillment Of
Animate Biology: Data, Visualization, and Life’s Moving Image Adam J. Nocek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Phillip Thurtle, Chair James Tweedie Robert Mitchell Program Authorized to Offer Degree: Comparative Literature ©Copyright 2015 Adam J. Nocek University of Washington Abstract Animate Biology: Data, Visualization, and Life’s Moving Image Adam J. Nocek Chair of the Supervisory Committee: Associate Professor Phillip Thurtle Animate Biology: Data, Visualization, and Life’s Moving Image examines how biologists are using 3D animation technologies developed by the entertainment industry (Pixar and DreamWorks) to visualize biological data sets. Over the course of four chapters, the project develops a concept of scientific aesthetics in order to counter the neoliberalization of these visualization practices. The first chapter, “Molecular Control,” shows how there is significant controversy among scientists regarding the scientific value of molecular animations, since it is unclear whether they faithfully depict biological data. Drawing on Lorraine Daston and Peter Galison’s scholarship on the history of scientific visualization, the dissertation intervenes in this debate by clarifying what the criteria are for determining the scientific value of images. The study demonstrates that representation, instead of objectivity, is the epistemic norm that determines the scientific value of images, and that the norm of representation is fully operative in 3D molecular animations. I argue that what is often missed in debates over scientific imaging is that representation has undergone many transformations in the history of scientific epistemology, and that it now obeys the logic of flexibility and competition that exemplifies neoliberal market values. -
Anime's Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and The
Manji 1 Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory A thesis Age submitted in fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Rufus C. Manji University of Canterbury 2020 Manji 2 Contents Table of Contents 1. Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory ........................................................................................ 1 1.1. Contents ........................................................................................................................ 2 1.2. Abstract ......................................................................................................................... 4 1.3. Acknowledgements ....................................................................................................... 6 2. Introduction .............................................................................................................. 7 3. Chapter 1: Superflat, Subculture, and National Trauma .........................................13 3.1. Takashi Murakami and superflat ................................................................................. 14 3.1.1. A genealogy of superflat subculture ........................................................................................ 20 3.1.2. Framing JNP: Japan’s Postmodern Condition ....................................................................... 32 3.1.3. The Database & Animalisation -
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Edited by Manuel Hernández-Pérez Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Media Cultures in Japan and Abroad Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Special Issue Editor Manuel Hern´andez-P´erez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Manuel Hernandez-P´ erez´ University of Hull UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) from 2018 to 2019 (available at: https://www.mdpi.com/journal/arts/special issues/japanese media consumption). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-008-4 (Pbk) ISBN 978-3-03921-009-1 (PDF) Cover image courtesy of Manuel Hernandez-P´ erez.´ c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
Adapting Anime: Transnational Media Between Japan and the United States
ADAPTING ANIME: TRANSNATIONAL MEDIA BETWEEN JAPAN AND THE UNITED STATES Brian Ruh Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Communication and Culture, Indiana University May 2012 Acceptance page Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ____________________________________ Barbara Klinger, Ph.D. ____________________________________ Gregory Waller, Ph.D. ____________________________________ Yeidy Rivero, Ph.D. ____________________________________ Scott O’Bryan, Ph.D. April 9, 2012 ii Acknowledgements I am very grateful to my Ph.D. committee – Barbara Klinger, Gregory Waller, Yeidy Rivero, and Scott O’Bryan – for supporting me (and putting up with me) for these last few years. My parents, Richard and Christine, and parents in law, Dan and Barbara Skinner, have been positive influences throughout this entire process, and I’m sure they’re all glad to see me finish. However, the person who may have borne the most stress through the entire process has been my loving wife Sarah. I’m so thankful to have her. I also need to acknowledge my two beautiful daughters Charlotte and Abby, the sources of both great joy and great delays in the writing process. And finally, hello to Jason Isaacs. iii Abstract Brian Ruh ADAPTING ANIME: TRANSNATIONAL MEDIA BETWEEN JAPAN AND THE UNITED STATES This dissertation examines Japanese animation, or anime, as an example of how a contemporary media product crosses national and cultural borders and becomes globalized. Bringing together the theories of Hiroki Azuma and Susan J. -
The Politics of Mis-Communication and Democracy 2.0
Keio Communication Review No.39, 2017 Towards the New Democratic Accessibility: The Politics of Mis-Communication and Democracy 2.0 TERAOKA Tomonori* Introduction Deliberative democracy both in theory and practice has been passé in contemporary society. The idea of politics through deliberative communication within enlightened citizens of rationality has been a traditional ideal since ancient Greece and has been centered on Western political thoughts. This ideal, however, is becoming more unrealistic in today’s complicated society. There are two kinds of problems with deliberative democracy: the idea of the public sphere and accessibility. The grand ideal of deliberative democracy assumes that all the participants must be familiar with the topic of discussion, know how to use their rationality, and 1 be socially motivated for open discussion in the public sphere. Most notably, Hannah Arendt and Jürgen Habermas have developed the idea of the public sphere where socially and politically motivated human beings, as speaking beings, gather and participate in public deliberation. Hannah Arendt argues, “[to] live an entirely private life means above all to be deprived of all things essential to a truly human life…a life without speech and action… is literally dead to the world; it has ceased to be a human life because it is no longer lived among men” (Arendt 1988: 58 & 176). However, in today’s complex society, the more people’s interests become diverse and society becomes fragmented, the less a unified public sphere—where humans truly become genuine humans, as social beings—is likely to emerge. People * Doctoral Student in the Department of Communication at the University of Pittsburgh, United States. -
For a Philosophy of Technology in China Geert Lovink Interviews Yuk Hui
parrhesia 27 · 2017 · 48-63 for a philosophy of technology in china geert lovink interviews yuk hui INTRODUCTION Soon after his first book on “digital objects”,1 philosopher Yuk Hui published a second title, The Question Concerning Technology in China.2 We decided to do an interview again and focus on contemporary issues related to the rise of China as a world power. Hui’s aim is to develop a speculative theory of “Chinese technic- ity.”3 China has caught up with the great powers but at the same time the country isn’t ready yet to deal with the new situation. Hui observes that “China is on the same technological time-axis as the West, but what still lags behind is Chinese thought.” According to Hui something went wrong in the separation of tradition and modern life. How could Chinese philosophy “think” technology, and how would such an intellectual enterprise, inevitably, be related to Western thought? Hui, who has been studying and working in Europe for the past decade, has not been able to distinguish China from Europe. If this was ever his ambition, he has failed. Much like his first study, his main references are Martin Heidegger, his French contemporary Gilbert Simondon and today’s philosopher of technology, Bernard Stiegler. Equipped with all the latest insights from London, Paris and Berlin, Hui sends the unequivocal message to Beijing that technologies are not merely instruments. They affect the Chinese mind, and all forms of dualism be- tween technology and thought are revealed to be erroneous. The first part of Hui’s fascinating book is dedicated to historical Chinese philoso- phy and the distinction between Qi (tool) and Dao (wholeness). -
Kawaii Aesthetics from Japan to Europe: Theory of the Japanese
arts Article Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods Marco Pellitteri School of Journalism and Communication, Shanghai International Studies University, Shanghai 200085, China; [email protected] Received: 19 April 2018; Accepted: 26 June 2018; Published: 4 July 2018 Abstract: Kawaii culture and aesthetics are a peculiarity of contemporary Japan and move across mass media, impulse goods, creative industries, and juvenile tendencies. The concept, graphic styles, and commodities related to a kawaii culture are composite. This article, in its first part, outlines the theories and general features of this cultural trend in Japan and as it is framed in most western countries. In the second part, it also focuses on whether and how the concept and the related styles and commodities have found a place in Europe, with particular reference to Italy and France. These two countries, in fact, have been since the late 1970s the key markets in the Euro-American region for Japanese contemporary culture for youths, namely Japanese comics (generally called manga) and commercial animation (or anime). Anime and manga are, in effect, an integral part of the theoretical discourse on kawaii in the two markets considered, as it is discussed accordingly in the second part of the article. In its last section, the article addresses the impact of kawaii styles on youth cultures in Europe, which is, although limited, multidimensional: it has involved spontaneous drawings among children, a certain amateur and professional comics production, amateur and commercial animation, toys and a diverse merchandising, street art, and fashion design. -
Download Date 01/10/2021 19:56:38
The Politics of Disaster and Their Role in Imagining an Outside. Understanding the Rise of the Post-Fukushima Anti-Nuclear Movements Item Type Thesis Authors Tamura, Azumi Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 01/10/2021 19:56:38 Link to Item http://hdl.handle.net/10454/14384 University of Bradford eThesis This thesis is hosted in Bradford Scholars – The University of Bradford Open Access repository. Visit the repository for full metadata or to contact the repository team © University of Bradford. This work is licenced for reuse under a Creative Commons Licence. The Politics of Disaster and Their Role in Imagining an Outside Understanding the Rise of the Post-Fukushima Anti-Nuclear Movements Azumi TAMURA Submitted for the Degree of Doctor of Philosophy Faculty of Social Sciences University of Bradford 2015 Abstract Azumi TAMURA The Politics of Disaster and Their Role in Imagining an Outside Understanding the Rise of the Post-Fukushima Anti-Nuclear Movements Keywords: Fukushima, Social movement, Contemporary Japan, Postmodernity, Political apathy, Identity, Emotion Political disillusionment is widespread in contemporary Japanese society, despite people’s struggles in the recession. Our social relationships become entangled, and we can no longer clearly identify our interest in politics. The search for the outside of stagnant reality sometimes leads marginalised young people to a disastrous imaginary for social change, such as war and death.