The Source June 2012
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Speech by Carolle Brabant, Quebec MBA
QUEBEC MBA ASSOCIATION APRIL 25, 2012 The Canadian audiovisual industry: We mean business Speech delivered by Carolle Brabant, C.P.A., C.A., MBA Executive Director, Telefilm Canada I’d like to thank you for being here today as well as thank the Quebec MBA Association for making culture a part of these lunch-time talks. As an MBA graduate myself, I’m delighted to be able to use this forum to speak to you about a passionate and important industry for the economic and cultural future of Canada: the audiovisual industry. I decided to join this industry over 21 years ago and I’ve never regretted it. It has let me combine my passion for business with my passion for the arts. Every day, I get to work with inspirational, dynamic people who motivate me. 1/24 There’s been much talk of culture in the media these past few weeks as a result of the federal government’s recent budget cuts. But there’s also been much talk about the success garnered by Canadian productions. One need only think of the tremendous box office success enjoyed by Starbuck. It was announced this week that DreamWorks has acquired the remake rights and that Ken Scott would be the director. Then, of course, there’s Monsieur Lazhar, which made it all the way to the Oscars! The Canadian audiovisual industry is a vibrant, active industry that touches us every day through our television screens, at the movies, and increasingly on our computers and phones. It is an industry deserving of our attention, notably because of its contribution to the culture and economy of our country. -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
6182 Rhodes & Singer.Indd
Consuming Images 6182_Rhodes & Singer.indd i 18/12/19 3:04 PM Robert Abel’s Bubbles (1974) 6182_Rhodes & Singer.indd ii 18/12/19 3:04 PM Consuming Images Film Art and the American Television Commercial Gary D. Rhodes and Robert Singer 6182_Rhodes & Singer.indd iii 18/12/19 3:04 PM Dedicated to Barry Salt and Gerald “Jerry” Schnitzer Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Gary D. Rhodes and Robert Singer, 2020 Edinburgh University Press Ltd The Tun—Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 6068 2 (hardback) ISBN 978 1 4744 6070 5 (webready PDF) ISBN 978 1 4744 6071 2 (epub) The right of Gary D. Rhodes and Robert Singer to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 6182_Rhodes & Singer.indd iv 18/12/19 3:04 PM Contents List of Figures vi Acknowledgments ix Introduction 1 1. Origins 16 2. Narrative 36 3. Mise-en-scène 62 4. -
Includes Our Main Attractions and Special Programs 215 345 6789
County Theater 79 PreviewsMARCH – MAY 2012 DAMSELS IN DISTRESS DAMSELS INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS C OUNTY T HEATER.ORG 215 345 6789 Welcome to the nonprofit County Theater The County Theater is a nonprofit, tax-exempt 501(c)(3) organization. How can you support ADMISSION COUNTY THEATER the County Theater? MEMBER General ..............................................................$9.75 Be a member. Members ...........................................................$5.00 Become a member of the nonprofit County Theater and Seniors (62+) show your support for good Students (w/ID) & Children (<18). ..................$7.25 films and a cultural landmark. See back panel for a member- Matinees ship form or join on-line. Your financial support is tax-deductible. Mon, Tues, Thurs & Fri before 4:30 Make a gift. Sat & Sun before 2:30 .......................................$7.25 Your additional gifts and support make us even better. Your Wed Early Matinee before 2:30 ..........................$5.00 donations are fully tax-deductible. And you can even put your Affiliated Theaters Members* .............................$6.00 name on a bronze star in the sidewalk! You must present your membership card to obtain membership discounts. Contact our Business Office at (215) 348-1878 x117 or at The above ticket prices are subject to change. [email protected]. Be a sponsor. *Affiliated Theaters Members Receive prominent recognition for your business in exchange The County Theater, the Ambler Theater, and the Bryn Mawr Film for helping our nonprofit theater. Recognition comes in a variety Institute have reciprocal admission benefits. Your membership will of ways – on our movie screens, in our brochures, and on our allow you $6.00 admission at the other theaters. -
MY INTERNSHIP in CANADA (Guibord S’En Va-T-En Guerre)
MY INTERNSHIP IN CANADA (Guibord s’en va-t-en guerre) Press Kit A political satire by Philippe Falardeau with Patrick Huard Irdens Exantus Clémence Dufresne-Deslières and Suzanne Clément INTERNATIONAL SALES CANADIAN DISTRIBUTION PUBLICITY Sébastien Beffa Sébastien Létourneau Judith Dubeau Films Distribution Les Films Christal IXION Communications +33 1 53 10 33 99 Tél : +1 514 336 9696 +1 514 495 8176 [email protected] [email protected] [email protected] My Internship in Canada synopsis Guibord is an independent Member of Parliament who represents Prescott-Makadewà- Rapides-aux Outardes, a vast county in Northern Quebec. As the entire country watches, Guibord unwillingly finds himself in the awkward position of holding the decisive vote to determine whether Canada will go to war. Accompanied by his wife, his daughter and an idealistic intern from Haiti named Souverain (Sovereign) Pascal, Guibord travels across his district in order to consult his constituents. While groups of lobbyists get involved in a debate that spins out of control, the MP will have to face his own conscience. My Internship in Canada (Guibord s’en va-t-en guerre) is a biting political satire in which politicians, citizens and lobbyists go head-to-head tearing democracy to shreds. My Internship in Canada | September 2015 1 My Internship in Canada cast Steve Guibord Patrick HUARD Suzanne Suzanne CLÉMENT Souverain (Sovereign) Pascal Irdens EXANTUS Lune Clémence DUFRESNE-DESLIÈRES Stéphanie Caron-Lavallée Sonia CORDEAU Prime Minister -
The Release: a Thesis
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-16-2014 The Release: A Thesis Jonathan Frey [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other Film and Media Studies Commons Recommended Citation Frey, Jonathan, "The Release: A Thesis" (2014). University of New Orleans Theses and Dissertations. 1798. https://scholarworks.uno.edu/td/1798 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Release A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Fine Arts In Film Production By Jonathan Frey B.A. Tulane University, 2003 May 2014 © 2014, Jonathan Frey ii Table of Contents Abstract ......................................................................................................................................... -
University of Groningen Narrative Metalepsis As Diegetic Concept In
University of Groningen Narrative Metalepsis as Diegetic Concept in Christopher Nolan’s 'Inception' (2010) Kiss, M. Published in: Acta Universitatis Sapientiae, Film and Media Studies IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2012 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Kiss, M. (2012). Narrative Metalepsis as Diegetic Concept in Christopher Nolan’s 'Inception' (2010). Acta Universitatis Sapientiae, Film and Media Studies, 5, 35 - 54. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 26-09-2021 ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 5 (2012) 35–54 Narrative Metalepsis as Diegetic Concept in Christopher Nolan’s Inception (2010) Miklós Kiss University of Groningen (the Netherlands) Email: [email protected] Abstract. The paper aims to revitalise Gérard Genette’s literary term of ‘metalepsis’ within a cinematic context,1 emphasising the expression’s creative potentials for both analytical and creative approaches. -
Trevor Morris
TREVOR MORRIS COMPOSER Trevor Morris is one of the most prolific and versatile composers in Hollywood. He has scored music for numerous feature films and won two EMMY awards for outstanding composition for his work in Television. Internationally renowned for his music on The Tudors, The Borgias, Vikings and the hit NBC television series Taken, Trevor is a stylistically and musically inventive soundtrack creator. Trevor’s unique musical voice can be heard on his recent film scores which include The Delicacy, Hunter Killer, Asura, Olympus Has Fallen, London Has Fallen, and Immortals. And further Television compositions including Another Life, Condor, Castlevania, The Pillars oF the Earth for Tony and Ridley Scott, Emerald City and Iron Fist for Marvel Television. Trevor has also worked as a co-producer/ conductor/ orchestrator on films including Black Hawk Down, The Last Samurai, The Ring Two, Pirates of the Caribbean, and Batman Begins and collaborated with Tony and Ridley Scott, Neil Jordan, Luc Besson, Jerry Bruckheimer, Antoine Fuqua, Tarsem Singh Dandwar, as well as composers James Newton Howard and Hans Zimmer. Trevor is also a Concert Conductor, conducting his music in live concert performances around the globe, including Film Music Festivals in Cordoba Spain, Tenerife Spain, Los Angeles, and Krakow Poland where he conducted a 100-piece orchestra and choir for over 12,000 fans. Trevor has been nominated 5 times for the prestigious EMMY awards, and won twice. As well as being nominated at the World Soundtrack Awards in Ghent for the ‘Discovery of the Year ‘composer award for the film Immortals. Trevor is a British/Canadian dual citizen, based in Los Angeles. -
King's Film Society Past Films 1992 –
King’s Film Society Past Films 1992 – Fall 1992 Truly, Madly, Deeply Sept. 8 Howard’s End Oct. 13 Search for Intelligent Signs of Life In the Universe Oct. 27 Europa, Europa Nov. 10 Spring 1993 A Woman’s Tale April 13 Everybody’s Fine May 4 My Father’s Glory May 11 Buried on Sunday June 8 Fall 1993 Enchanted April Oct. 5 Cinema Paradiso Oct. 26 The Long Day Closes Nov. 9 The Last Days of Chez-Nous Nov. 23 Much Ado About Nothing Dec. 7 Spring 1994 Strictly Ballroom April 12 Raise the Red Lantern April 26 Like Water for Chocolate May 24 In the Name of the Father June 14 The Joy Luck Club June 28 Fall 1994 The Wedding Banquet Sept 13 The Scent of Green Papaya Sept. 27 Widow’s Peak Oct. 9 Sirens Oct. 25 The Snapper Nov. 8 Madame Sousatzka Nov. 22 Spring 1995 Whale Music April 11 The Madness of King George April 25 Three Colors: Red May 9 To Live May 23 Hoop Dreams June 13 Priscilla: Queen of the Desert June 27 Fall 1995 Strawberry & Chocolate Sept. 26 Muriel’s Wedding Oct. 10 Burnt by the Sun Oct. 24 When Night Rain Is Falling Nov. 14 Before the Rain Nov. 28 Il Postino Dec. 12 Spring 1996 Eat Drink Man Woman March 25 The Mystery of Rampo April 9 Smoke April 23 Le Confessional May 14 A Month by the Lake May 28 Persuasion June 11 Fall 1996 Antonia’s Line Sept. 24 Cold Comfort Farm Oct. 8 Nobody Loves Me Oct. -
Le Cinéma Québécois Dans L'environnement Collégial
Le cinéma québécois dans l’environnement collégial Le potentiel éducatif d’un patrimoine cinématographique commun Marianne Gravel Cégep Garneau Christian Poirier Institut national de la recherche scientifique – Urbanisation Culture Société Laurent Pelletier Cégep Garneau Cette recherche a été subventionnée par le ministère de l’Éducation et de l’Enseignement supérieur. Elle s’inscrit dans le cadre du Programme d’aide à la recherche sur l’enseignement et l’apprentissage (PAREA 2018-2019). Seuls les deux chercheurs du Cégep Garneau ont bénéficié de la subvention PAREA. Le chercheur de l’INRS n’a pas reçu d’allocation. Le contenu du présent rapport n’engage que la responsabilité de Équipe de recherche : l’établissement et de ses auteur-e-s. Marianne Gravel Christian Poirier NOTE : Le masculin utilisé dans le texte désigne indistincte- Laurent Pelletier ment les sexes féminins et masculins, sans aucune discrimina- tion à l’égard des hommes et des femmes, dans le but d’alléger le texte et d’en faciliter la lecture. Consultant en pédagogie : Pierre Charles Rochette Article Consultant en analyses statistiques : Un article résumant ce travail de recherche (Gravel, Poirier et François Gagnon Pelletier, 2019, « Le cinéma québécois dans l’environnement collégial : Connaissances et intérêt au croisement des perspec- tives pédagogiques et citoyennes ») est disponible sur le site du Assistant-e-s de recherche (étudiant-e-s) : Centre de documentation collégiale (www.cdc.qc.ca). Rose Talbot Gala Belen Dionne Reproduction Jean-Daniel Faillot La reproduction d’extraits de cet ouvrage est autorisée avec la Soutien à la recherche : mention de la source. Sophie Beauparlant Confidentialité Conseillères à la recherche (volet recherche et conception des questionnaires) : Tous les chercheurs et collaborateurs ayant eu accès aux don- Isabelle Morin nées issues de cette recherche ont signé un formulaire de Marie Briand confidentialité. -
Music Editor
DEL SPIVA MUSIC EDITOR FILM: The Old Guard Studio: Netflix Director: Gena Prince-Bythewood Editor: Terylin A. Shropshire Composer: Volker Bertelmann & Dustin O’Halloran Top Gun Meverick Studio: Paramount Pictures Director: Joseph Kosinsky Editor: Chris Lebenzon Composer: Harold Faltermeyer & Hans Zimmer Just Mercy Studio: Warner Bros Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West DeadPool 2 Studio: Twentieth Century Fox Director: David Leach Editor : Craig Alpert, Elisabet Ronaldsdóttir Composer: Tyler Bates The Defiant Ones Studio: HBO Director: Allen Hughes Editor : Doug Pray Composer: Atticus Ross Blade Runner 2049 Studio: Alcon entertainment Director: Denis Villenueve Editor : Joe Walker Composer: Johann Johannson Roman J. Israel, Esq. Studio: Sony Director: Dan Gilroy Editor : John Gilroy Composer: James Newton-Howard The Glass Castle Studio: Lionsgate Entertainment Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West Gold Studio: The Weinstein Company, Black Bear Pictures Director: Stephen Gaghan Editor : Rick Grayson Composer: Daniel Pemberton Shots Fired (TV Series) Studio: Twentieth Century Fox Directors: Gina Prince—Bythewood, Jonathon Demme, Malcom D. Lee, Millicent Shelton, Reggie Bythewood Editors Teri Shropshire, Micky Blythe, Jacques Gravett, Nancy Richardso Composer: Terence Blanchard DEL SPIVA MUSIC EDITOR C oco Studio: Lions Gate Director: RZA Editor : Yon Van Kline Keanu Studio: New Line Director: Peter Atencio Editor : Nicholas Mansour Composer: Steve Jablonsky Saints & Strangers (TV Mini-Series) Studio: Sony/NatGeo Director: Gina Mathews Editor : Colby Parker, Jr. Composer: Lorne Balfe Won, Golden Reel: Best Music Editing, TV Long Form Pete’s Dragon Studio: Disney Director: david Lowery Editor : Lisa Zeno Churgin Deepwater Horizon Studio: Lionsgate Director: Peter Berg Editor : Colby Parker, Jr.