Surface Or Essence: Beyond the Coded Character Set Model
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Doctor's Thesis Studies on Multilingual Information Processing
NAIST-IS-DT9761021 Doctor’s Thesis Studies on Multilingual Information Processing on the Internet Akira Maeda September 18, 2000 Department of Information Systems Graduate School of Information Science Nara Institute of Science and Technology Doctor’s Thesis submitted to Graduate School of Information Science, Nara Institute of Science and Technology in partial fulfillment of the requirements for the degree of DOCTOR of ENGINEERING Akira Maeda Thesis committee: Shunsuke Uemura, Professor Yuji Matsumoto, Professor Minoru Ito, Professor Masatoshi Yoshikawa, Associate Professor Studies on Multilingual Information Processing on the Internet ∗ Akira Maeda Abstract With the increasing popularity of the Internet in various part of the world, the languages used for Web documents are expanded from English to various languages. However, there are many unsolved problems in order to realize an information system which can handle such multilingual documents in a unified manner. From the user’s point of view, three most fundamental text processing functions for the general use of the World Wide Web are display, input, and retrieval of the text. However, for languages such as Japanese, Chinese, and Korean, character fonts and input methods that are necessary for displaying and inputting texts, are not always installed on the client side. From the system’s point of view, one of the most troublesome problems is that, many Web documents do not have meta information of the character coding system and the language used for the document itself, although character coding systems used for Web documents vary according to the language. It may result in troubles such as incorrect display on Web browsers, and inaccurate indexing on Web search engines. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Alphabetization† †† Wendy Korwin*, Haakon Lund** *119 W
Knowl. Org. 46(2019)No.3 209 W. Korwin and H. Lund. Alphabetization Alphabetization† †† Wendy Korwin*, Haakon Lund** *119 W. Dunedin Rd., Columbus, OH 43214, USA, <[email protected]> **University of Copenhagen, Department of Information Studies, DK-2300 Copenhagen S Denmark, <[email protected]> Wendy Korwin received her PhD in American studies from the College of William and Mary in 2017 with a dissertation entitled Material Literacy: Alphabets, Bodies, and Consumer Culture. She has worked as both a librarian and an archivist, and is currently based in Columbus, Ohio, United States. Haakon Lund is Associate Professor at the University of Copenhagen, Department of Information Studies in Denmark. He is educated as a librarian (MLSc) from the Royal School of Library and Information Science, and his research includes research data management, system usability and users, and gaze interaction. He has pre- sented his research at international conferences and published several journal articles. Korwin, Wendy and Haakon Lund. 2019. “Alphabetization.” Knowledge Organization 46(3): 209-222. 62 references. DOI:10.5771/0943-7444-2019-3-209. Abstract: The article provides definitions of alphabetization and related concepts and traces its historical devel- opment and challenges, covering analog as well as digital media. It introduces basic principles as well as standards, norms, and guidelines. The function of alphabetization is considered and related to alternatives such as system- atic arrangement or classification. Received: 18 February 2019; Revised: 15 March 2019; Accepted: 21 March 2019 Keywords: order, orders, lettering, alphabetization, arrangement † Derived from the article of similar title in the ISKO Encyclopedia of Knowledge Organization Version 1.0; published 2019-01-10. -
Electronic Document Preparation Pocket Primer
Electronic Document Preparation Pocket Primer Vít Novotný December 4, 2018 Creative Commons Attribution 3.0 Unported (cc by 3.0) Contents Introduction 1 1 Writing 3 1.1 Text Processing 4 1.1.1 Character Encoding 4 1.1.2 Text Input 12 1.1.3 Text Editors 13 1.1.4 Interactive Document Preparation Systems 13 1.1.5 Regular Expressions 14 1.2 Version Control 17 2 Markup 21 2.1 Meta Markup Languages 22 2.1.1 The General Markup Language 22 2.1.2 The Extensible Markup Language 23 2.2 Markup on the World Wide Web 28 2.2.1 The Hypertext Markup Language 28 2.2.2 The Extensible Hypertext Markup Language 29 2.2.3 The Semantic Web and Linked Data 31 2.3 Document Preparation Systems 32 2.3.1 Batch-oriented Systems 35 2.3.2 Interactive Systems 36 2.4 Lightweight Markup Languages 39 3 Design 41 3.1 Fonts 41 3.2 Structural Elements 42 3.2.1 Paragraphs and Stanzas 42 iv CONTENTS 3.2.2 Headings 45 3.2.3 Tables and Lists 46 3.2.4 Notes 46 3.2.5 Quotations 47 3.3 Page Layout 48 3.4 Color 48 3.4.1 Theory 48 3.4.2 Schemes 51 Bibliography 53 Acronyms 61 Index 65 Introduction With the advent of the digital age, typesetting has become available to virtually anyone equipped with a personal computer. Beautiful text documents can now be crafted using free and consumer-grade software, which often obviates the need for the involvement of a professional designer and typesetter. -
In Memory of Bernard
How can I believe that Bernard has already left us? It is true that he has left, but I don’t believe it and I will not believe it. Since I woke up on August 7 and read about the death of Bernard Stiegler, I have listened to his voice on the radio and felt Bernard’s presence, his generosity, his warm greetings and smiles. I haven’t been able to 01/05 stop my tears. I was on the phone with Bernard just a week ago, talking about an event in Arles at the end of August and our future projects. Bernard’s voice was weaker than usual, but he was positive. He complained that his mobile didn’t work and his printer was broken, and he wasn’t able to buy new ones online because he needed a verification code sent to his mobile. Yet Yuk Hui he continued to write. On August 6, I felt unusually weak myself. My belly was aching. This happened to me two years ago when my friend In Memory of and copyeditor committed suicide. I dragged my body to the post office to send Bernard some Bernard Korean ginseng I had promised him a while ago, but the post office was closed due to COVID-19. When I got home, I thought to send him a message telling him that two special journal issues I edited, and that he took part in, were about to come out. I now regret that I didn’t manage to tell him, since I no longer have the chance to talk to him anymore. -
Automated Malware Analysis Report for Set-Up.Exe
ID: 355727 Sample Name: Set-up.exe Cookbook: default.jbs Time: 13:38:24 Date: 21/02/2021 Version: 31.0.0 Emerald Table of Contents Table of Contents 2 Analysis Report Set-up.exe 4 Overview 4 General Information 4 Detection 4 Signatures 4 Classification 4 Startup 4 Malware Configuration 4 Yara Overview 4 Sigma Overview 4 Signature Overview 4 Compliance: 5 Mitre Att&ck Matrix 5 Behavior Graph 5 Screenshots 6 Thumbnails 6 Antivirus, Machine Learning and Genetic Malware Detection 7 Initial Sample 7 Dropped Files 7 Unpacked PE Files 7 Domains 7 URLs 7 Domains and IPs 8 Contacted Domains 8 URLs from Memory and Binaries 8 Contacted IPs 8 General Information 8 Simulations 9 Behavior and APIs 9 Joe Sandbox View / Context 9 IPs 9 Domains 9 ASN 9 JA3 Fingerprints 9 Dropped Files 9 Created / dropped Files 10 Static File Info 10 General 10 File Icon 10 Static PE Info 10 General 10 Authenticode Signature 11 Entrypoint Preview 11 Rich Headers 12 Data Directories 12 Sections 13 Resources 13 Imports 14 Version Infos 16 Possible Origin 16 Network Behavior 16 Code Manipulations 16 Statistics 16 System Behavior 16 Analysis Process: Set-up.exe PID: 3976 Parent PID: 5896 16 Copyright null 2021 Page 2 of 21 General 16 File Activities 17 File Created 17 File Written 17 File Read 21 Registry Activities 21 Key Value Created 21 Disassembly 21 Code Analysis 21 Copyright null 2021 Page 3 of 21 Analysis Report Set-up.exe Overview General Information Detection Signatures Classification Sample Set-up.exe Name: CCoonntttaaiiinnss fffuunncctttiiioonnaallliiitttyy tttoo -
I18n, M17n, Unicode, and All That
I18N, M17N, UNICODE, AND ALL THAT Tim Bray General-Purpose Web Geek Sun Microsystems /[a-zA-Z]+/ This is probably a bug. The Problems We Have To Solve Identifying characters Storage Byte⇔character mapping Transfer Good string API Published in 1996; it has 74 major sections, most of which discuss whole families of writing systems. www.w3.org/TR/charmod Identifying Characters 1,1 17 “Planes”14,1 each with 64k code points: U+0000 – U+10FFFF BMP 12 Unicode Code Points 0 0000 1 0000 Basic Multilingual Plane 2 0000 Dead Languages & Math 3 0000 Han Characters 4 0000 5 0000 Non-BMP 6 0000 7 0000 99,024 characters defined in Unicode 5.0 “Astral” Planes 8 0000 9 0000 A 0000 B 0000 C 0000 D 0000 E 0000 Language F 0000 10 0000 Private Use T ags The Basic Multilingual Plane (BMP) U+0000 – U+FFFF 0000 Alphabets 1000 2000 3000 Punctuation 4000 Asian-language Support 5000 Han Characters 6000 7000 8000 9000 A000 Y B000 i Hangul C000 D000 E000 (*: Legacy-Compatibility junk)Surrogates F000 Private Use * Unicode Character Database 00C8;LATIN CAPITAL LETTER E WITH GRAVE;Lu;0;L;0045 0300;;;;N;LATIN CAPITAL LETTER E GRAVE;;;00E8; “Character #200 is LATIN CAPITAL LETTER E WITH GRAVE, a lower-case letter, combining class 0, renders L-to-R, can be composed by U+0045/U+0300, had a differentÈ name in Unicode 1, isn’t a number, lowercase is U+00E8.” www.unicode.org/Public/Unidata $ U+0024 DOLLAR SIGN Ž U+017D LATIN CAPITAL LETTER Z WITH CARON ® U+00AE REGISTERED SIGN ή U+03AE GREEK SMALL LETTER ETA WITH TONOS Ж U+0416 CYRILLIC CAPITAL LETTER ZHE א U+05D0 HEBREW LETTER -
Animate Biology: Data, Visualization, and Life's Moving Image Adam J. Nocek a Dissertation Submitted in Partial Fulfillment Of
Animate Biology: Data, Visualization, and Life’s Moving Image Adam J. Nocek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Phillip Thurtle, Chair James Tweedie Robert Mitchell Program Authorized to Offer Degree: Comparative Literature ©Copyright 2015 Adam J. Nocek University of Washington Abstract Animate Biology: Data, Visualization, and Life’s Moving Image Adam J. Nocek Chair of the Supervisory Committee: Associate Professor Phillip Thurtle Animate Biology: Data, Visualization, and Life’s Moving Image examines how biologists are using 3D animation technologies developed by the entertainment industry (Pixar and DreamWorks) to visualize biological data sets. Over the course of four chapters, the project develops a concept of scientific aesthetics in order to counter the neoliberalization of these visualization practices. The first chapter, “Molecular Control,” shows how there is significant controversy among scientists regarding the scientific value of molecular animations, since it is unclear whether they faithfully depict biological data. Drawing on Lorraine Daston and Peter Galison’s scholarship on the history of scientific visualization, the dissertation intervenes in this debate by clarifying what the criteria are for determining the scientific value of images. The study demonstrates that representation, instead of objectivity, is the epistemic norm that determines the scientific value of images, and that the norm of representation is fully operative in 3D molecular animations. I argue that what is often missed in debates over scientific imaging is that representation has undergone many transformations in the history of scientific epistemology, and that it now obeys the logic of flexibility and competition that exemplifies neoliberal market values. -
Anime's Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and The
Manji 1 Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory A thesis Age submitted in fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Rufus C. Manji University of Canterbury 2020 Manji 2 Contents Table of Contents 1. Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory ........................................................................................ 1 1.1. Contents ........................................................................................................................ 2 1.2. Abstract ......................................................................................................................... 4 1.3. Acknowledgements ....................................................................................................... 6 2. Introduction .............................................................................................................. 7 3. Chapter 1: Superflat, Subculture, and National Trauma .........................................13 3.1. Takashi Murakami and superflat ................................................................................. 14 3.1.1. A genealogy of superflat subculture ........................................................................................ 20 3.1.2. Framing JNP: Japan’s Postmodern Condition ....................................................................... 32 3.1.3. The Database & Animalisation -
How Unicode Came to "Dominate the World" Lee Collins 18 September 2014 Overview
How Unicode Came to "Dominate the World" Lee Collins 18 September 2014 Overview • Original design of Unicode • Compromises • Technical • To correct flaws • Political • To buy votes • Dominates the world • But is it still “Unicode” Why Unicode • Mid-late 1980s growth of internationalization • Spread of personal computer • Frustration with existing character encodings • ISO / IEC 2022-based (ISO 8895, Xerox) • Font-based (Mac) • Code pages (Windows) Existing Encodings • No single standard • Different solutions based on single language • Complex multibyte encodings • ISO 2022, Shift JIS, etc. • Multilinguality virtually impossible • Barrier to design of internationalization libraries Assumptions • Encoding is foundation of layered model • Simple, stable base for complex processing • Characters have only ideal shape • Final shape realized in glyphs • Font, family, weight, context • Character properties • Directionality • Interaction with surrounding characters • Non-properties • Language, order in collation sequence, etc. • Depend on context Unicode Design • Single character set • Sufficient for living languages • Simple encoding model • “Begin at zero and add next character” — Peter Fenwick of BSI at Xerox 1987 • No character set shift sequences or mechanisms • Font, code page or ISO 2022 style • Fixed width of 16 bits • Encode only atomic elements • Assume sophisticated rendering technology • a + + = • = Early Strategy • Unicode as pivot code • Interchange between existing encodings • Focus on particular OSs • Xerox, Mac, NeXTSTEP, -
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes
Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Edited by Manuel Hernández-Pérez Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Media Cultures in Japan and Abroad Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Special Issue Editor Manuel Hern´andez-P´erez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Manuel Hernandez-P´ erez´ University of Hull UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) from 2018 to 2019 (available at: https://www.mdpi.com/journal/arts/special issues/japanese media consumption). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-008-4 (Pbk) ISBN 978-3-03921-009-1 (PDF) Cover image courtesy of Manuel Hernandez-P´ erez.´ c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.